Les Grosses Têtes: L'INTÉGRALE - Émission du jeudi 31 août 2023

RTL 8/31/23 - Episode Page - 1h 47m - PDF Transcript

Transcript
Show Notes

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The big heads of Laurent Ruchier are from 15.30 to 18.00 on RTL.

Hello, happy to see you again with for you today the most famous big head of La Rochelle,

more famous than Tours Saint-Nicolas or Port Royal, Valérie Merest.

A big head always on the move to play poker or Tours Bourdon in the Karolyne Diamonds show.

A big head that is as interested in the political return as the theatrical return, Christophe Barbier.

A big head that eats dates to entertain his memory.

Paulette Arrast.

Hello.

A big head that sleeps the head in the north, but he stays in all directions.

Jean-François Jean-Saint.

There are people from the north here.

Is it all right or what?

All the family.

All the cousins.

And a big head, a big head with all the finesse and humour.

The last family.

Hello.

Who are these people who are complaining to you, Mr. Jean-Saint?

They are people who complain to me because they love me.

I don't know them.

You are with your clack now.

They are people who come from far away.

They follow me, they are from us.

I came here to see me.

It must have left a great impression on you.

Caledonian people.

There is an open door operation in the Danes.

Come to New Caledonia to applaud us.

It's because we slept together in the bus.

With the four of us?

The two of us only.

The two ladies.

The two ladies are hot.

It motivates you, Mr. Jean-Saint.

I am so happy to come back.

I love coming back.

I meet all my friends.

Because the canikule has been hot, it has isolated me.

The river is not always rich.

I prefer this one.

We were so happy to see each other.

Last year, last season, we were together every day.

There were times when I was tired.

Yes, yes.

And now, I am so happy to see him again.

I was so happy to see him again.

I like the tripoté.

And not the character.

You don't call it the tripoté, you can look at him.

I am happy.

He is still grown up.

He is still grown up for the characters.

Before the summer.

Because I can't wear it anymore.

It falls well, it's not you who dresses me.

Who dresses me?

It's Bernard.

Let me go, let me go, let me go.

Are you in shape, Mr. Elkarat?

No.

What have you been doing during your holidays?

I was going to dedicate myself to camping.

Oh, that's nice.

That's nice.

Yes, indeed.

Jean-Féoncius also dedicated himself to tent villages.

What about you, Mr. Barbier?

Well, I sold some merguez frites in camping,

or Paul sold his book.

It was not bad.

I had more subscribers.

Only to sell merguez frites, Mr. Barbier.

You have a look of merguez.

Oh, you know what?

It doesn't mean anything.

We are going to go, since we are talking about food,

to a first quote that should please Mr. Mabille.

I am here.

Who said, it's for Madame Emé, who lives in Ornus,

in Belgium.

Who said, I saw two cannibals eating a clown.

There is one who said to the other,

do you find it funny?

You, Jean-Yon.

No, Francis Blanche.

No, it's not Francis Blanche.

Pierre Doris.

It's French, it's someone who...

No, it's not Pierre Doris,

but it's someone who made the big heads very regularly.

Yes, my good answer.

From Mr. Barbier, Mr. Mabille.

No, from Bernard Mabille.

From Bernard Mabille.

Well, yes, my most cultural one,

the next quote.

Here, it's for Mr. Barbier.

For Sarah Moulyneau, who said,

happiness is often the only thing

that we can give without having it,

and it's by giving that we care.

It's old, isn't it?

It's pretty, yes.

Ah, yes.

That's where I realize,

at the time, I...

At the time, I...

No, you're giving it anyway,

you have to...

So that I can train my brain.

Why?

To train it.

I think I got a word out of two.

So, it's a woman.

Maybe you...

Maybe you're not feeling well at all.

It's a woman.

No, it's a man who said,

happiness is often the only thing

that we can give, give happiness,

without having it.

Well, it's a reward.

Give, give, give.

We can give happiness without having it.

And it's by giving that we receive it.

Well, yes, it's old.

Yes, it's old.

Well, it's nice.

It's a romance.

It's someone who did the scene.

No, no, it's a romance.

It's a romance.

A romance.

We're going to get rid of it right away.

I'm going to give the dates to Monsieur Lécarade.

1594, 1778.

Voltaire.

Good answer.

From Christophe Barbier, from Paul,

from Florian Petit, who lives in Hormes,

who said,

it's writing which is the real pleasure.

Being read is only a superficial pleasure.

He leaves me who doesn't understand.

He doesn't want to sell.

What do you say?

He leaves me who doesn't understand.

A guy who doesn't sell.

He doesn't understand.

It's someone who says writing is a pleasure.

And that's really the real pleasure,

more than being read

which is only a superficial pleasure.

You can get rid of it with Paul.

It's a French.

It's the most beautiful of you, Paul.

If you want 1882, 1941.

Virginia Woolf.

Good answer.

He hasn't changed yet.

No, no, no.

We're going to re-think for a year.

Another quote for Madame Martinez,

Nathalie Martinez,

who said,

Obagne,

who said,

women who brush their ears

will soon learn something else.

Know every trick.

No, no.

It's older.

It's very old, isn't it?

A plate.

So it's someone who I can tell you,

I knew myself before,

Mr. Elcarate,

the dates by heart.

And why?

I screamed.

Just now?

A marignon.

No, no, no.

A marignon for a person.

Ah, yes, I know.

Come on.

Well, that's where there was RTL,

the Rue Bayard.

No, no, no.

Because it's the same as yours.

If I tell you,

1772, 1825.

Ah, Paul Louis Courier.

Good answer, Paul Elcarate.

Yes, yes.

Why don't you know him?

I don't know.

I'm talking about my next book.

Do you know him?

Why don't you know him?

I don't know,

but why do you know him?

Because he lived on the street.

Because it was written

on the panel of my address

Oaf during 14 years.

During 14 years,

I lived.

You were at the post office.

Mr. Rue,

you lived on 12 streets,

Paul Louis Courier.

Mr. Rue,

I'm talking about

my next book,

this criminal affair.

I'm going there,

if you're talking about Paul Louis Courier,

shut the f*** up.

What about in his domain?

Did he say that it was the courier

that went by?

No, no.

He was a publicist.

Paul Louis.

Gentleman,

and a stripper.

At that time...

I thought he had...

No, no,

publicist.

I didn't know the term existed.

Oh yes,

explain to Mr. Barbier

whether it was a publicist.

No, it was someone

who participated in the public debate.

We were giving him his opinion.

We were,

in panffletzung, or even in public debate,

it's something rather audacious.

That's because I haven't even begun on BFM.

You need a mock-up if you hear that.

The poor tarot!

Ok, well.

He was a grown-up.

He was married and...

He was murdered...

By a butcher.

Yes, he was occupied by the family.

So you just have to say that publicist who comes from the word public.

What did she say?

Yes, it means public and not non-publicist.

What's crazy is that we leave before the holidays.

We think people will change.

We all come back the same way.

One question for Mamsou, who is a port of Lannes in the Netherlands.

What's one or one?

Because the two are called Ruba-lises.

You see, sometimes...

Yes, I know!

It's about a crime scene.

It's for the kids.

It's about a crime scene.

Explain.

There's a yellow and black line that's around a crime scene in the street.

For example, to avoid that there are publicists who come...

Paul Huch.

So you say yellow and black.

It can be red.

Yes, it can be.

We're black in the United States.

But for us, it's red, it's white.

It's the textile rubber in the vivid color.

Indeed, which we use to balise a sector.

It's a sign language.

That's what you were going to say, Caroline.

So, you want me to be honest?

Yes.

Not at all.

But I wasn't far.

I was going to say that it was the king's cone.

Well, that's it.

You're in.

You're in the street to watch the planes.

You're in a crime scene.

Yes, yes.

And I'm in a cone scene.

A rubalise.

That's a good answer from Paul Huch.

So, we're in 1862.

President Abraham Lincoln.

We're all in the United States, you would have understood.

It's white.

He receives someone who welcomes him and tells him,

it's you, this little lady who is responsible for this great war.

Who is the lady who addresses President Abraham Lincoln this day?

Lincoln, Lincoln.

Mimimati.

Finally.

Especially that he speaks of Lincoln by saying this little lady.

But it was really a lady.

No, it was a woman who speaks to someone.

You didn't understand anything.

President Abraham Lincoln.

Yes.

He's at the White House.

There's a little lady with an energetic face,

in English.

Yes, I know.

In English, it's...

Yes.

It's a book.

That's it.

She didn't come with two Britannics, you see.

She had quits in a way.

It's Calamity Jane.

Oh no, not at all.

Hello.

This lady arrives and President Lincoln tells him,

it's you, this little lady who is responsible for this great war.

Is it a wife?

No, no, no.

A weapon maker?

No.

Is it a sudist?

Well, it's someone who obviously did it earlier

for the abolitionism.

You would have understood.

So it's Ariette Becherstow.

Who is the author of the Lancelot Castle?

Good answer, not the character.

Look.

I put it on the tip of the tongue.

That, that, that makes culture, you see.

Because now it's...

Well, yes, she was very small, it's true.

It's not a date affair.

It's just a woman, indeed, who wrote

this international bestseller, the Lancelot Castle.

And of course, she denounced in this book the slavery.

Of course.

Even if today, we accuse this book,

it is in exchange for being rather, obviously,

a almost pro-esclavagist.

Finally, at the time, it was rather the opposite.

And indeed, Ariette Becherstow was received at the White House

and President Lincoln told him,

it's you, this little lady who is responsible for this great war.

Incredible.

Yes, I hope so.

Yes, but he was doubled, obviously.

So it's you, this little lady.

He was doubled by Laurel or Hardy, then.

But in any case, it was well, Ariette Becherstow.

Frankly, you have to know her name.

The author of the Lancelot Castle.

Bravo, Paul.

I have already told you since our return here

that I was lucky during the holidays.

It was still very recent.

I am still a little under the effect of jet lag.

To go to Japan.

And by walking in the Japanese streets,

I had the surprise to see posters of a musical comedy

that will start there in November next to Tokyo.

