Les Grosses Têtes: L'INTÉGRALE - Émission du mercredi 27 septembre 2023

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A new book is called Pénis Horribilis and it's not a first-order.

Marcel Ayakoub.

A big head that is in the mood because the camembert is on the cheese. An incontournable.

A big head that comes from Papoil but which doesn't come out often.

John Ryu.

A big head that has never been a false note in the chef's presentation.

Olivier Bellamy.

A big head that graces...

Wait, wait, wait!

We're going to do something else.

A big head that graces his charcutier.

Oh no!

Routes in porches.

Last of the day!

The pink pig.

Is it the pink pig that your charcutier...

Yes, the one where she went to London.

Does the pink pig still exist?

No, no, no, it's in the 15th.

Ah, there are two pink pigs.

There are Nif, Nif, Nif, Nif and Nif.

The French charcutier.

We can see that you're dressed in Nif Nif.

Yes, Nif Nif.

No, but what's your favorite dish?

What do you eat the most?

I'm going to the Vépler.

All the snails.

Wait, I have to tell you, a noso-ditor who didn't know Paris well.

The Vépler is a pastry place in Pigalle.

It's still an old pastry.

It's not held by a group.

Saint-Cartier des Puttes.

I thought you were crossed, by the way.

I took 12 escargots, then a choucroute.

No!

And you took your rolls.

No, it's not true.

It's not true.

Like other times.

A rosé by a pinot noir.

No, no, it's not true, it's the truth.

It's not true.

It's not true.

You eat that.

I swear, I swear.

You have to make peace.

Oh yeah, no, but there's no wonder.

Yes.

We don't come like that.

I took a choucroute without...

Without butane.

No, with French sausages only.

That is to say, five sausages.

No!

He was going to ask you to make a little bag for afterwards.

No, he showed it to you.

I don't have a dog.

But why?

He did it for you.

A first situation that you will like, by the way, Marcela.

The first person in the worst, who lives in Abbeville, in the Somme,

who said the tango is a curious dance

where two people seem to be looking for something that is fallen by the ground.

You're gonna like that.

Astor Piazzolla.

No, not Astor Piazzolla.

French?

French.

French, yes.

Descédé?

Descédé, habitué.

No, not Jean-Yann.

Jack Martin.

Jack Martin!

Well, the answer was Bernhard Mady.

A situation for Alain Cayot, who lives in Brussels

who said, I would like to live on the moon.

It would bother me to change my neighborhood every nine days.

Pierre Dacke.

No, but on the other hand, Francis Blanche,

it's going fast.

Bravo, Karine Le Marchand, thank you Bernard.

A situation now for Sabine Du Pêcher,

who lives in Saint Clou,

who said there are so many more important things than money,

but so much money to acquire them.

Coluche.

Not Coluche, no.

Groucho Marx.

Groucho Marx, good answer, it's your turn Bernard.

For Delphine Vignette,

Vignette lives in Saint Cécile, in Caillou.

I feel like it invites you to...

Well, who is Groucho?

Groucho Marx, Francis Blanche...

But you always claim that things that happened before your birth didn't exist.

They weren't important, yes.

Before and after, there is J.C. and there is A.Z.

Don't look for the next A.Z.

Because this one, in my opinion, you won't have it.

I'm not sure you know the author.

And yet, it's a great master of humour.

Someone I really liked who said,

my grandmother was a curious woman.

She buried three husbands,

whose two were only soups.

Pierre Doris.

Pierre Doris, that's the answer.

But it's not no more Pierre Doris.

Pierre Doris.

It's a master.

It's not even that I don't know.

It's really that I've never heard of him in a master's.

Pierre Doris is a master of humour.

Bumped by everyone.

And he was pitted by most of the humorists,

including Coluche.

And this is the first humorist who made me want to laugh.

I was telling these jokes at school,

because I fell on a little book,

The Best Bad Stories,

because it was the stories of humour and bad stories.

And it was a master in France.

He was hitting a lot of balls on stage.

It wasn't always funny.

He was hit by the most...

He was really in progress.

Very, really in progress.

He was hitting a lot of balls too.

Sorry.

He was hitting a lot of balls too.

Yes, physically.

He looked a bit like Bernard.

Physically, it was Bernard.

That's true.

But more funny.

For Sabrina Favreau, who lives in La Loise,

who said, this earth is burnt from the inside,

and the worst of punitions can be inflicted.

