Les Grosses Têtes: PÉPITE - Les Grosses Têtes et la publicité

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What was the name of the actor who played Michel Polnareff?

In the other pub, the pub was famous.

Ah, well, here it is.

Louis-Barcelona.

And it's Jean-Louis-Barcelona.

Good answer, Isabelle Mergo.

We're going to introduce you to the pub, Mr. Jancet.

Are you from Paris?

Yes, yes, yes, we're going to introduce pubs, but I have trouble doing that.

It's weird to associate a picture with a sausage or a veranda.

What are we going to introduce you to?

Air France. You can do Air France.

Yes.

I'm not sure that Air France wants you to do that.

Wait a minute, what are the products that they offered you?

They offered me the Spurs Bank.

No, no, no.

They offered me socks, Jean-Phil socks.

Yes, of course, it was to talk about the coastline.

And then the charcuterie, yes, the sausage.

The charcuterie, why the charcuterie?

I don't know.

A sausage, ah yes.

You can see well with a sausage in your hand.

Yes.

Can you guess what I'm going to do now?

The sausage.

No, the sausage.

The sausage was rolled out of the sausage.

I went into a charcuterie and said,

Hello, I would like a sausage in the eye.

The butcher said to me,

I just cut it in half and I said,

You have to take my ass for a terrier.

That's it.

It was...

It was...

It was a...

It was a...

I invented a...

Ah, really, okay.

You see, you've already done the pub.

Yes, I have to say that I did it.

I did that for Revlon.

Beautiful hair.

With this.

That's it, Revlon.

And then we...

Where did you do it?

Where did you do it?

No, I didn't do anything.

You were good in where?

It's true.

We also proposed the presidential camembert.

And well, I didn't do it.

And yet...

What did you have to do in the presidential camembert?

Well, I was with Thierry Lermit

and then we exchanged camembert pieces.

Yes, it was a big deal.

It was taken by God then.

God?

No, no, it was strangely camembert.

And then I did...

Yes, I did one that was very pretty,

for the dentifrice and my diamond.

Yes, I remember that.

So you see, when I open my mouth,

there's always a white one.

The white is my diamond.

And you, Isabel?

What did you do, Isabel?

I did a pub that was tested in the south of France

for the fresh tart lesbians.

And so I did...

Fresh tart, we remove the fat,

like the...

I don't know what, in short.

And so they tested that in the south of France,

and made three...

Telemante and Carlo...

Yes, in the Dégonnais.

And they said,

we don't understand what they said.

So, I assure you,

they gave me a gold pounder

because they didn't hesitate anymore.

We had a lot of time in the tour

so that I could be doubled.

And I said no.

Well, you did a good job

because it represents you.

What a beautiful story.

Beautiful, beautiful story.

We're going to vote you with Thierry Lermit.

We're going to vote you with Thierry Lermit.

Everyone doesn't have any funny anecdotes to tell.

You made a fool of yourself.

I did...

I was doing the youth of all the pubs in the 2000s.

I did YUP, I did CRUNCH,

I did MIFF,

I did...

At the time of each youth in each pub.

YUP, it was you YUP.

Yes, I...

At one point,

I didn't know there was a youth in the pubs in the 2000s.

It was me.

So YUP, it was you.

Yes, YUP, CRUNCH.

What are you doing?

I was doing the painful rules.

One thing,

I swear, I was the boyfriend of the Nana

who was talking about these painful rules

and I was behind on the scooter

and I was doing yes to what she was saying.

Well, last night, by chance,

I was invited to a small ceremony

for Roselyne Bachelot

and I met someone who told me

it was me who made you go to a pub.

I said, well, I didn't do much.

So I'm going to know right away if it's true

because I made very little publicity.

It was in the 90s.

At the time, I was still doing one-man show

and all the young people were asked

for the post.

Oh yes, it's true.

Yes, my pub never went so bad

in the publicity.

They didn't even want to pass it.

And I made another publicity for

the T.E.R.

which never went so bad either.

I only made two ads.

It was in the 90s.

I started and I thought it was

honorific that we...

Well, of course.

We complain to make ads.

Well, I had the melon.

When we recognized ads

and everything in the street,

I thought it was instant.

You weren't taken because you were Max Boublil.

Oh no, I was taken as the young man.

Yes, while I was taking for my name.

So at the beginning,

when we start,

we're flattered, you see,

when we call for your name.

Well, yes, well, yes.

So I said yes twice.

And then I understood that, frankly,

it wasn't good.

So I stopped.

But I actually did the post.

But everyone did the post

and the other was the T.E.R.

And we had to be two personalities

in the T.E.R.

and we had to say

why did we like the T.E.R.

And there were landscapes

that unfolded next to each other.

It's hard to find arguments.

And in front of me,

this dress,

well, it was because

we turned the pub

in Florence-Sarto.

And it turns out

that no luck,

this poor and regretted

Florence-Sarto

almost 15 days after

we published it,

she quarreled in a bar

in Brittany.

She made a kind of rick,

you see, because she was...

Yeah, she was a quarrel.

And so,

as she quarreled,

it gave a bad image for the T.E.R.,

the pub didn't go through.

But no, because of Florence-Sarto,

it wasn't fucked.

And that's it.

And for once, you were good.

Sorry.

And for once, you were good.

Oh, no, no, no, no, no,

don't screw up the T.E.R.

I said the T.E.R.

at the level of a good look.

No, you can't do it like that.

The T.E.R.,

it allows you to go fast

from one city to another.

Oh, what are we good at in the T.E.R.?

And did you take the money from the pub too?

Well, of course.

Yes, because I turned, I turned.

When we turned, we turned.

It had to be broadcast once

to touch the three pubs.

I remember, when I was waiting for them,

I was hooked up like that.

The three, yes.

Yes, but the performance...

But like the games,

you sign a paper

that says that the gains

are only given if the broadcast is broadcast.

If it's because the broadcast is not broadcast,

you don't touch the money you earned.

Even the millionaire.

Did you pay to make games...

Did you pay to make games on TV?

No, but the gains you can have on TV

because, before I was elected,

I was making games on TV.

I was making games on TV

where I earned money,

but we signed a paper

that says that if it doesn't work,

you can't do it.

As a candidate, you were...

Yes, yes, it was...

The Montreur T.E.R.

If we cut the passage,

we don't give it to him.

We don't see the Montreur T.E.R.

And you, Mr. Mélanie,

I've always refused

because it's an ethical question.

Well, you talk.

Machine-generated transcript that may contain inaccuracies.