A musical comedy that for the moment does not yet exist in the knowledge.

Finally, I did research.

No other country but a musical comedy,

on the other hand, which has for theme,

obviously a character that we all know.

What is the personality?

We are going to say that the Tokyoites are set up

to put on the poster a musical comedy in a few weeks.

A singer.

Pikachu.

How?

Pikachu.

That's not caricature.

You see.

But no, it's going to be...

In Japanese, what can he do as a musical comedy?

Pikachu.

No.

Pokemon.

No, no, no.

No, it's very difficult.

It's not at all for the caricature side.

But I tell you, if there are only those who are aware,

it's that it's not important.

No, no, no.

Why not Johnny to the idea as long as you want?

Is it a French personality of our story?

So, yes.

Well, it's Napoleon.

No, Napoleon is my lover.

Is he going to exist?

He didn't exist.

Zoro.

It's American.

But we are getting closer.

It's Arsène Lupin.

And it's Arsène Lupin.

There you go.

The answer.

Paul Alcatraz.

They have a caricature.

The character of Maurice Leblanc.

Leblanc.

Incarned by Omar Sy.

Omar Sy is a veteran.

And Omar Sy, by the way,

launches the third season of Arsène Lupin on Netflix.

Very soon.

And I imagine, maybe because it had an international success,

that it's thanks to this series that the Japanese

decided not to compare them too with Arsène Lupin.

But there is a big distribution because it's a musical comedy with a...

How do you say?

A lot of means?

Yes, a manifesto.

A huge casting.

There is Takuro Azakuma, Shiro Arata, Daishiiguchi,

Hiroshi Okuyama.

They managed to get it.

Moreover, they are so nice, the Japanese.

It's incredible how civilized they are.

So I don't know, I don't know you.

It's Julien Courbet, 24 hours.

24 hours.

Yes, that's for sure.

And you, tomorrow.

Yes.

It's not because they are nice that we have to be dumb.

No, no, they are not nice.

There were the kamikazes.

They are polite.

Not the same.

No, no, no.

But the kamikazes...

They are the source of the community.

They are just the same.

They are all clean.

But I loved it.

Listen...

You don't know?

I forgot.

You have Japanese toilets.

You know everything.

Sorry?

You only have Japanese toilets in America.

That's good too.

You press on massage, there is massage.

It's blue relief.

But for the massage, there are hands that come out.

That's right.

I see the Japanese toilet well.

And in the rest...

No, frankly, listen, it's really because I wanted to see you again.

Otherwise, I would have stayed there.

That's what you say.

Jean-Marc is on the phone.

He is our auditor.

I prefer the day.

Jean-Marc is...

Until next time.

That's it.

I've decided to be Japanese now.

Everyone is nice.

Everyone complains.

Everyone is clean.

Hello Jean-Marc.

Hello Laurent.

I'm really happy to have you.

It's such a pleasure to have you.

When I told you that it was our preparation,

Jean-Marc.

Hello Jean-Marc.

Hello to everyone.

I notice that he has some issues with his daughter,

this young girl who is teenager.

That's good.

She didn't talk to me.

She only knows bullshit.

What did she do to your daughter then?

Well, what can I say?

What did she do to me?

I was in a spa.

For example, I wrote to her.

She threw me carrots and onions.

Crayons.

Here is the firecracker.

For example.

Sir?

No, it makes you laugh.

It makes me laugh maybe now,

but on the other hand, it doesn't really make me laugh.

And you discussed with her.

And you said to her,

for you, I'm just an old fool who spends his time laughing.

And then she said to you,

no, you're not that old.

Yes, that's not that old.

No, it's just that it's quite recent.

And the other day, she brought you for the first time.

I imagine how old your back is.

There, I had one who is 18 and the other who is 20.

Oh, it's not that old.

So it's old.

No, but I'm talking about the one we have in 72.

It's his mother.

There was one who brought his fiancée.

And so your future gender, I imagine.

No, don't talk about it.

Your future gender.

No, don't talk about it.

Your future gender.

She said to you, saying,

hello big, how are you?

Yes, yes.

She didn't like it.

I didn't like it.

Well, she told me it was flatter.

Well, I'm not sure.

All that is very funny.

But in fact, I wonder why you tell us that to us.

So why do I tell you that to you?

It's because I wrote a book.

And I just wanted to send it to you.

And what is your book called?

Well, it's very simple.

You know, it's the newspaper of an adult.

The bad times of a modern witch.

I don't know.

So, you recognized Nicolas Sarkozy.

And it's at which...

No, no, it's...

It's at which publisher?

It's an editor.

It's a small publisher.

It's the publishing house.

Very well.

Well, listen, we're going to look for it.

And we'll offer it.

Why not?

Aline, who is the next editor.

Goodbye, Jean-Marc.

Hello Aline.

Hello Laurent.

Hello the big stars.

Hello Aline.

The final editor.

Yes.

Aline.

And you listened to us during all the summer.

A bit of happiness.

Exactly.

In your grisaille.

But what is your grisaille?

What do you do in life?

My grisaille.

No, it's because...

No, no, I had a few little health problems.

You too.

And in fact, exactly.

And in fact, I...

Well, every day, I listened to you.

It did me good.

Maybe not really.

RTL should be reimbursed by social security.

Exactly.

I'm going to send you a mug, RTL.

Yes, it shows well the moral.

Because the news show...

I hear...

There's Caroline with you.

I love Caroline.

Yes.

With what language did you go?

Aline.

I don't know.

Caroline, Jean-Claire, I heard too.

Oh yes.

With the most intelligent.

Really, Burgos.

Christophe Barbier, Bernard Mabier and Valérie Mérisse.

Oh, Mr. Mabier too.

They're all great.

Of course.

We're going to send you a mug, RTL.

Since our watches are still not available.

Really?

Why not?

It's not a mug.

I was very good like that.

Well, because we're in a stock rupture.

I said it this week.

If you had listened to Mr. Barbier...

Yes, I had missed that.

We're in a stock rupture of watches.

We still have the bracelets.

We took the...

The bracelets.

We hug you, Aline.

We send you the mug.

Thank you very much.

Beatrice.

Beatrice, who is 52 years old now.

Beatrice.

Yes, the next month.

Oh, and she's happy.

What an honour.

How are you?

The guy has courage.

I'm not the nose of a boy 52 years old.

What's your husband's name?

Beatrice.

Guy.

How old are you, Beatrice?

52 years old.

I don't know.

It's the bathroom.

The nose of a boy?

The nose of something.

Yes, it's the nose of something.

The nose of a boy?

The nose of something.

Yes.

And you're leaving...

No, we're not leaving now.

And are you listening to the big stats?

All of them are in a couple.

All of them.

So all day long.

Well, the afternoon, we're doing scrap.

Yes.

And then at night, when we're awake,

because we're having ...

We're listening to the three and a half hours of the afternoon.

At night.

Yes.

Yes, that's it.

Did you have a nice life?

Yes, well.

You know, we have a very good night.

Did you listen to Oli?

Yes, we listened to Oli.

Which one is the most scrabble to you or to your husband?

Well, he has one side, but it's me.

Yes, it's obvious.

In the new edition of the Scrabble, there are two Zs now.

In the new edition of the Scrabble, there are two Zs.

I'm not with him, it's painful.

How do you know that?

There are two Zs in the edition of the Scrabble.

Because he placed Zizi on a board.

We can write Zizi now.

That's good, Mr. Barbier.

I missed it, I was a little nervous.

I missed it with a Z.

Now we can write Zizi.

Yes, it brings a lot of points.

Can you put a Z with the letter of mystery?

We hug you, Beatrice.

We hug all the team.

Cédric now wishes us a nice return.

Hello, Cédric.

Cédric, hello!

Hello Laurent, hello team.

Hello, Cédric.

What are you doing in life, Cédric?

I'm a sports coach.

And I'm a personal and professional coach.

You didn't interest these people yet?

Yes, it's coaching.

You had a small remark on the big stages since we made our return.

A little disappointment because during the first one,

you had a great presentation for each of the big stages.

And no one dared to do a big presentation.

And I would like to take the relay to say

a master of narration and an iriside of the radio,

his bright spirit illuminates each edition.

And even in his bed, it's full of...

I'm going to cry.

I'm going to cry, it's too good.

He's nice to your cousin.

Listen, honestly, Cédric,

I like to dress up.

He's dressed up like Pierre-Louis Collier.

Thank you, Cédric.

Cédric, we're done with Christophe.

Hello, Christophe.

Yes, hello everyone.

It's good because we're filmed today by Paris Premier

and you sent me an email to tell us.

I've been listening to you on the radio for years.

I've never seen your heads

because I never watch TV

so I know very little of the faces of the big stages.

Oh, it's me too.

And for the first time the other day,

my friend, I discovered you on Paris Premier.

Well, frankly, the radio made me dream.

But it's true that when we hear in a voice

we imagine ourselves sometimes beautiful things

and sometimes we're disappointed or not.

Or not, by the way, sometimes also.

Conversely, to see a beautiful surprise,

you know Christophe.

And today, I'm a little more disappointed,

because I hoped that there would be TV

and there wouldn't be.

La, la, la, la, la.

Look, there's Jean-Phi in the older ones.

Ha, ha, ha.

He doesn't like Jean-Phi much more.

What did you say?

You can repeat the question.

I said, we're not compatible.

Yes, you have two too nice accents.

Ha, ha, ha.

Thank you, Caroline, for catching the show.

We'll meet again after 16 hours.

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The big heads with Laurent Ruquier

are every day from 15 to 18 hours on RTL.

With Jean-François Janssen,

Bernard Maby,

Christophe Barbier,

Caroline Diamand,

Valérie Mérez,

and Paul Elcara.

A question for Madame Robineau

who lives in Marseille, Christiane Robineau

hopes for a RTL check.

Today, it's going to be difficult.

Valérie Mérez and Jean-François Janssen.

It's not good to humiliate.

We'll have to have the right to a week

of rest before it's done.

But now I'd like to talk to you about Bobby Fischer.

Do you remember that?