Eva Peron.

No.

Pablo de Ruda.

No.

Saint-Écrivain.

So, a poet.

Van D'Arc.

And Dramaturge.

Paul des Loirs.

No.

He was also a pianist, by the way, a composer.

One of the most important European poets of the beginning of the 20th century.

Calogero.

Paul des Loirs.

How do you say it?

Calogero.

I'm not a poet.

The other day, we were going to do the Calogero Citation.

He was a great composer.

He wrote well.

We have a lot of time.

We're talking about the exceptional censor.

Yes, but he's not parallel to Calogero.

He makes music, but he doesn't make the lyrics.

Oh, he doesn't listen to the lyrics?

No.

No, that's not it.

No, that's not it.

That's not it.

Is it a French?

No, it's not a French.

An Austrian?

No.

An Argentinian?

European, I told you.

A German?

One of the European poets.

A German, it's a German.

So, I told you.

Dramaturge.

Poet.

Prozator of time and time.

Also painter, pianist, composer.

Oh, look at this man.

And he died at 38 years old.

Oh, yes, he was fatigued.

Prozator?

Sorry.

Prozator?

Yes, it's because he's a prozator.

But when he's in the air?

Oh, look at that.

No, it's not air.

I'm not a prozator.

Prozator.

A prozator.

The prose.

The prose.

The prose, of course.

The prose.

The poetry, the poetry.

No, I don't know.

No, it's the opposite.

It doesn't rhyme.

A Spanish.

The prose, it can be poetry, but the prose isn't versified.

A Spanish.

Oh, look at that.

But you, you were...

It's a Spanish.

It's a Spanish, no.

A Spanish.

Vasco de Gama.

No.

No.

García Lorca.

Federico García Lorca.

Good answer from Marcel Ayatou.

In any case, you're a prozator.

Why?

The prose is...

The stand-up.

There's no rhyme.

He's a prozator.

But here, for you, it's to come to school.

Yes, well, yes.

Here's a question for Rémi Manez.

Now, a question about President Biden.

Maybe you saw this amazing photo

published in the newspapers today,

since he's the first American head of state,

the first head of state in the United States,

to do what he did yesterday.

And this photo is a photo

that we've never seen for a president of the United States.

Pipi?

No.

In the other presidents, it's Pipi before him, you see.

Yes, but he did it without realizing it.

He went to see someone.

He went to see people, yes.

That's true.

It gave pictures, photos.

He took a selfie with some people.

Yes, it's the first time we see a president

in these conditions.

In an Indian reserve?

In an Indian reserve.

He went to see the Hollywood gravestones.

No.

It's the first time he went to a gravestone.

I'll give you the answer.

What did I say?

Sorry.

That's what I said.

No, you said Hollywood.

I didn't know where it was,

but he went to see gravestones.

Yes, but it has nothing to do with the gravestones

of the Hollywood actors.

And this gravestone,

because this gravestone,

it has nothing to do with Hollywood,

it's a gravestone.

It's the other half of the answer that's missing,

you see.

But it's true that it's the first time.

The gravestone of the people.

No.

That we see an American president

on a gravestone,

we've never seen it before.

He has, how do we call it,

a port-of-voix...

A megaphone.

A megaphone.

A megaphone.

And he's with...

He's sitting on a bikini.

He's with the gravestones.

He defends them, he defends them,

he understands them.

And in a big city of Michigan,

and if...

Sacramento.

Oh, it's the automobile.

Detroit.

And it's in Detroit,

indeed, the gravestone.

In General Motors.

The workers of the automobile industry,

the workers of General Motors' chains

have been supported by

the president of the United States.

Never.

We've seen an American president

on a gravestone.

It's still, at first,

a good answer.

From Johan Ryu, I'll tell you.

So that's for Mr. Biden.

And on the other side,

you have...

And here,

we're going to learn a little better

the American geography

and the United States, Mr. Haas.

I'm looking at you

because I'm sure you know

the United States well.

You've already been there.

Yes, yes, yes.

Where have you been?

I went to California.

Ah, well, it's going well.

Listen.

It's not at all in California.

But the first Republicans

have a place in California,

except that Donald Trump

won't be there

because he thinks

he hasn't done

the first Republicans.

So basically,

it's all useless

because everyone is

pretty sure

that you're Republican.

