Les Grosses Têtes: L'INTÉGRALE - Le Best of du samedi 16 septembre 2023
RTL 9/16/23 - Episode Page - 1h 42m - PDF Transcript
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Mr. Boubli, if you need a translator for the foreign versions of your films,
don't hesitate.
For example, if you were the biggest fan of one of your songs, Max Boubli,
were you going to take it?
Yes, tonight you're going to take it.
How was it?
Tonight you're going to take it, oh yes, you're going to take it, oh as if I was out of prison
after 20 years of prison.
So here's the Russian version for you.
It's not the same, it's the Japanese version then.
I think we did a very bad test, Max Boubli, tell me which is your favorite song, but not
to you.
It's a song that everyone knows.
The place of the great men, Patrick Bruel.
We met in 10 years.
I'm going to go to the beach, I'm going to the beach, I'm going to the beach, I'm going to the beach.
Eric Zemmour is complaining about the Arabic version.
No!
It's true that when I see you sing, I tell myself, what should I do to stay in the big
house?
It doesn't take long, it's hard.
And again, he comes every two months.
What am I going to do?
I want to be a boy, I want to be a boy.
He just started, he doesn't understand anything.
He just started, the professor of ski, the professor of ski.
It's like that with the drag, I think.
You don't know Max Boubli.
I've never heard of him.
She's a big girl.
You have to say she's been abroad for 15 years.
In your word, big bourgeois, we don't know Max Boubli.
She's sadimited Christine Bravo in her own way.
But who lives there?
You'll never go to the movies, he's done a lot of movies.
No, but your head was telling me something.
No, I didn't.
You realize how big you are?
He told me he didn't know me either.
But you didn't know him!
You didn't know him!
You didn't know him!
I've never read a book about him.
She, from the world where the president and Brigitte know her,
she thinks everyone knows her.
She's very close to power, isn't she?
Yes, she's very close to power.
She can make me go to Elisabeth.
No!
She can make me go to Elisabeth.
But she can make you go to Elisabeth.
Like you want.
She can destroy your character.
I don't see Eric Legeria doing the accent.
Yes, but he's not willing.
He's really old, Jean-Pierre.
Oh shit.
Yes, it's a head voice.
Yes, I know, I'm sorry.
There was a first quote.
Let's go back to the good principle of our big head
for Alisson Beliar, who lives in Saint-Pierre-des-Lorne in Mayennes,
who said,
« You don't have to despair, you morons.
With a little training, you can get into the military.
»
Jean-Yann?
Jean-Yann, no.
Philippe de Villiers?
No.
Jacques Martin?
It's French.
It's French, very French, Madame.
Pierre Dacke?
Pierre Desproges?
Pierre Desproges, good answer.
Caroline Biamond.
A quote for Jason Rigaud, who lives far away in the Pate-Calais,
who said,
« The preservatives don't protect you 100%.
One of my friends took one and he fell down by a bus.
»
Pierre Légaré?
No.
Raymond Devos?
No.
It's not French, I'll help you a little.
It's American.
Yes.
It's called...
Which means...
Bob Hope?
No.
Ricky Gervais?
Well, you'll have it on track.
Steven Wright!
Good answer!
Good answer, Caroline Biamond.
What a great quote!
But it's very well known.
It's better.
So it's not Chakalov?
It's a quote...
A contemporary quote for Cecil Kemmeray,
who lives in Osny, in the Validoise.
He said,
« If an animal tells you that it can speak,
it probably lies.
I'm not going to lie.
It's hungry.
An animal doesn't talk.
So if it tells you that it speaks, it lies.
You see?
Well, what's that?
What's there?
The parrots.
The menats.
It speaks.
Otherwise, a manatee speaks in front of me.
And he says,
« Hello, Jean-Phi.
I can tell you...
I can tell you...
»
I don't understand what he said.
I think...
No, wait.
I found it.
I think the parrots
didn't talk about meeting Jean-Phi.
No, but...
Wait.
I found it.
Where's Jean-Phi?
In fact, Jean-Phi,
it's a parrots of a manatee.
Please!
It's a metaphor.
He's happy!
He's happy!
He's happy!
He's happy!
He's happy!
He's happy!
In fact, Jean-Phi,
he doubles all the parrots.
Jean-Phi, it's not the bell that's parrots.
Jean-Phi!
Jean-Phi!
Jean-Phi!
That's it.
So,
it's probably me.
It's an actor
who knows Africa very well,
to tell you everything.
Yes.
Bernard Giraudot.
Not far away.
He turned...
Richard Borragé.
Richard Borragé.
Well done!
Thank you very much.
Maybe you know him.
In any case,
the caricaturist,
singer, artist, painter,
André Gilles.
By the way,
he's the famous name
of the Parisian cabaret.
In Montmartre,
the lapin, Agile.
Agile.
We believe that it's a qualifier
that describes the lapin.
But no, it was the lapin A.
And furthermore,
Gilles Doselle,
since it's André Gilles,
pseudonym of Louis-Alexandre Gosset de Guine,
who was a caricaturist,
artist, painter,
French singer,
at the end of the 19th century.
He was also a friend,
I believe, of Jaurès.
His sculpture is
in the cemetery of the Père-la-Chaises.
And André Gilles was the first one.
And there is my question,
obviously,
which may allow
a Rémi Guardon
to touch 300 euros.
He was the first one
to illustrate something,
from 1876,
to draw something.
But what is it?
Political drawings.
Political drawings?
No.
Le Camassoutran.
Le Camassoutran?
No.
The cat.
In France, in any case,
he was the first one
to draw,
to caricature,
to portrait,
to illustrate.
A book.
A big book.
A book, no.
Is it in the press
or is it in books?
It was neither in the press,
nor in books.
He's showing them.
He's showing them.
No, not anymore.
He caricatures characters.
So we saw different characters.
I can even tell you
that we saw
generals,
doctors,
lawyers,
smugglers,
ministers.
Caricaturist and smuggler?
No.
A smuggler?
That's a caricaturist.
Yes,
but he could have been inspired by a smuggler.
You mean it would be a caricaturist
that would have caricature
another caricaturist?
That's it.
It's just to quote a name
that he knew.
We know this...
I got it.
Is it to illustrate
visit cards?
Visiting cards?
No.
But to put on the door of the offices?
No.
Postal cards?
No.
He was the imperial German.
But we'll learn,
I'll burn you.
In...
In the calendar?
No.
In the encyclopedia?
There was an interesting word
that you said.
Postal cards.
You played cards?
Yes, but which one?
Tarot.
Family game?
Family game.
A good answer
from Baptiste Lecaplain
helped by Fabrice Ebuet.
Indeed,
the family game
was from England.
But in England,
it's not just family.
We have more.
Sometimes,
it's us who have decided
that only this family
in the family game
is the first one.
He illustrated
a family game
in 1876.
It was this songwriter,
Caricaturis.
There was the minister family,
the general family,
the doctor family,
the lawyer family,
the mandarin family,
the smuggler family
and the potency family.
It's weird,
obviously.
Then it evolved
and you have all kinds of games
of this family
with,
each time,
you know,
six people per family.
I love this family game.
Six times seven,
42.
You didn't understand
at the time.
No,
I didn't understand.
He had 40 cards
in the game
of this family.
I love that.
So,
who's in a family?
Well,
there are seven people.
No,
there are six people.
I told you,
Chantin.
There's the father,
the mother,
the children,
the grandfather
and the grandmother.
So,
it's five.
No,
there are two children.
The son and the grand mother.
The son and the grand mother.
The son and the grand mother.
I love the Milborns,
too.
Carapace.
But
that's the family
in 1876.
Now,
there are 12 in the family.
You have the beautiful father,
the Chauchat.
Now,
I play with Cameroon.
There were 50 women in there.
The family of Olivier Gouness,
Pioche.
No,
no, no,
no.
In the family of
Olivier Gounness,
I would like the son,
Pioche.
You have the gift.
The daughter,
Pioche,
the mother,
Pioche.
The dog too.
What a great
opportunity.
And
What an honor!
Fabrice, you're being exaggerated!
We saw it last week and mixed it with Papagayo at Saint-Tropez.
In English, it's called Happy Families.
That's why there's not necessarily seven families.
And we called that seven families because there's really seven families.
But in England, there can be 10, 12, 13 families, and it obviously complicates a little more the game.
Maybe we can play more.
Explain to me, Chantal.
You know how to play a track game?
No, but we didn't have to be 16 families to play this game, Chantal.
Yes, exactly, yes.
But there wouldn't be another specialized establishment that would be responsible for welcoming it.
There's only you, Laurent.
I feel like Chantal is a chicken here.
Ah, it's good as a chicken game.
Ah, yes.
I like the croissant-pendu, too.
But that's not a card game, the croissant-pendu.
Ah, no, it's not a card game.
Maybe we should shine by answering a question.
Well, I'm going to do it now.
It would surprise me.
It's supposed to be literature, isn't it?
It's a literary question.
I feel like we should give him 10 seconds to do that.
10 seconds of advance.
Ah, no, no.
No, no, no.
It's going to be a sabbatical year.
Send him the anti-dryers.
It's a question for Luc Lambert, who lives in Montreal.
And the question concerns Edmond Charlerou,
since there's a biography that's coming out in stock.
There you go, a good start.
There you go, an anti-dryer.
It's Dominique de Saint-Pernes,
who may have already read this book,
but it's this journalist,
Al-Express,
Dominique de Saint-Pernes,
who publishes in stock
a biography dedicated to
the wife of Gaston de Fer,
Edmond Charlerou,
but who was also taken in by Goncourt.
Ah, yes.
Let's recall it.
And watch out for the auditorium,
for Mr. Gisbert.
It's written because I'm doing an anti-dryer.
I'll show it to you.
We'll give him 10 seconds to do it.
What book does Edmond Charlerou
get?
The Goncourt Prize
in 1966.
Oh, wow.
I'm in 1966.
Can you read it or not?
He doesn't know how to read.
He doesn't know how to read.
He doesn't know how to read.
No, nothing.
He doesn't know how to read.
It's not the pearls of my past, right?
It's a very good book.
Did you at least write it on paper?
No, I wrote it on paper.
Look.
It doesn't stop reading.
Look.
Don't forget the herbs.
Don't forget the herbs, of course!
In 1966, it's the world.
The Goncourt Prize.
Good answer!
It's not a joke.
It's called the passport for Sophie Davant.
Don't forget the herbs.
We can go to the herbs, by the way.
It's very beautiful, by the way.
The Goncourt Prize.
Trust me, because it's a real story.
The book is by Edmond Charlerou.
Don't forget the herbs.
It's a story of Jalousy.
There's a murder in this book that you wrote.
It's not the same as the herbs.
It can have a murder.
It can have a murder, too.
It's the aggression to the white weapon of a salesman.
Here it is.
Of Palermo.
A Palermo of Tapis.
By a notable American from Sicilian origin.
Candidate to the New York Navy.
For reasons of jealousy.
Don't forget Palermo.
The Goncourt Prize in 1966.
She's not dead long ago.
She left in 2016.
Edmond Charlerou was 95 years old.
I look at the list of men she knew.
Even Gaddafi, seems to me.
Yes, I don't believe it.
The one who told her?
Yes, yes.
Gaddafi told her.
She told her that she had an adventure with Gaddafi.
With Maurice Druion.
With Orson Welles, too.