Yes, Bobby Fischer.

The master.

I thought it was Dan.

The master.

Bobby Fischer was a great American chess player.

He was right.

Naturalized Iceland.

Indeed.

He started very, very young.

He even cooked, I think.

He was naturalized Icelandic in 2005.

And then he died in 2008 at age.

I don't know what age he died.

But when he died,

we thought it was normal

that it wasn't born there.

For what reason?

Because he adored Fischer.

Was it a geopolitical event?

No.

Because 8 was his lucky number.

No. He was world champion

in the Cold War.

We called it the match of the century

against a Soviet player

named Boris Spatsky.

So he died in 2008

and when he died in January 2008

we thought it was normal.

Do you know that he died the same day as who?

He died the same day as Carlos.

In January 2008.

Carlos Big Bisou.

It's interesting.

No, but it's true.

I don't think he knew that.

Carlos rarely made a big mess.

Was it because of the Icelandic volcano?

No, in 2010.

He predicted it.

He thought about it a bit.

It was in 2008.

I have a good question.

You will see what will make you move forward.

I gave you his date of death

on January 17, 2008.

It's true that if you didn't give you the date of birth

it could help you.

He was born

and he died

on a birthday day

compared to his date of birth.

He didn't have 100 years.

He was very young.

He was born in 2008

and he died in 2002.

He was born...

He died in 1966?

He was born in 2012.

He was born in 2017.

If you had his date of birth...

He was born in 1941.

He was born in 1943.

It should help you.

He was born on March 9, 1943

in Chicago.

Chicago.

Chicago is a combination of cheques.

That is to say...

When you make a lot of cheques

they have numbers.

It's the cash register.

It's the cash register of Loncleton.

Is it the perfect combination

to make cheques and cheques?

It's a lot easier than that.

It's the cash register on the cheques.

The cash register on the cheques.

He died in 1964

like the cash register on a cheque.

Good answer

from Bernard Babille.

That was a bit of a question.

I wasn't far.

I was on the cheques

but...

He died in 1964

with a number of cheques.

In some cases, is he advised

to hit on the 57?

That's a question for Gilles Pascal.

When you play golf...

In the 57th hole...

Because it's a punch.

Sorry.

In some cases, you have to hit on the 57.

That's the question.

The 57 is a punch.

There is no punch.

In some cases, the 57 is an age

or it's a length.

In some cases, is he advised...

To hit on the 57.

It's a code.

It's advised.

It's not a case.

It's a region.

No, no, no.

It's a 5, a 7.

It's the 57.

You hit on the 57.

It's a game.

It's the 57.

It's nothing to do with the 57.

Why are you hitting on the 57?

On the 57, we're in a precise place.

You often hit on the 57.

It's in a Japanese restaurant.

It's sushi at will.

The menu.

It's not in a Japanese restaurant.

Forget the Japanese.

Is it food?

It's food.

It's related to food.

Yes, yes, yes.

Yes.

You're disgusting.

Let me come back in the bath.

Let me two weeks before the bath.

Come back in the bath.

There's no need for much water.

It's in the pool.

So what am I going to say?

Is it a burger?

No, not at all.

It's food.

It's related to food.

It's hit on the 57.

It's advised.

As you were in Japan...

Forget Japan!

It's related to Yuka?

No.

It's not related to the fish that kills.

What fish?

It's the famous fish.

It's nothing to do with Japan.

It's the best menu.

Forget Japan, I'm telling you.

I have a question.

Did you write it on Gaishan?

Forget Japan!

Yes, I did.

It's in the chemistry table.

In the chemistry table,

the elements have numbers.

The number 57 must hit on it.

It must hit on you?

No.

And you have...

I heard some bullshit here.

In a bakery on my left.

No, on my right.

In a bakery on my left.

A bakery over there.

Who says better?

Oh, it's on you.

It's on you!

In a place where we buy candy.

We tap with what?

Sorry?

With our fingers and hands.

And it's over.

300 euros for Gilles Pascal from Sainte-Ferré-Holle.

Did anyone in the public

in the room understand

what was to hit on the 57?

No one answered.

It's so that no one

takes ketchup at home.

Exactly.

Because it's on the bottles of ketchup

that we find the number 57.

The famous ketchup hence,

of course, the American ketchup

that everyone knows.

And often, the ketchup has trouble

to flow, you know.

Always.

And it's advised on the manufacturers

who tell them to tap on the 57,

the 57 number

that is on the bottle,

so that the ketchup flows.

And on the mayonnaise,

what is the mayonnaise number?

I would never have thought that.

And the bottle?

No, but I dream.

Listen, don't you see the number 57?

Oh, but now you say you see it.

And on the plastic,

you have to tap on the 58.

And you put ketchup

on your sushis.

But there is no...

Then the relationship with Japan.

And the second relationship with Japan.

Yes, finally, listen.

Oh, don't stop.

Oh, here's a sad story

that I'm going to tell you.

Oh no.

It's funny.

It looks sad.

For Mrs. May who lives in Buzé,

this time in Belgium,

it's someone who had four children

and I'm obviously asking you

to find out who it is.

Someone who had four children

and died in 1916

during the Battle of Verdun.

The twins, Grethe and Emma.

No, it's okay.

They're all Germans.

We're not going to cry.

You were in Asia for me

for World War II.

It's the little analogy.

They were both born in 1800.

Yes, for twins, they were born.

Don't tell me they were born the same day.

No, it's a long story.

They were born in 1889

and they died respectively.

Because twins were born the same day

but they weren't necessarily dead at the same time.

No, it's a long story.

There was one who died in 1917

and the other in 1919.

And then, the KD, the little heroine,

born in 1893,

was imprisoned in France.

He stayed very close to his father

during the Battle of Verdun

but he was arrested

and accused of attempted murder on Hitler.

So yes, it was rather good Germans.

He had a flair.

In the case of a conspiracy,

the famous 44 July conspiracy

and the KD was executed in 1945.

He had four children.

But he survived for a long time.

The four children are dead

before their father

who was their father.

It's a nazi.

No, it wasn't a nazi

because he wanted to kill Hitler, son.

The father is not obliged to be a flair.

The father is obliged to have the same companions.

Marine Le Pen doesn't stop telling us.

It's Nietzsche.

Von Karajan.

He's younger than...

Martin Heidegger.

We agree that he's so good.

So indeed, he was born...

Nietzsche? No, no.

The guy who wrote in Salegretel?

No, he's dead.

He's dead at Göttingen.

At Göttingen.

It's simple.

Husserl.

He's a philosopher.

Valérie Valérie wants to sing.

You don't have to preach her.

Of course, it's not the stage.

It's not the 20th stage.

But it's pretty, all the same.

At Göttingen.

Did you write it?

No.

Don't use it for a whole song.

Oh, well, yes, yes.

If I repeat, I sing very well.

Yes, but if I repeat, I do everything well.

It's barbaro.

You said, Mr. Paul Elkarat.

I said Max Planck.

And it's Max Planck.

Good answer.

Paul Elkarat.

Max Planck.

Nobel prize of physics in 1918.

Bravo, Paul.

He had to find this German physicist

who survived

his four children.

And after the war?

What was Mrs. Planck doing?

What was she doing?

She was hiding my plan.

I was sure.

We called her a good plan.

We're going to stay in Germany

for a gentleman called Carl Friedrich.

I'm not giving you a goose.

It's Jean-Paul and Camille Causse

the fact that they fought the same war.

Carl Friedrich goose.

We're coming back from the warehouse.

We're going to Germany.

It's weird, it's the two names

Carl Friedrich goose.

It's not him.

I'm asking you to find the name.

It's the father in the melody of happiness.

No more.

Carl Friedrich.

Go ahead, go ahead.

Oh no.

Do, le do, il a bon do.

Ré, rayon de soleil d'or.

Allez, commencez plus mal.

C'est la moitié d'un tout.

Fa, c'est facile à chanter.

Fa vraiment?

Soleil.

La terre où vous marchez.

L'endroit où vous allez.

Ça fait le 57.

J'ai l'impression qu'ils sont venus

de vacances pire qu'avant.

Ah!

Donc pour madame Fabricius

qui habite Phalempin dans l'honneur

une question qui concerne un allemand

qui s'appelait Carl Friedrich

qui était collecteur d'un polo-co

et pas seulement

d'ailleurs mais

ce n'est pas comme collecteur

d'un polo-co qu'il s'est fait connaître

c'est surtout que son nom est passé

à la posterité. Il était

il faut le dire cet allemand aussi

qu'il a des veurs de chien

il dirigeait une fourrière

et qu'est-ce qu'il y a?

Ah oui, je sais.

Je termine la question

et comme son métier était dangereux

c'était pas...

Ça dépend des chiens qu'on élève.

Non, pas les polo-co

ce qui était dangereux

c'était de connecter les trapeaux.

Enfin je ne dis pas d'élever des chiens

il a un...

