Les Grosses Têtes: L'INTÉGRALE - Le Best of du dimanche 17 septembre 2023

RTL 9/17/23 - Episode Page - 1h 42m - PDF Transcript

Transcript
Show Notes

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You're taking the sea from time to time, Mr. Boujnage, I think.

Yes, yes, yes.

On the same boat as Mr. De Carseauzon?

He's going to take pictures, I almost cried.

Yes, you have a nice old boat.

My boat is 35 years old and weighs 35 tons.

You're going to be on it?

Yes.

It doesn't go back.

But where is it?

It's in the south of France.

And to give you an idea, to make Nice Calvi, I put between 16 and 19 hours.

Danibou says it's the only boat in the world that goes less fast than the waves.

You've already been on it, Mr. De Carseauzon?

No, I saw pictures.

I have the feeling that I have a kind of tender and piti for the owner of this.

But it looks happy and it's fun.

He's a sailor, he's a sailor, he's a sailor, he's a sailor, he sleeps, he eats.

Navigation is a thing that envelopes an activity that has nothing to do with the noble sport.

I've practiced.

Yes, it has nothing to do with it.

Yes, I got it.

You sleep on it when you're a sailor.

I sail a lot when I was in Tunisia.

Oh, fuck!

We're looking for merguez.

We thought we'd never get there.

Valérie, you've already been on the boat of Olivier de Carseauzon

because you've known him for a very long time.

He didn't even say hello to me.

He didn't calculate when I arrived.

It's not that at all.

Maybe he didn't recognize me at the same time.

Because it's been a long time, you weren't seen.

Now, when he hears you, I think he recognizes you.

He pees the open door.

Mr. Carseauzon pees the open door.

He showed his engine to everyone.

He didn't show it to everyone.

It's not my fault.

There are people who make coffee.

When you pee, I can't close the door.

It's not the engine that takes the place.

I see that Valérie and Olivier are happy to find each other.

Do you have any girlfriends?

I have girlfriends.

I have a big interest in them.

You see, there is a good atmosphere.

Thank you Mr. Bouchdant.

I'm very happy to be here this morning.

And again, Chantal Latsoud said nothing.

Yes, but I'm going to do it.

I prepared a coffee with Carseauzon.

He's very nice.

He even took my hand.

It's not true.

It's because you have money.

He even said, what are you doing here?

You don't need any money.

He doesn't know my life.

I think it's time to go.

You will agree to a first quote.

And it will be a quote for Mr. Olivier Fischer,

who lives in Gersheim,

who said, I prefer the incineration

to the funeral and the two on a weekend with my family.

French?

French, no.

Recent?

Recent, no.

English?

American.

Dead?

No, living.

Woody Allen.

Good answer from Valérie Meyers.

Chantal said it at the same time as me.

Yes, we said it at the same time.

I'm not ready for a good answer.

That would surprise me.

One...

No, no, no.

You're kidding me.

Another question for Thomas de Forge,

a quote you must always find the author.

I remind you of the principle in which

you would have forgotten it for 40 years.

No, because it's always the same.

Yes, I never find the answer anyway.

I wonder why you're asking me to come

because I'm useless.

No, you're very good.

I'm sure you know the author of this one

for Thomas de Forge, who lives in Cher,

in the Yves-Lynes,

who said the ideal husband

is the one who comes home early,

who runs the ship and takes care of the children.

We concluded that the ideal husband

is a woman.

Coluche.

Coluche, no.

Jean-Yann.

No.

Sacha-Guitry?

Sacha-Guitry, no.

French, yes.

Dead.

No, well-lived.

Bigard.

Bigard, no.

Team Seat.

Team Seat, no more, but he worked a lot

with Team Seat, maybe even more.

He did a lot of work.

He's the author today and he did a lot of work

at the beginning.

Gassio.

A good answer from Jean-Jacques Perrony

and Chantal Lazzou.

Yes.

The second good answer.

It's 2.

Yes, it's 2.

Two good answers in half.

No, it's bad luck.

It's bad luck.

No, it's not good what they just said

because I really had it, Gassio.

Yes, yes.

Who said it would be more difficult?

This quote.

For Madame Brigitte Baudet, who lives in Saint-Julien-du-Térou

in Mayenne, who said in parliament

there is talk and there is lies.

Coluche.

Coluche, no.

Des proges.

Des proges, no.

French.

French, yes.

Dead.

French is dead, there is a moment.

Dead in 92.

In 92.

Des proges.

Des proges, no.

But I've already said listen to what we say.

I heard you.

It's like a ball on your head that touches your face.

Is it true or maybe not.

Is this serious?

There is a rock on your head.

Laurent, frankly, we must not go saying bad things.

Yes, it's not nice, you have to not say

like the ball does not look fresher than the support.

You don't have to say that.

You have to be nice.

You have to be nice, you have to be nice, you have to be nice.

And so he says, excuse me, but it's the hospital that is full of charity about the support, huh, eh?

It's fine, go ahead, you don't have to do it.

It's fine, go ahead.

Yeah, go ahead, attack.

Close your mouth, you old fool.

I was a humorist.

So someone who was, yes, not only a humorist, but also an actor, a singer, a caricaturist,

Jean-Jacques Martin.

No, apart from the confrérie du chevalier, du tastefesse,

but also Maçon...

No, Francis Blanche.

But also Fran Maçon, a conscious objector, an anti-militarist.

Leo Campion.

Leo Campion, good answer from Jean-Jacques Perron.

A question for Jean-Louis Karpi, who lives in the forest in the Haut-de-Seine.

What term do you use a lot in the press these days?

A term that was used for the first time by a British scientist named Francis Galton in 1883.

And we even called it, sometimes by mistake, the galtonism of the name of this British scientist, Francis Galton.

The Dalton, the Dalton.

The Daltonians.

Is it something around electricity?

At all.

I'm sure it's a cousin, Francis Galton, of Charles Darwin.

It can help you.

Ah, yes.

So evolution, all that.

Bravo.

Well done.

We move on.

Is it around the ecosystem?

No.

Think about it.

I tell you it's a term used a lot in the press.

Ecology.

No.

Does it have anything to do with politics when you say a lot today?

Well, it's true that it's linked to political statements at the moment.

Very well.

About the gilets jaunes?

No, not about the gilets jaunes.

About Europe?

About Europe, no.

About the essence.

About the essence, no more.

About the human species.

About the species.

I'm obliged to say that.

About ecology.

Ecology.

No, about the human species.

Yes.

Ah, it's vast.

Yes, it's vast.

Yes.

Isn't it a word like biodiversity, something like that?

Biodiversity?

No.

It's a word we're looking for.

A word.

An expression, a word.

A word.

Is it a minister who pronounced this word?

A minister?

No, but it's good to look for the brave Caroline.

Yes.

Because it's not a minister.

The President of the Republic used this word recently.

No more.

Is it not the Royal Pasegone in his book?

It's not the Royal Pasegone.

Is it recent, recent?

Ah, it's Sejourci.

Sejourci.

And we talk about it a lot every day.

Valérie Pecresse, we talked about it this morning on RTL.

So is it about the predation?

The predation, no.

The extinction.

The extinction, no.

The sixth.

Is it a word that is a common name?

A word that is a common name.

What does it mean?

Well, for example...

Ah yes, it's a common name.

Yes.

Well, that's it.

It's in the dictionary, in the common name.

Well, that's it.

And we use it all the time?

Ah, well, no, we use it when...

When you have a problem.

When it happens.

It's a problem, it's not the word, but when there's a debate around that.

It's exactly the name of the problem.

So, is it not the word queer?

The human species, half man, half woman, queer?

No, not at all.

The gender, the queer...

The human gender, no.

It has nothing to do with that.

Ah, with the PMA.

So, we get along.

We get along with the GPA.

So, the PMA, the GPA...

The reproduction.

Yes, with the...

The...

Artistic.

Sorry.

The reproduction.

No more.

The heredity.

The procreation.

The heredity, the procreation, no.

The procreation.

The genetic.

The procreation.

He invented the word genetic.

Those are words that already existed before Mr. Galton, you see.

But is it a relationship with the procreation and the reproduction?

Yes, yes.

Well, it has nothing to do with the GPA and the PMA.

Is it inspired by his own name?

At the time, it had nothing to do with that.

You see, because it didn't exist.

It had nothing to do with that.

The genesis.

There you go.

Good answer!

From François Olivier Jisbert.

The genesis.

Yes, of course.

The genesis.

It's a term invented by Mr. Francis Galton, inventor of this term.

So, we sometimes call it the galtonism.

And a lot practiced under the nazism.

Yes.

But before, you see.

Before, too.

Before, but it didn't have the same meaning at all.

Ah, because it's the homogenous word, the genetic manipulations created by the modified human species.

Yes, that's it.

It all comes from the homogenous word.

No, Francis Galton, in 1883, I like it.

No?

Not you, Ariel?

No, no, I would like to know exactly what the word covers.

Just the genes, the genetic manipulation.

There were four.

Francis and his three brothers.

Yes.

Aramis, Porto and Gartagnan.

The Galton brothers.

Avrel.

Famous.

Avrel.

Yes.

And so, Cousin with Darwin.

And the word comes from Greek, in fact.

Because I thought it was a guy who was called Eugène who invented the genesis.

Ah, yes.

We took things from the concept.

Not at all.

E comes from Greek.

Well, you see.

And genaos, that means engendered.

So well engendered.

Oh la la.

Genesis.

Genetic manipulation.

That's it.

At the time, it wasn't at all.

No, no, no.

Genetic manipulation.

No, we couldn't.

No, but now.

At the time, the idea was to preserve the genius in the great families.

That was it.

That's it.

It was to say, here, Darwin is a very, very intelligent man.

And then, it's the famous Nobel babies.

Before, we thought about that.

If I have to say.

We will try to keep this line of intelligence within the family.

That's what it is.

Yes, that's it.

This iron here too.

But with much more difficulty.

For Arlette, Markou, who lives in the north,

and she obviously hopes to touch her too, a chaker tell,

for this sentence that was pronounced just before dying,

They are the last words of someone.

I'm going to ask you who, obviously,

someone who pronounced this sentence.

people can't buy you life.

Here is the last word of this personality, which one?

In French?

It was someone rich.

So yes, he had made career, not in the hardwoods, but he had made it, indeed,

fortune.

It's not a French.

