Skäringer & Nessvold: Go´kväll Umeå!
Polpo Play 3/6/23 - 54m - PDF Transcript
It's Monday morning, Mir and Hampus paid a flying visit up north this week,
and Nesfold put the spring sprung fiddle dress on Hweringer.
And they made Norland turn green.
Hooray for Umio!
This is Hweringer and Nesfold, a quite confident polpo production.
Welcome to whatever episode this might be.
We are more in LA, we are in Umeå and have just been out for a walk tonight.
But it's not the same as we are sitting here, we are sitting here with coffee,
they are sitting with beer on a bar often.
Yes, but I think we are going to have coffee and Umeå this year, we'll see.
And speaking of that, I think it's time to light up a bit.
I like this sound.
Can you light up a bit of ashmire?
Yes, listen now.
What's the name of this?
Now it's that again.
I don't think it's that hot either.
You mean this when you turn on the light.
Do you mean Kashmire?
No, ashmire or ashmire.
Do you know what it is?
I hope it's ASMR.
ASMR?
It's weather, isn't it?
You meant it.
Autonomous sensory meridian response.
I think this has become a follow-up tone in Nesfold.
For shortening.
Josephine ashmire.
Oh, no.
Oh my God, I feel bad.
No, this was so cool.
Oh my God, I feel bad.
This was out on Haris.
It sounds like you are with someone who knows that you should open yourself up in a bad way.
But it's always what I think about this ashmire.
Ashmire.
That it sounds a little bit like sex.
I don't understand that it's unsexual.
Because how it's like...
I get the feeling that it's some kind of a guy who's going to run away from this.
I'm sorry to say that.
I'm so incomprehensible.
But it doesn't matter what you're going to play up for something.
It sounds like it's going to be something that has...
But it's also when people are sitting...
You know, when they're sitting in a close-up picture and can exchange a kind of cake chocolate.
And it's the same thing with people who have tits.
Because it's a foot that's pressed on a gas pedal.
You know what I mean?
I think this kind of thing applies to all kinds of tits.
But what is it for tits?
If it's not that kind of tits?
It's that it's going to be calm.
Many people say that they sleep for this.
Because it's something very seductive.
That they hear someone talking in this way.
And then they snap a little.
But it's like you're now snoring in the wall.
That feeling.
Yes.
You don't sleep for that.
And then you go in the sleep jacket at the same time.
This is also a kind of ashmire sound.
Like that.
But I think that's the opposite.
I think that's part of some kind of security.
I'm also going to try to wait a little bit.
Yes, but I think that's...
It's getting warmer for me.
It's getting this snarky, the percolation of the coffee cooker.
You know, when it starts snarky at the time.
Yes, that's right.
If it's been a little...
Let's say it's been a little bit of work that has happened.
When someone says no.
No, listen, now we're using a cup of coffee.
And then you hear this.
Tried to go away from it.
Now we're using a cup of coffee.
Do it like that, and then you go like...
Wait, I'm going to try.
I think I could be great with a tecton.
I'll just do a little bit of сlicks or something.
Just a little bit.
Do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do.
no, no, no, no, no, put on a ca использ
no no, no, no, no, no, no, no, no, no, no you
No, no no, no, no, no, no, no, no, no, no,
No no no, no, no, no, no, no, no, not
we have to
weirdly
today
with
no
you walk thoth
no no no no
Prince
having
Allegii, and it's a sound that I actually do every day, could that be so amazing?
This is when it starts, you know, first you start like this.
It's one when Allegii comes, it can be the pollen, something you've eaten.
Then Allegii is up in the rubber just first.
Then you put it in, the last day of the day, or the ear.
Start!
Mmmmmm...
Mmmmmm....
No it can't be, that can't be, that's not sexual.
No, not at all.
It's not like that.
It's not like that.
No, not at all.
Today we're sponsored by Daefgårds.
The Daefgårds, because they're known to you.
That's when you eat new food in Tempus.
And I love Karin's lasagna, specifically.
And I know that because I've been invited to stay at home.
One portion that I got to share on two.
It's fantastic in every apartment, that's what I was going to say.
And it's fantastic just because you can buy it in one portion.
I'm going to invite you again today and contrast with Kåldormar, which is my favorite.
And Kåldormar is my favorite, just because I grew up with my grandmother, Nancy.
Nancy Johansson, who actually worked at Storökök and made Kåldormar.
And they often took her home, and she often made it at home.
Really, you know, you have rice and meat and rolls in Kål, which you put in the yolk brown.
And then you cook it in tomato sauce.
It's a thing that no one does anymore.
Or there are probably a few.
Except for the family of Daafgård, who is in Kjällby, and makes these Kåldormar.
Maybe there are a few left that orcs are being murdered to do that.
But it's about the same as Selsyn, who handwritten letters, now for the time being.
So it reminds me a lot of my grandmother when I eat these Kåldormar.
And you also put words on why I love Daafgård so much.
They do, I usually think that when I'm going to eat, the more home you eat, the better.
And they do exactly what you say.
Laws that you yourself can't make, or that others very rarely make, but that you think are so damn good.
And also the laws that take some time to make.
A lasagne, even if it's very young, is still there.
You have to, it's a brush with this meat sauce.
If you make a meat lasagne now, there's vegetarian lasagne, too.
That's mostly also Daafgård.
Very large vegetarian assortment.
Because it's often when it comes to finished cold food,
that they stop eating as much as possible.