Ça dépend si vous élevez des dobermans

mais bon c'est un japonais

c'est ce que j'allais dire

il s'attrait

Carl Friedrich doberman

et c'est lui

qui a inventé la race des dobermans

ah bah si

j'ai attendu

et vous avez des nouvelles

dans l'inventeur du berger allemand

il a inventé le doberman

il dirigeait une fourrière

pour chien

et il avait accès à de nombreuses races

et il a cherché à créer une race

qui serait idéale pour le protéger

pendant ses collectes d'impôts

qu'il conduisait

à travers de nombreuses zones dangereuses

infestées de bandits, vous voyez

alors il s'est mis à élever un nouveau type de chiens

qui serait une combinaison parfaite

de loyauté, d'intelligence, de ferrocité

et il a inventé la race

doberman pincher, ça s'appelait à l'époque

M. Rodweiler était huissier

il a fait la même chose

qu'il avait accompagné d'un chien

en tout cas il s'appelait Carl Friedrich doberman

et son nom est resté à la postérité

grâce à cette race de chiens

on a enlevé le côté pincher

on va dire

non, des parents les appelaient doberman pincher

et puis après on a enlevé le mot pincher

parce que c'était pas approprié

et donc on a gardé

simplement doberman

mais c'était en quelle année

mais c'est une excellente réponse

de madame Treveiler

ah ah ah

ça a permis aussi au président de la République

d'avoir moins peur des Français

bonne réponse de Caroline Diamand

bravo, c'était bien doberman

le nom de famille de cet allemand

maintenant je vais vous emmener

dans un cimetière

les joyeuses c'était bien

un cimetière américain

Beverly Hills, joli cimetière

vous connaissez évidemment Billy Wilder

le réalisateur

scénariste

vous pouvez citer quelques films peut-être

certain même show

certain même show, parfait

la garçonnière

il y a de mal à douce

Billy Wilder

est mort

on le savait

il est mort en 2002

il est moragé

il est mort à 95 ans

et sur sa tombe

on a marqué

bon frère

été vétérique

non

sur sa tombe c'est écrit

Billy Wilder

I am a writer

but

et après qu'est-ce qui est écrit

la dernière phrase de certain même show

c'est-à-dire

excellente réponse de Caroline Diamand

et Valérie Mérisse

effectivement

sur sa tombe il est écrit

nobodiesperfect

personne n'est parfait

c'est la dernière phrase du fame film

avec Jack Lemon

Tony Curtis et Marilyn Monroe

nobodiesperfect

il a fait inscrire ça

sur sa tombe c'est plutôt joli quand même

il a pu mettre Zyande

zyande

une question maintenant pour Nathalie Siméon

qui habite la rivière Saint-Sauveur

c'est dans le calvado

je vais vous demander

ce que veut dire post-prandial

c'est après le repas

excellent

on sent que c'est l'heure de la sieste

on applique souvent ça au sieste

exactement une sieste post-prandial

cela veut dire

une sieste après le repas post-prandial

c'est une excellente réponse de Monsieur Martin

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It's called Choubert, but it's called Chouchou.

It's because I did a yoga stage.

A yoga stage? How did you do it to arch?

And then there was a couple who were there with their dog.

They were so cute, Chouchou.

I wish I didn't have that anecdote.

My week would have been...

I took pictures with my cat.

And Bichon, it reminds me of Charlie.

You said you could ask me a question.

I know you haven't seen each other for a long time,

but when you tell us your stories without interest,

while Bichon is in a Czech capital,

there's a plane in the Ardeche,

and the question concerns a brand.

If you go to a drugstore and you're asked a lucifer,

what is it?

Oh yes, a diable.

It's for the chariot.

No, it's not a chariot.

It's a savant.

No, it's not a savant.

It's a thing to put on the table to put the plates on.

A lucifer, no.

It's liquid.

It's not liquid.

Why did you give him the name of the diable?

It's called lucifer, it's written on it.

I send one.

It's the name of the brand.

And I send one sponge.

One?

No, not a sponge.

Does it hold in your hand or is it a big one?

There's even an internet site,

3.w, well rather 3.w, lucifer.

What did it say on the site?

If you want to order this product on the internet,

it's a big product.

Apparently.

It's not expensive, it costs 1.19 euros for tax.

There's nothing.

A baguette?

It's the lucifer baguette.

The lucifer baguette.

How does the lucifer baguette start?

There's only a baguette of bread to cost 1.19 euros.

And you buy your baguette on the internet?

In the drugstore.

A sponge?

In the drugstore.

Is it a product or is it an object?

No, a product, an object too.

The money.

A box of cash.

A box of cash? No.

It's not a toilet.

Microfibre.

How do you say it?

A toilet.

A toilet? No.

You too.

It's like a sock.

There's nothing to do with it.

It's like a sock.

It's called a sock for cleaning, illustrating cars.

What is it with?

What do you say?

A sock.

But wait.

It's a sock.

Yes, it's a sock.

What is a sock?

It's not a sock.

It's a car.

Microfibre.

And it illustrates cars.

It's a car.

Even the car is a car.

You want to make the car shine?

A car, please.

No, it's not a car.

It's a car.

Yes.

We're going to put the oil on it.

We're going to clean it.

You can't put the flowers on it.

They must be happy that the death of the year is coming.

The water is falling.

But what did you say we should get closer?

The toilet.

No, but it's to make a word of the mind

that is more authorized than our days, by the way.

There you go.

I didn't get it.

I get it.

Does it fit with water?

It doesn't fit with water.

No, but it's true that you need an additional product

to use your Lucifer.

It's a detergent.

A detergent, no.

Is it the cleaning part, the Lucifer,

or is it the cleaning part?

It doesn't clean at all.

It cleans in terms of terms,

but it doesn't clean in terms of its lava.

See?

It's a lamp.

A lamp, no.

How do you clean in terms of figures?

Ask Maby.

It's not in the proper sense, in any case.

Is it a carburetor?

A carburetor, no.

In Euro 10, it would be...

It would be in the kitchen.

In the kitchen, no.

It's a small object.

Do you think that someone here around the table

has...

Yes, do we have a Lucifer at home?

Yes, in your opinion.

It's to make a word of the mind.

I don't want to pronounce myself.

Oh, it's a suppositoire.

Against the moustaches.

It's not a six-minute cuckoo.

No, no, no.

Is it for the hygiene?

Is it for the bathroom?

Is it a toilet ballet?

No, for the hygiene, in the broad sense.

Yes, indeed.

What is hygiene in the broad sense?

No, but it's not...

What is it?

For the human being.

But it's true that it's to clean in terms of figures,

that it's hygienic.

Maybe also, yes, but not in the proper sense.

Is it to clean in terms of figures

means to clean mentally?

No, no, no.

But it's a product that is...

Oh, but you have the cuckoo.

No, no, no, no.

It's to clean in terms of figures.

Sorry.

To clean in terms of figures.

No, you have the drugist,

and you say...

Well, at first, there are fewer and fewer.

Do you have Lucifer?

And he will write to you,

well, he will sell you

about 1,20 euros,

1,50 euros,

he will sell you a...

We buy them by several,

or we buy them by one?

Oh, that's true.

We can buy them several at a time.

It's maybe more careful.

Oh well.

He is careful to keep the Lucifer.

It flies, it flies.

It doesn't fly.

It's not an insect.

I have to admit,

it's not the brand,

it's thanks to the new book

by Philippe Delherme.

He made an excellent book,

by the way,

where he is writing

moments of our lives,

always,

just like the little gorges

of beer,

his first great success.

He took a bit of this style

for his last work.

Did you have it?

No, I don't need it at home,

but if I needed it,

I would have bought...

It's rat traps,

or mouse traps,

or insect traps,

or rat traps.

Oh, rat traps!

It's rat traps!

It's a rat trap!

Oh, I got it!

Oh, the answer

of Caroline Diabolo.

Oh, I got it.

Oh, yes, yes.

Oh, yes, with the rabbit.

Oh, rat traps!

I got it.

No, because there is a footballer

who took ten matches of suspension,

because he said

we played like rats.

So, I thought,

I'm going to...

I'm not going to throw myself

in this kind of pleasure.

Oh, no, no, no, no, no.

I don't want to have ten matches

of suspension,

I don't want to.

And the complementary product

is the cheese.

The cheese,

because it's useless

to buy a carpet

if you put nothing in it.

All right.

And you...

What did you do?

You put the cheese.

You can replace the carpet

with a cat that can catch it.

Yes, I hope so.

It's Lucifer,

the name of the brand.

The carpet in wood,

I don't know.

It's funny,

because it's my pseudo

on Gringer,

Lucifer.

And I didn't know

that it was a carpet.

No, but you see

like what?

And in Sambrillon,

it's the name of the cat.

She's going to shout.

Well, maybe,

because he's just catching Lucifer,

catching the mice.

And yes, Lucifer,

go see on www.lucifer.fr

and you can buy your carpet

on the Internet.

At the book,

the day is called En garde.

It's signed by Mely Cordonnier

that we're going to have on the phone

in a moment.

But before having this author on the phone,

I'm going to ask a question,

obviously,

which concerns this book.

It's for Jean-Jacques Martin,

who lives in La Tremorra,

in the hero.

And in this book,

it's a lot of questions,

from 119,

but remember,

what is 119?

It was from the Toms.

No.

It's the Mayonnaise.

And no, it's not.

It's the Mayonnaise.

Because,

there was a ketchup on the table.

It's the Iggy Violants.

But it's…

Sorry?

It's the number of calls

for the Iggy Violants?

No.

The action.

And I think,

childhood distress.

Sorry?

It's childhood distress.

a missing child or mistreated the 119. Good answer from Christophe Barbier.

And the story of this book is incredible.

Hello Amélie Cordonier, you publish in Garde at Flammerion.

And manifestly, someone one day, because the beginning of this book,

after we go into almost a fiction account,

but the beginning of this book apparently is realistic,

you really arrived one day, one of your neighbors called the 119

to avenge, that's it.

Hello Laurent.

Yes, it's true that this novel, by a real shock that came to me,

I was denounced at the exit of the confinement,

the first confinement by an anonymous call from the 119,

and under the sound of the day in the hand of mistreatment on my children,

in this case on my son who was 14 at the time and on my daughter,

unfairly accused by the way.

But that's it, and so much to say that I lived with my husband and by the way,

all the family, the women who preceded the rendezvous

and social assistants in a fear and a huge shock.

Except that you managed to make a book, I can say, funny,

because it becomes so funny, obviously,

you have a kind of realistic account,

because at the beginning, obviously, all that seems quite true.

We understand that it really happened to you,

because everything is plausible at the beginning of the book.

Yes.

It starts with the letter you received, Madame,

Monsieur, the social service of proximity has just been seized

from an information concerning your child

in the framework of the Parisian Children's Protection Service.

If he is in charge of evaluating the situation of your children,

Lou and Gaëlle, you will change the names for the book, obviously,

and determine with you the action of aid or maybe protection

whose your family could benefit

and you are summoned on June 1, 2020

to the Social Action Center

and there, of course, suddenly, it's terrible,

because Al-Soubson asked you which of your neighbours

could denounce you.

It's the first thought we have, I imagine.