And obviously with Gaston de Ferre.
Among other things.
Did you know François?
Yes, I love him.
He was a great woman.
A great woman, really.
Did you know him?
No, I didn't know him personally.
Oh, no, no.
It's not true.
It's not true.
I didn't know him personally.
You speak in English.
I speak in English.
I speak in English.
I speak in English.
I know him.
I saw what he said.
He had a big age difference.
I don't call myself Macron.
He was...
Oh!
It's not nice.
Oh, no, I'm taking it back.
You have to stop doing it.
I'm taking it back.
I'm taking a lot back.
I'm taking it back.
I'm taking it back.
In addition, she doesn't have the moral at the moment.
I'm taking it back.
She doesn't have the moral at the moment.
I don't know.
I find Chaffouine...
She called you a woman.
She called you a woman.
She needs agriculture.
No, but...
Wait, Chaffouine...
I feel the hair.
I don't know, it's very weird.
There is a fluid.
I don't know.
When I see a woman's head,
I don't know.
Oh, it's true.
It's true that you know her.
Sophie...
Is that why?
Is that the sixth sense?
Sophie, for example,
she goes where she doesn't go well.
Well, she doesn't go well.
Sophie, she's a little under the average.
Yes.
At what level?
There's a bit of a clash.
I don't know what there is,
but maybe love,
simply.
Maybe.
But maybe you need a dog.
Oh, no.
Oh, but you know sometimes
the love of a beast.
Wait, I'm going to lose a dog.
Wait, I'm going to lose a dog.
Where?
Where?
Where?
No, but stop.
She lost a dog.
Poor Sophie hasn't been around for a long time.
Oh, it's true.
It's true.
Well, mine, at the end of the season,
I'll follow you.
That's why I don't have the moral.
Do you want a dog, Sophie?
Well...
You know I'm here.
I'm here, I'm here.
You're a good dog.
Stop, she lost a dog.
Hey, hey, hey.
He has a drink, my son-in-law.
And I have a pizza.
No, it's not good.
He's an idiot.
No, but do you need to go out
several times a day?
Yes, yes, yes.
Do you want to go out?
Go out often.
Yes.
It's not good.
But I hope to have a cable.
And you, Caroline, she's fine, Caroline?
Yes, Caroline, she's fine.
Yes, at this time, she's fine.
She found solitaire pleasures.
No, no, it's not solitaire.
So, can we have a cultural question?
No, but in fact, you see, Sophie,
look at the image of the women they have.
Where are we alone,
where do we need a dog, where do we touch each other?
Do you know we know how to do something else?
La vaisselle.
You're embarrassing.
We're really embarrassed.
No, but I don't know how to do it.
We'd rather not answer, really.
You can't comment, don't answer, nothing else.
I was the only one.
No, but boss,
we're very angry with these fans.
Because when we write the answers,
they don't know how to read.
No, but you're very good at writing.
They don't know how to read.
No, I normally write,
basically, look.
You don't know how to read.
We'll do a test again later.
But in any case, it's true that it was
a good answer to take this video from Pierre.
Pierre Richard, who is still an actor
that everyone loves a lot,
an actor who has realized himself
a few films.
We forget it sometimes.
We always think of the films he made
with Gérard Depardieu,
which are films made by Francis Weber.
But at the beginning of his career,
Pierre Richard realized himself his films.
There was obviously the Distrait,
the Malheur d'Alfred,
I don't know anything, but I would say everything.
I'm shy, but I take care of myself.
It's him who did all this.
Yes, it's him who made these films.
And even, it's not me, it's him.
It's also him who made them.
And then, and there,
he stopped making them.
And the last film he made,
from 97,
a film.
And there,
he often told it in interviews,
which brought a premonitory title,
because the film didn't work very well.
That's why then,
he never made films again.
How was it called the last film
made by Pierre Richard?
A bid?
In 97.
The bid, the disaster?
It won't work.
The big shit?
The no-frag?
Ah, I made one entry.
Sorry.
I made one entry.
No, but indeed.
Titanic.
Titanic, no, but...
It's a big ship.
It's this order.
There's no going, it's a shit.
No, we dive.
We dive.
But yes, it's true,
that you never have to put a negative title,
because people actually take it at the first degree.
There was a theater room
that was forbidden to the public.
Yes.
And it was written on the poster
forbidden to the public,
but there weren't any.
Le Poulin.
Jean Le Poulin.
Exactly.
He didn't get married.
It's the same for this film by Pierre Richard,
made in 97, which was called...
There's no place.
No.
The double?
No.
It won't work?
No.
It won't stay on the poster?
No.
It's long or short?
It's in...
Four words.
Four words.
It's an expression.
It's an expression.
With an expression.
You don't have to go.
No.
In case of misfortune?
No verb.
No.
Four words without verb.
Is it something?
No.
No, no, no, no.
It's short.
Is there a repetition...
Very good.
Is there a repetition of the same word?
No.
Four different words.
It's an expression that we say every day.
Yes, yes, yes.
It's a common expression.
A common expression.
Like, it's not going to work.
No.
Ah, it's not going to work.
Ah, it's not going to work.
That's good, but it's not going to work.
Yes, but...
It wouldn't work.
You told me if there was a negation or not.
No, no negation.
It was with Pierre Richard,
John Est,
Caroline Seol,
Daniel Russo,
Daniel Prevot.
Ah, well, yes, I was all there.
All those who have never been back since.
But it's not easy.
It's not easy, 4-12.
A half turn party.
Sorry?
Half turn party?
Half turn party.
It would be rather the opposite,
but we...
Change your attitude.
We get closer.
Ah!
Come on, training feet.
No.
The opposite of half turn party.
The opposite of half turn party.
It was going to go.
Right in the wall.
Right in the wall.
Right in the wall.
Good answer from Florian Gagant.
Right in the wall.
Eh, yes.
He set up with a movie called
Right in the wall.
It doesn't sell, anyway.
It doesn't sell.
Now, for the moment,
it's not necessarily because of the title.
I think it's rather because of the movie.
It's not because of the title.
And if we put a very positive title,
we're sure it works.
Yes.
Oh, not always.
No.
If I write a movie,
it's called J'aurais de César,
it can do it or not.
No.
Before, if you make a movie
that would be called
Entrée gratuite,
you'll have the world.
That's a thing to do, you see.
That's true.
Yes.
It's also a story.
You know this story.
Of the three stores that are side by side.
And there are two of them.
The stores that are absolutely competitive.
It's the hatred between the two sellers.
They sell exactly the same thing,
shoes.
So the store on the right
puts a big panel
less than 40% on all my shoes.
The store that is at the other end
says, well, it's not possible.
I'm not going to let myself do it.
Less than 60% on all my shoes.
Of course.
And that's the middle one.
But Entrée principale.
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It's as if we were doing an exhibition
of KK at Lesbos.
Honestly.
There are still cars in Paris, Bernard.
Very few, very few.
My question is here.
What is the common point between Alfa Romeo,
Ford, Fiat, Mitsubishi and Mazda?
They have the same engine.
No.
Opel, also I could have added,
and Files Vagel.
Hybrid.
No more.
They are all in process to have
made the diesel.
Not at all.
Is it a relationship with old models?
No.
They work on cars without heaters?
No.
They were drawn by Pininfarina?
No.
Is it a historical or technical question?
Neither technical nor historical.
Ah, I know.
They are not at the saloon.
Pardon?
They are not at the saloon of the automobile.
That is to say.
That is to say that they do not participate
in the exhibition.
Good answer Jean Ben-Gigui.
There is no one else then.
Indeed, some manufacturers have chosen
not to participate in the world of the automobile.
You will not see in the world
neither Alfa Romeo,
nor Ford,
nor Fiat,
nor Mazda,
nor Mitsubishi,
nor Nissan,
nor Opel,
nor Volkswagen,
nor Volvo,
because they consider that the stands are too expensive
and that their participation has no interest.
Here are the brands that have reported
their withdrawal from the world of the automobile.
Well, there are others present.
Renault, Peugeot, Citroën,
Toyota, Lexus, Skoda, Audi, Porsche, Jaguar, Land Rover,
Kia, Hyundai, Citroën,
Rolls-Royce,
Rolls-Royce,
Rolls-Royce,
in any case,
what is crazy is that there are still many brands
that are not Nissan.
There is not Volkswagen, but there is Porsche.
There is not Volkswagen.
There is not Nissan,
but there is Renault,
which are still the same house.
That's true,
but there is not Nissan.
There are also the scooters, no?
Pardon?
Is there the saloon of the scooter at the same time?
Why?
Because we see scooters everywhere in Paris.
Do you make scooters?
No, no, no, no.
No, no, no.
No, but there is the fashion,
we are talking about Coca-cala,
there is the fashion of the electric scooter there.
They have,
there is everyone with electric scooters in the street.
They are going to have deaths.
Because they are in the street,
their helmets are nothing.
Really?
I call them.
International,
Madam, the mother of Paris,
must at least wear a helmet.
She is wearing a helmet,
especially because what does she take?
No, but it's true,
it's dangerous.
What kind of car are you, Cristina?
You know,
the little red light truck,
with the umbrella.
Can we get out of the woodhouse?
Sentimental cliché, Laurent.
But take the defense of my girlfriend,
Cristina,
because she frankly has nothing
in any case, no big deal,
Rosa.
No, but she works in Renault Clito.
But I'm going to tell you, but...
Mr. Mowax,
do you know what you could do?
You were angry with Cristina.
You could,
you who still have the ease,
you who have vocabulary,
you who are still brighter
than the other big statues present here.
No, wait, that's what you're saying.
At least,
make a kind of dowry,
a kind of defense
of Cristina
so that we stop the presentations on her.
I would like for my comrades
not to insult the dignity of this woman,
whose heterosexuality
is no longer approved on the one hand,
and whose physiognomy
is very surprisingly close to the average woman.
Well Cristina, don't worry,
it's just the expression
of their desire to be angry
and of their desire to have
with you an adventure
that they will never have.
But it's true that...
There is a very,
there is a very beautiful French proverb.
We also see,
to see it like that from afar,
we see that it is essentially
composed of organic elements
of mineral salt
that we also find in men,
but in proportions that make up respect.
Approaches.
There is a very beautiful French proverb
that says,
who likes well, chat well.
Well, yes.
Chat well?
Yes, the pilgrimage of chat.
We have to learn French.
He's even more vicious, Bafi,
because he's running away from the waves
that he can't understand.
I don't know what the chat would say.
Explain to him.
What is chat?
Chatting an animal,
it's cutting his balls.
It's cutting.
It's not cutting.
It's the same thing.
We say cutting or cutting.
It's the same, you see, Cristina.
We say cutting or cutting.
It's two very close cities.
And if we don't have the material,
we say cutting.
Oh la la.
But you are heavy.
Oh la la la.
Oh my God.
Honestly,
I'm happy to play.
Because what could you be heavy?
Oh la la.
Cristina, you have the right
with you, with the new law of defense
of women, harassment.
What?
You can wear a coat
and do it.
But yes, I admit it.
But go ahead.
Yes, honey, you're right.
But of course.
I get out of here,
I want to do my job.
I do my job,
I get out of here,
I wear a coat.
But of course.
And of course.
But me,
if I show them the weapon of crime,
they will never believe it.
So you can wear a coat.
Go ahead.
No, but not against me, Cristina.