Or that's not good, or that's not good, or this or that.
So you have to be very safe about that.
It's a family company in Sweden that makes this in large quantities.
And makes their own meat lasagna, their own bechamel sauce, etc.
It's no difference, it's just a bigger meal, so bigger bites.
And as damn good as it should be.
So thanks Daafgård.
And for more information, you can go to daafgård.se.
I think I would be able to actually knock in to it.
No, but this one, I don't understand it.
Now we've put a little bit of that trend, but I don't understand it at all.
Now I just have to ask about the floor-tempt. We have different, we shoot from different angles, you and I.
Did you have floor-tempt when you got to take a red tablet and rub and rub on it?
And then she would see where you had been rubbed in the group out in the corridor?
No, I haven't had any.
I had a classmate's mother who worked as a trans-script, so I was trans-script.
She came one day because it was fun.
One day?
Yes, one time, otherwise it wasn't the experience.
Because we had floor-tempt at my time.
We were going to rub on a red tablet that tasted like shit, and then you would rub and then you would stand,
all together like this, and show your teeth in front of each other.
It was also a coincidence that there was always someone who didn't have parents who had given it to them at home,
who had already seen the yellow tablets.
It was always like a lamp in the kitchen.
Now you have to go home and rub a little more.
No, I think it disappeared before my time, so we'll say for now.
We'll say for now.
Are we saying for now?
Which aspects of it, do you mean?
The aspects that we are in Umeå.
Yes.
In my room, we have slept over, we will tell you about it.
We were up and made a real trio, together since last year.
We started, I had been at 4 o'clock yesterday, because we were going to travel from Gothenburg,
and then we would fly.
Then we got to start at 0-4.
At 0-4 I went up, I always had to scream a little with the coffee before you were more like this.
The first thing you said was 0-4.
Could you set the clock at 0-4?
Yes, because I am an older person.
I have to go up and make tomorrow in control,
come into my own avatar,
get a roll on the system, we don't have to go further into that,
but get a roll on income and expenses,
so that you are fresh and can meet this wonderful day.
And then contact at 0-5.
Can you save that for Umeå?
No, because I am such a woman.
I don't think you run and do this.
There is number one and number two on work places and so on.
I can also be a little provoked by often men,
who are supposed to scream on work toilets and so on.
They have no order on the body, they have no system.
We take it as it comes.
Yes, yes, and we are a little bit drunk on eggs and potatoes and eggs,
and we are in the food cost, I will say that,
I am bored, I can't do that.
Are you a little bit behind the scenes?
Is this real girls' bicep?
Real girls' bicep, but they do it a little discreetly.
And I think real men,
maybe more, should think in the future,
that you can also be a little discreeter.
You don't have to scream on the whole work toilet,
or whatever you are now, with, like...
So that's why we flew up,
changed to Stockholm, there came Hampus,
with a Dutty Free, as I say.
I don't know.
Tax-free bag, Dutty Free.
I feel so empty.
I feel so Swedish on so many plans,
when I'm going to fly to Enrique.
It was very Swedish.
The clock is like, what the hell was she,
7.30 a.m. there, and I'm going to fly to Umeå.
But for sure I'm going to dive into Tax-free and buy some stuff.
No, now we're going to bake the bandit a little bit more.
Because now you've been out with me in green clothes,
on the best days of my life.
Now we say, it wasn't like that,
that you went into Tax-free,
you went first into the exhibition,
in the terminal,
with everyone who was going to fly abroad,
so that you disappeared into the toilet,
and wrote to me and Anna.
Where are you, where are you?
I felt that it was these,
there were so many places to check in,
there were people in both shorts,
and ski equipment,
everyone had such a special luggage,
that I felt that we were going to the same place.
And then it was syrish and turkish,
everything was possible,
so I felt, no, no, no, no.
But then I went in there,
and then I went to Tax-free,
because now I can still go shopping,
and buy some stuff,
when I get a little feeling,
and then we're going to fly,
mice.
Can you order something to get on the plane,
on your own home in Mån?
I mean, it was like mice when you finally came,
from Utrikes,
when you had found Inrikes,
and met us when you came,
with this shiny hat,
and wouldn't join them with shorts,
and not with them,
without just you and me.
And met a costume designer,
with a portfolio,
who was going to work on the meeting,
and met a tourist.
Did I have a costume?
No, I think I was very low-key,
I had tights.
Yes, you were so.
Yes, I had tights.
Homewives of Beverly Hills style.
I had more gone into,
I don't like to fly,
that simple.
Yes, of different aspects.
Now you really have to think about your flights,
and draw down on this.
I don't fly that often,
but when I have to, I have to.
And I had a turbulence story,
a long time ago,
when I went to Miami,
which I will soon forget.
And it's still in the system.
So I got, now,
when we relieved it from the land,
and it looked good on land,
I also got,
to start the plane,
and circulate in a way,
which I don't usually do on that plane.
Because that's what I'm looking for.
Yes.
Because I was very much there in between,
when I came in,
before I came on,
that it was better to take the train,
for me.
Because it's definitely better.
But then there was a lot of Stockholm in Gothenburg.
And then,
I know exactly what route,
it will be from Gothenburg to Stockholm.
And there is a scarpe swing in the beginning.
But this swing,
it was a roundabout.
Were there two waves?
I think there were several,
there were several,
there was a warp,
and then a swing,
and then we went to the other side of the warp.