Yes, yes, because indeed,

I discovered at that moment,

no matter who, it could happen to you

if you have children like me,

no matter who still today,

even though it still reminds me of quite terrible things

in history, denunciation, it still exists in France,

no matter who can denounce his neighbour.

All you have to do is pass a simple wire cut,

say that we heard the noise from your house,

that we were thinking of the problem for your children

so that you can find yourself without any proof

and without the identity of the person who denounced you

not to be asked to be summoned the day after tomorrow.

At the same time, you still remember at the end of the book,

you have to tell him right away that you have written this novel

from a personal experience,

but that it is a fiction that does not make any use

of the use of child protection,

because it is also a useful number, obviously.

Of course, it is very important,

I absolutely do not put it into use

because of child protection, I salute their work

and I did not want to tell my life from this novel,

I did not need to write to understand

what happened to me, sometimes it happens,

but there is a sentence in the prologue

and I could almost say on the page of Gaertz

because it is found at the beginning of the book,

which clarifies a little my approach,

I say, it will not be self-fiction,

it will be vivisection.

What interested me was to dissect

and by the way, in several parts since the novel

in account of four, what had happened to me

to question the question of surveillance

and I wanted to write a domestic thriller

on which the shadow plan of 1984.

And maybe I would never have written this book

if in fact I had not fallen

out of my research on a paper

of the newspaper Le Monde

on the subject of the Uyghurs,

which explains that since 2016

the Chinese state sees frames

in the Turkish and Muslim families

of Xinjiang to watch them,

to ensure that they do not have resistance

to their forced cynicism,

to raise their suspicions if they want

and they will do things unimaginable

until they go to sleep

and from this article

I thought that I had there

Romani material that could

allow me to write almost a dystopia

by telling me what would happen

if it was in our democracy.

Because there we are in the part

obviously fiction of the book

and it also becomes funny

because you push the mouth very, very far

that is to say that there is really someone

of social action who sits at home

and becomes like a new member of the family

to monitor what is happening

in your drawer.

The idea was to make the fear

and the sideration that had been mine

and then maybe try to

tend like that a mirror reader

in which he could, as we all have

children, project himself

and then maybe recognize himself.

Because you say especially that even if we are not guilty

we feel guilty and we wonder

about what we have been able to do.

Exactly, that's what's terrible

is that I was beautiful not to have mistreated

my children, I felt terribly guilty

I was very ashamed

and then what scared me

and that's what I'm telling you in the first part

of the book that really happened to me

is that we said that my children would be heard

separately and it was very, very afraid

of questions that could be asked

because if the audience

and the audience listen to us as children

already like me

the right to this kind of sentence

of your daughter who says that you are always angry

when you do the dictation

or the version of the adolescent who says

that you always put a plan when you load

the voileys in the box

and in fact I was very afraid that

these little sentences that

I wrote in the book I was very afraid

that they were led to tell all the evil

that we do not do

and that all these sentences came out of their context

and then turn against us.

So what would you like to say

to see your child briefed

if we are not guilty

and at the same time all that

is dangerous enough for us to be afraid?

So I'm a specialist

of serial killers

I mean

I mean I love thrillers

on the contrary

the more speeches when you are accused

of something are identical

and it seems more to show

that there is a lie

the truth

we tell it once, twice, three times, four times

each time with different versions

I would like to know if in reality

you have finished by knowing

what this wonderful neighbor was

I am always at the stage of exploitation

but it is true that it is the question you ask

it is the question that haunted us, my family and me

even though I put it in the book

so we had my children and my husband

we had each in our own version

besides I desire this novel to my neighbor

I do not know if you will read it

you did not move?

I wanted to move

but it is not so easy to find an apartment

but it is true that I was not able to

especially when you beat the children

and it is true that Europe

you are making an illusion

it is very fair that there is this passage in the novel

where I say I have the impression of being in the cradle

and that the manor you sleep has moved

and it is installed in the 15th

and I say who denounced the family

coordinate with which telephone

and since the apartment it is true that it was a question

obviously the famous cousin who will settle down

that is what will bring

an additional intrigue

to the book

this gentleman who can arrive at any time

who is installed who ends up sleeping at home

and everyone a little bit

complains to his look

and to his presence

it becomes surrealist obviously

the second half of the book

Yes in any case surrealist

I hope it will remain surrealist

but it is true that I had fun

hiding traces of 1984

in the book and even to

rewrite some passages and that

so yes the old, the Judas

through which the narrative

to whom I gave my real name

looks to see

who is on the panel and who is going to come

it is directly reference at the time

on the screen and then at the same time

to this big brother's eye

In any case it is a fascinating book

at the same time interesting, well imagined

but it is from the beginning

it is from Flammarion and it is signed

Amélie Cordonnier

thank you very much it was the book always

A cultural question for Mr. Eric Biosch

there is a lot of nonsense in the Loire

maybe you know

this painter and sculptor

who was called Danielé

Davolterre

Yes it is true

we call him El Brageton

Well there why I

I knew well

but for what reason

let's name Volterre

El Brageton

it was the Patrick

but El Brageton it means

there are penises

No, no, no, no, no, no, no

El Brageton at the time

at what time we are at what time

I will tell you he was born in 1509

he died in 1566

we are in the middle of Renaissance

Casanova without a relationship with Casanova

no relationship with Casanova

At the time there was no Brageton

as we hear today

It is true that if it is called El Brageton

it is good because there is a relationship with the thing

and I heard an interesting answer

which was erroneous

this answer but who at the same time

was I want to say close

of the right answer because it was all the opposite

He invented the Euclid closure

No, not at all, no

So there was no Brageton at the time

and that is what is approaching

No matter if there is a Brageton or not

He invented a form of pants

which allowed him not to lower it

I discovered this story in the book

of Laurent Binet who is interested

in his last book, it is called Perspective

if I remember correctly

in a book which is interested

precisely in the murder of a painter

not that one there

but we find many other artists

and for example the story

of Daniel and Volterra

nicknamed El Brageton

So he dressed the statue

on the canvas where there were sexes

which appeared in the name

of religion

Vines, clothes

Excellent answer from Christophe Barlier

And yes, he was

nicknamed El Brageton

because he covered the genital parts

of the characters

He did a lot of bad at the culture

Michelangelo for example

had problems with the chapel

16 because we saw

absolutely

and Volterra was the one

who the religion, the state

had asked to correct

Ah, it's not your personal approach

No, no, no, it was a request

and he was nicknamed

the fuzer of culottes or the calsoner

He was not from Feuille de Ville

El Brageton was

the nickname of Daniela

of Volterra and it was still

good answer

signed by Christophe Barlier

Well, since you like

the weapon Mr. Barlier

you will certainly tell me

who was this writer

nicknamed Bergott

that everyone normally knows Bergott

Ah, it's not the one who makes the show

on the patisserie

It's the f-pot

It's a man

Money

Bergott is with Cyril Lignac

It's on MC

Bergott

We're talking about a man

B-E-R-G-O

French

Bergott is a French writer

What is your question

Who was Bergott

a French writer

a writer that everyone should know

You mean he was known under another name?

No, it's his name

What do you want to know?

It's a French writer

Romands

It's the author of a famous book

No, but what do you really want to know?

Since you know his teacher

You don't want to know his address

Paul Louis Courier

Why are you supposed to know Bergott?

Because he invented something

No, nothing

It's the first French writer

That's not stupid

That's what Barlier says

Yes, but we don't play at the same time

The second writer

It was his wife who wrote everything

And he said it was him who wrote

Madame Bergott

You're dealing with Colette and Willy

It's not the first French writer

Is the first something?

No, it's not the first

The last

It's both the first and the last

But Bergott

You're supposed to know

Yes, he invented the Braille

No, he didn't invent anything

It's Louis Braille

Yes, it's Louis Braille

We often say it's Braille who invented it

But I think it's Bergott

You're supposed to know

It's Paul and Christian

Yes, Christian

It's Christophe

Who is Christian?

Christian Barbus, an animator

Who died

Ah, but yes

It's a long time ago

His real name is Bergott

We read it again

It depends on what you call it

We read it again

He's forbidden to read

He invented the Becherel

He invented nothing

He invented Bergott

He didn't write anything

For what reason should you know

Bergott

What's his real name?

His real name?

We don't have his real name, it's Bergott

No, it's Bergott

There's necessarily a real name

He was recently cited by a politician

No, no

It's a child's book

He left something in the heritage

It's tea, it's Bergott

No, but what do you think?

It's not tea, it's Bergott

No, it's Bergott

We've never been disappointed by Jean-Phi

No, but listen

Mr Barbier, you're supposed to know

Bergott, Bergott's writer

It's a journalist

Maybe you too, Mr Barbier

But I'm not going to surprise you

I'm not going to humiliate you

When I give you the answer

I'm going to humiliate you

Mr Barbier and Mr Polaykarat

Because you don't give me the real name

There's no real name

There's necessarily a real name

And all humans have a real name

No, it's that he's awful

No, no

He didn't create anything on the first day

He didn't create anything

Is he very old?

He's from the 20th century

It's a dog

It's not a dog

Oh yes, it was in the

The manager sang

Little Bergott, I love you

It's a cartoon character

Me too, Pollux, my dear

It's a cartoon character

It's Margott

Yes, it's the same

Is it a fiction writer?

It's in Proust

And it's Proust's fiction writer

invented by Proust

in the search for lost time

Of course, Madeleine

Madeleine is the one who eats

Madeleine Bergott

It's a recognized writer

admired by the narrator

in the search for lost time

Indeed, Bergott

When you pretend to have read Proust

Don't you, Mr. Polakarat?

No, I said Proust

He's coming to what page?

I said Proust all along

He's coming very early, because I understand

He's already in it

And Bergott is the

fiction character, the writer

invented by Proust

in the search for lost time

Good answer by Christophe Vardier

The big heads of Laurent Rukier

are from 15.30 to 18.00 on RTL

Always with Christophe Vardier

Caroline Diamant,

Paul Elkarat

Bernard Naby

Marie-Marie

And Jean-Pierre Jancers

In the family

There's really no more here

My question

The question that will come now

about a lady we're going to have on the phone

I'm happy to know that Mamdubois

is in line with Céline

Dubois, who had the honors of the press

during the summer, the Parisian

He dedicated an entire page

Mamdubois is a

famous collector

She has a collection

It's a shitty collection

But she has a collection

It's my question

For Madame Truand, who lives in Paris

2nd, what do you have

Madame Dubois

Is it expensive?