A French?

No, a French.

A French.

A Belgian.

Not ready to find his country of origin, so I think it's worth it.

Oh, well, it's the Pope.

No, no.

He's dead friend, friend, anyway.

He's very rich.

He's very rich, the Pope.

Don't laugh.

Yes, but ...

How old is he?

He's dead in 1981, friend, friend.

Massimo Garcia?

No.

Look, he's still alive.

He's still alive.

Massimo Garcia.

Really?

Massimo Garcia, yes.

I was told he was dead friend, friend, friend.

No, no, no.

So it was a man of business.

Wait, maybe it's a woman?

No, no, it's a man, but it wasn't a man of business.

A writer?

Yes, yes, of course.

Of course.

It's the guy who ...

But yes.

So there, yes.

So yes.

Yes.

It's the guy who was murdered in front of his house.

And before dying, it's Gucci.

And no, it's not Gucci.

It's like that.

Not at all.

But in 1981.

It's a pianist?

David Bowie?

Not David Bowie.

But you see, we're starting.

A singer?

Well, it's the other one who was murdered, the 8th of December.

No, but he wasn't murdered.

John Lennon.

No, it's not John Lennon.

It's a pianist.

A pianist, no.

A singer?

Where was he murdered?

Oh no, he wasn't murdered.

No, he was sick.

A little fire.

It's a singer?

But a singer, yes.

He drank a lot.

It's not only the drink, I think.

Jimi Hendrix, Jimi Hendrix.

A Jamaican?

A Jamaican.

Bob Marley.

Good answer.

24 years.

Bob Marley.

Good answer.

Bob Marley.

Good answer.

Bob Marley.

Good answer.

Bob Marley.

Good answer.

Bob Marley.

He died because of football.

He played football at a concert in France.

He had a sore foot and he had a cancer.

Yes, skin cancer.

Yes, but I also imagine that these substances and everything else have nothing to do with it.

No, no, no.

No, no, it's really that.

Oh, excuse me.

It's not a name, besides, that you have...

It's the king of the ganja.

So, he could be the bee, the goat's shit, who died of a hyrule.

Yes, yes.

What is this story?

It's definitely for a shoot, anyway.

Mr. Az, I saw you start to give a song to your admirers who are listening to us.

Come on.

No woman will cry.

Hey.

No woman will cry.

Hey.

That's beautiful.

Well, I remember just around the state.

Bless a lot of much the food.

It was from the concert.

Wait a minute, because next to you, there is a big crowd.

Could you be love and be love?

In any case, it's Bob Marley who, on his deathbed at the hospital, I imagine, said,

you can't buy life.

A question for Olivier Jacob, who lives very lazy.

It's in the Manet-Loire.

Charles Duke made a photo with his wife and her two children.

Photo became famous, but for what reason?

It's an American, Charles Duke.

It's an American.

It became a pub.

A pub, no.

Who was it?

When he made this photo, he did it in the 70s.

Very exactly, in 1972.

It's the poster of a film?

The poster of a film.

No.

Because there are children who have become very famous?

No.

Did the place where the photo was taken count?

No.

Did the place where the photo was taken not count?

Did the people who are on it count?

Yes.

Charles Duke, his wife and her two children.

It was the first pioneer of Doha.

He is still alive.

Charles Duke.

But it's not a placement.

The women are still alive.

I know that.

Was it the first Tarzan?

Charles Duke.

The real Tarzan?

Charles Duke.

He went with his wife and her children.

Of course, Tarzan's children.

In 1972.

Tarzan Junior.

Yes, yes.

Madame Tarzan.

Chita Junior.

Tarzan Reglitz.

Yes.

There were little children, but Tarzan and all that, it's good.

Sylvie Tarzan.

Yes, damn.

Is it not?

Yes, damn.

Sylvie Tarzan.

Was it the first selfie?

Not at all.

Was it the veil of her divorce?

No.

Was it a particular place?

No.

Was it taken back in a manual?

No.

It symbolizes something of the American history.

And the new rights?

The American family, in the 70s.

No, no.

It's not what we see.

It's the marble.

It's not what we see on the photo you're showing.

It's the photo itself.

It's the photo.

Can you tell us about another photo?

It's the place where we found it.

So we didn't find it, but...

It was sent in the moon.

The photo is on the moon.

No!

The answer, Olivier Perseuson.

No, but he's reading it in the book of Archaeology.

Charles Duke is the 10th man to go on the moon

with the mission Apollo 16.

He left on the moon a photo of him with his wife

and her two children.

It was not worth it.

Who will have the photo on the moon?

He did it on purpose.

Where did he forget it?

He forgot it.

He fell behind a rock.

He put his coat on.

He dropped his coat.

He fell from his pocket.

And since then, there's a family.

Not far from the PPR photo.

That's the reality.

That's the historical reality in the book of Archaeology.

No, but it's moving to know that he...

Yes, you're talking about the photo.

The fact that we can go on the moon

next to the PPR photo,

there's the photo of the family.

It's still very touching.

Besides, all the readers can leave

family photos next to their coat.

But you can't go on the moon.

But if you can go on the moon.

No, you can't.

If I tell you...

No, you can't go on the moon.

There could be a hole in the ass

in the cabinet.

There could be a black panther

in the back.

I still have to contest your version,

Mr. de Kersauzon,

because he left his photo intentionally

on purpose.

Because of the coat?

Yes, the coat.

When he says the truth,

it pisses everyone off.

In the back of the cliché,

he wrote this and the family

of the astronaut Charlie Duke

of the planet Earth,

who landed on the moon

on April 20, 1972.

He said,

hey, maybe one day

there will be extraterrestrials,

there will be aliens,

there will be moons,

I don't know how to explain it.

Or the Pocanoffs.

On the coat,

he left a point of interrogation.

And they will...

They will be like...

They will be like terriens,

you see?

A model family of terriens.

Well,

it's just a satellite of the Earth,

the moon.

I mean,

terriens don't have a lot of ways

to see the Earth.

I don't understand,

it's the thing that's going on.

And then,

why are Americans always there?

When are we going to go

the Europeans on the moon?

What's the point of not being

decided to leave?

What do you want us to do

on the moon?

Send this TV on the moon.

Well, wait,

but it's my dream.

It's my dream

to go with Elizabeth II

and take the test with the queen.

With the queen on the moon.

Oh,

don't hurry!

Yeah,

go ahead.

Wait,

the poor lost a state

this month.

Oh,

the beard.

How did she lose a state?

She lost a crown,

she lost the beard

that became a republic.

But Laurent,

she wasn't deteriorated,

the photo?

No,

listen,

well, yes.

Well,

yes,

it's interesting to know

that it was deteriorated.

She's a little shy,

obviously.

He could have left her

in a typewriter?

No,

that's great.

He told him himself,

Charlie Duke,

he said,

well,

the photo doesn't have to be

in such a good state

that I left it

in this area,

the temperature can reach

200 degrees

and drop to minus 17

at night.

Yeah,

it must be hot.

So obviously,

the photo,

we don't really know

what state it is in today,

but it's always on the moon.

But on the other hand,

the side is hot.

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The first man

to get a Oscar,

the first black man,

was Sinep Poitiers.

Yes.

But why...

To guess who's coming tonight.

Yes, of course, to guess who's coming tonight.

Not at all.

For what movie?

He was a teacher at school.

No.

It was something in the South, right?

Oh, it was something in the South.

It was something in the United States,

in any case.

Yes, it was in the South.

No.

A western?

A western.

Not at all.

There were religious in the movie.

There were religious at the end.

No,

he was helping them

to build a chapel.

The gender of Saint-Tropez.

Ah, it wasn't Poustacornette

that I put a map on you.

So, Sinep Poitiers,

he plays the role of Homer Smith.

It's a man to do everything.

Itinerant.

He walks in the desert of Arizona.

To answer your question,

it happens in the desert of Arizona.

He falls on a group of German nuns.

Ah, it wasn't the top of the top of the top.

What was she doing there, the Germans?

She was there.

A group of non-German nuns.

It was a non-German nun.

And she asked him to repair their roofs.

So, he accepts.

He repairs the roof.

He then asks them to be paid.

But the superior mother is waiting for him.

She offers him to help them

to build a chapel.

He helps to build a chapel.

And there,

certainly,

religion, faith,

comes into him.

Yes.

Not that.

It must be a good fortune.

Once the work is over,

he leaves without asking for his money.

Do you realize that?

Yes.

Is it for the superior mother or not?

He got an Oscar for this one.

It was a 40-year-old.

There was Sir Gertrude,

Sir Aniel,

Sir Albertine,

Sir Elisabeth.

You see?

Is it...

Is it a famous novel?

So, it's a novel.

Yes, a novel by William Ibarrett.

What?

That's for sure.

Not a famous one.

No, but you see...

It was the nitch of Baltimore.

Yes.

In the sage of Baltimore.

You all knew

that Sidney Poitier

was the first black man

to get an Oscar.

Yes.

You were convinced

that it was for Devin...

Exactly.

Who came for dinner tonight?

No.

You're not guessing

that this black man came for dinner?

Does it start with

when?

No.

When?

No.

I'll give you the title

in the original version

or in French.

The chapel.

By the way,

it's the literal translation.

The chapel and the guineas.

No.

The chapel of love.

The chapel of the moon.

Yes.

Is there a religious reference

in the title?

Not at all.

No, but you know

or not the film.

It's the name

of the title.

Not at all.

He came to repair the roof.

He came to repair

the roof.

He came to repair the roof.

How far away from you

would you like to go?

German sisters.

Yes.

Mr. Bricolage.

Yes.

There are Germans in the title.

Oh no, there are not

German sisters.

There's just one.

Whoa,

we're waiting the king,

Merlin.

No.

Or we were silly.

No.

Well here's 300 euros.

It's in the title.

It explains a little

the film that repair the roof.

No.

There's not...

There's not this in the final.

Let her do it.

Now it lies on the language.

No.

who was associated with this question, Mr. Ronsin de Compiègne,

the film for which he obtained an Oscar dated 1963.

Is the title in French something?

No, Le.

The first black actor to win an Oscar for which film?

And what was the size difference between his Oscar and his?

He gets the Oscar in 1964.

The Charpentier du Désert.

No, no, no.

The cover is always three times.

The cover?

The cover? No, but you have all the elements.

I told you the story.

You just have to find the title.