So there must have been something in the warp,
but something in the future,
that we should avoid,
or wait for, or something like that.
And then it's just,
it's one thing to take two,
rounds in a roundabout,
but when someone else drives around in the air,
then you feel like you're out with a toy business plan.
But I've never thought or reacted to this.
What do you think about when there are two waves?
Well, then I think,
now it's something.
So that's what I turned a little bit into,
in the gratitude for life,
and the death song,
when the plane is no longer flying,
and so on and so forth.
Also the night train,
I thought, home.
But then we would just sleep over, so...
The night train didn't take place.
No.
When I met you,
I thought it was going to be fun.
Then you came with a fresh,
dirty-free energy.
Yes, yes.
And lighted up the entire
noise terminal.
With bread and perfume and stuff,
so then we flew in,
then we got a little swing again.
Yes, of course.
And then I think you get really happy
when you come to Umeå.
I don't know what that is,
but now you can't say that in Norrland,
because there are people so fucking angry,
because it's half Sweden.
But I say west bottom,
where Umeå is.
I get very happy
when you come up here.
I don't know why.
It's like that.
No, but it's not very...
I think it's very nice to come up
in Umeå.
Yes, I also think so.
It's like airy and creative at the same time.
There is a very nice feeling in Umeå.
And it's nice restaurants,
and it's nice people.
I've just been working and playing,
but I've been as happy every time.
And then I always feel that
you don't take one day extra.
Yes, we did it.
And we did it now.
That's why I actually...
I actually took the initiative.
Yes, you did.
And said, no, now it's enough.
We can't wave up in the air
the same day forward and back.
It must have made sense for me
to sing with Desis Monteter now.
Diamond.
But Diamond then?
Yes.
We also have to be nice.
Yes.
So we were still there
and did Umeå
at least in the eighties.
And we have been very nice.
I must say that the highlight is
that you actually take on
this outfit.
We'll go through that now.
Shall we just play up
when you get to hear...
We'll play in
when you get to see the outfit
for the first time.
And then I can tell you
about the idea of the stage
and how it was
this outfit.
Absolutely.
Ha ha ha!
What a nonsense!
Ha ha ha!
What a fucking trash!
It was the worst I've ever seen.
Yes, so fucking wonderful.
But you...
First of all,
I'm joking in the pot.
It would have been so cool
if I could
put such hypothetical questions.
What would you have
to do with that?
Or what?
Yes, you have a lot.
It's a lot of hypothetical
to your world here.
Yes.
And then there was
a hypothetical that was
pretty fast.
Because I thought
this is too funny
to not do.
But you actually
didn't think
you could get me there.
No.
Never.
And I don't think
I understood.
I understood because
I got a laugh
when we were out
eating yesterday at
9 o'clock.
Because
it was the first year
that I got up here
after watching TV.
Ha ha ha!
It took up for me
for a very long time.
Ha ha ha!
Both you
and Anna
got together.
I have a half million
viewers.
Even when we were
listening to our podcast
and how many viewers
came and thought
ouch, she was just
popping.
ouch, she was just
popping.
That's what
I thought.
I felt it
when I got down
in the studio
with this address.
Because
everyone who was down
there knew
they were thinking
ouch, it was
boring.
And
popping.
But
if you haven't seen it
then check out
the screen next time
on Instagram.
So you
were like
I want to be
Sara Larsson.
But I am 46 years old
and
three-year-old mother.
And
now you
wouldn't say
Sara Larsson
might have that one.
No, but
this was a week
that we did
how to do it.
To this
there was also a
sunburner
called
ouch, it was
very dark.
And
that was nice
because I thought
you wanted to have
color on your legs.
Yes.
To this
outfit
it hit
a little in Lila.
I don't think
you saw it on TV.
No.
It was a
little bad
blood circulation
feeling on it.
But
it also
went on.
And then
we just got to work
in this picture.
Yes.
I think more
on all those
who
didn't
listen to the
podcast that
saw me.
Is the first clip
in this address.
You know
if you get on a
program,
there are people
who want to
look at you
and say
something else
and see you.
And then
I think
I'm sick of it.
You know
what I'm thinking
it's always like
you have to
think about the
continuation.
It's
no one
who
does it.
This is
a
thought
but
we say
someone
should think
about the
continuation.
It was
very
important.
You can
delete that
in the end.
But
it was also
my thought.
When
we talked about
the first time
there was a lot
on
some kind of
not
boring
but
damic
style.
A little
flowery
blouse,
tight,
white,
triquets,
shorts.
Capri pants.
Capri pants.
And
a little
that style.
It's more fun
that you took something
that you can
really believe in.
It was difficult
because
the style
didn't have
any reaction.
And
it would have been
a joke
about the wrong thing.
I started
looking at
a lot of
colourful
flowers.
But
I thought
that
you could
distance yourself
from
these clothes
when you
play Anna
in the sun.
That's
a great idea.
I've never
seen a kiss
and
then
my stomach
would stick out.
And
just in the evening
I thought
I had a
crop top.
And
it's
a little
gold diadem
on it.
And
it's also
that
I have
never
coloured
on me.
Except
once
when
I bought
very green
clothes.
And
they said
damn cool
it was nice.
Have you bought it?
And
I said
hi.
It's the first time
I have
been like
in the episode
89
if you
play in
22 minutes
Hampus
says
that
we have
led to
that.