But you don't,
but you are adorable.
Oh yes, it's you who pay.
It's not him who pays me already.
You are kind.
It's not him who pays me already.
So if you don't wear a coat,
she will kick your ass.
I see.
I like you.
You are,
you are,
I know you have a good background.
Jean-Bène Guigui too.
You want to make the interest
to go to the gym in your stadium.
Jean-Bène Guigui,
and with you.
I'm with you.
Four against one girl,
it's not possible.
No, but then,
but it's not possible.
We've already done it.
No, but you mean,
how do you do it?
No, why?
One, two, three, four, five, six
against a girl.
But I'm not against you.
You're not against me.
You are adorable.
You,
Ben Guigui,
you two, you're on my side.
Thank you.
Yes.
There is one month
that this girl has said
kind things since.
Well, yes,
well,
at the end of the book.
It's her dream.
He answers the same person.
He had trouble hiding it.
Well,
we can do things
that are annoying
at the end of the book.
Well, yes.
You're not going to do things
now, you see.
Ah!
Ha, ha, ha!
Ha, ha, ha!
The taste of the lips!
No, there's only laughter,
who cares, you see.
That reminds me
too much of my water chest.
It really is.
Ha, ha, ha!
Ha, ha, ha!
Ha, ha, ha!
Ha, ha, ha!
Well,
we did a big mess.
Ha, ha, ha!
Ha, ha, ha!
Oh, no!
Ha, ha, ha!
Ha, ha, ha!
Ha, ha, ha!
I have a word.
Puccini,
who has the bohem,
Manon Lesca,
and you're on Puccini.
Madame Lechacul.
Who is Julie Lescobre?
Julie Lescobre,
it was Puccini.
No, Manon Lescobre.
Ah, pardon.
But the bohem,
it's not Azenabour.
Ha, ha, ha!
Ha, ha, ha!
I don't understand anything else.
No, bohem.
And you also have Madame Butterfly,
obviously.
Ah, you're a great movie.
You're great,
if you want.
Me too, I'm great.
No, no,
you're great,
you're great.
Ha, ha, ha!
Ha, ha, ha!
I've seen Madame Butterfly
many times.
Is that true?
Yes,
I love this movie.
No, but it's true,
it's intelligent how he did it
Who are you talking about?
You're going to kill William.
No,
it's not Madame Butterfly.
Ah, but no,
it's Madame Butterfly.
Ha, ha, ha, ha!
Ha, ha, ha, ha!
What are you talking about?
Ha, ha, ha, ha!
Ha, ha, ha, ha!
I don't understand.
Ha, ha, ha, ha!
You confuse Madame Butterfly
and Madame Butterfly.
You don't have dreams,
that's why.
Ha, ha, ha, ha!
Well,
I'll have to take you
to the hospital.
Ah, well,
I often live next door.
Ha, ha, ha!
No, but it's true,
I talk too much.
Yes,
but you can enter the hospital.
What's more accessible?
Well,
at this moment,
we're playing Tosca
at the Opera in Paris
and Tosca,
it's really,
it's really accessible.
Well,
we can eat popcorn.
And it's a boutini.
Ah,
well,
well,
I'm going to go.
No,
we don't eat popcorn
at the Opera.
Ah,
no,
no,
no,
no,
no,
no,
no,
no,
no,
no,
no,
no,
no,
no,
no.
Oh,
no,
hey.
Ha, ha, ha!
See,
no,
Ha, ha, ha!
Oh,
ah!
Hey,
look !
Ha!
Ha, ha..
Ha!
Ha!
Ha, ha,
...
Ha!
Ha!
Ha!
Ha!
Ha!
It was a coincidence.
You would have remembered it.
It's true, yes, it was a coincidence.
No, but frankly, I went to the opera a little bit,
and I saw a ballet for the first time,
not so long ago, I never went to see a ballet.
No, because you never did the dishes.
But it's true that it's beautiful.
I saw in this ballet, it was the Bayonneur.
In the opera Bastille, it was really beautiful.
It was beautiful, it was beautiful.
In the opera Bastille, it was really beautiful.
No, really.
Come on, Boudert, you're going to be very emu.
The girls are sensitive.
It's true, you know me well, Laurent.
Yes, yes, yes.
But it's true, I would like to go with Madame Bachelot.
We're going to organize it.
No, but for real, we don't have to do things like that.
We're going for real.
When, on Tuesday, are you on Tuesday or not?
No, but it's true, I would really like to go.
We're going all the way, we're going with other people.
There are 2,780 places, we're going to be with other people.
I have another question.
Here, it concerns someone who wrote opera,
since I'm going to give you the name of one of these most famous operas,
and you will, I imagine, find the composer Rosaline,
for William Larker, who lives in Saalboff, in Gironde.
Saalboff.
Can you tell me who we owe? Orpheo and Oridis.
Gluc.
Gluc, good answer.
Gluc.
Bravo.
You're not G2L in the ass, are you?
It's GLUCK, this time.
It means luck in German.
Gluc, Christophe Willibach, Friteur von Gluc.
Arzo.
By the way, Knight, I believe.
Madame Bachelot.
Yes, it's very, very pretty.
Gluc, I love it.
It's amazing.
But then, frankly, I would be the place of the minister,
but there's no need for me with a kind of gigantic cow.
It's absolutely ridiculous, by the way.
The great composer,
in any case, it was a very good answer.
Signed by M. Bachelot.
Bravo.
I'm not certain that you will find the name of this bastard.
The bastard of the family of lettuce.
Well, there are no historical questions.
I was lucky.
I was lucky.
I was lucky.
I was lucky.
I also call the manager that you are.
Marcella, Caroline, Christine.
Come on, come on.
How is the salad?
Well, this salad of the family of lettuce,
pommée et grasse,
is a small lettuce,
slightly elongated,
at the thick leaves,
serrées, charnues,
mainly cultivated in the middle of France,
where, by the way, it is also nicknamed
cracerelle of the middle.
The sucrine.
The sucrine.
The sucrine.
Oh, shit!
I told you, the sucrine.
I told you, the sucrine.
The cow does not cook the cow.
But I know it.
Well, precisely.
As I do not cook,
if there is a thing that I know,
it is the salad of the cow.
Yeah.
All the sausage.
And you throw it away.
But the sucrine is easy.
It's true.
We listened to me.
I really had the impression
that on the market.
Yes, excuse me.
Between two markets,
four seasons,
which are followed.
But my grandfather was...
He was fresh, he was fresh,
he was not dead.
I was told,
but mine is more fresh than yours.
My grandfather was...
It's your brother-in-law.
My grandfather worked
on the Cordéale of chose the king.
He was in...
He was in Toronto.
Yes.
He had the vegetable fruit.
So he had the Spanish accent.
What a fresh salad!
He spoke like that.
And it's true that it stayed with me.
I was a little tense.
The sucrine.
It's good, the sucrine.
And there,
it is not,
essentially,
the one you find on the markets,
in any case,
cultivated in the afternoon
because it comes from Spain.
Because you have to tell him,
this salad is too expensive
to produce in the hexagon,
according to the professionals.
That's it.
Why the Spanish sucrine?
To invade.
It's the sucrine.
Yes.
I said, it's the sucrine
because in Spanish,
we have sucretes.
Of course.
Of course.
Then the fruit.
What a liar!
And in your coffee,
in Spain,
do you put the sucrines?
Yes.
But sometimes...
It's funny,
I thought it was going to happen.
I swear.
Of course.
No, no, listen.
We are not sure.
No, but I thought so.
We put the sucretes
in your coffee,
possibly.
And we put the sucrine
in salad.
What is Marcel Ayacoub?
No, he lives with a Spanish
and an exager.
What do you mean?
She's right.
She's trying to sell us
something in Spanish
when it's her birthday.
Sucrina.
Sucrina.
No, it's very practical
because when you don't like
washing the salad,
you remove the layers on it.
Oh yes, no,
you don't have to do that.
You have to wash it
as a planter.
You always have to wash it.
You don't wash your sucrines.
But when it's under the...
But no, but there's a layer.
You tell me,
it's like you didn't wash it.
No, but again.
But now,
today, yes.
You didn't wash your sucrines.
No, no.
But I don't wash my sucrines.
You don't wash your sucrines.
Sucrines are your sucrines.
Well, great.
That's why I don't wash my sucrines
because you don't have to wash them.
She doesn't wash her sucrines.
Maybe the origin of all your problems
is that you don't wash your sucrines.
Do you see the result?
Excuse me.
This Marcel is very funny.
Well, great, Marcel.
Pierre Benichoux was absent
while we were talking about this salad,
but he...
Well, why?
Because he's capable of talking about everything.
Of course.
It's Pierre Benichoux,
even if he wasn't there,
he's going to be able,
because it's a big conference.
Pierre, if you're going to complain,
if you're going to encourage him...
Well done.
Wait, wait, wait, wait, wait.
Yes, yes, yes.
Because I know, Mr. Benichoux
is capable of everything.
If he really wants to encourage you,
as he has a love for his audience,
he's able to give you...
Yes, it's my only...
...a conference on the sucrines.
Professor Benichoux,
the audience,
the audience is waiting for
a conference on the sucrines.
I really,
I really loved the sucrines.
It was a Russian dancer
who came.
So that's the spikrine.
In 1903,
she played with Diaghilev
at the Théâtre des Champs-Élysées.
I really loved the sucrines.
One day, we said to her,
no, you suck with the sucrines.
I said to her,
I said,
but if she's called the sucrines,
it's a kind of sugar.
Well, no, I didn't know.
On vacation, in the garden...
Did you wash the sucrines?
No, it was just the top.
So, he went to the sucrines
for two minutes.
On vacation, in the garden,
near Belgarve,
it's my friend,
it's my friend Napoleon,
I was there,
and he asked me,
do you have the salad?
I said, no.
I said,
but what I would like is a white salad,
that is only the heart of a white salad.
He said,
that's what we call the sucrines here.
I said, fuck,
do me a favor,
give me some time.
And I said,
that's good, the sucrines.
Bravo Pierre Benichoux.
Well, during your absence,
Mrs. Diaman,
Mademoiselle,
Diaman can be called Mademoiselle
because she became Mademoiselle again.
Ah yes, yes.
Mademoiselle of happiness.
No, I will remain madame
until my death.
No, no, no, no, no.
Pierre Couzou, you're a murderer.
Well, so,
it's not after the passage of time,
that we will have to go back.
And for the sucrines,
we have to...
No, but shit, then,
we can never give them to the world.
Oh my God.
I understand why she's so stupid.
Well, Mademoiselle Diaman,
I was explaining to you
that she didn't wash her sucrines,
Mr. Benichoux.
She didn't wash her sucrines?
She doesn't wash her.
She doesn't wash her.
She takes the foil as she is,
hard as she is,
and she doesn't wash her sucrines.
You don't wash your sucrines?
Yes, listen,
if I may have a little memory of childhood.
Yes.
There is one thing
that I like to do,
and I don't know if the children
are still doing that,
it's my mom who asked me
to...
To save the money.
Yes, the problem is that I let go.
It's my dad who asked me that,
but it wasn't the money.
Are you a fan of Jérémy Ferraria?
Yes.
She told me,
she told me,
because we have to take the plane,
we have to go to Carcassonne
in the de-location,
she told me,
as I'm very afraid of the plane,
I would sit next to you.
