Les Grosses Têtes: IMITATIONS - Marc-Antoine Le Bret face à Alban Lenoir

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And now, maybe you're wondering,

it's you who made the action movies, Alban Le Noir.

I'm going to introduce you to Jean-Marie Bigard, whom you probably know.

Hello, my Alban.

The last time we saw you were an actor and a stuntman in one of my movies.

Absolutely.

The missionary.

Exactly for the public that it's not a movie about the sexual life of Bogon.

But in any case, you're brave Alban.

You see, I saw you make stuntmen who would make Tom Cruise for a PS teacher.

But in the movie, there's still a scene that made you shock.

You see?

It's after a fight where you find yourself on the ground

and you realize that I was more comfortable under my support.

Is that true? You make stuntmen in a movie with Jean-Marie Bigard?

Yes, absolutely. I had to avoid a Porsche, I think, a car.

You didn't avoid my dick.

It's true that there was a stuntman in the movie, Jean-Marie.

Marine Le Pen. Hello, Madame Le Pen.

Hello, Mr. Rook. Hello, Mr. Le Noir.

I specify to the audience that you don't see that you're white.

I wouldn't like to be taxed racism. It's not the kind of house.

You're not Mr. Juan Herbales.

Alban, I saw your movie, Un Français,

where you played a skinedre Panty. I loved it.

It's true that I'm very romantic comedy.

I was already very laughing in front of the list of Shinlers.

It's even better.

Another star of action movie.

You'll tell us later if you've already met her.

It's a new master.

Alban Le Noir, Jean-Claude Van Damme is among us.

Hello, goodbye.

Hello, goodbye for the Anglophones.

Hello, goodbye for the Sonotones.

You know what?

Me neither.

Incidence? Incredible.

Hello, Alban.

I didn't say anything.

Alban, you too. You make a lot of mistakes.

Fortunately, in your movie, there's a script.

Otherwise, I wouldn't believe that you copy me.

Okay?

Watch out, there's no one behind you.

What did I say?

On the other hand, you saw that...

You don't make a big difference.

If you want, I'll teach you how to make a big difference.

You need quality and flexibility.

And not be certain to want a good junior or two.

Okay?

Wow!

There's an bird.

No, it's Jean-Fy's postion.

What did I say?

Laurent, drugs are bad.

It's a master.

It's a master for you, Jean-Claude Van Damme.

We're not going to lie to each other.

Without him, I wouldn't be here.

I have to assume that too.

I saw every time when I was 9 years old,

and I said, I want to be this guy.

He made me put on martial arts,

which made the difference

to play the role of a French in Antigang,

my martial past.

So yes, unfortunately,

his filmography is a bit...

It's a bit of a suicide.

And it really hurt my heart

when we proposed a project with him

to see their rifle because it wasn't good.

And it's really hard when you have an idol

to have a rifle.

So I take a second one.

Madame Bachelot is there.

Yes, yes.

Well, listen, Laurent.

Little Le Noir, I like him.

When I see him moving in Antigang,

I can say that I'm not Antigang-Bang.

Jean-Rénaud is on the poster of Antigang

with you, Alban Le Noir,

and he's here tonight, Jean-Rénaud.

You know, Laurent,

I particularly like Alban Le Noir,

because he's capable of playing everything.

For example, the joy.

Today, there is Alban Le Noir

with a big head.

Or the sadness.

Today, there is Jean-Phi with a big head.

But I can also play the surprise.

Here, here, he plays the surprise

like joy and sadness.

Here, it's impressive.

I've never heard of it.

It's great, Jean-Rénaud.

Thank you, Mr. Jean-Rénaud.

You can give Marc-Antoine Le Bré a big hand, of course.

Machine-generated transcript that may contain inaccuracies.