You know
that
I have to tell
you.
No
you didn't
it was nice
in the episode.
They have
most written.
Even
what you see
you don't look
stupid.
No
no
no
Now
you should be kind
towards your body
and your life
and everything
because
you can't
hold on
but
I had
never
been
fingered
on that
episode
if you say so
I didn't
want to
destroy
your new
nice
This gave us
a lot of joy
Hampus
now I
keep on
and think
and
you can
help me
but
you can't
send it
just send
my dm
not to
Hampus
not to
Skäringen
S-Vold
on insta
but to
my
dm
my
dm
I think
you should
but
just
so you don't
send it
in Skäringen
S-Vold
or Hampus
because then
you will understand
but
do you have any idea
what you are
going to do
I am very
curious
now I have to
have
something
completely
different
now
I can't
with clothes
anymore
because
it is just
a train for you
there
it would not have been
like
Biancas
you and I
there
we take a
double dance
dress
let's dance
dance dress
that goes
almost
down to the navel
and then
we do
some new tattoo
that is
just
a special name
or
some
script
or
a cover
or something
I would have liked that
she is Bianca
yes
subtly
like
but
we have done that
so it is
I would have liked it
to be very cool
to dress you very very
tightly to Bianca
because she is also very fast
to dream people's
outfit
because it is so cool
to hear what she says
and you come in
as a flower in bloom
tunica and everything
now we play
with thoughts
about me
Hampus
I think we should
do a lot of creative
this
now we are going to play
with thoughts about you
and I think
that I can come in
in the area
that can be
very
sensitive
hard
I am excited
the question is
what we
have to do
English
it has
also
but it has
buffed on now
so it doesn't work
really
if you sit in my room
where you don't get to joke
about my bad English
and I'm going to speak English
then you get to
pair English with
something that is
very important to you
and you don't want to do it
away from you
or what?
it would be bad
you have to
pitch yourself
in some way
that's really
it was
amazing
that you put up
I never
felt when we stood
just before it
would start
I've never
loved you more
than this
when you are
standing here
the green
short
short
short
short
short
short
short
cut
I was both
a tulip
without flowers
only cheeks
there was
the green
and then it was cool
that the studio man
understood
how uncomfortable it was
so that he
had a clip
when he
was saying
do we take
the images
now
when you are
sitting in
the green
you have
very clear
thought
there is no
exactly
the pictures
exactly
of them
just
Before we do the real banding, let's take a picture now, when we're down here.
We can... I think you have the confidence to take a picture with this dress.
I don't think you have the confidence to take a picture with this dress.
That's what we're supposed to do.
Are we absolutely not going to do it?
There's also a risk that some people who watch this think,
have Mia Schäring been around me tonight.
I think that if I were to be around me,
they would absolutely want to add color.
I understand you too. For some color-free show than me,
that flutters around, it doesn't exist.
If I were to choose a color,
I would say, but a little bit now, let's see.
Then I always go to these Swedish Nordic cathedrals
of Berg, Hav, Dimmah,
Jord, Natt.
Yes, maybe also Bit Snö can come in.
And I often choose Dimmah, because it can beat a little.
If you're out at Blott, you know Dimmah, Grottblott.
There it goes, so it's just black, gray, brown.
No, it's also out-sorted.
I think you'd also be involved in that,
because I look at your show, there's a lot of long material,
there's a lot of long holes and half-stooks that hang down to the feet
and then it's very flat. You have quite a lot of tight jeans.
You have to work with what you have.
That you have become part of the Lord or who it is now
whether it's the wife or the universe, or what it is for building material.
But come on, I'm built of it.
She said that last night.
Come on, it's built of the overflowing material in the universe.
I thought that was a little exciting.
So I feel a little self too, that you've taken what you had and screwed it up
and then you have to take those parts when you're proud of them
and present them, and that's what they do last night.
Do you have a few good legs, up with the legs, up with the legs?
Do you have good eyes, up with the eyes?
Do you have fine lips, do you have that? Do you have hair?
Do you have the belly? Do you have a nice chest?
Do you want to present it?
How do you do that?
You have to push it back a little bit.
But if you had done it last night, I think it would have been more tempting.
I think they had spread some shirts and stuff on you.
First, a little backslick.
You were in on this with backslick all the time, at least.
Yes, I was in with a little backslick on you.
You always have to go down in the legs and a little like this,
that it should look a little stiff.
Think if you do it really like that, or a leg on snow that is so perfect,
like a sailor's suit.
I would be like a soldier then, with my appearance.
But it would be fun to do it a little brattish.
You would see on me that this is a person who doesn't really hold it.
If you were a tennis player, you would be the worst.
Yes, I have to go down in the backslick.
It doesn't work with these cool, nice ones.
I have to go down and work with the guy who can't be with me.
I try to be with him, but I don't get it.
I don't think I'm going to be casted into this cool DJ.
I don't know what to say, I have a movie from a year ago.
This is a movie about a really cool...
He is a DJ, he is rich, he is successful, and stuff.
And I'm like, damn, oh my god, I'm going to be casted into this.
No, he has a brother.
He has glazed eyes and has problems with his skin.
There are a lot of fins and acne, and he is very bad at that.
And he is in the shadow of his brother.
He wants to see it.
Come, let's take it.
There we choose the best, I think, Hampus.
This is exactly when I was in this program,
I went to a castle, and I called Gabel and said,
now you're going to get to see the thing.