No.
If we take the plane,
will you be there
when I take the plane?
As if I could manage a crash.
Yes.
Well, yes,
I think you can.
In fact,
you want to die with me.
It's nice, it's nice.
Well, that's because you don't have
a winter party.
At least I think so.
Me too, me too.
But he has a winter party.
There are people who have
a winter party.
Who, for example?
I don't think so.
Max Boubis,
he has the cheek to die
in a plane.
Well,
you still have a head
buried of the Jogues in the wool,
you know.
Well,
it's good because
she's a Jogues.
Yes, but I don't live in the wool.
In the wool.
I even think she's a Jogues
in the wool,
I know her.
No.
She's going to make efforts
for the Carcassonne.
Yes.
Yes.
It's rare when you do
displacements with us in addition.
Very.
I'm very touched.
You never took me to the province
of Laurent Ruequier.
It's not true.
Never.
Never.
Never.
Never.
Never.
Never.
Never.
Never.
Never.
Never.
Never.
Never.
Never.
Never.
Never.
Never.
Never.
Never.
Never.
Never.
Never.
Never.
No.
Never.
Never.
Never.
Never.
Never.
Never.
Never.
Never.
Never.
Never.
Never.
Never.
Never.
I'm here everywhere!
I'm here everywhere!
I'll take you everywhere, Isabelle!
And I'll stay room 407, Laurent, OK?
Shit, listen, stop imagining that!
No, not at all, I'm laughing, but people know it's fake!
Besides, it's been at least three months that I'm with Stevie, I can't be everywhere!
I can say that I've seen him, I'm stupid!
You absolutely didn't shoot me, Mr. Bourré!
No, I didn't!
He didn't shoot anyone!
You're disgusting, honestly, no, that's disgusting!
It's not like that!
No, it's because he has a little...
We want to protect him, we don't want to sleep!
With Max?
Yes!
I want to take him in my arms, tell him a little story!
No, but it's true that Max has no sex at all!
It's not true!
Wait, there are women who say that I suck the ass!
No!
After that, I would have loved it!
You suck the ass!
I didn't think it would be like that in London, Laurent!
I agree with you, Laurent!
It's incredible what happened!
Yeah, yeah, we filmed everything!
Frankly, I was even disappointed, I found that it was...
But it's true that Jean-Marie Bigard with Rosine Bachelot, we didn't expect it anyway!
Especially that she was in the middle of a violation period!
And that Jean-Marie wanted to build!
He's going to be a nice child, damn it!
We can pass a first quote...
With joy!
For Laura and celle who lived in Argentina, in the Valdeaux,
who said to a woman that we love,
to all the others that we don't love them!
To each and every one!
For Brian Matlin, who lives in Paris, 14th,
who said, why do the generals feel so stupid?
It's because they are recruited among the colonels!
Clémenceau!
Clémenceau, no!
It's a humorist!
A humorist, no, someone who had humor!
It's a movie!
No, it's French!
Jacques Brelle?
It's not French!
Oh, the Maréchal Pétain!
Wait, there was humor in Gaulle!
It was not political!
It was not political, it was not military!
He was an artist?
I think it was an author!
He loved the military, but it was not...
Chaiseau!
No, but...
How come he loved the military?
I mean, he loved the uniform!
Ah, Jean-Claude Brialy!
No, before Brialy!
Well, listen to what we're going to do for the kid,
we're going to give him the dates,
so that we can be calm!
1889-1963!
Ah, well, it's...
What's his name?
Jean-Claude!
Jean-Claude Coteau!
Here we go!
Jean-Claude Coteau!
He loved the military!
Jean-Claude Coteau!
He loved the uniform!
He loved the uniform!
He loved the uniform!
Who, let's call him, lived in the Marais?
Yes, he did!
And he had a little dog!
Nothing great is done without shimmers!
It's the following quote, it's very nice,
it's for Roland Guillaume, who lives in Souston,
I repeat it, who said,
Nothing great is done without shimmers!
It's not...
Churchill!
Churchill, no!
It's not young, is it?
Ah, it's not young!
I think it's a French who said,
A French from the 19th century.
Yes.
A French academic.
Ah, an academic!
At the height of what a nation!
Ah, yes, yes, it's...
Well, it's not Victor Hugo...
No, it's...
Ah, but it's...
Ernest Renan!
Ernest Renan!
Good answer!
Paul Aitara!
It's Ernest Renan!
For Catherine Soulard, who lives in Port de l'Anne.
Soulard?
You know, you're too big when you have bubbles on the forehead.
Bernard Mabille!
Bernard Mabille!
Bernard Mabille!
Bernard Mabille!
Pierre Doris!
Pierre Doris!
Good answer!
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No, no.
For Fabien Touboul, who lives in Jordan,
it's by the way a writer who was interviewed
in L'Opse this week.
So he's alive?
Yes, about Martin.
It's a good education, Mr. Plaza.
Not only he's alive, but he's interviewed
about what's happening in Guadeloupe
and more particularly in Martinique.
Since it's about a remand
that got the grand prize in 1992
with his Texaco novel, which was by the way
in Fort de France.
What's the name of this novel?
It's not César Ray.
Who?
César Ray.
And my César.
Yes, my César.
I have to translate.
Yes.
I have a job here.
My César has been dead for a long time.
He wrote the Leo?
No, you think so.
I can't find his name.
Patrick Bruel?
He's going to take us to a good place.
It's the departure, it's not the departure.
It's the departure.
We're going to the departure and the departure.
Today, he's going to see the task.
And you think of Daniel Piccouly?
That's it.
That's not Daniel Piccouly.
I couldn't find his name.
In fact, I have to question him and answer him.
In fact, it's the big heads,
it's the big heads roughly today.
So he's got a big one, Texaco?
Texaco, he wouldn't like Daniel Levy.
No, he had the...
not at all, he had the short price
with Texaco in 1992.
In 1992?
He interviewed this week in L'Opse.
He's a great writer, Martiniquet.
He had the short price with Texaco.
And he's analyzing for L'Opse this week
the reasons for the anger in Martiniquet.
Would he have sung in the Cassavre band?
We never know.
So it's not him.
No, but you know him, Mr. Berrien,
you know him.
Of course, but I don't know who he is.
Did he write theater plays?
He wrote novels,
he wrote for the theater too, indeed.
For the cinema?
You wrote theater plays?
Yes, yes, yes.
No, we want his name.
No, but frankly, you know him, I swear.
It's initial.
Marie Rose?
Ah, surely not the initials.
Come on.
Is it a written name?
No, no, no, no.
Can we guess if we don't know him?
No, but frankly, you know him.
No, we all know him.
He wrote, I don't know,
you want me to give you titles of...
So Texaco, it was in 1992,
it was the Goncourt.
Before, there was Solibo Magnifique,
the chronicle of the seven misers,
a Sunday at the Cacheau,
the new conscience of the Malfini,
Hyperion Victimère, Martinique Pouvantable,
the matter of absence.
He must have been turned into a Martinique,
he must have seen it well.
The clock of the Creolite,
it was an effort, obviously.
He also wrote on M.C. Zaire.
Ah!
Ah!
Ah, well, he's going to break it in half.
Ah!
Ah!
Ah!
I don't know!
No, listen, frankly,
who has a street in Paris?
I am certain that we will have someone in the audience
who will give the answer.
In the answer, there is one and still, he has no hands.
Ah!
Ah!
Ah!
You asked for his initials.
Yes.
I will help you 30 seconds before the end.
He doesn't sing?
No, he doesn't sing,
but his initials are the initials
of a French political party.
PS.
No, not PS.
PS.
PS, yes.
So.
Patrick.
Patrick, yes.
Yes!
Patrick in half a point!
After, after, after, what is it, Olivier?
Eh, I know.
It's Patrick Chamoisot.
Patrick Chamoisot.
Ah!
Good answer, Kev Adams.
One point.
It's Patrick Chamoisot.
Ah!
Yes, yes.
How do you know Patrick Chamoisot?
Google, simply.
Ah!
Ah!
Ah!
It was good to see you on your phone.
I said to myself,
give me a moment,
we have to move forward.
It's for the good of everyone that I did that.
It's really because it's your first time.
Don't be like,
no one had Patrick Chamoisot.
It's your first time,
I didn't see anything,
but you just lost 100 euros
to someone in the audience.
Well, why?
Because if you hadn't answered,
someone in the audience
would have given the answer.
Ah!
But I didn't know,
I'm sorry,
otherwise I would have said
Patrick Chamoisot.
She didn't know.
So you made a mistake.
In fact, it's a disaster
because I just did it.
Exactly.
But in addition, it's garbage.
You have no right to look at your laptop.
It's a legend, listen.
Ah!
Well, one month,
I get mine then.
But no,
it's not.
As long as she finds Google,
she will be there,
she will look for the answers
on Instagram.
We are wrong.
But listen.
So it's 100 euros for someone
in the audience
and 200 euros for someone
on the phone.
300!
300 for someone who
registered on RTL.fr,
who is associated with the question,
and 100 euros if someone
is in the room.
100 euros.
400 euros in everything,
you see.
You just lost
100 euros.
400 euros in everything,
you see.
You just lost
400 euros
to our audience.
Thank you.
I'm sorry.
I'm sorry.
You just won.
400 euros to the station
who just told me
that Mrs.
can come back.
Come on!
A professor of mathematics
named Charles Dodgson.
And we know
why this professor of mathematics.
He invented something.
Invented?
Yes, in some way.
So are you looking for
anything to do with mathematics
or not at all?
Not at all.
With the morse?
Of course, it was
a good-for-nothing trap.
With the morse?
At all.
It wouldn't be him
who invented it.
And with the cauchon?
No.
And it's not him
who invented
the metronome?
The metronome?
No.
I was convinced
at least
that Jean-Jacques Perrony
would still know
Charles Dodgson's name.
He got to know
during the war?
He got to know
not during the war.
Before the war?
Before the war.
Well before the war.
He died in 1898.
Oh fuck.
What he did
we use every day.
At home.
What he did
is known internationally.
It's a relationship
with the morse.
At all.
With music.
With music, no.
He invented a cocktail.
No, yes.
Invented,
it's not exactly the word
and at the same time it's...
It's not an object he invented.
It's not an object.
He popularized
something.
Oh yes, of course.
Did he write
something or not?
He wrote
something.
Foogawir.
Yeah, it's him who
didn't do the freedom,
equality and fraternity no?
It's him who did not do it,
it's this man.
Good answer by Stevie.
He did not do that.
Oh yeah.
It's not the other way around.
Ecology.
It's him who
made the formula
Coca-Cola?
No.
It was there
150 years ago
Tim Burton.
No.
It was there
150 years ago
but there's
a small relationship
with Tim Burton
to tell you.
He invented
a form of animated drawing.
Yes,
he invented
a cartoon character. A character? Yes.
Mythic. Mythic. No, that's Disney.
We still find it in the BDOs. Winnie the Pooh.
Winnie the Pooh, no, but it's true that this character, we sometimes find it in
comic books, but it wasn't that at the beginning, the idea.
Is that Disney took it into account? Yes, Disney took it back too.
Does it have anything to do with Christmas? No, not especially with Christmas.
It would be for Mary Poppins. Mary Poppins, no, but if we talk about it...
Alice au pays des merveilles. It's Alice au pays des merveilles. Good answer.