It's not expensive

It's not very expensive

But we have more expensive

than ours

She has more value

So much more expensive than

what you can buy in the market

But she has an important collection

So she has all the prices

1600

Zeto

No, it's not Zeto

It's a small object or it's a big one

It holds in your hand

It's a toy kinder

Does it buy it or it's found

It buys it

Sometimes it's found in your hands

Barbie dolls

It's a piece of iron

Is it stuck

It's made like Caroline Diamand

Ask questions

Rather than say anything

Do you know the first question?

She asks questions and then she says anything

It's worse

No, it's not worse

Do you have any memories

that you can bring from countries

like Japan

like a snow ball

Do you find it in all the countries of the world

Yes

In all the countries of the world

It's a joke

Is it a souvetrine?

No, it's not a souvetrine

Don't they have advertising boxes?

No, but in her collection

where the originality

not only the question

is that there are obviously

who aim for advertising

Why do they have so many?

Mr. Riquet, Mr. Riquet

Yes, Ms. Diamand

Wait, because I'm forgetting

She'll come back

Does it work in the usual way?

Is it useful?

No, that's it

I think we have at least one

We've had at least one or two or three in our lives

Is the page in Paris

linked to an activity of the summer?

Not specifically

They had nothing to do

No, we'll see

at the end of the exhibition

No, she doesn't expose

she's 38 years old, Mamdu Bois

and fortunately she was invited

to visit the factory

where we manufacture

They're only made in the factory

No, it's nice

as a collection, it doesn't suit me

Is there a factory where we manufacture this?

Yes, in Monteverrin, in Sainte-Émar

maybe the vinyl records

the CDs

the umbrellas

You asked me

for example

what value could it have

for example, there's one

which is not worth 280 euros

It's not worth asking

Normally, it's worth less expensive

than that

but when we make a collection

we try to have all kinds

Black carambars

a Zippo

I understood a Zippo

What do they all have with Zippo?

No, bricks

Zippo

It's in a kitchen

not a special kitchen

Do you think I have it?

Yes, you can put it in your bag

I have everything in my bag

Tempons

keys, keys

I hear she has no more Tempons in her bag

Moussoirs

60 years old

Honestly, it's in the leather

Red tubes

Moussoirs

You don't ask questions

to advance the jewelry

Does it still exist?

Of course

I haven't bought one for a long time

Is it a relationship with the beauty

the physique, the body maintenance

Thank you very much

You want to come back Barbier

No, it's not a pouch

No, no

Do you currently have jewelry?

No, not at all

It comes in fashion

So I know what comes in fashion

Yes, Laurent, he just bought it

In 30 seconds

We will touch

The glasses?

The glasses

I have my own pair of glasses

Is it a glasses?

You show it to us quickly

We don't know

A Kleenex

A bomb for the lips?

A subway plant

A telephone pole?

A thermometer?

300 euros for Mamtrouan

Paris 2nd

I don't know if someone

There is a girl who raises her hand

in the first row

I'm coming madame

I don't know how she can find the answer

because you were so far away

and you never approached the object

She saw Paris

But it's not never madame

Hello madame, how do you call yourself?

Blondine

And Blondine, what is the answer to you?

The 4 colors styles

It's an excellent question

Surprise

Look

And I hope

I hope

If you listen to me

I hope you have the 4 colors styles

The RTL colors

Good evening

No, I don't think I have this RTL

I wanted to sell it for 300 euros

It's okay

I think I'm going to pay

I have a red

I have a red with the RTL mark

It's better than the black

It's going to increase your collection

of 2 4 colors styles

I want it too

How much do you have?

I said 1,600

I have 1,602

1,604

Now thanks to the big head

The one that costs 280 euros

What's special about it?

It belongs to a celebrity

There is an inscription on it

I don't know

Oh yes you can go

It's the RTL

It's a collection style

more than a style

that we do every day

It's a jewelry that made this style

4 colors in bronze

Is that right?

What's that?

There is a bronze of 4 colors

It makes you laugh

Caroline

I'm telling you

He did it in a show

when he was 50 years old

He said he did his first conoscopy

And the doctor said to him

Don't worry it's not that big

4 colors styles

And he replied

Why would I never have

4 colors styles

No it's not

And I said

It made me laugh

Sorry

Do you have that 8 francs

How do you start your collection

to have more than 1600 today?

By one

It was a collection with my dad

at the beginning

We had this little madness

and it took the umbrella

You put them in a crayon

in boxes

in drawers

for the styles

Some brands

create their own 4 colors

like RTL

Where is the multiplicity

of the styles you have

That's exactly it

They are in infinite numbers

And you even have a 4 color style

The famous man of Vitruve

Thanks to Leonardo de Vinci

I have a question

Do you have a lot of tattoos?

Exactly

I saw the report

on you 4 color collectors

I'm unable to find

I know you have a lot of tattoos

and you have a lot of styles

We promise you

We promise to send you

the 2 4 colors

We are very proud

to complete your collection

Bravo

A literary question

for David Le Mercier

What is the Nobel prize

for literature

for the famous novel

Golding

Oh fuck

Samuel Golding

William Golding

Good answer

from Paul Alcaraz

Your Majesty

William Golding

a British writer

who was a Nobel prize

in 1983

We are going to talk about

British literature

since it's a police novel

signed by Agatha Christie

in English

It's not complicated

You are going to complete

the title of this famous

police novel

published in 1926

I'll give it to you in English

Roger Accroyd

Good answer

It's the first one

It's one of the first

by Agatha Christie

It's the first one

We are going to go from literature

to painting

With a painter less known

than the one we are used to

talking about here

We often talk about Ukraine

and at this moment

because of what is happening here

he was Ukrainian

He was born in Odessa

and this painter signed

the greatest and most famous

battles

Then in 1928

painter of history

and battle of the Russian Empire

A painter of French origin

Chagal

Chagal, no

His father was called

Honoré Fortuné Alexi

I won't give it to you

No, because his name

is obviously his son

Did he have a particular

A French from Marseille

Then he had a son

Who was not dead before him

It's not Nicolas Dostal

No, it's not Nicolas Dostal

He had a particular

No, not at all

He was settled in St. Petersburg

I'm talking about the son

He was born in Odessa

He died in Bavaria

in Munich

And I'm asking the name of this famous painter

For example

It's one of his greatest paintings

Oh yes

I have a reproduction in the magnificent house

No, but for example, he also made the panorama

of the seat of Sebastopol

That's very famous

No, it's the seat of Sebastopol

It's the great battles

He's all over

What is written on the panel

Was his father not too much

Mr. Rukier

His little daughter Sylvia

Mr. Rukier?

It's France Rubbo

Good answer

Well done

It's good

I have no regrets

I think the name is not beautiful

It's France

It's France Rubbo

His father called

Alexis Rubbo

A French from Marseille

Now let's go to the United States

You all know the word

Rochmore

It's basically the name of

the four presidents

in which we see the faces

Roosevelt, Lincoln, Washington

Jefferson

I just said it

Jefferson, Washington, Lincoln

and Roosevelt

Theodore Roosevelt

Good answer

Very good

Now let's go to

a sports question

Maybe

A little music

We haven't made a song

Yes, there's a great singer

to sing

During the summer

You may have heard this tube

Maybe even the tube of the summer

Interpreted by Theo Marclay

It's in any case his real name

His birth name

To this guy, Theo Marclay

He was very young, he was born in 2001

It's not a birth date

It's a singer of the moment

Singer, composer

Swiss, even if he was born in Vietnam

But his nationality is Swiss

And I'm asking you

What is the singer's name?

Because Theo Marclay

How do you say it?

It's good to have a young man in the team

Because he was in the Corpings

Good answer

We can hear an extract

And what does he sing?

A color night

I'm surpassed by the time

Exactly, surpassed

It's one of the tubes of the summer

He even knows the living ones

It's incredible

Depassed, the young people danced

We sang that every summer

I'm in the background of Lancer

I'm surpassed by the time

Our friend Paul even knows

All the tubes of the summer

He didn't surpass, it was a color night

And bien

What will be the best story?

The funny stories told by the big heads

Hello Anthony, from Barjouville

In L'orelois

Hello Laurent, hello to your team

You had a chance to go in a relay

Chateau 5 and you

Saint Cyprien, the famous hotel

Spa Talasso de l'Île de la Lagune

Right in front of your room

To Soins d'Hidro Thérapie

Go and see the website of the hotel

Hotel IlLagune.com

It's obviously a magnificent place

Spa Marin, private beach

Small salon, luxury garden

Bistro chic gastronomic restaurant

An intimate escape

That you offer

The condition to compete on the good big head

The one who will know how to make a laugh

With a sometimes funny joke

Because we make the shots with our funny stories

But there are still funny stories today

Do you want to know more about the funny stories

Of our comrades?

What do you do in life, Anthony?

I'm a music teacher in college

Music teacher in college

And you like to joke, you like good jokes

Ah yes, yes

Who can tell the best today?

Do you want to investigate with me?

It would be nice if we investigate a little

Bernard, your story with you

Short but good

Listen, I was going to say short but good

But so I'm going to say short but very good

Mr Barbier, you know how to tell stories

The one I have at my disposal

Is long and excellent

Very good, Mr Paul Caras

His vulgar and short

That's what you told me

Valérie, Valérie

Mine is very, very good

And I'm happy that it's a girl who says it

And you, sir, he put his glasses on, sir

I don't see well

We're going to say short

So I agree

The blue vest, the blue glasses and the blond hair

Well, I live in Montmartre

So replace it and then there

So I'm going to take the red one

So go ahead, Mr Michoud

So I'm going to say short but it's always effective

So, on whom are you, Anthony?