Now it's bleeding.
No, but this is what it's called. Who do you think you are?
Yes.
Everything had been so fucking cool in the story of Mia Scheringe.
It was women without tents, and nine children, and out on the beach.
It was so sad, so it wasn't enough.
And suddenly they went out to a castle.
And then I called Gabel and said, now, now you're coming.
Now you're coming to a really nice, beautiful story.
Now I'm out on the castle.
Here, here, take a look.
Yes, he was following me with a口 down in the well,
where the battleship was.....
that part of thatvised the typewriter of the chair,
that was my verboging.
Yeah, yeah!
And I went around the room.
Oh, Oh, Oh, What nice,
I hit my hands on the car.
Oh, Oh, Oh, Oh, What nice.
And we move slightly further down here,
and open the door,
Do you think this is the best place to hang out?
Yes, they let me in the room now.
Exactly.
And then that day I felt that I was the best.
Are you down there at Hampus?
You can always look up.
It's much better to stay up and then go down.
Yes, yes, yes.
It's better to be that DJ's brother.
What's up?
I got this hotel at the hotel we're living in now.
I came in yesterday and thought, what a great suite I got.
It was so big, it was so airy.
Hotels usually compress, but it's like a 27 square meter apartment in Stockholm.
Everything is very nice and well-thought-out.
There was a lot of air between the bed and the table.
There was a lot of space to put bags on and a lot of gold on the outside.
I thought, damn, this is nice.
Here you can hang out.
And then I'm going to go to the toilet.
And then I see this button that sits outside the window.
That you press up?
Exactly.
That type of button.
I thought, what the hell does it go to?
It doesn't press anything.
So I went in and sat with the door open.
Then suddenly I heard a bubble, a conference room in Halle.
And I was panicking.
And I was like, what the hell is this?
And you know, go up from the toilet table and look down.
And then the door is not in my hotel room.
On Vidgav.
First he opens up, goes to the toilet in the evening.
And then there's an open house.
You can't kiss yourself.
You're going to public from there.
Calm.
And how fun to see it from outside.
That it's a hotel room.
Have you put the door on Vidgav?
The party begins here.
But it doesn't happen.
I don't look at that door.
The toilet door is exactly on Vidgav.
And not the door into the room.
It's like Volvo or NCC construction workers
who have a conference room that starts to bubble.
You know.
What was this for the party?
I was forced to press on it.
I wonder what it goes to.
But it was so strange.
But of course if you have a wheelchair
it's clear that you have to be able to press
a while before you're on your way out to the party.
But I had put up the toilet door.
So it stands in front of the door itself.
So I didn't see when it opened.
No.
Did you have the toilet door open?
Yes.
It was open.
So I didn't see that the door opened into the hotel room.
I thought nothing happened on that button.
I put the kiss on it.
That's what I hear.
Maybe 10 people
who laugh and bubble in.
That they are on their way up
finally when this fucking lecture is over.
Now we're going to go to Bodegen
and have a glass of wine.
Then you hear some squarder
who has also been out with two aunties
who want to go home at 8 o'clock.
So you kissed the night when the others were on their way out.
And invited everyone to the hotel.
Oh God, it's just you who can do that.
And in the night it was the same thing.
Because you were going up to kiss
and you were going to turn on the lamp button.
And then it's reflected that it's out.
So I press it again.
And then it goes up.
And then it's dark.
So you see right away that it lights up again
and then it goes up in the hallways
and then it goes through the window.
Then it doesn't go through the door.
No, because then it's that.
Then wait.
Then wait for it to open.
15 seconds I'm in the hallways
and the door is open in the middle of the night.
Yes, but of course it can't be opened again
when you're on your way out
in such a bad room.
Oh, I love to talk to you.
You tell me these things.
26 years.
In Aknehuddi.
Yes.
You tell me about the fatties
at Umeå Hotel.
Keep it up and love the audience.
In the long run, it can look cool
but it really does come out.
Yes, it does come out.
We can also say that.
I agree with that.
And you are actually
one of the other comedians.
We don't say a name now.
Or a very approachable person
in the media society right now
that we think about.
We heard that.
Because are you up in Stockholm
and turning and going up?
It's tickets,
it's shows that are out
and it's a TV show
and it's a recording.
So everyone speaks.
You have to know that in our industry.
And they probably do it in other industries
but maybe more in our industry.
There's nothing that you say
about someone in a room
that stands there.
You can be sure of that.
Whether it's directors
or arrangers
or whatever.
So I got to hear
a little about this road
from mouth to mouth
that this person had said
that it was fucking crazy.
They have a picture of the ship.
But do you know about
the stamp on the jacket?
It's hanging out on the jacket.
And then I got to...
I don't know if you
who are listening to this
have seen our...
We have really looked up
and worked on the coolness.
But then there is a stamp
that is hanging out.
That may have gone unnoticed
or for some.
And it's on the theme that
even if we dress up
and dress up
we still want to show that
it's always a little bit
and there's always some long-distance
stamp left in the room
that has been in the closet
that doesn't make
the whole thing go wrong.
It doesn't go the whole way.
But just that he said a little bit
and said that it was nice
but they know
that the stamp is hanging out.
But it says
that people also think
that this is a thing
that they haven't thought about.
That we have a little bit of that.
You could go through that.
But I liked that stamp.
Yes, it was really...
I felt that we were at home.
It was exactly that
that was the meaning.