It's Lewis Carroll. It's Lewis Carroll.
Yes, Lewis Carroll is a pseudonym, Lewis Carroll.
Because the real name of the author of Alice au pays des merveilles is Charles Ludwig
Dodgson, more known under his pseudonym of Lewis Carroll.
As we always say, Dodgson will open.
He is an essayist, photographer, professor of mathematics.
Charles Dodgson took this pseudonym of Lewis Carroll, but his real name is Charles
Dodgson. He was born in the English cheshire.
Like the cheshire's cheshire. Exactly.
And I still have doubts, it's not very clear this story.
There must have been some special deaths.
The same, this gentleman.
He took pictures of the little girls.
Yes, because he was in love with the little Alice that really existed,
she was the daughter of the customs officer.
She was ten years old, he photographed her under all the coats.
In a suit of hair. Exactly.
And it's for her that he wrote Alice au pays des merveilles.
And we even say in the press that he wrote Alice au pays des merveilles.
He took pictures to shorten her.
But to shorten her when she was ten years old.
And yes, she was ten years old.
It was in 1865 that it came out.
Alice au pays des merveilles.
And yes, he was born, make the count, he was born in 1832.
So he was already thirty-three years old.
At the age of Christ.
Let the little children come to me.
While the little Alice was only ten years old.
She was still very light.
And it's true that Tim Burton adapted Alice au pays des merveilles for cinema.
After Walt Disney, who was one of the first,
Alice au pays des merveilles is 150 years old.
And now you will know that Lewis Carroll...
It's okay, the little one can kiss the big one.
So we were talking about torture.
Subit by Mr. Cartouche.
There is someone else who has nothing to envy him.
It's someone who was killed in 1658.
Not very well this year.
It can serve you plaza.
Genre de la Fontaine?
Someone who was killed in 1658 of malaria.
He was obviously buried and buried.
But strangely, his body was exhumed.
Three years later, Alice au pays des merveilles.
His body was exhumed.
Three years later, in 1661,
for him to be decapitated.
And we exposed him for several years.
More than twenty-three years, his head was exposed.
After we decapitated him,
I remind you, we decapitated him once he was buried.
We exhumed him to cut his head off.
Is it a regicide?
Sorry, it's a regicide.
It's not a regicide.
A regicide?
A regicide is when you kill a king.
It's not when you kill a guy called Regis.
I thought it was that.
It's not a regicolor, you see.
Jacques Leventreur.
No, it wasn't a king.
It's not a ravaillac.
Ravaillac, but it was a political man.
But it's his skull that was exposed.
It's his head that was exposed for years.
It's in France?
And then we finally redid it again in 1960.
Oh yes, of course.
But it was in France?
No, it wasn't in France.
Merlin, the singer?
Yes, that's good.
It's not Jacques Leventreur.
It's in the United States.
He doesn't have to quote all the l'immobilier escorts.
It's a...
A papycide?
A papycide, no.
Was it in...
In Italy?
In Italy, no.
In Europe?
In Spain, no.
In America?
In Europe, yes.
In Germany?
In Germany, no.
In England?
In England.
Jacques Zerriper?
No.
How do you say it?
Jacques Leventreur?
No.
Ah, it's Gildere?
No.
Gildere.
Lord Byron?
Lord Byron, no.
It was for the safety guard.
Lord Sinclair?
No.
Oh no, the barbarian.
It's one of the most controversial figures in Great Britain.
Frankenstein.
Some historians see him as a hero of freedom.
Paris Lindon.
And others as a dictator.
The brother of the King Rissa?
A tyrant who, by the way, himself was accused of regicide for the coup.
Antida?
The Prince Jean?
The Prince Jean, no.
Did we make a fixed character?
I mean, did we make films about him?
Oh yes, he was generally hated in Ireland, you see.
Sean Connolly?
No.
No.
No, but there were films, Laurent?
Yes, there was a film with Tim Roth, you see, for example.
Ah, is it the Sevalier sans tête, there?
No, no, no.
The Sevalier sans jambes?
No, no, no.
The Sevalier sans rien?
No, no.
The invisible man?
There were songs, too.
The King of England?
A Irish group called The Pogs, who sang a whole song.
Are we sure of that?
Balzac.
Balzac, we wrote a tragedy.
Oh no, no.
Balzac.
For us, I know it very well.
Victor Hugo, we made a drama.
Hernani?
No.
Oh, listen, I'm going to help you otherwise.
Because otherwise, we're going to give you a checkertail again, and the accounting
obviously starts to get pretty angry, you know.
In what year did it happen?
Because I have the impression that at the beginning, you talked about 1658.
Yes, yes, of course.
Yes, yes, yes, yes.
And it was only in 1960.
And you say that he was re-entered in 1960?
Yes.
Michael Jackson?
No.
Well, the zombies were de-entered after?
We de-entered him once he was dead.
We de-entered him, we de-entered him again.
Three years later, we de-entered him.
Yes, we de-entered him.
We cut his head.
His head was exposed on a pole in front of the West Minister's Abbey until 1685.
And after three centuries of vicissitudes, his head was finally de-entered again in 1960.
But...
But...
I don't know his head.
I don't know his head.
No.
It was Cromwell, simply.
Cromwell, Mr...
Mr. Rollin.
Yes, we know him.
Cromwell, but I didn't know we had all this.
Mr. Rollin.
Professor Rollin.
Yes.
Oh, no.
He's absent today.
The big stat is in the dust.
He'd like it.
You learn a lot here, Mr. Plaza.
Well, I've been a scientist since I was here.
Oh, yes, yes.
Science is in me.
I don't know if you're the rain, but the rain is pure.
Oh, you're so wrong.
But it's true that with Stevie, you've learned a lot here.
Woof!
No, but it's true.
Laurent shapes you into culture.
But it's true.
Yeah, he's not lost for you.
So there's one who comes out of the air,
and the other one who wins.
Come on.
I'm going to read you a few verses from a song.
A song dedicated to Jeanne d'Arc,
who says,
I'd like it better tonight for my use,
a sweet beauty like a sheep.
But Jeanne d'Arc is a lion's heart.
You'll see it if you read this work.
I'll make you tremble with these new exploits
and the greatest of these rare works
was to keep a year of his old age.
Is it a 19th century writer?
No.
18th century?
Yes.
A.
A.
A writer-writer?
A writer-writer.
A theater writer.
And it's true that, for example,
this text written by this writer
was forbidden for a long time.
Obviously, we didn't have the right to do it.
The text was censored.
We didn't have the right to take Jeanne d'Arc.
Voltaire, Voltaire, Voltaire.
Voltaire, Voltaire.
Voltaire, Voltaire.
Voltaire, Voltaire.
Voltaire, Voltaire.
Voltaire, Voltaire.
Voltaire, Voltaire.
Voltaire, Voltaire.
Voltaire, Voltaire.
Voltaire, Voltaire, Voltaire.
Voltaire, Voltaire.
Voltaire, Voltaire.
Voltaire, Voltaire.
Voltaire, Voltaire.
Voltaire, Voltaire, Voltaire, Voltaire.
Voltaire, Voltaire, Voltaire.
Voltaire, Voltaire, Voltaire.
Voltaire, Voltaire.
Voltaire, Voltaire, Voltaire, Voltaire.
It's burning!
It's hot!
It's hot!
Imagine the scene, isn't it?
I'm a casting director
or Gérard Junaud.
He likes to attack
historical stories.
He did it with Bayard, for example
and he could do it with
Jeanne d'Arc.
You are on the bushers.
Attached.
Oh, no.
Why the sinews?
Well, when I have my arms in the air, they're like...
But I hope you have them under your arms.
It's more silly, anyway.
The sinews, it's very good.
I spend my summer like that.
When you burn in the sun.
Well, if you want the arms in the air,
well, it doesn't bother me.
The sinews, if you want them too.
Well, you have to find some text now.
Oh, it's hot!
Do you want me to look at my glasses?
With the barbecues and beer?
It smells like a barbecue.
A little bit of the scent of the arms.
Oh, wait, I'll put my finger on it.
I play Jandark, but I don't know how to do it.
I have to keep my mouth shut, anyway.
Well, the two sentences, obviously, we prefer,
which would be, according to the legends,
the last sentences of Jandark.
There's one of those people, Yann, who brought it to us.
It's For Vue qui pleuve.
For Vue qui pleuve.
I would miss Vue qui pleuve.
And then the one from Rufus, too.
You didn't believe me?
Well, the breasts are ready, too.
Did you bring the chipolata?
We have no right to touch a belt.
I remind you.
It's nice to be nice.
To be crammed.
You don't like it.
No, she had a shirt in her pocket.
So you took it off first.
I don't think you took it off.
You're free in the air, on the contrary.
No, no, no, no.
No, but what's there is that the heating on the board
makes the legs inflate.
Well, wait, there's a cultural question
about the twins.
Here they are.
Which twin killed his brother, Jumeau?
And by the way, the sentence
pronounced by the one who killed his brother, Jumeau,
once he killed him,
it was, he will throw himself
for all those who dare to cross,
but do not.
Oh, well, it's Remus and Romulus.
Well, the answer!
From Valérie Mares.
Oh, well, yes.
Oh, well, yes, Valérie.
Well, yes, because I love the story of Louvre.
Yes.
So, you know that,
actually, like you,
I long thought it was a Louvre
that had them in the summer.
Yes, thank you.
Remus and Romulus.
And I made myself,
but to see in the famous game
who wants to win millions
with a question,
but all my life, I would remember.
Total humiliation.
Oh.
They gave me a Louvre
in the four proposals
to know who was regularly feeding
Remus and Romulus.
And the answer was a piver.
And I've been checking since.
Indeed, there is a piver
that sometimes
brought a brunette to these two fools.
Oh.
And you didn't want to call a friend
to have, you know,
we can call someone to come.
Yes, but he was sure of himself.
Léa Salame was not free.
You don't even have to know
who was fighting for territory.
One and the other.
Remus and Romulus.
Do you know the story, Madame Bachelot?
Yes, of course.
Have you been to the culture or not?
Yes, no.
We didn't talk much about Remus and Remus.
Of course.
Oh yes, it's rather fabulous.
It's Macronius.
But then I can understand
Laurent because for me,
it's a true story.
And my sister,
I really have a sister,
in my mother's womb.
In fact, I was born first
and we fought in the womb.
She wanted to have the conquest
of the territory.
And my sister passed in front of me.
Yes, and there are only you
who had kept the womb.
That's true.
And that's why she was born at 8 p.m.
and me at 8 p.m.
at 5 p.m.
No, but I don't think
you have to be the first
because in the rights of the nations,
it's the one who comes
who comes out the second
who has the rights of the nations.
Oh yes, because it's true,
you're right,
he's got land, he's rich.
It's true.
We inherit it.
Well, he doesn't have
Rome as Remus and Remus
who founded Rome
and who have chosen
each one a location
where they had been abandoned
obviously during their childhood.
That's the story
of Rome, Remus and Remulus
to separate themselves.
The twins consult the hospices,
the hospices, not the mothers.
No, that's A-U.
What does that mean, the hospices?
Yes, that's right.
We look at the entrails
of the animals
to see what's going to happen
in the future.
Not with A-H,
hospice A-U, A-U-S-P-I,
it's the hospices.
Yes, that's right.
A little bit of the oracles.
The future,
he says the future in some way.
