Les Grosses Têtes: PÉPITE - Le concours des histoires drôles

RTL RTL 10/27/23 - Episode Page - 8m - PDF Transcript

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I hope it will be a good one for you at Pierre Evacance,

since I offer you a one-week stay for four people.

At Pierre Evacance, there is 158 destinations possible.

You will have a choice. You will go to pierevacance.com and you will choose

the sea, the mountain, the countryside.

Everything is possible at Pierre Evacance,

seen learnable in all cases, all equipped, all comfortable.

One week for you, Varianna, in a condition to bet on the big head that will make him laugh with his joke.

Would you like to take a look at it together, Varianna?

Oh yes, of course.

Let's see what kind of story you have today.

Well, I don't know why, it's a story of a little old woman.

Well, we don't know why.

Madame Ocrente, yours?

I think it's a story of little birds.

Little birds, Bernard.

It's a story that bothers me because I find it a little misogynistic.

Oh, oh, oh, oh!

Well, it's Bernard who won.

Jeremy Ferraris.

It's a story of office.

Very good.

Very funny, very funny.

I'm super happy, it's the first joke I'm going to tell the big head.

It's on a front dog.

And you, Rachelle?

It's a story of love.

Who will make the most laugh, Varianna?

I'm going to put it on Jeremy Ferraris.

Yes, yes, yes.

It's for sure.

We will start with Valérie Mérisse.

A little old woman did not seek her girlfriend to go to Mass.

It's a beautiful day,

but she sees that her friend is wearing her umbrella.

She says, well, how do you know that it's going to rain?

This morning, when I left,

my husband's zigzag went left.

That means it's going to rain.

Well, here, it goes right.

Well, there, it means it's going to rain.

And if he stays in the middle,

well, there, I'm not going to Mass.

Ha, ha, ha!

Ha, ha, ha!

Oh, oh, oh!

Yes, ma'am.

It's a beautiful story.

Mr. Vizanrec, since you have a passion.

I don't know if I'm passionate.

I was prepared.

I had a joke that I had for half of July,

I said, I have the opportunity to take a big picture on the spot.

I really like it.

It's a guy who comes in a bar,

and he sees a guy who talks with a dog.

With his dog, he approaches

and as soon as it causes, he says,

excuse me, it's very strange.

The dog talks, the dog turns around,

no, no, no, it's okay.

I have my back,

I'm in the back,

excuse me, we're talking about geopolitics,

because then I did DNA.

And everyone, they look here, they surprise,

and the other side, when you get stuck,

you did DNA and say, yes, after,

I went back to Kedorses.

That's why I'm explaining a little bit,

because I'm on the file

of the Proche-Orient or all that.

At first, I'm going to find this solution

between Israel and Palestine.

It's nice of me to talk to you,

not to have thought you were interested.

Yes, I'm selling you for 20 euros.

To sell you for 20 euros.

It's a liar.

Come on, pretty.

I'm realistic.

Madame Rachel Cane

is asked to speak.

Yes, a couple of illegitimate lovers

say to the chandelier

in the ladies' apartment.

The man asks,

your husband can't come in,

it bothers me, you know,

because he's my best friend.

The woman says, don't worry,

we still have a good time.

At that moment,

the phone rings,

and we hear him say,

yes, my dear, no, no,

of course, she'll be back later.

She comes back to the table,

and her lover asks, was it him?

Yes, but don't worry,

we still have a good time.

He's having a party with you.

Yes, yes, that's good.

Logical.

Madame Christine O'Crent.

A student guy,

travelling pigeons.

It looks like Pierre Belmar.

It's true.

It starts with a look.

A guy asks him,

and this one,

it's a pigeon that I crossed

with a pivot.

And what does that give?

He always brings messages,

but in addition,

he doesn't hit the door.

Yes, she's pretty.

She's cute.

Do you know why

the blond circles are triangular?

It's because

as soon as we put them in the black,

they separate the legs.

Oh!

Oh, but she wasn't as shy as that?

I think so.

It's just that.

It's just that.

It's triangular

with the bell and the bell, then.

Jeremy Ferrari.

It's on you,

Jeremy that Pariana put on.

I'll try my best.

It's in a box,

there's a young employee.

It's his first day, he comes to his office.

He plays a little with the phone.

It's a kind of company phone.

There's a lot of buttons to call colleagues.

He has a little bit of a chance on one of the buttons.

There's a woman on the other side.

He starts, he says,

Hi Mabel, you're going to take your little party

to get me a coffee?

And faster than that, my chicken.

The woman on the other side says,

You know who you're not.

I'm the general manager of this company.

And the guy doesn't show up,

he says,

You know who you're not.

She says,

No, he says,

Wait a minute.

What a success.

He gave me a little bit of humor

at the time.

I don't know how to sell it.

He told me, come here.

I put the joke on stage.

I can read

what I gave you.

You wanted to give me a black belg.

It would be cliché.

I like this black belg.

It's two French people who go

to Brussels in Gauguette.

They go to the neighborhood.

I don't know if there is a neighborhood of prostitutes in Brussels.

I don't know where it is.

Oh, yes.

It's behind the Nord guard.

And so the two French people,

as they don't know where this neighborhood is,

they ask for two belges

if they can accompany them.

So the two belges,

of course, but it's also a good thing.

That's why I didn't want to do it.

The two French people are at the front of the car.

The two belges go up the back.

They end up in the famous street.

That's it.

And there is a prostitutes.

So the French have lowered their life and ask

how much is it?

And the prostitutes say 50 euros in front

and 100 in the back.

And the belges say, I don't see why

we would be cheaper.

Machine-generated transcript that may contain inaccuracies.

Afin de faire gagner un voyage à une auditrice, les Grosses Têtes se lancent dans un concours d'histoires drôles. Pour les départager, un jury impitoyable : le public de l'émission.







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