And then we were very happy
that he
as soon as I heard it
said
I thought it was very nice.
It got a little bit messy.
Yes, it was thoughtful.
You have to say something
that you know about yourself.
Yes, it was thoughtful.
In case they
thought about drawing back pictures.
Yes, it was very nice.
I was very happy.
Yes, it was very nice.
Yes, it was nice.
But it says a part about
the thoughts
around us.
They are
they are more down
down there
I think with the wheels.
Yes, it's that dysfunctional
on the pair that...
And besides that
it's not just a price gap
that's hanging out.
But it's
70 percent free.
Yes, it was free.
Yes, it was free.
No, it was...
It was really big free.
Yes, it was really big free.
What did you think?
Did you think it was
boring?
You wanted an honest answer.
Yes.
Not so nice now.
No.
Was it boring yesterday?
Here it was.
Hampus had booked
a table for us
in Umeå.
Which we all
looked forward to a lot.
After all, it was
a very long day
at SVT.
But in any case
we looked forward to this
a lot.
And Hampus had booked
a table at 7 p.m.
A very normal time.
Yes, a day.
When he used to work
until 17 p.m.
it was quite a long time.
The whole affair
was a bit up.
Yes, but me
who had been up at
4 p.m.
and first had my own
time with the self-win.
The long business
started.
I felt a little
7 p.m.
It was late.
We couldn't start
at 6 p.m., I felt.
Yes.
And then I delivered
this.
And you were all on it
because everyone felt
we couldn't go now
and put ourselves in the room.
Because then
we would die
if we had been up so early.
So then we changed
and then we went out
already at 5 p.m.
To a quarter
at 16.45 p.m.
So then we went in.
Yes, but it was all
with us.
I thought the other
was a good energy.
And I think it
got better because
I still had
a little bit of brain left.
But then
both me and
the other woman
came in and
went over.
You started
to take in
should we have more?
Yes, we can
take a coke.
No.
I took the filling
on the wine first.
Yes, but then
it started to get
worse.
Then the coke
came in
to neutralize
this.
Because then
I also got a good
time in the bed
and was looking
at a series
or something.
Did you think
we were
terribly boring then?
And did we want
to have more
from Umeå?
The clock was
not more than
1940 when
we started
going to the hotel.
But it was
something that
it felt like.
The clock was
22.
Yes, or how?
Yesterday.
And it was
10.
Had we been here
on Thursday,
then I would have been
like,
no, but now
should we go
on?
Should we take
a glass of tea?
Should we take
a glass of tea?
Yes.
Then you
would have wanted to
touch us
for over three hours.
So you were
yesterday,
at least, sorry.
Yes, and the funny thing
was that I said
later, because Anna
was writing to me,
the last time I said
again, I think,
then I started to
paint and think,
oh my God, I'm
boring.
This won't
hold.
He will
get tired of it.
I think.
So I started
and then I say,
I didn't
put Anna in that
thought.
But the last thing
I say to her is,
I think it was
good for
Hampus now,
that it
could also be good
for you to
rest.
And that's
what I think,
especially since
you said I
take responsibility.
I think
that you
project your
idea.
Exactly.
That I can
have both
the dog in my
head and
go out.
Exactly.
Because
now I have
this thing.
Then I
get to
do what
I
do in my
life.
It fits
your life well.
Exactly.
Because it
might not
do anything.
I don't know
if this
was the best
for her,
but when you
think about
and create
dogs,
you just
do it.
So you
have to go home
half past seven
or half past eight.
Yes.
No,
I'm going to
I'm going to
pass up a little.
But I also think
that you have
a little
permission to
then I think
you have to
try to find
an intermediate
road.
Oh,
I'll just
say this now.
What does
the intermediate road
mean?
It means that
you don't
throw in
a taxi to
the hotel in the morning
because we have
played.
No,
okay,
that's where
you're
in now.
When you
have
booked a
table or
take
some glass.
One
glass of wine
afterwards
or a coke
can also
be
but that you
gather together
and
lighten up to
it.
And
it can be
the
shark too.
And
the night
can go
really far
and longer.
No,
because then
it will
come back
not if we
will play
on it.
It will
always be
a roll tournament.
Yes,
we can
do this
we can
suck on the
caramel.
And then
we can invite
our listeners
and see
how it goes.
We can start
up a tank
now that we
are going to
come with us.
It's just
how many
games the
table is.
Six,
seven.
It will
not
get worse.
One,
two,
three,
two,
five,
six,
seven,
eight,
eight.
And then
we can
play
But when you don't play, you can have some rock'n'roll.
That's roughly how you want it to be.
Then I'm going to look at this recording and see.
And then we'll all listen to it now and see how it goes.
Could you tell me about the book?
You know, some high-pitched notes that are on the club?
Most of them.
Like this, like you're in a message box.
I would have put it in there.
I don't know if it was about the sunset or the movies.
I haven't had many movies like that,
but once I was in a band like that.
Oh my God, that was the sunset.
I had to listen up.
Then I would be like, yeah, how are you?
Hey, I'm a bandit here.
Yeah, you have to come in.
Don't come in, no one sees you.
It's just a band here in the middle.
Yeah, come in.
There were some on one side and some on the other side.
It was crazy.
If you look at it from a helicopter perspective,
it's really crazy.
Then you have two different rooms.
You can't have a band in between.
I've understood that.
That's how all of these places work.
I can understand one thing.