And so,
they will depart the region.
There is one who will take the Palatine Monk
and the other who will take the Aventin,
Remulus on the Palatine Monk,
Remus on the Aventin.
Are you kidding me?
No, but it's good to learn
things anyway.
Yes, we're here for that.
And there is a warning.
The first one who will see
your turns
will obviously win
the land on the other, you see.
Exactly.
And they will fight.
You know Remus' story, right?
But I know it by heart.
What they do is that they look at the hospices,
A-U-S-P-I-S,
and not A-H-O-S-P-I-S.
And in fact,
they come...
read the next one.
They read in their hands
through the hospices.
I was in shock.
I was in shock.
I have a question, Yoann.
Your sister, go like you.
No, it's the opposite.
It's the opposite.
She is very calm.
Yes.
Terrific.
Maybe she doesn't like it when we talk about her.
No, I love it.
It's true.
She doesn't tell you to stop talking about me.
No, but...
She said something the last time.
For the first time,
she convinced me.
No, no, she did the opposite.
She did something.
She said, Yoann,
sometimes it's not natural.
I said, but Fanny,
of course I'm natural.
But you're never natural.
But you're natural.
Fanny, she's called Fanny.
Yes, but don't say too much.
Fanny Ryu!
Fanny Ryu!
Fanny Ryu!
Fanny Ryu!
Fanny Ryu!
Fanny Ryu!
Oh, Fanny Ryu!
There's Paris Match,
who's going to come to see me tomorrow.
Fanny Ryu!
How is Paris Match going to look like?
Oh, but if you quote too much his name...
Oh, no, but it's not to the risk.
You're not so famous either.
Oh, but...
Do you think I'm not going to get into it?
No, but...
No, but...
It's not for the sake of the idea.
It's true that Bolloré,
he's waiting for this.
It's a shame.
Fanny, you're a failure.
I'm a failure.
No, but the day will come,
you'll look like...
like this.
Yes.
Already, they look like
twins.
Already, they look like twins.
But not too much.
No, because they don't look like you at all.
I have an image of you.
No, it's true.
No, it's beautiful.
It's uniform.
It's quite thin.
No, but it's true.
It's extraordinary.
It has different hair,
different characters,
different physics and all,
but it's funny.
Oh, but it's good then.
That's great.
Because she has
a huge teenage crush,
not me at all.
And so, we're done.
You're doing it now,
your teenage crush.
That's true.
There, he's not even under the coffee.
I don't remember.
There, he's an agent.
I'm happy, actually.
But I know you're happy.
You know how much I love you.
We did an show together.
That's true.
And really,
I love you.
Oh, that's nice.
But I swear,
you make me puke.
No, but...
And yet, I'm super active.
I'm going to tell you,
even because I stopped saying
it's not my fault,
I'm happy.
I'm happy.
That's what surprises us more
than you being happy.
Because we,
in your face,
frankly,
we wouldn't be happy.
Let's talk about someone
who was called Batista.
Rather,
Jacopo Robusti.
It's his father,
who was called Batista.
It's a coffee brand.
No.
And Jacopo Robusti.
It's the cousin of Pinocchio.
No.
No.
Oh, no, listen.
Jacopo Robusti,
by the way,
has taken the name
of his father's job
to get to know him.
His father was called
Batista.
He was called
Batista.
I'm not telling you
that his father's job
would be too easy.
It's an Italian.
You know him better
under another name,
Jacopo Robusti.
And I'm telling you,
he took as pseudonym
the name of his father's job
to get to know him.
His father's name
was called Batista.
It's an Italian.
Jacopo Robusti.
You would have noticed,
sir.
It seems to me.
It seems to you too.
What an explicacity.
You have to find
his father's name.
No.
I didn't understand the question.
His father's job.
He served.
You have to find
his father's job
and his name.
That's it.
It's his job.
If you had found
his father's job,
you would have found
his son's name.
His father's job
in Italian.
But his son's name
is more known
than his father's job.
He was a transformist.
He was an artisanal.
An artisanal.
An artisanal.
An artisanal.
An artisanal.
At the time,
everything was artisanal.
He used to make pasta.
Not at all.
A carpenter.
A carpenter.
A carpenter.
At the time.
At the time.
At the time.
At the time.
Except in the traditional pharmacy shop.
lanning of silk.
In ourNoise-Fcker's hands.
This isnt something like that.
Don't
I dont understand what's been done?
Let me know,
I don't understand a thing.
No, stop saying what's been done!
I'm feeling like ashopper.
Mom,
että rav مس.
Is he a musician?
No.
Not at all.
Literature?
He was painter.
Oh I understand.
oh..
Michelangelo
Michelangelo
I believe as the name
… the same thing as his father's job.
So the name
Well, who is Michelangelo?
I'm Westinaland!
Open your mouth !
Well,
It would not be the Tintoret.
And it is the Tintoret, the answer of Jean-Jacques Perrony.
He is the Tintoret.
The Tintoret, the name of the profession of his father who was a Tintoret.
Of course.
To make himself known.
So obviously, in Italian, it's Tintoretto.
Of course.
And the Tintoret, this magnificent Venetian painter.
Do you see who is the Tintoret, sir?
Yes, painter of Jesus and then of the Virges.
Pain of the Virges, of the Virges.
No, listen, frankly.
He had a precinct, the painter was called a Cossack.
It still holds a bit of a thing.
He is a student of the Titian, you see.
Yes, the Titian, the Titian.
It's the same, it's the same.
But no, not the Titian, the idea.
The painter, the Titian.
Yes.
You see, you go sometimes to the Titian.
Yes, when I go to the eyes.
No, but there, it's the painter Miro.
Hello and welcome, Sompsono.
Do you know that then?
He said, I'm going to call you Tintoret.
Yes, exactly.
Tintoret.
Because it's the Tinture.
Exactly.
So it's the Tinture.
He said, I'm going to put a T on the place of the P.
It's a Tinture instead of a painting.
No, but it was a colorist, a manierist,
student of the Titian.
He even surpassed his master.
Often the master walks behind, in front of the Titian.
It's a marker.
He tried to give only the expression, the master.
Yes.
You had the Titian and the master.
So the Tintoret, there will be an exhibition.
If you want to go to Luxembourg,
to the museum.
At the museum of Luxembourg, there will be an exhibition.
From March 7th to July 1st.
The years of youth in Venice.
The first works of the Tintoret,
who was a Venetian, a tribute to this student of Titian,
who surpassed, I remind you.
I remind you, I repeat you.
You do what you want.
Spaces, vertiginous,
dark, dramatic,
insured,
dark, dramatic,
insured.
He died in Venice, by the way.
Oh, well, inside, it's pink too.
If you didn't have a goal, you know what Tintoret is.
Yes.
That too, that too.
Bravo.
Bravo.
Bravo.
Can you tell me, for what reason,
Mrs. Charlotte Altman,
was murdered during the Carnaval of Rio in 1942?
Because she learned that she was her husband,
and that this Mr. Altman was an absolute Barbie.
Not at all.
And not in 1942.
Is it the continuation of the suicide of your own husband?
Yes.
Was his husband a writer?
Yes.
Was it vague?
Good answer from Marcella Yacoub.
Can you explain, Marcella?
It was Stéphane Svaye, who left from Nazi Germany.
He was a refugee in Brazil,
but he was too depressed because of Nazism.
He was killed with gas in Brazil.
He was killed by trying to light the fireplace.
Yes.
He was actually killed by a Petropolis with his wife,
who was before his secretary.
He had a first wife, but as soon as he was refugee,
and first refugee in London,
he had a new secretary,
who was called Charlotte Altman,
who was called Lott, by the way.
And with Lott,
he was killed by both of them,
exactly on February 22, 1900.
He had a dog, I'm sorry.
Sorry.
And the dog was Charlotte.
No, no, no.
You're interrupting me for that.
Yes, I'm sorry.
I couldn't look at it for myself.
No, frankly.
No, no, no.
On February 22, 1942,
Svex gave his death by absorbing the vernal
to Petropolis,
which is about 60 km away from Rio de Janeiro,
during the Carnaval of Rio.
It's an excellent answer from Marcella Yacouz.
Bravo, Marcella.
Frankly,
you might have watched the documentary on Arte last night.
No, no, because I know it well.
I don't like writing.
I find it quite...
Really? Why?
It's good.
I'm not a fan either.
Well, look, don't get me wrong.
So I read,
during the holidays,
the biography devoted to Marie-Antoinette,
signed by Stéphane Svex,
I must say, is extraordinary.
The biography is good,
but now it's a bit,
how to say,
the 24 hours of the life of a woman.
It's really works of art.
Well, maybe,
but still,
if you're interested in history,
for example,
I really recommend the biography of Marie-Antoinette.
It's extraordinary.
There's the biography of Fouché,
which is very, very good too.
And he also did that of Marie Stuart.
No, Marie Tudor.
Marie Tudor.
If my memory is good.
Is it the integral version that you saw?
Because apparently, in some editions,
the end was cut.
Let's stay with this time of Marie-Antoinette.
This will be a question for Amantine Ben-Califa,
who lives in Laissonne,
in the night of the 5th to 6th October 1789.
While the royal family is brought back to Paris,
there is someone who runs the capital,
who leaves Paris for Lyon,
disguised as a worker.
She crosses Montseny to Savoy,
and she is recognized by a postman,
who tells him,
« Ah, Madame is not a worker.
We know who she is.
» And she asks,
« Who am I?
»
And the postman answers,
« You are?
»
And he knows who she is,
do you know how to answer?
This is the question.
But we didn't make a movie about this woman.
A movie?
Margie Poppins.
I mean, there is an inversion
between her and the servant.
No, not at all.
She was noble.
Noble?
No.
At the service of Marie-Antoinette.
That's true.
It was Madame.
It was Madame because she was married.
She even left,
I'm going to tell you,
when she ran away.
She left all her money to her husband.
Madame, go away.
She took only 20 francs,
leaving behind her husband,
who encouraged her to run away.
Leaving,
I can't tell you what else,
because there, obviously,
you guess who it is.
But leaving the million francs she had won,
leaving all her money to her husband.
It was the child's ring.
She was not the one who made a mistake
in the history of the Queen's College.
No.
Nicole Leguet.
No.
The one who, indeed,
was imprisoned, then released,
and who ran away.
Because I don't know everything about Marie-Antoinette.
I know.
She ran away, then,
in England.
She even made a book.
She told everything
and told things,
essentially,
about Marie-Antoinette,
who, of course,
was very bored by the following.
She was...
She took care of Marie-Antoinette's children.
Not at all.
This woman was executed after.
This woman wasn't executed after.
She was then left in England,
then in Russia,
then in Switzerland.
Mireille Mathieu.
No.
Madame...
It was Marie-Antoinette's wife.
No.
So she was at the service of Marie-Antoinette.
At the service?
We can consider that.
It was the woman.
It was the woman who worked with the monarchy.
No.
She was the one who worked directly with the monarchy.
She was at the Versailles court.
It was, of course.
It wasn't the secretary.
No.
The secretary.
A courier.
She was working with the nuns?
No.
If there was a big deal with a bit of culture,
I don't know if it was one day
where there was Mr. Peroni,
Mr. Benishou...
She was a painter.
It was a woman who made the portraits
of Marie-Antoinette.
Yes.
And she had an exhibition
not long ago in Paris.