Come on, let's play, it's your chance

Jean-Pierre Jean-Pierre

We're going to start with Mr Barbier

Short but good

Yes, a friend said to another

I know a guy who stole his credit card

And he didn't even do the opposite

So he says, why?

Because he realized that the thief

Spent less than his wife

You see, short and good

Caroline Gamant

She's a woman who accompanied her son for six years

She's a gynecologist

So the word, it's a little genius

Which is very informed about everything medical

Exactly, it's a little genius

Nothing medical escapes him

So the doctor asks Gamant

He says, what am I doing here?

A gynecologist

So the gynecologist, yes, the guy is a gynecologist

Absolutely

And he asks Gamant

He says, what am I doing here?

Gamant answers him

Well, you're making a pulp of my mother

But a mammography would be preferable

Ok, what am I doing here?

A pulp of the Overs

But a mammography would be more prudent

So, he can't do gynecology anymore

So, he's abusing his mother

And he says, look at Gamant

He says, what am I doing here?

And Gamant answers him

Well, you're making a pulp of my mother

Because that's why my mother came to consult you

You're not lying

She's good, she's good

Mr Barbier, we're going to be more subtle

So, let's say it's not death

My dear choice

In paradise, the candidates present themselves to Saint-Pierre

The first one says, I'm Picasso

Very good, Saint-Pierre answers

But you have to prove that you're Picasso

The guy makes a drawing, it's very fast

It's no doubt

It's Pablo Picasso, Saint-Pierre Sincline

The second candidate enters

And says, I'm Marguerite Duras

Yes, very good

But you have to prove that you're Marguerite Duras

The woman writes a page of the story

And the doubts of Saint-Pierre are quickly dissipated

It's Marguerite Duras

The third one enters

I'm Mireille Mathieu

Yes, but you have to prove it

I don't have anything to prove

Everyone knows me

But before you, I received Marguerite Duras

It's not Pablo Picasso

And they had to prove their identity

Who is Marguerite Duras, it's not Pablo Picasso

Then the new candidate asks the paradise

Ok, you can come in, Mireille Mathieu

Now, Paul and Karat

Get into vulgar stories

So, a guy asks a girl

You kiss

Champion of judo

The girl calls him a hellish wretch

The guy gets up and says

Suppose you don't suck either

Oh, in the mouth of a little pole

It's ok

In the campings, it can be used

In the campings, Mireille

Three guys discuss their women

The first one, my wife bought a Ferrari

While she didn't have a license

It's ridiculous

The second one, I was even worse

She bought a lot of tools

She didn't even have a license

And the third one

My wife is even crazier

I found a condom in her bag

She doesn't even have a bit

And at the end of this one

You have bet, Anthony

All given, Jean-Pierre

All given

So, it's a locator

He calls his owner

He says

It's an admissible, it's a scandal

There are rapes everywhere

In the apartment that you rent

And the owner says

No, it's not possible

We did what we had to do

There's no way

Come see, I'll show you

The owner goes to his owner

And he says

He takes a piece of grill

He cuts the grill

And puts it everywhere in the apartment

And he says

The owner looks at it

Indeed, two minutes later

A rock arrives

He goes looking for a piece of grill

He goes to a small piece of grill

And he goes

Two seconds later

He has another

And he goes looking for

A second piece of grill

Even bigger

And he goes with

And the owner is angry

And then

A third rock arrives

And he goes looking for

A third piece of grill

A big piece like that

He walks with his hand

Like this

The rocks are strong

The owner says

But it's incredible

He's angry

And then he says

And what is the group

In the corner

He says

We'll see after

Alright, we're all in

під disguld

It's time to watch our screen

Exploit

So we can go

From start to finish

We do it

Yeah, you're right

Okay

It's the end

This is enough

For it

Yay

We did it

Ding

The end

Ding

in Charente. For what reason do we know the first Bérengé king?

It's in Ionesco. It's in Ionesco.

It's the hero of Eugène Ionesco, the king of Summers, among others.

Good answer!

Excellent culture, signed by Christophe Barbier.

Bérengé first, it's the king of the king of Summers, signed by Eugène Ionesco.

A play written by Ionesco in 1962.

Bravo! We're going to stay in culture for Damien Malfet, who lives in the Morbillon.

What is it?

I wouldn't like to wear it.

Mr. Malfet, listen, we wish him to have a check of 300 euros.

Of course. And to meet Mrs. Truant.

You surely know the famous poem by Robert Desnauces.

Absolutely.

I'm going to give you the start and you to complete it.

Listen to me, Captain Jonathan, being 18 years old,

he captures a pelican one day in an island far away.

Jonathan's pelican for a white egg in the morning.

And he takes it out.

A pelican, resembling him, surprisingly.

And this second pelican for his turn.

A white egg, sweet.

Inevitably, another who makes it in time.

This can last for a very long time.

And the last verse of this poem is missing.

Oh, it's over.

Yes.

Until the end of time.

Until the end of time?

No.

New Year's Eve?

No.

But it's a funny thing?

No.

It can last for a very long time.

If you have the time.

No.

But it's the one sitting behind.

Ah.

If?

Think about it a little.

It's quite obvious.

If he's all white?

No.

If he's all white?

If we don't kill him before.

Or if he doesn't die before?

No, but we get close.

If we don't kill him during?

If he doesn't fly before?

No.

If he's not bored before?

No, but we get close.

Well, yes.

You repeat what I say.

I mean, if I get close, you get close.

If he arrives late?

Ah, if he arrives late?

No.

It's still a problem that we all learn.

Okay.

No, not mine.

If he doesn't disappear?

No.

If he doesn't…

No.

Think about it for a while.

Well, I've thought about it.

If we don't eat him before?

There's something in it.

No, but we get close.

If we don't kill him before?

No.

We get close.

If we don't devour him before?

If he doesn't fly before?

We get close.

If we don't boil him?

Don't boil him?

If we don't boil him before?

Ah, we get close.

If we don't make a omelet before?

That's a good answer from Caroline Piamont!

And this second pelican points its turn to 9 white tubes,

which are inevitably another that has made it so long.

This can last for a very long time, if we don't make omelettes before.

It's one of the most well-known problems of Robert Desnaus, the pelican.

Bravo Caroline, you see, you know your pelican without knowing it!

Do you know omelettes?

How big is the pelican?

A 9 of pelican!

That's how big it is!

It's a big omelette!

Of course, you're right!

A question of vocabulary, it's a latin occupation that I'm asking you to find.

Oh, I love latin!

It's very easy for you.

For Mr. Guifres, who lives in Longumeau, can you tell me how latin is?

Here and now.

Iketnook.

Good answer!

From Christophe Barbier and Paul Elkarat.

A very last question for Sabrina Favreau, who lives in the Fontaine series.

I'm going to talk to you about a beer, a special beer,

because on the label of this beer...

It's from 1957.

No, 1912.

You see?

Renanbourg.

1912.

Renanbourg.

But for what reason can you read 1912 on this beer?

It's the number of bottles that were...

You have to press on it to make it cool.

Sorry.

You have to press on it to make it cool.

Forget the 57 of Ketchup, Bernard.

But it traumatized us.

It's not linked to the year 1912.

Not at all.

Lawrence has 1912 ingredients.

No, not at all.

It's the degree of the beer.

1912.

A non-address, but...

But we're getting close.

It's from the brewery.

No, it's true that it's an artisanal brewery.

Is it German or Belgian?

No, it's French.

It's French, ma'am.

A French beer.

Provençal, even, I want to tell you.

It's a Provençal beer, it's rosé.

It's an altitude indication.

Sorry.

It's an altitude indication.

It was broken in 1912.

In the south of France.

The Mont Ventoux.

Good answer!

Christophe Barrier.

1911.

And the beer in Mont Ventoux.

I can see that it's the age of the breweries.

Yes, it's 1911 meters.

No, it's 1912 meters.

The Mont Ventoux.

On the internet, no.

If you add a bottle of beer, it's 12 centimeters.

Otherwise, they wouldn't have put 1912 if it was 1911.

Yes, but the erosion of the wine.

It's 64, it corresponds to the world.

That's another thing, Mr. Mabille.

But in any case, 1912 has been built,

as well as referring to the altitude,

the summit of the giant province.

The famous Mont Ventoux, dear Michel Drucker.

For years.

And now, it's for Michel.

But for years, he's got a bicycle.

Yes, and even the Tour de France,

we hear it all the time.

And at the top, you'll have the right to have a good beer.

1912.

Because there's a brewery.

The brewery of Mont Ventoux.

Bravo!

Another good answer from Christophe Barrier.

It's time for the news of the day.

And our guest of the day is the director,

screenwriter, actor, too.

We owe him films like Casablanca Driver,

Papa, Les Exes, there at the coast.

And of course, he also knows,

especially because he was one of the important members

of the Robins des Bois.

I ask you to welcome Maurice Barthélémy.

Who publishes

The Experience.

A new book.

Hello, Maurice Barthélémy.

Hello, hello.

It's the third book, right?

Exactly.

Often, it gives a show, a theater piece

that you adapt to,

that you play yourself sometimes,

or a kind of conference.

It will also be the case for the experience.

No, no, no.

It will stop at the bookstores.

But already, I took the pleasure

of writing this first novel.

I didn't expect it at all.

In fact, it's my editor who came to see me

and said to me,

we would like you to write a novel.

I said, no, it's not my thing.

She told me.

And I offered her an improbable story

by persuading her to not validate anything.

And she said, OK, let's go.

And I wrote my first novel.

The Experience.

And this book,

from memory,

I can already try to pitch it

to the audience who are listening to us today.

It's an incredible story.

It's a boy who goes to a cinema.

He's a little depressed.

We can say that.

Yes, in Burnaut.

That's it.

And on the screen,

you might have better told it to me again,

what does it create on the screen of cinema?

It is, first of all,

alone at the start,

in the theater.

In any case, he believes to be alone at the start.

That's it.

And then, in fact, he's called Leo.

And then, all of a sudden,

on the screen,

a sentence is written.

Is it going Leo?