If you've worked on a scene and you're tired,
or you're supposed to celebrate with your friends,
then maybe you can have a little,
first of all, in your own room,
where you celebrate that this went well and premiered.
But then you still want to be with the others.
Yeah, but just a dance hall when you're supposed to be separated.
This is a little nicer.
This should be a little more fun, that's not it.
But the fact that I got a wheelchair in the right room
and stuff like that, that's also a follow-up in my life.
There are quite a lot of rooms that I've climbed into
where there has been so much space,
and where there is a hand gesture in the bed
and learning buttons.
I often get that kind of room,
and before it was just like, this is a room,
but then maybe it happened five, six times in a year,
I started thinking, why do people book this kind of room for me?
Exactly, in you.
We also had a series,
when we were out with No More Facts to Give,
we had a capsule series called that.
It was you and I and Samira Ström,
who was our makeup girl who was with us on the tour,
who will also be with us on this tour.
We're going out now.
And then we'll see what we can have for last.
Then we had, there were times when all hotels,
or many hotels had this little luxury extra,
almost that they had a capsule opener,
fast screwed on the wall in the bathroom.
And that was just like that,
is it that you have to
take an ear when you're sitting and doing No. 2?
Or is it that you have to lie down in the shower
and drink a rum solution?
Or is it just with the toilet that makes it that close?
And very close placed, the toilet chair in question too.
Do you often want to eat or drink on the toilet?
No, absolutely not.
It's more like a tambourine,
when you've drunk,
but there's no other way to do that.
But now I'm not going to do that,
but it was a lot with that tour,
just No More Facts to Give in the hotel room,
because I didn't get one room where I didn't get more.
The ceiling was filled,
and I had to sleep with my nightstand.
When you're retroactive,
when you're working,
when the safety is in place in the relationship,
then this also happens,
that you've created once in a while.
So I think you're still in bed,
this luxury of flaring,
there was no one really who had it on that tour,
because we were a big music festival
that was in the crowd,
that was out, so it didn't go...
No, and I'm not going to be that way,
and it sounds like you're complaining a lot, but...
Could there be a Präd-hampus?
I think you can expect a little more,
but it wouldn't have happened every time.
No.
A kid, and now this is going to be...
The Präd-hampus!
There's a lot going on now,
that's falling down.
I was so glad when I heard that you're also...
Now you're up on the internet and writing down stuff,
in sign language.
Now we're talking about the shop.
Some fruits that fall down
shouldn't be picked up yet, you can feel that.
And the others are very brave,
they want to be spread out directly.
Absolutely.
But now we're going to make a diagram,
where we sit down and work,
we're going to get our different...
Almenackers.
And where we start a little in the right way, maybe.
Yeah, what do you mean by that?
You're going to get a peek, I think.
No, not a peek, I mean,
to notice that it's fast
and quite a bit of all hands here.
The transitions that I've made to you.
I don't know what it is with the transitions,
but I love them.
Yeah, it's just something when you start with
the transition before the content,
like, what are we going to do?
What are we going to do with this transition?
I'm not really...
I have no idea about that yet.
transition to where?
From where?
I've actually written it down,
so I'm like,
I've come up with such a funny transition.
He's like,
I'll write it down for you.
And now I'm going to tell you about it.
What it was,
I explain it in a very long arrangement,
along with SMS, in Mojfest as well.
And then I won't be able to
fill it up,
whatsoever,
on this SMS.
But what will it be?
Yes, I understand.
But the question is,
what are we going to do?
And what are we going to do with the transition?
What would you have hoped for?
The transition that I made with the introduction last week?
I've put up ten.
What would you hope for?
We're done with the show,
now we're going to fill up the last one.
This transition will work.
If you don't work with the scene,
you might think,
I've described a door opening,
how I'm standing.
It's like this,
and you're inside and you're going out,
but I've forgotten inside,
and I've forgotten outside.
I've just described how fun it can be
to stand in that door opening
before you come out.
And go to you.
And you had a lot of pictures,
in your head,
but for someone who just had to hear an transition,
it was difficult to visualize.
And then I got a little sad.
Because then I felt like,
it's like you're running through a nail
to a child's collar,
and the collar says how it feels now.
Children are often very funny,
because they're like,
when they're happy,
now you're doing this,
now you're dragging all the children over one edge,
you shouldn't do that.
Some children,
including me,
can be my own,
some of them,
at least I have three.
One out of three children,
can be so damn happy,
that they throw away their clothes,
that it's going to be something like that.
Everyone can stop
when the children are running around,
and it's chocolate,
and it's balloons,
and toys,
and no one listens to anyone,
and they're like,
it's like a drama festival,
maybe before the time,
although it was adults,
babies,
who were so happy,
from the day they were born.
But children can be,
so it's so damn wonderful.
It's a stadium,
when everything is so damn funny,
so the cake goes all over the face,
and the collar,
and no one,
and then it stops,
someone hits someone in the head,
and then the lesson is over,
and then the collar is over.
So it felt like you did it on me.
I came to the collar,
almost in the collar from the beginning,
because I felt that this is so damn funny.
So I stood already with these
snub-shells,
that you had before,
Pampers,
I stood already,
and I was waving with balloons,
and chocolate all around my mouth.
But you hit me in the head,
with a hammer like that,
and I got hurt.
But I didn't do that,
it was so hard.
No, you didn't do that.
But you can't counter creative chaos.