Madame Vigée Lebrun.
Good answer from Jean-Jacques Peroni.
He was a painter.
He was a painter.
But...
But Jean-Jacques...
Help, of course.
You can still thank Karine Le Marchant.
Thank you, Karine.
Indeed, it's about the one
who painted many portraits.
Obviously, the official portraits,
essentially, of Marie-Antoinette.
Elizabeth-Louise Vigée Lebrun
and an exhibition at the Grand Palais.
Well, listen.
Frankly, I advise you to go
because you don't know her.
It's not very good.
Thank you.
What are you doing?
Stop laughing.
What are you doing?
We're going to do this to all the friends.
We know her.
We've known her for 40 years.
He doesn't like the jingle
of our show.
But...
What we can do is
that Jean-Phil,
you could go and do it
with the jingle.
Yes, yes.
Yes.
Yes, yes, yes, yes.
For their boutalèbes
who live in the following question,
I'm going to ask you
to tell me
one or two lago-morphs.
Oh, yes.
The lago-morphs.
The lago-morphs.
Yes, yes.
What does that mean?
Well, that's the question.
Yes.
One or two lago-morphs
means only one shape.
Can you tell me
one or two lago-morphs?
It means one shape of...
It's a style figure, in fact.
No, not at all.
And lago,
does it come from lago?
No, not at all.
Not at all.
Lago.
Is it an object?
No, it's not an object.
Is it an apostrophe
or a lago-morph?
No, it's from the lago-morph.
Ah, it's from the lago-morph.
And they ask you
to tell me one or two lago-morphs.
Are they animals?
Yes, they are animals.
Elephants.
Elephants, no.
Are they aquatic animals?
Aquatic animals.
Ah, especially not.
Ah, yes.
Ah, yes.
They're gremlins.
No.
It flies.
No, no.
They live underground.
So that happens to them to be underground?
Yes.
Tops.
No, no.
They're all small.
Yes, there are several.
Does it hold in your hand?
Sorry, what do you mean?
Does it sting?
Do the earthworms have lago-morph?
It holds in your hand to the female,
but not to the male.
Huh?
Does it sting?
Does it sting?
It doesn't sting.
Is it soft to touch?
Ah, yes, yes.
I often have lago-morphs left.
So it's not very big.
Elephants, elephants.
That's right.
No, but there,
we had an indication.
Elephants.
No, but it's interesting, your thing.
When I was a child, my mom would send me,
she would take me out for a bit,
to the imbibes, to the real ones,
she would take me to a lady who had lago-morphs.
And I would go...
To the scorpions.
Finally.
Elephants.
Elephants.
A word that you don't like to pronounce.
And yes, the word elephant,
we don't pronounce it on a boat.
That's why I said it wasn't especially aquatic.
Elephants or lions
are lago-morphs.
Good answer, Olivier de Carrefouron.
David.
Yes.
Mom used to do that when we were kids.
We didn't see a lot of lago-morphs.
So she took me to a neighbor
who had a house.
Oh, that's good.
Ten minutes from the imbibes.
We're still in Zola.
We're still in Zola.
There were little lago-morphs in their cages.
Yes, they were cute.
And then she opened the cage
and I caressed the lago-morphs.
It was a salad.
Yes, it was a salad.
Yes, it was a salad.
Yes, it was a salad.
Yes, it was a salad.
It was a salad.
Yes, it was a salad.
Yes, it was a salad.
Yes, it was a salad.
And then we said all that we had to say.
A lago-morph is either a lion
or a rabbit of the considered animals.
The kangaroo can also be a lago-morph.
What do we hear?
Like music.
My phone, but I don't answer.
Go ahead.
So you make the jinns laugh at yourself now.
No, it's stuff with my neck.
I don't know how to change it.
And it's horrible, in fact.
Who put this music on you, sir?
It's my cat that supports you.
That's what comes out.
I don't know.
Do I ask you anything?
You're with 612?
I was warned before the show.
I have three.
They can make a sound.
That's it.
But you would watch the mode of employment on your phone.
You could put it on silent.
It's written in the mode of employment.
If I was watching the mode of employment,
how we get rid of the dumb,
you wouldn't be there either.
So, it's a little problem,
but don't worry.
That's true, at home, there's no mode of silence.
No, but it's adorable.
It's adorable, but...
Your hair, they were thin, surely.
Don't you think we still don't know
the definition of the dumb?
Well, it's Alapaz, with your hair.
Alapaz.
Alapaz.
Alapaz.
Alapaz.
Bernard, who is in the middle of the stage,
with a new shirt.
It's beautiful, isn't it?
It's beautiful.
A new one.
A shower curtain.
Ah, yes.
I'm sure he's made boutonniers in the dramas.
No, it's a nice shirt with little earrings.
Yes.
I love it like a cherry, the leather in the air.
You look like Scarlet O'Hara,
you wear shirts in the riteau.
Ah, it's rather group Amar, you see.
You're dressed in a hat.
Oh, but you're disgusting, you know.
It's agrosophobic.
No, but...
It's lobisophobic.
No, but listen, it's true.
No, it's not true.
I'm going to wear a coat.
Yes, please.
You're agrosophobic.
You're not big, but you have to do it again.
You're agrosophobic.
You're agrosophobic.
Ah, but you have to do it again.
You have to do something,
you don't even go through my door.
You have the dumbest door in the world.
What do we have to explain?
Bernard Maby came to my house this weekend.
Yes, I wanted to do the quest.
And he dismantled my door.
With my car.
With your car.
With my car.
He's much smaller than him.
He doesn't know how to break it.
So he stopped trying to break it
in the middle of the night,
at one o'clock in the morning.
Oh, yeah.
And he hit his dick.
Oh, yeah.
He didn't wake up for a long time.
Oh, yeah.
I crushed him, you know.
He broke it in a sad state.
You know, the dick of the electric ship,
I don't know why,
to use it to open the door with a dick.
But who knows how to repair your dick?
Ah, it's your husband.
There you go.
That's true.
And Laurent Maby said,
a guy who managed to make Christine Bravo play,
he can open a door.
Well, we saw him tricking around.
There are guys out there.
Well, he was used to tunnels
because there was a frontal lamp.
No, we were all, you know.
Wait, Laurent,
you make me fall asleep in the middle of the night.
I was a little drunk.
I haven't had my permit for five years.
Well, the car belongs to me.
It didn't fly, but I haven't seen the thing.
First, the car, nothing to make it start.
It's complicated.
But it's a hybrid car, it's modern.
You're still with things to maneuver.
Yes, there's a timer to start your car.
But yes, because since it's electric,
we don't hear the sound of the engine.
But try to make it sound the same.
I think the car is a pig.
But where did you plug it in?
No, it's rechargeable.
It's automatic.
The problem is that it was the first one to come out.
So once he broke the door,
no one else could come out.
I was screwed, I was screwed.
I had invited them only one evening.
They had to stay for the weekend.
We knew I was in trouble.
Oh, he was not well.
Oh, he was in trouble.
Oh, he was in trouble.
Oh, he was in trouble.
Oh, he was in trouble.
Fortunately, he swore that we wouldn't talk about it at the radio.
Oh, that's funny.
A first quote for Cindy Trinvelle
who lives in Fars-Havillères, in Moselle,
who said, when you're sure you're right
you don't need to talk to those who are wrong.
Well, that's a waste of time.
You're still here?
No, it's still here.
Is it Jorien?
No, it's not Jorien.
Does he like it?
He's dead if I tell you that he's dead on July 7th, 2015.
Ah, it's Volinsky.
Yes, it's Jorje Volinsky.
Good answer.
De Bernard Mabille.
A question for Florian Legrand, who lives in the Atlantic Loire.
It's a quote for you, Mr Mabille,
who said, I have bad reflexes.
Once, I was overtaken by a car pushed by two guys.
Really fake?
No, apparently fake.
Known?
It's not known.
It's some idiot.
It's not French, to tell you the truth.
And he's dead?
It's Woody Allen.
And it's Woody Allen.
Good answer, De Bernard Mabille.
Now, for Olivier Cochis, who lives in the Ivelines.
He said, this restaurant is so bad
that even on the pictures of the menu, there are flies.
Oh, it's Sime, right?
It's not Sime?
Sime!
Good answer!
Again, De Bernard Mabille.
He's dead.
He's in the middle of the field.
He's stronger at the big stadium than in front of a portal.
Let me go with that.
Because you saw the return, I brought her back.
And she said, I'm going to use GPS.
So I...
The back.
So, right, left, and that's all.
There was a manoeuvre on the rear bench
that was listening to the Rolling Stones.
And we're back in Paris,
and I see when, 10 km away,
I say, we're in the reverse direction.
She didn't see anything.
Well, yes, De Bernard,
he's really bad at your highway.
I'm going to go from there when we get back.
With my friend, we're going in the other direction.
Ah, well, good, but...
You're on your way.
Yes, but that's because there's no sign of Paris.
Yes.
There's no sign of Rouen or Caen.
Those who are partying are partying in the right direction.
No, no, no, no.
We didn't have any difficulties.
We spent an hour and a half in front of your house.
And the question about animals will be for you, my dear Laurent Baffi,
since you like zoological questions.
We see them in photos in the press today.
They're 19,000, and we have to know that they are,
among these animals, the bad ones who bring the eggs.
The hippocampes.
The hippocampes.
Good answer, Laurent Baffi.
Well, yes, yes, yes.
It's not the end of asking an animal question when I was there.
Dittata, excuse me, he brings the eggs, but he doesn't feed them.
They don't have any batteries,
and they take the eggs, and...
And they put them in the...
They put the eggs in the bin.
They are the copy of the parents. They are all finished.
You mean that the female has the eggs first?
No, they don't feed the eggs too.
Yes, the female has the eggs.
Then they close in the belly of the male.
In the belly of the male.
And if he gets bored, he takes care of the babies.
They don't feed them.
And they don't feed them, there are a hundred.
They don't feed the babies.
But those who talk about Laurent are dried up.
Yes, I know others.
19,000 hippocampes dried up.
And then, they are the owners of Roissy,
who have seized this Cargaiso from Madagascar
and the destination of Hong Kong.
We have the Chinese farm.
Exactly.
They are the Chinese who sell these hippocampes
for Afrodisiac virtues.
I didn't know that the hippocampes were Afrodisiac.
I said that too.
But a guy who feeds the eggs already, it's...
Well, we're going to feed the Afrodisiac virtues
with the Rhinoceros horn.
Yes, that's not true, and they're going to make a comeback too.
Ah yes, these Asians are sick with it.
There is a guy who was made to follow
by a Rhinoceros horn
and who was made to be impaled by the thing.
He had done a certain effect.
It's true that it's a discovery.
It's the impaling of the discovery.
And the sex of the tiger?
Yes, too.
And the liver of the fat.
And you know how hippocampes feed themselves.
They wait in ambush, camouflaged with...
And they breathe small.
Exactly.
They have a mouth like a powerful vacuum cleaner,
like a straw.
Ah yes.
With a lot of fish, we eat paraspiration.
I can tell you about the love parade of hippocampes.
Yes, the parade is led by the female.
She has a lot of preliminaries of the male,
and she passes brutally to the action
by not letting the male go.
She wants to pass directly...
But she doesn't have a arm.
She has no arm.
She hangs on her tail.
No, she doesn't have a arm, but...
Her tail is principal.