That he will be the candidate.

But he still does

the first ones

with the others.

And during that time,

he was in a meeting

with Donald Trump

last September,

in Rapid City.

It exists in Rapid City.

In Dakota.

Sorry?

In Dakota.

What's your answer?

Olivier Ben-Amy?

Well, I don't know.

How do you know Rapid City?

Because no,

it's in a movie

called Ditchcock.

Love is back.

It's in my mind.

Because it goes to Rapid City

and there's a character

who says

in Dakota.

It's like that.

Do you remember?

It's there.

Oh, it's funny.

Yes.

Where it's going to be

snatched.

Yes, incredible.

Do you see who knows

Ditchcock?

Of course, not Ditchcock.

Fred.

A little big.

Don't get excited, of course.

But for you,

he was born before you.

Yes.

Ladies and gentlemen,

hello to Fred.

That's it for Regan and Biden

who are doing the news today.

And there's a documentary

and it's going to interest

Karine Le Marchion.

A documentary planned

Sunday

on France 5

at 21.05.

And this documentary

title

is inspired by

your shows, dear.

No.

Karine, absolutely.

It's a documentary

by Frédéric Plouquin

and Julien Joanne

that you can see

on Sunday night.

It lasts 70 minutes,

this documentary.

And it's called,

it's a bit of a ding-ding game

that I propose to you

in a detournée.

Ding-ding.

This documentary is called

There is in the ready.

But what is it then?

The America.

The America.

And there or the post office?

And there.

The booze.

The booze.

The booze is in the ready.

It's on the elections?

It's not on the elections.

It's on the votes.

No Plouquin is specialized

on the votes.

So what's in the ready?

The mafia is in the ready.

The mafia is in the ready?

No.

You see?

You inspire the documentaries.

The drug is in the ready.

The drug is in the ready.

The drug is in the ready.

Finally, a domain that you know.

Well done.

Each one is a speciality.

I repeat it every time.

Each one is a speciality.

The drug is in the ready.

I ignore it.

And now I turn to you,

Karine Le Marchand.

But we are told

and I found this article in

Tellerama.

We are told that now

in the middle of the countryside,

we can talk about it.

We can talk about it.

We can talk about it.

We can talk about it.

We can talk about it.

We can talk about it.

In the middle of the countryside,

we can actually find

some junk in the traffic,

and now the dealers

is too

on the rural side.

Not really.

Because the market is more

prost concise,

many people multifíscial.

They are

buying drugs in the countryside.

So do you have any drugs

vendors?

No, I have so many!

Such as peePie so here we are.

The ranking

is so high,

there are farmers

that have been caught.

But it's normal, more on his mother, more on his drugs.

We always talk about chauvinism for drugs, and especially for cocaine,

as if all chauvinism is a word that doesn't exist in chauvinism.

Well, let's say, artistic jobs, but we rarely talk about restoration jobs.

We know that in restoration, there are a lot of cocaine.

Oh yes, they offered me water in the snow!

But, on the other hand, alcohol is...

I spent a year in the countryside...

I see.

You're bored, aren't you?

In the countryside!

I had a house in the countryside, I was afraid...

No, but who wants to have a month's worth of alcohol with his little crotac,

who comments on everything they do with extremely received ideas on the cut,

the agriculture, things like that?

Only alcoholics?

But it doesn't matter anymore.

They don't know how to cut alcohol.

They don't understand, because I imagine that there are more people

who are ready to welcome you.

That's not sure!

On you, there's more to it.

They might be drunk, but they're not too cold.

At least they can learn something from me.

They can learn to read.

They can learn to read novels,

to know a bit about painting,

to politics.

Agriculture has a lot of culture.

It's the true definition of agriculture.

FPM.

And the big heads answer to the editors.

Let's start with Gilles, who wants to address everything.

I think Karine Le Marchand.

Hello Gilles.

Hello the big heads, hello the editors.

Hello the public.

Hello Karine.

Because that's it, you write to me.

I love all the big heads, without exception.

It's a light preference, but for other reasons.

For those of you who don't know,

the Aruntasieff of the PAF.

Karine Le Marchand.

Why the Aruntasieff of the PAF?

Aruntasieff.

Because when I see his little Freemouse on TV,

or when I hear his little laugh on the radio,

I have volcanic erections.

Watch out, that's all.