And suddenly,

he thinks it's a coincidence,

so he's laughing.

And then,

he answers nothing.

And then,

the sentence reappears.

Is it going Leo?

And then, he answers.

Yes.

And then,

the next sentence is,

are you sure it's going?

And from that moment on,

there will be a dialogue

between the screen and him,

which will ask him

very simple questions,

but just to try

to understand

what's going on in his life

and why he's blocked.

So, not only the screen,

there is also a dialogue

with someone else

who is in the room,

a young woman,

a pretty young woman.

A pretty young woman

who is there.

As by chance.

Well,

in the moment,

we're not going to make her ugly.

She's a worker.

No, it's not a worker.

She's a woman,

she's a spectator

and who's going to help him

actually

to work a little on him

and try to understand

what's going on in his life.

And,

well,

I really want to say

what's going on.

Because what's funny

is that,

before giving the screen,

he asks this boy

to turn the cinema room

into a cinema room.

He's hesitating before doing it.

Yeah, he's hesitating.

But in fact,

it's a bit anecdotal,

but the idea is

to do unusual things

in his life

that make him say,

oh yeah,

I'm able to do it.

So,

why not ask me questions

a little deeper on me

from the moment

I accepted

to do something absurd

like jumping into a cinema room.

So,

we also realize

that you love cinema

a lot,

because it's that too,

this book,

it's a tribute to cinema.

You remember,

through this fiction,

that it's better

to go to a cinema room

than to watch a movie

on Netflix,

for example.

Or on other platforms.

Yeah, it's important

to go to a cinema room.

It's also an experience,

cinema,

and you shouldn't get lost.

So,

I'm not worried.

I think

it's going to transform.

The current form

is going to evolve.

We're going to be more

maybe immersed

in the future years.

But for me,

it's very, very important

to go to a cinema room.

But don't you feel more calm

at home, sometimes?

Well, well done.

I went to a cinema room.

It's more sustainable.

People,

screens shining.

Popcorns.

People arguing.

No, but we're not used to it.

It's true.

Actors talking too loud.

No, but it's true

that we're often disturbed.

I agree with you.

We're no longer used

to being disturbed.

Do you have a favorite movie?

I'm talking about the movies.

Me, I

I would love to go

to the Go-Moon,

Opera,

but it's

breaking everything

to make a new one.

So, we'll see.

So, it's true that

your previous books

were adapted.

You say,

no, for the theater.

Finally, I'm stupid

because you love cinema,

maybe you gave it a movie.

Maybe, maybe, maybe,

maybe we'll see if it works.

Ah, I don't know.

Ah, there you go.

That was the idea.

We'll see.

So, there won't be

a lot of characters for the movie.

No, no, no.

But, for example,

Quentin Dupieux recently

made a movie like that

that takes place in a theater.

It's true.

So, I said to myself,

yes, why not

make one,

but shoot it

on very few days?

It's at Plot,

The Experience,

signed by Maurice Bartelémy.

His third book,

you still continue to write

for the film,

I imagine.

Yes, yes, of course.

I mean, it's a script

that will be published

very soon.

And, it's true

that we learned

during a previous book

that you were

hypersensitive.

That's why

no one's going to dare

to make a remark today.

No, no, no, don't do that.

Here,

I have things to read.

Well,

here,

yes, yes,

tell him.

Figure it out,

I haven't seen your show,

but I saw

extracts where you

explain hypersensitivity,

and I realized

that I was a little

unfair to hypersensitive

people of my family

who had symptoms

of my family, who had symptoms that were therefore real, and that were not just when the noises are

exacerbated, do not mix, etc. And it helped me understand. Now I have a question for you,

is it as much as hypersensitive, you think that nevertheless you have to learn to adapt to the

world around you, or do people have to adapt to your hypersensitivity? No, it's less

than I have adapted, I will not force people to adapt to me, otherwise I would be a tyrant. No, I would say

just that it is, on the other hand, to me too, to be careful, not to find myself in situations that

will stress me. For example, I do not know, in a concert hall where there is too much noise,

it will stress me. So it's me not going to go to this concert, it's not me to go see the singer,

in the hall of cinema, the noise of paper, it really makes me crazy. Because I am

misophobic, I have a problem, it is that the noise of my mouth makes me crazy. So as soon as someone

eats popcorn or croque in a apple, it makes me dizzy. So it's up to me to adapt,

but I just try to find an environment a little more soft for me. It's not rather a

problem of air, it's a problem of emotion.

Strong as a hypersensitivity, it was in your previous book, and the first one had a title

so surprising, it was called I spent my life looking for the open box.

Yes, it's the first book I wrote when I was 18 years old, which no longer exists.

But the one who just came out, it's called The Experience and the Sheplon,

part of the literary return, even if it's a very small book, you wrote short,

you were afraid to take the lecture. No, because I do short, and above all,

there are a lot of people who will say, oh, it's not bad, it's been two hours,

it's the time for a Paris Bordeaux, and I say, well, yes, it's a good argument.

You saw Woody Allen's Rose Pour Produce, with the characters who came out of the screen,

there was a dialogue, and they were filming. Yes, exactly, I saw them.

Maurice Bartelémy publishes The Experience, and he stays with us until 18 hours,

because in a few minutes, he will join us, Marc-Antoine Lebré.

Maurice Bartelémy is still our guest, and he comes to join us.

Marc-Antoine Lebré, who you surely know, Maurice Bartelémy,

and he will call you, dear Maurice Bartelémy, that you played in the...

The two, it was in the two. The two, yes, the two things in the two.

It's an ECGF-touch, it's okay Maurice.

So that's how you write, so at least if you write to me,

maybe I have to learn to read to see if it's good what I write.

You always follow me, because I don't follow.

At the same time, it's not easy to follow yourself, except if we have a brother on me.

In any case, Jeff, he's proud of you, Momo.

Hater, screenwriter, director, writer.

On the other hand, I want to say, bravo, but at the same time,

it's not surprising that Robin Desbois has so many bodies in his arc.

Do you see the smoke? We're not in a smoke.

And if there's smoke, there's laughter, laughter and tears.

If there's tears, there might be fire. If there's fire, you have to tear them.

And if you have to tear them, it's because we don't talk about Maurice's hair, you have to tear them.

You have to think about it.

Tell us about the touches, because I didn't see what you were doing in the touches.

I was doing a serious lesson at Los Angeles.

And among your friends, Robin Desbois and Marina Foyce,

there's obviously Jean-Paul Rouff, with whom you're the closest today.

I'm very close to Jean-Paul Rouff, because we wrote together inside the Robins

and we had the same office and we stayed very close.

Joestar wants to talk about him too.

Well, Momo, you know we have a common point, both of us.

Well, me too, I'm sensitive.

Like you, me too, I'm crossed by a lot of emotions.

When they're negative, when they're positive, sorry, I drink to celebrate that.

When they're negative, I drink a cup to forget that.

And I put a slap in the face of the person in front of me.

What's the problem, Jean-Phi?

You're more close to Rashid Adati than to Danny Boone.

Wait, you're going to be attacked by Jean-Phi's friends, who are here today.

Oh, well, they're the go-go's.

That's what it is, to attack the glory of the north.

Eli Semoun came to visit us tonight.

Hello, Maurice.

How are you?

I'm glad to see you again.

Do you remember?

In 2004, you made me fall in love with your first film, Casablanca Driver.

There was also God in it.

Do you remember?

And since then, nothing.

Not a little role in your films, not a figure, not a tweet,

not a post on Facebook, not an ECMS, nothing.

So, Godot, I can understand, but me, what's the problem?

You don't like them, do you?

Tell me, Antikamit!

It's true, there was God in it, and there was Eli Semoun.

Indeed, the first film I made, Casablanca Driver,

there was God in it at the time, before he came.

So, of course, not far from Eli Semoun.

It reminds us of the little announcements.

There is also our comrade, Franck Dubos.

No, Maurice, you didn't dream of me. Franck Dubos,

in Cher, in Hauss, and in Jean-Claude.

Calm down, Jean-Claude.

I'm good for you, my little Venus.

And you know why? Because I loved your film, The Exes.

Yeah, imagine if it had been on my exes,

your film would have become a saga.

With me, bye-bye, Star Wars, and I'm your father.

No, with me, I'm your sugar daddy.

Calm down, Jean-Claude.

Kisses, Maurice.

Gorgond!

Bravo, Marc-Antoine Lebré, who always offers us these characters.

I hope you'll find them too.

Obviously, in Ertel, good evening, from 8 p.m.

Do you have any imitations?

Because I put very, very badly.

I'm a very bad imitator,

but I put very well the people around me.

But for the time being, it didn't work out well.

I know you in the imitation of your brother.

That's it.

The experience of coming back to cinema

and a few moments later,

that you came to propose to us,

published at Plon.

This boy, could it be you, Leo?

Yeah, well, generally,

I project myself a little into the characters I write.

Yes, yes, it could be me.

You're not only hypersensitive, but sometimes a little depressed.

Yes, yes, yes, yes.

Oh, the two will surely be.

We're always a little fragile.

Yeah.

Well, go on vacation with you.

You were on vacation, Maurice Bortelemi.

I was in Spain, in the south of Spain.

We advise you to experience a very small book

that you will read very quickly.

Someone who goes to a cinema room

and the screen addresses him.

I'm going to say burlesque.

It's not the word, but in any case, it's surrealist.

We can say that.

It's a little surrealist, but it's mostly, in fact,

how to try to find the solution

often that we have ourselves.

And how to take the retreat to find a solution.

In all the good books,

the experience signed Maurice Bortelemi,

who was our guest of the day.

Thank you, Maurice.

Thank you, Marc-Antoine Lebré.

See you soon.

Thank you very much.

Good evening, FTL.

Good evening to Julia Seilier, especially.

Machine-generated transcript that may contain inaccuracies.

Avec Valérie Mairesse, Caroline Diament, Christophe Barbier, Paul El Kharrat, Jeanfi Janssens et Bernard Mabille.

Retrouvez tous les jours le meilleur des Grosses Têtes en podcast sur RTL.fr et l'application RTL.