Yes, it's a cry.
She turns around.
Wait, a female who catches a male with her tail.
You remember the Boulogne box, don't you?
It's so cold.
The eggs of the female then pass from the female to the male's pocket.
And in the space of 10 seconds, she will have her tail
and 100 to 200 eggs that she will have to keep for four weeks.
And there, she has to walk slowly so as not to break them,
because...
Imagine, we would put 200 eggs in your pockets.
Yeah, you would have a pox of hippocampus.
In fact, you take the subway at the end of the day,
crack, crack, crack, there is the average of your children who are dead.
I've already seen this in a hippocampus in the subway.
Oh, yeah?
Yeah, well, no.
A question for Virginia Fonfred, who lives in Belfort.
And the question concerns two Italians.
Virginia Radji and Ben Onini-Hambarus.
She is currently in Italy on a very precise cause and reason.
What is it?
A heritage.
A heritage?
Ah, listen, Yatsam is not at all.
Is it political?
Ah, it's political.
It's obviously a bit, but not totally.
Is it related to a large Italian brand?
No.
I'm already surprised.
I thought that at least Gaël Chacalov...
It's starting again.
Yes, it's political.
At least we knew one of the two, Virginia Radji.
Is it the wife of Salvini, for example?
Not at all.
Is it for the president of the Italian deputies' assembly?
No.
Is it related to Berlusconi?
No.
If you found out who is Virginia Radji,
you would already be one of them.
It's the mother of Rome.
Bravo!
Bravo, Mr. Ben-Dini.
It's not enough.
No, the other one is against Rome's will.
Not at all.
Is it a political opponent or not?
No.
But it's true that the young mother of Rome,
called Virginia Radji,
the mother of the famous five-star movement,
has the idea of doing something.
She has been talking about it for more than a year now.
And Madam, you have to say it,
Madam Benonium,
well, she doesn't want to go.
Is it related to immigration?
Related to immigration, no.
Is it related to the circulation of Rome?
No.
To the pontificate.
To the pontificate.
No.
She is on something very precise.
Is it a tax?
A tax, ah!
A tax?
A tax, no.
But finally, we get a little closer anyway.
The increase in something in the city of Rome?
The salaries, no.
The increase in something, no.
Is it related to tourism?
Is it related to tourism?
Yes.
The tax of hotels?
The tax of hotels, no.
I was going to take you to Rome
for the most part last year.
I was not.
You were not in the show yet.
I couldn't work.
That's it, but they were inviting you.
It's not related to archeology.
Mr. Ben-Giggy was there.
Mr. Gazan was there.
No.
Oh no, shit.
But he was invited.
You couldn't come.
I couldn't come.
Is it the old world?
You weren't there?
You couldn't come either.
No, there are people who work.
We're going to have a trip this year.
Sorry?
We're going to have a green classroom.
Something like that, yes.
Abominings.
Listen, I'm going to ask Salah Olyday
to make an effort.
Ah, yes.
We're going to the Grand Canyon.
You're going to have chronicles at least
when we go back.
It's not stupid, by the way.
It's not stupid.
We can go back to the old world.
Look, I'm pretty bad at it,
and stop breaking our balls.
No, I'm not.
It's funny.
Since you were born in the ISF,
I don't like you.
You were supposed to be a support.
Yes, but you became bourgeois.
No, it's them who caricature me.
No, no, you're a malage.
Here, it's class struggle.
Yes, that's it.
So, is it the Airbnb?
No.
Do you want a P.A. at the entrance of Rome?
No, not anymore.
No.
Are we concerned with French tourists
when we go to Rome?
Indirectly.
Indirectly, yes.
It's a restaurant.
But not really Virginia Radger.
At the airport.
She wants to do something
since she's a mother of Rome,
that Madame Benonium Marus
has decided, and I think she even
managed to prevent her from doing it.
A little hint, maybe, no?
Oh, no.
It's not the helipads here.
Is there an activity that tourists do
when they come to the capital?
Yes, Monsieur Bourrand.
The shows?
The shows, no.
The Tybre, on the river.
No.
Is it the Trévi fountain?
We can't throw away pieces.
Explain.
I don't know.
Usually, we throw away a wish
and we throw away pieces in the fountain.
So, we're getting close.
It concerns the fountain.
So, does he want to recover the pieces
for the city?
So?
He wants to recover the pieces
to use them for Rome,
for maybe frees,
there is Rome to tourists,
but the Ministry says no.
It's a national property,
it's not Rome.
Or if it's just a symbolic sign
that we can't take the money
from people who made wishes
to use it in other games.
No, money, we're taking it
in any way.
Okay.
They want to put it in the city budget.
Exactly.
So, the city wanted to
actually get the money for it,
for the city,
to say, here we go,
we're going to use it.
It belongs to the city of Rome,
whereas for years,
it was a tradition,
this money
was simply for the good works,
for an institution,
simply called Caritas Italiana
and Madame Benonium Barrus.
It's the president of this association
in charge of the good works.
She wanted to pick up the bill,
but it's crazy.
It was the pastoral body
of the Episcopal Conference.
In fact, it's a bit...
It's from the Italian Berber d'Adetirac.
Yes, it's the yellow pieces.
No, but it's a bit of a cameo, you see.
Yes, that's it.
It's the Mary against...
Against the church.
Against the church.
We know how much it costs,
he's putting up a lot of money.
And the church will finally win.
So, I'm going to find you the sum.
It's still 1.5 million euros
per year.
Oh, really?
1.5 million euros
each year,
I'm the one who got the things
before the Mary.
Yes, of course.
Laurent, I'm never going to go,
but if we put our arms together,
or if it's too deep...
No, it's too deep.
Yes.
No, it's true.
You're going with a metal detector?
Yes, you're going with a...
Discretos, you're going with a bag.
Or with rugs, we're going with rugs.
No, but...
We're fishing with...
A rump, a rump, sorry.
A rump with rugs.
A rump with rugs.
No, but they get the pieces regularly.
Yes, they aspire.
They don't expect 1.5 million euros, you see.
Otherwise, it's like the cover of the L'Oncle.
Can you imagine?
There's a counter like the TV.
I imagine that every week, they put the pieces together,
even finished by Fouvé.
Bravo.
So, no hot skargo after...
I mean, in 393, after Jesus Christ,
dear Isabelle.
I don't get it.
Me neither.
It's a transition with the question that comes.
He wanted to quote the book to put you in the pocket.
Yes, I wanted to make him happy.
I was happy.
I was happy, my friends.
An excellent book.
Go make them happy, really.
I didn't read it, but it's not...
I'm discouraged.
Go make them happy.
In 393, 394, after Jesus Christ,
your book wasn't out yet in the bookstores.
No, it just started to be written.
Even as long as your rhythm.
I didn't know that, but...
It's a good atmosphere.
It's great.
In the bookstores in Rome,
there wasn't the bookstores of Isabelle and Mergo.
But Theodos first.
He said Theodos the Great,
who was the Roman emperor of the time.
Just before dying.
He died the year after.
He deleted something.
What did he delete?
His ring.
His ring.
Is it something that still speaks to us today?
Yes, because it was deleted
and it didn't exist for years before...
Eternal.
Before coming back.
Could it be the right to vote for women?
Is it political?
Is it political?
Religious?
It's political.
It's not political.
Is it for the good of the people?
He thought it wasn't for the good of the people.
But at the end of the 19th century,
because it came back at the end of the 19th century.
The alcohol.
There was alcohol between 394 and 1800.
When it came back at the end of the 19th century,
what happened?
It came back.
It was welcomed, it came back.
Yes, people were happy.
It came back in France or in Italy.
It came back a little bit everywhere.
Is it a measure?
The bidet.
The bidet. We would have deleted the bidet.
Yes, yes.
Between 394 after Jesus Christ.
It wasn't useful.
And 1896.
We don't have a bidet anymore.
Laurent, is it a restrictive measure?
That is, for 152 years, it didn't exist.
Is it something that concerns daily life?
No.
Is it a restrictive measure?
Is it...
There, there.
Is it a restrictive measure?
Yes, when something is deleted, it's often restrictive.
Does it concern the houses?
The houses, no.
Because it prohibits books.
Did he delete something that is virtual or that exists?
Yes, it's the act of doing something that we have...
It's like a party, for example.
A party, that's true.
Christmas?
No, he didn't delete Christmas.
Is it a relationship with the fact that we used to put gladiators
or that they were eaten by tigers in the arenas?
Or the slaves, they said, come on, don't eat.
The games, the games, the games.
The Olympic Games.
The Olympic Games, it's a second good answer.
From Stéphane Plaza.
But what's going on?
In fact, I found...
In fact, as I arrived a little earlier,
I was drinking a little coffee with my friend.
And finally, I have the impression that I have to pee in front of him.
It dubs me.
It dubs me, that little rosé you gave me, he said.
No, no, he's duped, does it count anyway?
We say don't.
No, but I'm asking.
A glass, it's okay.
Two good days, the damages.
It's under the pressure of the Christian moral
that Theodos I abolished the Olympic Games,
which was judged too painkillers.
But yes, they were naked.
They were naked and oily.
Ah, well, it was nice.
Yes, they all said, it's a holy spirit in a niche body.
They weren't naked, they had little balls.
They had little balls.
Cinema, we put balls.
You were naked.
They were oiled with olive oil.
To run.
But of course, to shine.
We put them a little bit of parsley on the cocoons.
No, but it's not practical to run,
because it can walk a little.
It's for the fight that they were oily,
because we couldn't catch it.
Oh, it had to slide, it must be wonderful.
Oh yes.
And for the father, I would have liked to know how for the father.
It was shit, my old man, to ask for it.
Well, it can be dangerous.
A little javelin.
It must be interesting to know
that they were the disciplines that existed.
There is the javelin.
The disc.
The launch of the weight.
But how much have we been inventing since?
Well, the javelin didn't really exist.
Yes, that's right.
I think that if someone did that.
The pull of a carabine, not anymore.
You decided to be stupid,
I decided not to laugh at that.
That's true, it's interesting.
It could be the subject of a next question.
What was it?
It was mainly athleticism.
It was sports that are today, athletic sports.
The long-term.
There was swimming, wasn't there?
There was no collective sport at the time, for example.
There may be swimming, but I'm not even certain.
It was interesting to know.
There was no rugby.
For example, there was judo.
Because they hadn't discovered Japan at the time.
That's true.
Yes, so there couldn't be judo.
There couldn't be karate, not anymore.
On the other hand, I think the guy who commented...
It was...
It was Jean-Jacques Perronis?
That's how it was, we called him the sans-ano.
No!
No, it's not good, the sans-ano.
I don't like it, I don't like it.
It was already Nelson Manfort.
Do you think so?
Yes, I see him speak Latin well.
With his gray hair and everything?
Yes, a little torch.
Ah yes.
The naked leg.
A little spartillette who gently climbs along the mollusk.
There's Malo who's sexy all alone there.
Stevie, you like the Olympic Games, don't you?
I like it, yes.
The swimming, the plunging, all the masculine things with a swimsuit.
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Machine-generated transcript that may contain inaccuracies.
Écoutez ou réécoutez l'émission des Grosses Têtes avec Laurent Ruquier du samedi 16 septembre 2023.
Retrouvez tous les jours le meilleur des Grosses Têtes en podcast sur RTL.fr et l'application RTL.