The stranger?

You have good sisters.

There is no chapel.

The stranger?

The nuns?

The nuns.

We are talking about the nuns in the title.

The nuns.

Paul McCartney too, yes.

Ringo Starr.

Take this, my sister.

I'm looking.

My sister is German.

My sister is Balbois.

How many sisters do you have?

We have plenty.

The saint.

You have 30 seconds left.

The saint.

The real one is the cornet.

There is the hand of my sister in the title.

No, but you don't know where it is.

No, no, no, no.

I'm going to eat the religious.

Between the teeth of the sultan.

Stop the pen nones.

We don't know how to see it.

It's still the film for which he got the Oscar.

Yes, we don't know how to see it.

We haven't seen it.

Do you feel it well, my big scapulae?

The first Oscar for a black actor at the time.

We don't know.

It's lost.

It's called the lice in the fields.

I haven't seen that.

But there is the lice in the valley.

Yes, but that's when you have the valley.

The lice of the fields depends on the translations.

The lice of the fields or the lice in the fields.

The original title, in case you have seen it,

obviously in the original version.

I've never heard of it.

And the clues on the German sisters,

there is no clue for the title.

No, no.

The clues for the German sisters,

there is no clue for the title.

There is no clue.

The title is a little bit wrong,

as if we could access the answer.

It was not for you to say nonsense.

I'm doing my job, sir.

And maybe you will,

however, know the answer,

Mr. Jansen,

because it's really for you this question.

I wonder how we call the report

of the local speed of a fluid

to the sound speed of this same fluid.

Indeed, but now that you say it,

it speaks to me.

It wouldn't be a sexual report?

No.

It's a Mr. Autrichian who gave his name.

Mac.

Mac Ernst Mac.

And indeed, the number of Macs

is the report of the local speed of a fluid

to the sound speed of this same fluid.

Good answer, Jean-Jacques Perrony.

Still, how long have you been doing it,

France, Jansen?

I know the Big Mac.

Mac 1, Mac 2, Mac 3.

Yes, Mac 3, you did it.

You didn't even know what it was.

Well, it's that we pass the wall of the sound.

In the plane, we can't hear anything.

We pass Mac 1, Mac 2 and Mac 3

than in the Super Sonic.

Listen, Mr. Benichou, he knows it anyway.

But in normal planes,

if we go to New York, we don't pass Mac 1, Mac 2.

Never.

We don't pass by Mac, no?

We pass by the other side.

Since I stopped filming, I often pass by Mac 2.

It doesn't seem like you really know the mechanics

I can explain things,

but I was at the test of air, not pilot.

Not a mechanic.

Still, if there is, for example,

there is, among, I hope,

the person on board.

Yes.

How many of you are in a plane,

approximately, in person?

Between 11 and 17, I think.

Oh, really?

Yes.

So, let's go.

A Steward for 50 passengers.

So, let's say, on a 15-person plane,

that you are on board,

I hope, still, that there are

well, yes, on the 15.

In case, pilot and co-pilot

would have a little discomfort.

Often, in planes, we see,

you know, when there is a disaster

or whatever it is,

there is someone who takes orders.

Of course.

Me too.

Yes, of course.

You wouldn't have been able,

in case there would have been a discomfort

of pilot and co-pilot,

Mr. Jansen,

to take the sleeve.

But no.

Yes.

We are formed.

We are formed if there is a problem,

and there is one of the two

who is inoperant,

who is defective, a pilot,

to do an extraction of the seat,

and then pull the seat,

because first, you have to pull the seat,

you can't take orders,

because you can't put it on your knees.

Well, it depends.

So, you are a pilot, in fact.

So, you are a pilot,

if there was a problem,

you would have been a pilot.

Yes, yes, you are a pilot.

Oh, my God.

But yes,

since,

we wanted to shoot the live,

your mother,

but since then,

you are a pilot.

Well, my name is Leban,

but I have never passed the sound test.

Ah, yes.

Oh, it's beautiful.

Ah, yes, it's beautiful.

Well, wait,

because we have already,

you have fired the pilot of his photo.

Where are we going?

And what are you doing there?

Well, we trust the OTSC,

we take care of it.

Okay.

And we take it,

and then there is a pilot,

necessarily, there are two.

Yes, but there are two.

But if there are two?

If there are two,

the co-pilot.

If there are two,

they are inoperant.

That's what you are saying.

They are inoperant.

That's what you are saying.

That's why,

that's why,

by the way,

the pilots never eat the same thing.

That's not true.

Yes.

Salo.

You would be sure

that there is a food toxic.

No.

And yes,

they will not finish the castron.

Yes,

it's not possible.

Well,

what's the difference?

You know,

they try to tell us,

oh,

it looks good,

the cake,

I can't have the same piece.

No,

no,

you're a broken radio.

△ Nuclear radar.

Sir,

excuse me,

the radar,

well,

you,

you go rock clip,

well yes,

you keep straight on

the glass in the cross,

the cross.

That's the question it is.

I do not know whether

it was a good pilot,

it is necessary to see

to those gestures

that it's one pilot.

They say thatTONS.

It's not reassurance

which you are to tell us.

No,

no,

It's true, but still, it would be more reassuring to know that there are two pilots and on the 9-hour flight, there are three.

It's not true.

Where does he hide the third one?

Well, he does dodo.

He does dodo and then he gets up.

He sleeps around the roll.

But there are three.

They are tripled because it's called...

They are tripled to be more secure, to be sure that everyone is not watching.

Have you ever seen the third one where he hides it?

Because he's in the couch.

That's it.

Where is the couch?

Just behind a cockpit.

They have a little...

Oh yes, that's right.

They have a little alcohol and little ridos.

It's pretty.

It looks like the couch was stolen by Jean-Pierre.

That's it, he's the pilot of the couch.

There, to open the ridos, there's no problem.

So when you go to sleep, after a while, they have a round of...

So we're going to wake them up.

You have your glasses on.

You're going to wake up the pilots.

Oh yes.

There, you find the bench, I have the impression.

Coo-coo-coo-coo.

Fly, fly the plane, get up.

I liked it.

And from time to time, now it's good.

Because the pilots, 20 years ago, it was like roadblocks.

It was very nice.

In a cockpit, it's very weird.

In a cockpit.

That's why when you arrive, you say hello commandant.

Well, sometimes it's...

But from time to time, it's a young generation of pilots who have arrived.

What a much more open mind.

And they have a jacket too.

So there, you say hello commandant.

Hello, hello.

Where are we going today?

Where do you want to go?

We're going to the convoy.

Shoot me, shoot me, shoot me.

I really like it here.

You can still do it.

Yes, you can do it.

You're warning us.

The big stats on SPL.

A new little story.

With pleasure, it takes place in the city centre,

of an average city in the province,

like my city, by the way, three in the hub,

which has done the whole city centre in an average game,

which is a magnificent city.

But when you get to this place,

you see a bunch of people lying on the ground.

You don't hear a noise, they're bathing in their blood,

or blood on their faces, on their clothes,

and all that.

It's a little guy, he's lying in the middle of the crowd,

he's putting himself behind a guy,

a bit like a shooting dog,

you see, to get closer to him,

to see if he can do it in this massacre.

You see, he's picking up a wallet,

a watch, not a jewel.

He's right behind the guy.

He starts to shout like that,

and all of a sudden, he hears,

in a big loudspeaker,

Cut! We're going to do it again!

Ah yes, it's good.

Clean.

All the families can tell her,

For Damien Boucher, who lives in Lézonne,

very exactly where in Lézonne,

I don't know where in Lézonne,

it must be in Lézonne,

I'm going to ask you the name of the writer,

and also the title of the book,

the book that tells the story of the Berger,

Elzéar Bouffier,

a Berger who makes his region revive in high provinces,

that's an indication, at least, to find the author,

between 1913 and 1947.

I'm not telling you,

he makes his region revive again,

because it would invite you to the title,

but here are already two clues

that may allow you to find the title of this novel

and the name of its author.

Written, by the way,

you have to say this novel after a contest

of the American magazine Readers digest,

because this story has had a global retentation.

Pagnol, Marcel Pagnol.

So it's not Pagnol.

It's Giorno.

It's Jean Giorno.

Bravo.

And the title of Jean Giorno's novel,

and there I feel...

It was Non Fleur.

Ah, no, no, no.

But it's true that there is a relationship

with the first question of the show today.

What was the first question?

The tree.

Yes, absolutely.

The tree.

Because in fact,

it will revive its region,

Berger, Elzéar Bouffier,

by planting trees.

And this is the story that Jean Giorno tells us

in a book called...

The trees.

No, it's a cult book.

We laugh at it,

we say to you,

it's a little book,

very easy to read,

a little bit with little pages.

Martin Alamontagne.

Sorry.

Martin Alamontagne.

No.

It's not Aiguille.

Ah, yes, it's not a beast.

It's not the Sanfony Pasteur.

Ah, no, no.

The Sanfony Pasteur.

It's André Gide.

The Sanfony Pasteur.

Ah, yes.

Is it the...

Is the title something

related to a feeling?

No, no, no.

With hope or anger.

I thought it was...

The Song of the Olives.

No, you were talking about trees.

And that's really important.

It's a tree name.

No, no, no.

But there are trees in the title, yes.

The tree of life.

There are several trees.

No, no, there are not several trees.

There are trees in the plural.

Ah, there is a forest.

Forest.

And it's to the citizen trees.

Sorry.

To the citizen trees.

You're going to make us the game of the cow until 8 o'clock.

So I'll answer for him, yes.

To the tree.

Let's plant trees again.

As you say, let's plant trees again.

Well, let's plant trees again.

But you will find it.

Let's plant trees again.

Plant trees again.

The word plant is actually in the sentence.

We plant trees.

If we planted trees.

Well, that's a nice sentence.

If we planted trees.

Plant trees.

No, it tells a story.

It tells a story of...

The tree of life.

Yes, so of...

Mr. Bouffier.

Mr. Bouffier plants trees.

Mr. Berger.

Is it a profession?

The name of a profession at the beginning.

For example, the Berger.

The Berger plants trees?

Not the Berger.

The citizen.

It's much more general than that.

Man.

Man plants trees.

So, the man plants trees.

The man plants trees.

He doesn't need a word anymore.

Man.

Man plants trees.

Good.

The answer has come.

That was long.