No,
it was more that I felt that
you jumped straight in,
you've been in your head,
and threw me in on the way,
but I haven't seen the start line,
really.
I don't know what we're on the way,
what are we going to do?
Well, and then it's so funny,
when you're in a creative flow,
and you're sending these SMSs,
you have no idea
that we live in different places,
you don't know where I sit,
when you send them,
it's so fucking funny.
And I don't know where you sit,
you can sit exactly the same way,
in your life,
with what you're kissing with.
When I send in,
now, now,
now you're Pampers,
and then I have such a fucking funny idea.
That's how I am, then.
Now you're gone,
now we're going to see,
now you've had the answer,
this, this,
this, this,
that's how I am.
What's the same thing
when I send you here,
I'm really happy,
and it happens,
they say,
this works,
here we can do,
quiet in eight hours.
Then I come,
I'm sitting in a meeting.
Then I actually write,
forgive me,
forgive me,
forgive me,
be,
Pampers,
but I'm sitting there,
and then it actually came,
so fucking funny,
and then it came,
later,
now I'm lying,
the last thing I'm thinking of
is this now.
Yes, that's true.
That's what I said,
I just wanted to say,
I picked it up,
because I know
that you don't have to,
have you solved things
and felt that,
fuck,
it's going the way I thought.
Then you get angry.
But I picked it up,
your transition,
it's absolutely out.
It's absolutely out.
You saw it later,
when you wanted to,
an inner and an outer
in this door opening,
I described to you,
that this was fucking good.
Yes.
At least we think,
you know what you're going to think,
but we thought it was good,
so fucking good.
And here I think,
a fucking mouse,
how we're holding on
and pussling all the time.
Yes, that's true.
In this exhibition bubble.
There are so many mice,
almost like
a diamond brodery,
we're holding on to,
if you know what it is.
No, it's...
No, it's holding my mom on to me,
then she's holding on to me,
it's one million small
stones on the table,
and then it's going to be a picture,
and then she's sitting with tweezers,
she can sit the whole night,
and then she's sitting
one after the other with crystals.
Yes, but that's exactly what we're doing.
It's like she's going to go to bed at night,
at night,
she knows for sure
what the diamond brodery is.
It's probably going to happen
at night before spring.
That's what you're going to do.
A diamond brodery.
A picture of me in green
outfit,
the diamond brodery
will be presented when the night is over.
Absolutely.
It's also very strange
that when we're holding on
so much intensively to work
with these things,
that it's just like
when I was with the therapist,
that you can't really sort out
which thing to listen to,
what can I bowl with the therapist,
what can I not bowl with.
So at the same time
that we were allowed to bowl with that,
I would have waved in
your man in the world's
biggest lifestyles
that he had done
and done research
than we bowl with our bowl.
Yes, that's what I thought.
He was really cozy.
He was lying
and was right in the bed,
across the bed
like a child with feet
and up on the floor
on the belly,
like he's lying
on the beach
and waving with his legs,
so cute.
And I was like,
what are you doing with me now?
No, now, now,
and he was very engaged.
And we were also at home
with Ellen.
So it was like everything was going together.
Now, family life has started,
I would say.
Or how?
Really.
It's me and Ellen
who have to get some time.
Yes, I think so too.
I might as well start
with a birthday party
that's about something
more work related.
Then he can get up a bit.
And then we start
like,
yes, he's a good hamper,
but it's just a bit.
But it's new and nice.
You and Gabber
don't talk about me.
No.
Yes, it's sent pictures.
Yes, of course.
It's done, actually.
But I'm going to see,
I'm going to start
with a bit of silence,
but I'm going to see
what kind of entrance I'm going to have.
He's also been
very much involved
in this outfit.
It's going to be evening
and I'm going to shoot
with a little responsibility too.
Yes.
So I've been up
FaceTime on Lindex
in a while.
Yes, he's welcome
in that area.
He likes it.
Yes.
But now we have,
we actually have to come
together,
so we have,
we're going to,
Thank you.
With a quarter.
Yes, for fuck's sake.
Now we're going to
sit here and enjoy ourselves.
What's your name?
Let's see
if we have to circle
in this roundabout
a few times
before we can take
a break
towards Stockholm.
We're going to survive.
Today I'm going to
sit here and watch
each other.
It's getting really bad
lately.
And don't follow us
on the podcast.
You can do that
at skjärgen.se
when we release a new episode.
And if you don't have
a ticket to
the show
with the suede,
there's a ticket
left on
skjärgen.se.
You couldn't have said
better.
Bye.
Bye.
Bye.
Bye.
Bye.
Bye.
Bye.
Bye.
Bye.
Bye.
Bye.
Bye, bye.
Bye.
Bye.
Thank you for listening to this Polpo Original.
You've been amazing.
Machine-generated transcript that may contain inaccuracies.
Hampus har stylat Mia på bästa sändningstid i Go´kväll och älskade Umeå har utforskats fram till19:47. Flygresan upp dit innehöll det mesta från duty free till dödsångest. Väl på plats har Hampus fått ett rum med svängutrymme och han slår upp dörren för kick offsällskap. Skäringer presenterar allergiversionen av ASMR-njut, något att somna ELLER ligga vaken till.
Medverkande: Mia Skäringer & Hampus Nessvold
Skäringer & Nessvold klipps och redigeras av: Micke Solkulle & Anna Spolander
Produktionsbolag: polpo play
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