It's so hard.

Watch out, Gilles.

It's time to please him.

I don't like it.

You don't like it?

You don't like it with Bernard Maby?

I would be among you on October 6th,

and if Karine could be present,

it would be with great pleasure.

I'll try to schedule it on October 6th.

I'll note the date, Gilles.

We don't have a choice in the date.

Thank you, Gilles.

Fabrice.

Hello, Fabrice.

42 years old.

He regularly listens to the big heads on the road.

Hello, the big heads.

Hello, the audience.

Hello, the audience.

You only listen to loud noises and good moments of culture.

It's good to remember that there are two big heads.

Special mention to Mr. Ryu,

who is a phenomenon to him alone.

You said you met him in a gang, right?

No, I just said that I often go to Gagant,

so I think of him.

Because I'm from Timerang, Brittany.

It's a nice region.

Gagant?

Maybe it's an opportunity to meet him.

But it's me, Gagant.

It's difficult to meet him.

It's not in Gagant.

It's a small village that is very famous for football.

7000 years old, but it's a club in the world.

In front of Gagant.

But you are rather not Paul, aren't you?

Yes, but...

I played in front of Gagant.

I played 200 in front of Gagant

because I was a promise of football,

Breton and national.

Like what? You must never believe in promises.

I did not stop climbing.

In fact, Asti, we know football.

I was behind on the left.

But I did not stop climbing, climbing, climbing.

But one day, unfortunately,

I arrived in the center of Gagant's training.

And in the pre-high school,

there was a huge football machine.

And there, I discovered the drajibus.

And that was the end of my career, I assure you.

And he's like a football team.

He never wanted to go down the drajibus.

You just want to say, it's my birthday this Sunday.

I hope I'll have an Italian or a Montenegro.

We will send you...

The Germanic of the big heads,

which has already been released,

the Germanic 2024 has already been released.

So we send you to the Germanic for your birthday.

It's a first, Fabrice.

Giovanni now.

Hello Giovanni.

Hello everyone.

How are you, Giovanni?

Hello Giovanni.

I'm very happy to have called you.

It's a nice nickname, Giovanni.

Thank you very much.

Your parents are originally Italian.

My father is Sicilian.

Oh Sicilian, Giovanni.

Stop being pleasant, Giovanni.

And what do you want to tell us, Giovanni?

Well, I wanted to say hello.

Hello.

Good morning.

Good morning.

The tie will suit you very well on DSM.

Oh, thank you.

It's true, it's true.

There's a bit of a glitch.

I love it because it's not perfectly put.

I love it.

It's a bit of a glitch.

It's very, very good.

Very good.

It's the Havre style.

Good morning.

I said I liked big heads, but they're not here today.

The one you like.

I saw that with Arine Le Marchand, I love it a lot.

What do you do in life, Giovanni?

I work at the cafe.

At the moment, I'm on vacation, but otherwise...

We were saying good.

We were saying good.

Are you on vacation at the office?

Or are you going home?

I'm at home.

We'll see you at a show.

You're so nice, Giovanni.

Marine now.

Hello, Marine.

Hello, Laurent.

Hello everyone.

So, Marine is used to the new Caledonia.

But now, you're in the new Caledonia?

No.

Yes, absolutely.

Are you even in Nouméa?

Yes.

Well, I live in the Nouméa bay.

It's good.

It's in nature.

And so, you like Monsieur de Kersoson?

Well, you like all those who come from the cities?

Simply or who come back sometimes?

Is that good?

Yes, and those who came to see us,

like Jérémy Ferraris, I went to see them.

And yes, a show there at home in the new Caledonia.

But it seems that the Miracle, Olivier de Kersoson,

made a mistake recently, is that it?

Well, actually, there were two mistakes.

So the first of Olivier de Kersoson,

who was to say that we were saying Nana here,

but in fact, it's a Polynesia.

Here, we say Tata to say goodbye.

We say Tata to say goodbye.

Exactly.

And to say Tata to say goodbye.

And in fact, I heard a redistribution

during which Laurent Bachy said that

the cagou was the emblem of New Zealand.

And not at all, in fact, it's the emblem of the new Caledonia.

The two birds seem to serve nothing,

since they don't fly, and what concerns the cagou,

he drinks it.

And the kiwi is the emblem of New Zealand, is that it?

That's it.

That's it.