This story of Géonot is a small cult book,

but a major work of the literature of childhood and youth.

Ah, that's good.

We had to forget that.

And then we came back.

Yes, because I'm not going to read that.

No, but it's studied in class.

And even adults like this little book a lot.

It's like a little book of philosophy.

The man who planted trees.

Ah, okay.

Yes, because it means that everything can be revived.

It's extraordinary.

Sorry.

It's extraordinary.

I'm surprised that you don't like nature.

So, I didn't say I'd like to go.

What?

Well, by the way, Colbert is always famous because of that.

At the time of Louis XIV.

Because he decreed the plantation of forest chains.

And it takes 300 years to make a chain forest.

Exactly.

You see, it's not a political mandate of five or six years.

We used to think of children, children, children, children.

So as not to stop fighting against the English.

There were more ships than us.

Without knowing that one day, the ships would no longer be in wood.

So they thought of the future at the time of the kings.

And it's true that today, we no longer capture all the chains.

So.

But you know, in my firm, I also plant trees.

Sorry.

I plant trees with my uncle and everything.

And so often.

So calm down.

Yes, we have a lot of land, you know.

And so, the tractor and everything, we go down the hill.

And then really, we work and all the oil suddenly stops.

And really, I love to accompany it.

It's charming.

But it's true.

There are lots of trees and everything.

And then is it good?

And it saves the countryside too.

Because it allows, I don't know.

Because otherwise, there are sandstorms everywhere.

Yes.

Otherwise, there are beautiful herbs.

I'm the tractor, the sandstorms.

No, but you have to...

One of these four, he's going to make love in the price.

You'll see.

I'll take the last mission that he hasn't done.

If only Karine Le Marchand could find him.

Oh la la, but it's not nice.

We'll go there.

But yes, it's Karine who will solve your own problem.

But yes, it's the last one.

You're a firm guy, you know.

You could do the missions.

But yes, yes, yes.

He could be the challenger, the pig, he could do everything.

He can do all the roles in the world.

He's a good man, Yohann Ryu.

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Tell me, do you write the names of the people in your folder because you don't know who we are?

Yes, today, there aren't really very famous people, so I prefer them.

I'll sign you up for Christina, it's without H.

You write the names of the big heads?

Yes, I do that.

Stefan, Ellie, Caroline.

By the way, tell them you're reading well.

She progressed.

Compared to when you arrived a few months ago, tell them you've made progress.

Your program is ready, Mr. Simone.

Yes, yes, I thought so.

Well, first of all, I'm going to turn off Titov because...

Why?

Because you said there were no famous people.

It's a bit boring.

That's what you're saying.

But don't cry.

What are you saying?

Yes, but I think she doesn't need a microphone, actually.

It's been...

Since then, they've been talking a lot about the two M6s.

But yes!

I'm happy to see you!

I'm just going to let these people go!

Oh, that's good!

Oh, M6, M6, M6!

Yes, it's true.

But it's when she's with M6.

It's true that she's with M6.

It's a lot of fun with Cristine, okay?

It's crazy!

He doesn't talk, he cries.

Yes, yes.

We're so happy to be with you.

You know, I've read a lot of things about you,

and it's not true.

You're so kind.

Oh, thank you.

It's true.

I've read a little thing about you.

Well, you're pure.

All this because I couldn't take a shower this morning.

I didn't have any cold.

No cold.

You just grilled yourself.

I didn't have a shower this morning.

You didn't have a shower.

It's okay.

It's the planet.

You don't have a shower?

You don't have a shower.

I don't have a shower, of course.

What would you do to save money?

I'm an echo, of course.

Yes.

A first quote for Aurélie David,

who lives thickly.

Oh, hello, ma'am.

That's not my fault.

That's her name.

Who said the best way to reverse a government

is to make a party?

French.

A French.

Edward Balladur.

No.

General De Gaulle.

No, it's not De Gaulle.

It's well before.

It's French.

It's before, and it's French.

And it's a political man.

Clemenceau.

Clemenceau, no.

I'm in his zone.

Ah, no.

Ah, no, it's more recent.

We're at the 19th.

No, older.

More older.

Someone would say next.

Yes, yes.

Someone would say next.

Fidel Castro.

No.

I think it's the first minister of Louis XIV.

That is to say.

And it's then...

Colbert.

That's it.

You don't know at all.

But it's not Colbert.

It's after Louis XIV.

After Louis XIV.

After?

Ah, well Louis XV then.

Ah, if it's not Louis XV, it's Louis XVI.

I feel that we're going to distribute a loss of 300 euros today.

With the Plaza and the Cordula, it's not won.

Yes, but no.

But why?

But we didn't say anything.

We're here.

Well, we didn't say anything.

We didn't say anything.

Well, we can't say anything.

They're saying nonsense.

Yes.

They're saying nonsense.

You're right.

We're not.

It's not MacMahon.

MacMahon, no.

But we're...

What year would we be in, for example?

Well, that's up to you.

Do you think it's the 19th century?

We're between the 18th and 19th centuries.

18th and 19th.

We'll see.

So wait for the 19th.

The best way to reverse a government is to take part in it.

Richelieu.

After Louis XIV.

Between the 18th and 19th.

Would it be Talleran?

Talleran.

Good answer by Jean-Jacques Perronis.

This question will take us to Australia.

Perse, where there is a very beautiful opera.

But there is a problem.

There is a controversy that has just been born

with this opera since we decided to cancel

an opera because of the sponsor of this opera.

The Public Foundation wishes

that they fight against taba, alcohol,

obesity, to force this opera

to cancel an opera that should be represented.

Which one?

Is it because they fight against obesity

that the singers were all big opera singers?

Not at all.

Is it because it's sponsored by Macdo?

Malboro?

Not at all.

Does the opera know this opera?

You decide, you don't understand anything about it.

No, no, it's weird, your question.

Laurent, is it the name of the opera?

Like Carmen?

Is it because of that?

It's not because of the name.

You didn't understand the question.

It's because of the name of the opera.

Exactly.

And it's a good answer by Michel Bernier.

Why?

Because it's Carmen.

What does that have to do

with the club and the obesity, Carmen?

So precisely, the second question.

For what reason, Carmen was

deprogrammed by this opera?

Are you joking?

No.

For the bouquet of violets?

No.

If you don't like it.

That's where we're going to know

the culture, of course, of my friends.

She sells cigarettes?

No.

She's a buralist.

No.

You mean that she's Chinese?

She has a beard.

No.

In the 20th century.

I'm crazy.

She's sick.

No, but you didn't see Carmen, did you?

No.

She's pregnant recently.

I'll give you a moment.

She's tuberculosis.

No.

That's the Damocamella.

No, that's not it.

Damocamella, she smokes too much.

She smokes a lot.

Look at me.

It's a Gitan, Carmen.

Yes, it's a Gitan.

No, it's not a Gitan.

It's a Goloise.

No.

She smokes a pipe.

She eats.

She doesn't eat.

She has a cowboy on a camel.

So, you got it.

The sponsor of the Opera de Person Australie

and the Public Foundation,

they want to fight against taba,

alcohol and obesity.

OK.

And indeed, because of this sponsor,

which is pretty amazing,

by the way, this Australian opera,

this opera room,

has been programmed.

Because Carmen, she's big,

she smokes and she drinks.

No.

No, her husband is alcoholic.

No.

She has a job, Carmen.

Yes, she works on energy 12.

No.

She's in the angels of reality.

No, it's a job that's related to cigarettes.

She's a trafficker.

Yes, so...

She makes cigarettes.

She's a smoker.

She makes cigarettes.

She's what we called at the time

cigarettes,

just a good answer.

She's a little bit shy,

of course.

No, no, no, no.

You've never seen Carmen in your life.

I forgot she was a cigarette.

Yes, it's not the only one.

It happens around this taba factory.

But in one of the famous eras,

in one of the famous eras sung,

we make taba loges in the air.

We follow the smoke in the eyes,

which goes up, up, up, by smoke.

Yes, it's ridiculous.

What's ridiculous?

It's ridiculous to ban a work like this.

Ah, it's all the question.

It makes no sense.

It's a period, above all.

So we can't deny an era.

It's a period, it's a work of art.

So it makes no sense.

It's an idiot.

It's like banning a Silivartan concert

because she sings love,

it's like a cigarette,

it's almost scandalous.

It's less serious.

Wait, wait.

Love is like a beep.

Yes, yes.

It's not the same.

No, if you make love,

it's like a beep.

It works much less well.

Yes, that's why I say that.

No, but at least you can interpret me

and give me Carmen, I guess.

Love is like a boomerang

who never had the time

who never had the law.

If you make love,

I don't love you.

If you make love,

I don't love you.

Look at yourself.

Listen, that's good.

You'll be able to be programmed in Australia

because you're sure you won't make a taba loges.

A real joke, isn't it?

Yes.

The two drunk guys

said to me,

I know a bar.

They have shots in the North.

You say,

stop your bullshit.

If you're going to say,

stop your bullshit.

They say,

I'll take you there

and you'll have a look at yourself.

They got there,

they went to the bar,

they took a n-m,

a n-m beer,

they already had a few.

They said,

come on,

it's at the end of the corridor.

Come on.

Come on,

look at yourself

and you come back.

You go,

come back five minutes later,

they say,

what are you telling me?

These are normal shots.

I haven't seen

two shots in the North.

But he calls the boss.

He says,

boss,

well,

and I came last week.

You had shots in the North.

And the boss,

he turns to the bottom of the room

and says,

Roger,

that's it.

I found the guy hiding

in Trombone.

A question that brings us,

a question that brings us

to Italy,

if you want it well,

on the side of Parme,

precisely.

It's the gondolas.

Yes, it's the gondolas.

Parme gondolas,

well-known.

It's under water,

the gondolas.

Excuse me,

you sat next to me

with two glasses.

Yes,

so,

I came.

In 1877,

Pietro,

it's his first name.

He asks you for his family name.

Pietro opens his first store

in Parme.

But what is the name

of this famous Italian

still known today

as an international?

Does it eat

what Pietro used to do?

Yes, it eats.

Ah,

he's called Pietro Giambon.

Pietro Giambon.

Pietro Nutella.

Ah, no.

Pietro Pizza?

Pietro Pizza,

no.

Pietro Buittoni.

Ah, no, no.

And it's a brand

of Italian food

from the bus

that is given to Italians.

Eh, yes,

it is.

Ah, no, Italian.

Pietro Tiramisu.

Yes, yes, yes.

It's Mr. Panzani.

It's Pietro Panzani.

So,

Mr. Panzani.

So, it's Pietro Lustucru.

Mr. Panzani was French,

Madame.

So,

Pietro Lustucru.

And there,

Pietro Barrila.

And there,

we are in an old family

from Boulanger.

You have...

Pietro Barrila.

And it's Pietro Barrila.

Good.

Good, good, good.

When it's the end,

she finds it.

Good, good.

There,

he told us that he is from

this Italian family.

Yes, yes,

Barrila,

it's a family

Italian

who even go back

to the 16th century.

We find

in records

of corporations

from Boulanger,

from Parme,

an olivideo Barrila

1576.

Incredible.

Yes,

because they are not

being bought.

It's normal that the dough

has been dry

but it's never been

written very clearly

about the cooking time of the dough.

Never.

If yes,

yes,

if you have the famous

dough three minutes,

it's marked in big.

It's very practical.

Yes,

now,

but why are you never

agreed?

You go

to the dough

packet,

you have to turn it

in all directions

to know

how big it is.

No,

you have to use

the dough

packet.

It's never marked

the number of dough.

I have to turn the bag for hours and you can't count. Especially the cookies.

But Isabelle, there is no need. The cooking time is never the good.

You have to always check so that your pasta is al dente and tastes regularly.

You can basically start the first five minutes.

Except if you bought a packet of pasta that is cooked in three minutes.

Because it also exists. But it's less good.

But basically, it's between 8 and 15 minutes.

It depends on the pasta.

If you want to cook it for six or seven minutes, you come back after six or seven minutes

and you start tasting every minute.

It's a waste of tasting every minute.

Yes, madam.

But I have the time written on the box.

No, I have the time written on the box.

The time written. What do you say there?

I have the time. I'm looking for the time to taste the pasta.

It makes them hide. It makes them blind.

It makes them blind.

I recognize that it was in your kitchen the other day.

Listen, I swear to you Caroline, that's why you cook badly.

Sorry, but it's you who made it.

You're right. Because I don't know when we do it, when it's over.

And here we don't put the pasta.

Don't you know when it's over?

Does the time have to go away from the moment we eat?

The time goes away.

When it's over.

It's never the right time.

It depends on the size of the casserole.

It depends on how much water you have.

It depends on the power of the fire.

It depends on the casserole.

You have to taste it, Caroline.

And it doesn't all depend on the pasta.

No, you have to put the pasta against the wall.

You have to put it against the wall.

Yes, but I have the time left.

You have to stay two or three seconds before eating.

That's how the style was invented.

You don't like very hard pasta, Laurent.

Hard pasta? Al dente.

I like it a bit after dente

when you keep your teeth sent.

But that's a perversion.

We said it!

Al dente at the beginning.

Let's go to the end.

A question for Yves Levin,

who lives in Yves Levin.

Yves Levin, Yves Levin, Yves Levin, Yves Levin, Yves Levin, Yves Levin.

Yves Levin, Yves Levin, Yves Levin, Yves Levin.

You'll never celebrate again.

I imagine Mr Yves Levin.

Yves Levin, Yves Levin, Yves Levin, Yves Levin, Yves Levin.

Yves Levin, Yves Levin, Yves Levin, Yves Levin, Yves Levin, Yves Levin.

He lives in the Alps of Haute Provence.

It is for you to find someone

who died in 1832.

Because you have different information

about this personality

that you have to find the identity.

He died in 1832 at the age of...

Listen, he's very young,

at the age of 41 years.

The exact cause of his death

was not known

because his brother refused the autopsy.

He was buried, according to his will,

near his friend Joseph Fourier

at the cemetery of the Père Lachaise.

Who is he?

He's a musician.

He's not a poet.

He was born in 1793.

He was born in 1790.

In Fijac.

I'm bad at math.

In Fijac.

I was a doctor.

And why did you leave me alone?

I'm sorry.

I was trying to do the math again

because Mrs. Mergo doubted me, you see.

He was buried near Fourier.

Exactly.

So, wouldn't it be Elisé Reclu?

Elisé Reclu?

No, that's Mrs. Macron.

She's Elisé Reclu.

So, wouldn't it be Proudhon?

Proudhon is already said.

He's an artist.

He published, but it wasn't a writer.

A painter.

We're not ready to find a job.

That's where you have to go.

Victor Noir, that's for him.

Wait, what do we do?

I'm looking for a personality.

Why do you want to know that?

Because I'm asking you.

It's not a politician.

It's not an artist.

Yes, there was an anniversary.

It was a theater man.

No, an actor.

It's a guy who always lived with gang friends like that.

Velpo.

Yes, that's good.

We just remembered

the 175 years of his death.

No, that's not it.

I just lost it.

It just fell.

Ten years before his death,

he did something very surprising

that we're still talking about today.

In 1822.

Exactly. In September 1822.

That's why we're talking about it.

Because it was an anniversary this week.

Did he create an Ancestor fan?

I want to say something very complicated.

Are you ready?

It's a scientist.

He invented something.

He invented a vaccine.

Something like that.

It's not a fan.

He invented the phone.

The phone. But as no one called,

he couldn't use it.

It was a chemist.

A physicist.

A physicist, no.

It's not the headache.

A mathematical formula.

Mathematics, no.

Algebra, no.

Geometry.

Architect, no.

30 seconds left.

He invented the chronometer.

It was a clue.

He invented it.

He didn't invent it.

The horn.

To listen to the heart.

It was the first one to make a sanguine transfusion.

It was an object that served

a chemical use.

A thermometer.

He didn't invent an object.

He invented a concept.

At the beginning, it was with the finger.

He didn't invent a concept.

With the finger, it's after.

Oh, no.

It's the third one.

You would have trouble pronouncing

his name.

Mr. Chauchat.

It's not Mr. Chauchat.

And it's 300 euros.

I didn't think we were going to distribute 300 euros

on this matter.

The best for our auditor or auditor.

And it was Champollion.

Champollion.

He had discovered the hieroglyphs.

He managed to read them.

He discovered them.

He died of exhaustion.

He was tired.

Jean-François of his name.

Jean-François Champollion.

His job as an Egyptologist.

He almost invented the job.

He invented Egyptology.

Yes, that's what I'm telling you.

Someone who invented something.

It's his job.

Today, we say from Champollion that he is an Egyptologist.

He invented Egyptology.

It's the loss of Egyptology.

Absolutely.

We can't mention a lot of Egyptologists.

No.

Why is it the same memory?

There is another Egyptologist

that we know.

Mominova.

And it's 300 euros

for Yves Levin.

Yves Levin.

My mother.

There are 700 to 800

who close in France every year.

What is it?

Bordel.

It's a trade.

What kind of trade?

Spice.

Salon UV.

No, electronic cigarettes.

No.

Fortunately, they managed to save

this trade.

The bar.

Boucherie Chevaline.

There are not 700 to 800 open in France.

Videoclub.

There are times when they are closed.

Librarian.

Market of newspapers.

Press.

Good answer from Mélabédias.

And Philippe Manoeuvre.

700 to 800 market of newspapers.

Press.

With applications now.

Who close in France every year.

Yes, because the more young people read

on their tablets the information.

We are colleagues.

Compared to them.

We have to make the phone.

It was unbelievable.

It evolved.

It's like Kodak.

Yes, we remember the photo stations before.

We went to develop our photos.

And the guy saw your photos.

It was embarrassing.

To develop them, you have to look at them.

But in Paris, there is at least one press.

It's a bit sad.

There is a market of newspapers close to you?

I have one.

But I do not buy my newspapers.

I read on the computer.

I also send magnets.

Who do you send postcards?

I send postcards to most of my friends.

Christine.

I send a postcard to Madame Bravo.

Christine Bravo.

But before, we left or after?

It's a bit sad, but I think it's good.

Do you send a postcard to him?

I send a postcard to him.

In the do?

No, not in the do. I was in Brittany.

In a small Patelain, which was in Port Blanc.

And she answers you and everything?

She was in Australia at the time.

She sent me a letter.

I had answered her in Paris.

In Port Blanc.

But I love sending letters, as I love writing.

I am someone who likes to write on paper.

I do not really like paper, etc.

Because I like calligraphy.

It's serious, but I'm ready to write like Rainbow.

No!

It's all modestly.

And at the moment, you have Mal Verlaine.

I swear it's true.

When I was a child, I was passionate about drawing, calligraphy, writing.

And in fact, mom...

It must have surprised me that Christine Bravo

received a postcard from Rainbow.

And my mom had bought me the book

with all the letters,

or the writing of Rainbow,

but written by her hand.

And suddenly, the D, etc.

I really learned to write like Rainbow.

Why do you stop me?

I tell myself all that.

Her mother, she said, yes, there will be a real one

who finished in the loft.

And I'm happy to have been in the loft.

Thank you.

The first literary question

and for Florie Bayada,

who wrote La Rotisserie de la Reine Pédocque?

La Reine Pédocque?

Pardon?

La Reine Pédocque?

La Rotisserie de la Reine Pédocque?

Yes.

It's Steven, isn't it?

It's a laser.

On the young one.

It's a French one?

At what age?

18th century?

19th century.

It's a historical novel.

A historical novel.

It was published in 1893.

Victor Hugo.

No, no.

There was a little potato with the chicken.

Listen, in any case,

the narrator in the book

is Jacques Ménétrier,

the son of Leonard Ménétrier

and who even wears the banner

of La Confrairie des Rotisseurs.

He was even nicknamed

Jacques Tourne-Broche.

Because of the functions

that are filled in front of the boutique de Saint-Père

because at the time it was not mechanical.

There was someone who turned the brooch.

Yes, it's a drama, actually.

A social drama.

And among the customers of the house,

there are Parisians, of course,

the Parisian fauna.

It wouldn't be the lost father.

Is it a very, very great writer,

like Balzac?

Zola, Zola, no.

He was doing it through Ponce,

sorry.

Anatole France.

By Bernard Mabille.

It's not good to say bad about Bernard.

Well, of course, as soon as he heard

Broche and Rotisserie.

I met the Queen of Pédoc,

next to her lasard.

For Mathieu Grinch, who lives in Soubise,

excuse me.

There are not only people who live in Soubise.

It's not possible.

You had the red timbres.

You have the family in Soubise.

I have proof.

I don't know the city of Soubise.

What's going on with Soubise?

It's cute, Soubise.

There must be three inhabitants, at least,

in the same show.

We would never have talked as much about Soubise as today.

What is a Soubise?

It's the grandmother who gives them.

I have a kiss, but on the neck.

Sorry.

It's jumblé with the tree?

No, with niput, niput, nisoubise.

Oh!

So...

The fruits of the winter...

It's a novel...

The fruits of the winter,

it's a novel that won the Goncourt prize

in 1968,

an important year, obviously.

Yes, it was a year before 1969.

In our country...

In the winter, and the last round of a cycle

called the Great Patience,

there are three in everything that has written

the Goncourt prize, the fruits of the winter,

which is the author of

this famous Goncourt novel, this year.

He's dead.

Did the book have been adapted to cinema?

Listen, I have to check that,

but not to my knowledge.

Sabatier, no, it's not Sabatier.

Robert Sabatier, no.

Academician!

French academician, no.

We saw it on TV, sir.

No, he was an academician, Goncourt,

to answer your question, Isabelle.

He was a member of the Goncourt Academy.

Absolutely.

What book did you talk about?

So you really want me to tell you?

It's so exciting.

The terrible years of the war are ending,

and...

That's good.

It's good.

He's tense.

Yes, I could have told you.

He's tense.

For the parents of Julien Dubois,

even if the solidarity between the poor

obviously intervenes,

the mother shouts like she doesn't like Dubois.

The father grunts, he takes care of his little garden,

he starts to make his bread again, you see.

They are aged, the parents are used,

used by a long, fast work

and by the war.

And the price was at what age?

At 32 years old.

And they have no news of their prodigal son

who ran through France.

They get into trouble.

What do they do?

Forrest Gump?

Tell me, Laurent.

I didn't know a book could be a tome

and have a Goncourt price.

Yes, it's possible.

It's the first one.

But in this case, it was the last one.

His first novel

was called L'Ouvrier de la Nuit

in 1956.

It makes me want to.

No.

I'll tell you the end of the story.

Julien, the son of...

We're going to read it.

He dies.

No, he comes back with a young woman

who is pregnant.

But it's too late for parents

who are ready to disappear

leaving Julien a death that he will always pursue.

But when does winter fruits intervene?

Well, it's called winter fruits.

Basin, basin.

No, no, no.

We still read it.

He's quite famous.

He gave his name to a high school student.

No, he has a very famous homonym

that he was a journalist for everything.

Billy Pouvard?

An homonym means the same name,

not necessarily the same surname.

He's still alive?

Yes, he's still alive.

Chamou?

Pardon?

He wasn't a journalist.

I'll help you.

There's one called Maurice and his name is Bernard.

Now we have two names that we don't find.

Wait, someone knows a journalist

who's called Maurice.

In addition, with Jean-Paul Sartre

founded Liberation...

Pacha, Clavel.

Bernard Clavel and Maurice Clavel.

Do you see Bernard?

Bernard Clavel wrote a lot of stuff.

Bernard Clavel

had a hard time with winter fruits.

When you have Maurice Clavel,

it's the night you have to

say hello to the sensors.

Good evening.

That's Maurice Clavel.

Don't get confused with the award winner, Bernard Clavel.

We have a question.

Would you be able to tell me

what would be the four new disciplines

that we'll see in 2024

for the GO in Paris?

La Pétanque.

La Pétanque, no.

The skateboard.

Yes, but there's a kind of skateboard.

The skateboard.

The scooter.

No.

The Waze.

The skateboard.

The surf.

The selfie.

The surf on stage.

The wakeboard.

The long scooter.

There's a lot of practice.

A lot of practice.

The sudoku.

The yoga.

No.

The chikong.

There are four sports.

No.

There are four new disciplines.

The surf.

The skateboard.

The dance break.

The break dance.

The discipline.

The rumba.

I don't agree, but my opinion doesn't ask me.

The break dance, I don't agree either.

The fourth sport.

The fourth discipline.

The extreme.

You said it's not an extreme sport.

The extreme, it depends where you do it.

The escalator.

The good answer by Bernard Mabie.

The escalator.

The skateboard.

The escalator is a sport.

And more and more practice.

A lot of escalators in the city.

There are walls.

You can see my wife's face.

She can't take it anymore.

What do you do as a sport, Mr. Tohen?

I run twice a week.

It's not true.

Where do you run?

On the stairs.

No, I run.

I run on the stairs.

I run with my dog.

And the dog runs too?

The dog runs.

I have roulettes.

Patrick Besson made the list of new Olympic events

that could be suggested for 2024 in Paris.

The baby-foot, for example, could be an Olympic discipline.

Oh, that would be good.

The race of boar.

The detachment of cows.

The ultra-fast reading.

The delta-plan.

The welcoming of this bio-race.

The passage of pants.

In the list of disciplines proposed by Patrick Besson.

The giant paella.

Oh, that's not bad.

No, but it's true that there are disciplines.

We agree.

I think there are fewer disciplines.

Less disciplines in the choice.

And less disciplines in the sport.

Well said.

The cut of soil grilled.

That's good.

He wrote a little bit of anything.

It's funny.

How to open the juicers?

It could be an Olympic sport.

It's a real sport.

It's a real Olympic sport.

It's a performance.

You mix the sport 100 meters and 8 open.

You mix sports.

It's a sport.

Especially in the game of Paralympics.

It's a game of Paralympics.

We start with water.

The opening of the juicers with the feet.

You have to run at the same time.

It would be a sport.

The race without bags.

It would be funny.

The golf miniature.

We like golf.

It's a good petar and a rickard.

And a good golf miniature.

A mini golf.

Bob.

And the sail, it exists in the Olympic Games.

Yes, of course.

He was scared.

There are series in the Olympics.

Who was the Olympic champion?

I don't know.

I don't look at anything.

You don't look at your brothers.

I don't look at anything.

You have an Olympic shape.

You don't look at the sport.

You do it.

Exactly.

You don't look at the sport.

You do it.

A difficult question again.

Timothée Brisson.

Who lives on Mars.

Evelyn Beatrice Hall.

She is an English writer.

We all know

a famous phrase.

A phrase that she has never attributed.

And yet, it's her

that we owe her.

What phrase is it?

To be or not to be?

No, it's Shakespeare.

He might have picked it up before.

Evelyn Beatrice Hall.

We pronounce it in English or French?

We pronounce it in French.

It's a translation.

She is an English writer.

She is very well known.

She was born in 1868.

Decided in 1938.

We know the translation.

If we find

who we attribute it to

can you do it?

Can we attribute it to someone else?

As Ramaldic said

and we say the phrase.

Exactly.

No luck for Evelyn Beatrice Hall

because it's her

to whom we owe this phrase and no one remembers her.

And even less who is yesterday and more than tomorrow?

Can we attribute it to a compatriot?

It's Orson Welles.

We attribute it to a Frenchman

and we find that this Englishman

signed a biography

concerning this Frenchman

and it's in this biography

that she says this phrase

and every time we attribute this phrase

to a man

who dedicated a biography

but this phrase is written by her.

It's easy, she said I came, I saw I won

instead of César.

And she wrote a biography on César.

Yes, it's English.

It's English.

Is it on a political man

who made this biography?

Not exactly, even if it's someone who is a politician.

An author.

Someone who died a long time ago?

Someone who died a long time ago, yes.

It's because she died in 1837.

On Voltaire, yes Bernard.

On tolerance.

I didn't have the theme, on tolerance.

Because there are no ten thousand things

on which Voltaire is written.

I am against all that defends Mr. Otel

but I am ready to die

so that he can express himself.

I agree with the right answer, Pierre Benichou.

I don't agree with what you say

but I will fight until death

so that you have the right to say it.

Good answer from Pierre Benichou.

You said it in English, by the way.

With joy.

To sum up Voltaire's thought

especially at the time of the position

of Voltaire in an affair

where Voltaire never said

the author of the book of the mind.

This man is worth better than all his enemies

together but I have never approved

neither the mistakes of his book

nor the trivial truths he deals with

in a phase. I took his part

when absurd men condemned him

for his truths themselves.

It's very long what Voltaire said

and it's in a whole book and she summed up

Voltaire with this much simpler sentence.

I don't agree with what you say

but I will fight until death

so that you have the right to say it.

Now you will have the right to say it.

Voltaire said that so she said Voltaire said that.

Of course she took Voltaire's thought.

She summed up Voltaire's thought.

Voltaire said Voltaire said I...

I understood.

Thank you Chantal.

You summed up Voltaire's thought.

Exactly.

If I sum up

what she said to Laurent Ruequiez

you are useless. Put your microphone as it is.

If you like it

because without that you will be fired.

I don't say I want you to put your microphone

as it is without that I will fire you.

Because I write the life of Laurent Ruequiez.

I say he told us

two points.

But I am such a fool.

I think I will fire you but not because of the microphone.

It could be a good Voltaire

sentence in addition.

Yes.

Thank you Chantal.

That's the word of the end.

Marcela, with your sensual voice

could you give a happy birthday to Florian Gazan?

No but I sing.

It's as happy as I sing.

But without pushing on the birthday.

No but not even on the birthday.

I don't have any musical ears.

Let's sing it.

Waioza

We can specify to the audience that it was not a place

to sing.

I regret you.

Are you starting well?

I think she will be fired today.

It's a shame I regret it.

I was like you and I don't care.

But shut up they are singing me on the birthday.

In addition

what's great is that Florian can do it himself.

That is to say that he can do everything

that he sings to him on the birthday.

Yes absolutely Florian.

I find it wonderful, exciting.

I wish you a happy birthday.

I hope I will be your last erection.

But still she tells you a positive thing

with her accent.

At least she tells me I don't know you at all.

I don't know.

Did you say that?

No but I heard about you.

But it's going very well.

Because at least if you like it you will really like it for me.

No but I find you very nice.

Earlier I found you very nice.

But who is this man?

Because I don't have the TV.

It's the humorist with Olivier.

I don't know if you do exactly

or your price is concerned.

My name is Gad Merad.

Your price is your price.

I played in a lot of movies.

I played all of a sudden.

And I played in the shits.

Welcome to the shits.

I didn't see it.

I heard about it.

But I don't want to see it.

It's not in there.

Shushu.

And Coco.

I made Shushu Coco and Tintin.

It's not in there.

I'm preparing Kiki.

But you do one man show.

I do one man show but I can do what you want.

You stand up dear Marcella.

What do you do Marcella?

No but that's not interesting.

If you see this show, it's crazy.

She's a researcher.

She doesn't do much.

She's a researcher at CNRS.

She sees herself right away.

There's someone who's been making fun of you for 3 minutes.

It's Pierre Benishu because we don't talk about him.

It's fun to know the people.

It's not in the TV.

It's just green light.

It doesn't lose all its performance.

If you're an gift to me,

it's funny.

It's so funny.

Because you'll say

I'm not your girlfriend.

Marine is going to win.

It's going to be real complicated.

Marine is not my girlfriend ...

Marine is my mistress.

My father agrees.

I don't agree with you!

I told her that you couldn't try anything without a needle!

Oh no!

It's a bit of a song, I'm not telling you!

Welcome to Mr. Gazan's birthday.

It looks like your mother who listens to big heads,

is a fan of Florian Gazan, isn't she?

Yes, she's a fan, she's fascinated, she admires her...

What does she say about Florian your mother?

I come back from the United States, I do crazy things there,

I arrive, she tells me,

you have to listen to Florian Gazan, this boy!

But I said, mom, do you know what I just did?

Do you know what I just played at the Carnegie Hall?

Can you tell me that?

No, but Gazan, he didn't tell me!

Yes, that's it, we're always beaten up by someone, always!

But I'm not very proud of our show today,

because Mr. Plaza has a paper in the world!

Oh la la!

Yes, it's Tristé Fan Plaza, the affairs!

No, it's not written, this cross, it's written...

The heart of the heart!

Yes, we can be proud!

The good affairs of Mr. Plaza's house!

So I was telling myself, I'm going to read some big stories,

there will be little pranks, little things...

Nothing, it's so honest!

That kind of things, they didn't find anything!

Stop it, that's the naivety!

Is it their paper or not?

It's not a paper, it's naivety,

Laurent Ruequet who's been in the subway for a long time,

should know that it's called a publicist anchor.

We buy that!

I find that interesting, for example,

for example, Plaza has a show on the real estate,

he has real estate agencies,

Lignac has a cooking show,

he has restaurants, Ruequet for example.

There's no stuff in the street,

there's no small Ruequet shop,

or you can buy, I don't know...

Do you remember the goodies?

The goodies!

Well, I'm going to make a citation shop,

it's up to you!

I have a first, not bad,

for Vanessa Pernot who lives all the way,

who said,

I put myself on the abstract paint,

very abstract, no brush,

no paint, no canvas,

I'm happy to think about it.

Oh, it's dead?

So it's someone who's still alive, isn't it?

Is it a woman?

No, it's a man.

A humorist?

We haven't been talking about it for a long time,

roughly speaking.

But it's not a painter, it's not an artist.

It's not an artist, no.

It's a humorist?

A humorist, actor, producer, director,

screenwriter.

Oh my God!

And all that?

And he does the scene?

Not too much.

I don't believe it, I don't believe it anymore.

He did it, but we didn't.

If it's me, I have the right to say it, no.

Come on, yes.

No, it's not me.

He's not French.

He's in Cambridge,

but in the state of New York.

Mr. Dean,

Bill,

how do you say it?

Mr. Bill?

In English?

No.

Like Ben Steeleur?

Ben Steeleur, no.

Ben Guigui?

An American actor, I tell you.

Ben Guigui,

he can also speak English.

He's always there, so...

Ricky Gervais?

Ricky Gervais, no.

No, he's in English.

No, but he's used to big names.

What?

Ah, well, Woody Allen.

No, not Woody Allen.

Jerry Seinfeld.

Jerry Seinfeld, no.

He does comedy, so...

Yes, he does comedy,

well, he's used to big names

that we didn't know before,

when it comes to big names.

Steven Wright.

Steven Wright,

good response from El-Malais.

Since he's in the United States.

No, but you don't know the joy

that I have problems with.

Because it's very rare

that I find a good answer,

especially before Gazon.

So, mom, I love you.

A question for Fanny Picon,

who lives on the Loire,

and for what reason,

Jonathan Edwards and Yulima Rojas

are they ever associated?

They're dead in a movie.

In a movie?

No.

Are they dead?

No, no.

Yulima Rojas is still alive.

I have a doubt about Jonathan Edwards.

No, apparently he's still alive.

But they're never associated?

Yes, yes.

Because they're organs, organs exchanges.

No.

So, what?

It's horrible.

So, there's a woman and a man.

There's a woman and a man.

Did they have a child together?

No, not at all.

A love story.

Jonathan Edwards is British.

When you have Yulima Rojas,

she's Venezuelan.

Do they know each other?

They are necessarily crossed.

Did they participate

in a photo session for a brand,

for example,

where they became the emblem?

No, I'm not sure.

They were on the Titanic.

No, they weren't on the Titanic.

Well, no, they're still alive.

They were on the Titanic.

Or it's because the Titanic

is really very expensive.

They wrote something together.

They created a work together.

No, nothing.

They created a work together.

Yulima Rojas and Jonathan Edwards.

Did they create a brand?

A brand.

No.

Were they united in a work of art?

At all.

In a sports competition?

Yes, absolutely.

Ah.

I want to say that this question

was intended for you,

for Rachael Carr.

So, in fact, they participated

in triple-sauce events.

For a team, in fact,

of the Commonwealth.

It's not that,

but it's that one is...

But you found the sport.

These are the two triple-sauce recordings.

One for the men,

Jonathan Edwards,

the other for the women,

Yulima Rojas.

These are the recordings

in the title of the triple-sauce.

Good answer!

Ah, because you're an athlete.

Ah, okay.

Because I don't know,

I'm trying to make you

discover a little more...

But yes, Rachael,

I don't know what triple-sauce is.

Yes, and this one.

And she came here

to meet up with others.

Because triple-sauce is not a team.

Yes, but if all the questions

are about Rachael Carr's life,

we can go out.

And I didn't mean to.

No, it's not that,

but it's very special,

the triple-sauce.

Yes.

I wanted you to talk about it.

It's very traumatic.

So, did you still

fail to be a champion?

Or...

No, I was a champion.

Ah.

No, but it's very traumatic

because there is already

a technique,

you make a first,

you have a board,

you start as on the length,

you have this board,

you don't have to bite.

And then...

There is no triple-sauce.

Yes.

It can hurt.

And then,

you make a first,

a double-sauce,

a kick,

and then you bring

in the sand.

Except that,

when you start again

with the double-sauce

and the double-sauce,

you are very traumatizing

because the speed

and your weight

are actually...

It's okay,

it's okay,

it's three jumps in the sand.

We won't be doing it

for 20 minutes.

How far

from the distance

when you are good?

Well,

after,

you have the choice

of the board.

The record of the man,

for example,

Jonathan Edward is 18 meters.

18 meters?

We call him

Goelang,

Jonathan.

He flew?

Not hard.

And Yuli Mar-Rojas,

yes,

but he it's because of the water.

It's because of the water.

Water, water.

How many of you have passed?

Yuli Mar-Rojas,

the Venezuelan,

she jumped

15.67 meters.

And you,

Achel,

how much did you jump?

13 meters, but we didn't do that in sports.

Why are you looking at me? I didn't do triple.

Me, I remember having done it.

But here at the school, we all did triple.

No, we did high school.

We didn't have enough space to do triple. We only did high school.

Why?

Because he lived in a very small gymnasium.

It was a high school gymnasium.

What interests me is how we are brought to do triple.

How do we realize that we are good at triple?

We get bored at double.

In addition, the technique is very singular to triple.

You need big legs, right?

No, but there is a very technical aspect with the arms.

A coordination, arms...

No, but you still have to do triple with big legs.

She's not crazy.

No, but she's crazy.

The question is how did you start doing that?

Why?

I think I got bored on the 100 meters.

I got bored on the sprint alone.

And I got bored a little bit at the length.

It was a new discipline for women at the time.

And so...

With the workout, it was a bit boring as a sport.

What sport?

The whole sport.

The sport in a general way.

It's the first triple jump athlete you've met.

Amazing.

Roselyne.

No, she's been in the sports ministries. She must have met others.

In a triple jump, no. I haven't met any champions.

No, she's only going to see the rugby man.

What kind of legend is that?

You were filmed in the locker room.

You really like the beard, the big one.

Sébastien Chabal?

I've always said there was Anguille Souroch

with Sébastien Chabal.

With Aurélien Rougerie, on the other hand, it's his ex.

Who is he?

What do you mean?

To talk like them.

Maybe you have a story, right?

No, but I saw him naked in the locker rooms.

And I have to say...

It was worth it.

He plays in the Clermont team.

And I have to say it's a great emotion.

I'd like to have a gun.

Sorry?

I'd like to have a little gun.

Look in the mirror.

I don't know.

Je ne suis qu'amour.

We can say everything about Isabelle,

but she doesn't look like a gun.

Who said that?

It wouldn't have even crossed my mind.

No, it's not a gun from you, Florian.

It's a sexual bomb.

She said it.

You can imagine it.

What do you mean by that, dear Marcela?

I think Florian found the right figure.

Because she's a sportswoman.

She has a wild side.

A wild side.

Yes.

It's true that we see her in the jungle.

It's true.

It's true that you have a wild side.

But it's a compliment.

I wouldn't be suspended from India.

No, it won't last long.

How do you like Tarzan's gun?

I love Tarzan.

Even Christophe Lambert was very good in Grey's.

It was already very evolved.

Just like Iloucher.

It's Johnny Vespulaire.

It's true that Isabelle Mergo,

I understand that.

It's a compliment she wanted to make Marcella.

It looks like Chita.

No, no.

It looks like Jane.

She could do Jane very well.

Between Chita and Jane.

It's true that you have a wild side.

She's the daughter of nature.

She's the daughter of the jungle.

She's the daughter of the wild.

And I'm sure if you're going to be asked about Tarzan's cry,

she's the daughter who doesn't wash herself during the show.

She's the daughter of Tarzan.

But why not?

There's no dog in Christ Tarzan.

And I would be your Tarzan.

Me, Tarzan.

You're going to be taken in his arms.

He's going to ask someone to do Chita.

Ma'am, I'm sorry.

Our fans love when we hear the ambiance,

the questions we ask.

Have you seen the face of the Constitution?

Yes, I do Chita.

I can do Chita.

Can you do that?

Me, I can do it.

And she's the red one.

You, you, Isabelle, you're Jane.

I'm Tarzan.

Can you do the elephant, Péronie?

Tantor.

Then do Tantor.

I don't know what I can do.

Gazon, you do the bird noises.

Very good, very good.

And Caroline, you do the narrator.

He's the narrator, I cook.

You cook.

I cook.

So go on, you do the narrator, Gazon,

and let's go.

Narration, in a way that really counts...

You make us dream.

Yes, yes.

We want it to be...

There needs to be an ambiance already.

It needs to be realistic.

We're going to help you.

It's not...

I'm just...

A bonobo!

It's good, right?

I'd like to stop with a bonobo,

but I don't know what noise they make.

No, she could do the bad hunter

who's going to attack us.

No, but make the noise of the fuse.

It's in the red hat,

I put it on the hat.

Make the noise of the fuse.

I'm going to tell you.

Bang, bang!

Okay, but you tell me,

because you have to do it.

But you can do pano-pano,

you can do it in Argentine.

Pano, pano!

When I sign you, okay?

I have a thing.

Oh, well, very good.

The referee is in the middle of the jungle.

So there's a game of football.

I'm going to tell Roland too.

What's going on?

Well, be careful, let's go.

Be careful.

Here we go.

Less zen, less zen.

Bang, bang, bang!

Wait, he didn't start.

You didn't want us to do the top of the hill,

but it's the top of the hill.

It's not late.

Yes, yes, yes.

You're doing it in a rush.

Yes.

It's the bottom of the jungle.

The savannah.

Barry is an elephant.

Yes, yes, yes.

Overgrown with wild birds.

So we're pretty much in the savannah of Papyrus.

Yes, yes, yes, yes.

It's going south, deep down.

Have you seen the face of a bird over there?

I don't know how he does it to fly.

You have to beat the wings very hard.

Suddenly, at the top of the trees.

Yes, yes, yes, yes, yes.

A monkey emerges.

Majestic.

It's the altar of Zw 친구,

עם par laarı de Tarzouk.

Tabii, выб洗.

My ears remain,

as I can see them.

What a sense!

Oh my god, oh my god!

Look at my dog!

Look at this dog!

Oh my god!

En 1892, qu'est-ce qui est passé aux papiers alors que c'était en plâtre jusque-là ?

Les fresques ? La tapisserie ?

La tapisserie, non.

Le tricot ?

Le tricot en papier, vous, alors.

En 1892, c'est devenu en papier alors qu'avant c'était du plâtre.

C'est un buse ?

Un buse, non.

Un livre, un livre, un livre, non.

C'est en papier maché ?

Comment ça ?

Est-ce que c'est du papier maché, une oeuvre en papier maché ?

Ah, l'état civil ?

Non plus.

C'est un objet unique, ou alors reproduit ?

Oh la la, non, non, non.

C'est pas unique du tout.

C'est un document ?

Non plus.

On en a, nous, encore aujourd'hui ?

Non, on en a rarement à la maison.

On en achète quand on en a besoin.

Ah, les tickets de bus ?

Non.

Or en plâtre.

En 1892.

Les mecs étaient costauds.

Ils rentraient dans un bus avec un ticket en plâtre.

Et chez les braques, ils étaient en oeuvre.

On a peur de passer dans la machine, ça doit être pratique.

C'était pour vous détendre.

On est bien détendus.

Le gars cachetait un carnet, disons, il avait 3 mètres de plantes.

Et Laurent, ça, ça se passait en France,

ou dans un autre pays ?

En France, en France.

Et que en France ?

Ah bah après, évidemment, dans les autres pays, on fait la même chose.

Mais c'est chez nous, en France, qu'en 1892,

on décida que c'était mieux en papier, plutôt qu'en plâtre.

Le permis de conduire ?

Non plus.

C'est un objet utilitaire ?

Pareil, le permis de conduire en 1892.

En plâtre, un voyeur chantal.

Laurent, c'est un objet utilitaire ?

Un objet, est-ce que le mot objet qu'on vient parfaitement,

je ne suis pas certain, utilitaire,

je suis obligé de vous dire, non, ce n'est pas utile.

Décoratif.

C'est plutôt agréable.

Ce ne sont pas les mouchoirs en papier.

Non, mais ce n'est pas bête.

Avant, on se mouchait dans du plâtre.

Bien sûr.

On s'est suyé les fesses.

On mettrait de la poudre de plâtre.

Et après, on se dit, c'est quand même mieux le papier.

Qu'est-ce que c'est que ça ?

On ne s'est pas pu imprimer quelque chose ?

De quoi elle parle, elle ?

Je crois qu'elle est encore à deux questions avant, non ?

Oh, je ne sais pas.

Est-ce qu'on marche dessus ?

Hey, chantal, c'est vrai aussi.

Est-ce que c'est un outil de construction ?

Du tout.

Est-ce qu'on marche dessus ?

Ah, alors, ça, c'est une bonne question.

Ce n'est pas le but.

Mais on finit par marcher dessus.

Quand c'est usé ?

Usé, ce n'est pas le mot.

Un papier peint qui tombe.

Mais quand on l'a utilisé.

Le papier peint, le papier peint.

Pardon ?

Les confétis ?

Les confétis, excellentes réponses de leur ambassie.

Les confétis en plantes.

Le combset des jetés de confétis en plâtre.

Les confétis étaient en plâtre jusqu'en 1850-1850.

Mais à l'époque, c'était des hommes aussi.

C'était rien.

Un coup de gravier dans la tronche.

On a l'historage.

La taille d'un confétis, ça fait pas mal.

Oui, mais quand on le jette fort.

Moi, j'ai vu des gamins dans des mariages me blesser avec du riz.

Ils arrivent et ça, les gamins, ils te fouettent et te jettent le riz à la gueule.

Mais violentes, toi.

C'était tout marqué.

J'ai même pas pu faire la photo avec les mariés,

tellement j'étais défiguré.

Blesser avec du riz.

Il s'est fait fouetter.

Il s'est fait fouetter par oncle Ben.

Question maintenant pour Morgane Furst.

On va arrêter de voyager.

Peut-être que vous m'en répondiez rapidement

et que vous empêchez Morgane Furst de toucher 300 euros.

Il habite golf jean dans les alpes maritimes

que vous me répondiez rapidement à cette question.

Une question un peu compliquée tout de même.

Quels ont été les conséquences indirectes

descendrées-mises par l'explosion du volcan

Krakatoa en 1883?

OK.

Moi, j'aimerais savoir où est Krakatoa.

Oui, c'est ça.

Si je vous le dis, c'est trop facile.

OK, alors on va chercher où est Krakatoa.

Il y a eu des répercussions politiques?

Des répercussions politiques, non.

Il y a quelque chose qui s'est bouché.

Quelque chose qui s'est bouché chez vous?

Est-ce que ça rapport avec la natalité?

Du tout.

Mais est-ce que Krakatoa est en Amérique du Sud?

Du tout.

Est-ce que Krakatoa...

Je vais vous aider, c'est en Europe, voilà.

Bah Krakowi?

En Islande.

C'est plutôt ces régions-là.

Il y a quelque chose du commerce qui s'est arrêté?

C'est Groenland, non?

C'est plus par là, déjà.

OK, OK, facile.

Mais pas tout à fait.

Ah, OK.

Il y a un truc qui s'est détaché d'un autre.

Et il a tapé le Titanic?

Non, du tout.

Ah non, c'est pas le Groenland.

Je dis, on est un peu plus près de...

Mais c'est pas du tout le Groenland.

C'est la pêche qui a été atteinte?

Comment ça, la pêche qui a été atteinte?

À cause des...

Des retombées.

Ah, le saumon était directement fumé?

Non.

Ah, c'est les îles ferroées?

Non.

Ça a eu des conséquences négatives?

Il y a eu des conséquences, j'imagine, négatives, peut-être même des victimes.

Mais peu importe, au fond, où se trouve ce volcant très...

Ça a changé la physionomie d'un lieu?

D'un lieu, non.

Ça a créé un monument.

Ça a créé un nouveau territoire, peut-être.

Non.

Non, mais il y a quelqu'un...

Alors, il y a quelqu'un qui a bénéf...

Voilà, très simple.

Y a pain, qui a fait une toile...

Turner?

Non, pas Turner.

Munch?

Bonheur?

Munch!

Expliqué.

Eh ben, il a fait le cri, c'était un mec qui regardait le volcan quand il a explosé.

Je suis obligé de vous accorder la bonne réponse.

Caroline Diamant.

C'est un professeur d'astrophysique à l'université du Texas,

qui prétend que ce coucher de soleil,

d'un rouge flamboyant sur le tableau le cri de Munch,

est en fait provoqué par les cendres émises

lors de l'explosion du volcan Krakatoa en 1883.

Il vous plaît ce tableau, Marcel?

Oui, j'aime beaucoup.

C'est vrai?

Oui, parce qu'il fait pincel au tourment de l'âme.

Ah oui, le tourment de l'âme.

La chanteuse?

Je trouve qu'on dirait un jupé qui s'est brûlé un peu.

Vous avez des toiles chez vous, à part vos chemises, je parle Jean-Jacques Perrony.

Ah, j'étais sûr qu'on allait y venir.

Je pense que le mec, il aurait vu ça, il aurait fait le cri de Munch aussi.

Y a des chances.

Mais où vous les achetez vos chemises?

Il est fait tout seul, il se dégueule dessus.

Mais Jean-Jacques, excuse-moi, mais les derniers temps,

tu es venu avec des pulls magnifiques, de jolis couleurs, de jolis factures,

et j'étais un tout petit peu déçu que tu remettes une vieille frie pour aujourd'hui.

Mais c'est parce que Laurent aime bien, quand il y a la télévision, que ça pète.

Ah oui, mais t'as pas envie de mettre une nappe?

Moi j'aime bien, j'aime bien ça.

Mais moi aussi, j'aime, j'aime...

Tout le monde s'habille sinon de la main-de-façon, toi, tu as quelque chose de singulier.

Je t'ai dit ça, mettre les doigts, nulle part.

Ah ah ah ah!

Alors là...

Machine-generated transcript that may contain inaccuracies.

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