But you see, madam, it's the ravages of colonialism.

And finally, we don't understand anything.

Corrine will succeed in Marina.

We kiss you, Marina.

And hello to all the newborns in Caledonia who listen to us.

Hello Corrine.

And hello, Mr. Riquet.

Hello to your guests.

And hello to the public.

Hello.

So you took a day off for the 18th of next October.

Why?

But yes, we trust the auditorium that I am.

I knew since a little while that you would come

to you and your guests at Sarafel.

Yes.

As I said, I took my day off

hoping to meet you.

On the 18th of October.

And yes, but unfortunately, yesterday evening,

when I consulted the RTS site,

I said that you would not come anymore.

Yes, we come on the 20th of October.

Well, that's it.

You gave me my day off again.

Good.

You were going to be able to change?

Are you going to be able to change your day off?

Well, I hope so.

Yes, I hope so.

Actually, my day off, my evening,

maybe Saturday, if you make the party on Sarafel.

I can explain everything to you.

It's just that indeed, the date of the 18th

was fixed before the summer.

I was not working on BFM TV at the time.

And so we were forced to report on Friday.

And that's why we will be on Friday,

October 20, at Sarafel.

Because I would be free to come and hug you, Corinne.

Orantaine, we will take your name and promise.

We will make you enter there at Sarafel

at 19 o'clock on Friday, October 20.

Thank you, Corinne.

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All right, so there we were,

cruising through the new open-air zoo.

When I realized that the park was closing

in, like, 15 minutes,

that's when the afternoon took an exciting turn.

Luckily, we were in my Nissan Rogue

with its powerful BC turbo engine.

Well, we had more than enough time

to see all the animals.

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Tomorrow, when I say tomorrow,

the academicians, not the 40,

because there are more than 35

who have left empty photos since,

but in any case, the 35 present,

they all come,

will vote to designate the one,

well, the one on two men,

designate the one who will succeed

in the career of Encos,

to the post of perpetual secretary

of the French Academy.

We know that the historian has died

at the beginning of August last.

We're going to read his success.

So there are two candidates,

it's a duel to the sword in some way.

Two friends, in fact.

It seems that these two friends,

I believe that half of this story is two friends,

because until two or three days ago,

there was only one candidate,

it was Amine Malouf,

and friends like Jean-Christophe Ruffin,

I don't wish for everyone,

because he just decided to introduce himself to him.

So he was sure to be elected two days ago.

Well, democracy.

Because if you are Amine with someone,

you don't present yourself against him.

Because you can be Amine,

think that the other one is nul.

It was Chirac Baladu.

That is to say.

Even if you are Amine,

the other one doesn't deserve to be a post.

Yes, it's true that I have friends.

No, but we can be Amine

and opponents.

Like here, for example.

Exactly.

So here, we are only opponents.

In any case, Amine Malouf

will indeed face

Jean-Christophe Ruffin.

Is he a trumpeter?

No, it's not Malouf.

No, not at all.

He's a big fan of Amine Malouf.

No, but I know the orange one.

But Malouf is a rapper.

No, it's a trumpeter.

But no.

You are confused with Ibrahim,

with Malouf,

whereas here it's Amine Malouf.

Listen, they are two.

They will face the French Academy

tomorrow for the post of Perpetual Secretary.

But that's not my question.

We remember in this paper

of the Figaro signed by Mohammed Aissaoui.

When I say we remember,

I would like this post to be important,

to be the Perpetual Secretary

of the French Academy, because it is,

listen carefully, the 24th

rank of the State

and of representatives in the world.

How is that?

There is a ranking of representatives

of France in the world.

I knew that the President

of the Republic was the first

representative of our country.

In two, it's the Prime Minister.

No, in two, it's the Prime Minister.

In three, it's the President

of the Senate.

In four, it's the President of the National Assembly.

But I didn't imagine that there was a ranking

that would go, listen carefully.

I have it there, it goes up to 60,

about.

I don't know in which category

I can put you, but it's hallucinating.

There is a real ranking

of importance, functions

in our country to represent

France abroad.

And it's in one, the President of the Republic,

in two, the Prime Minister, in three,

the President of the Senate.

So indeed, Chancellor of the Institute

of France, Perpetual Secretary

of the French Academy, I checked,

it's well, the 24th,

behind the President of the Regional Council

Valérie Pécresse, for example, the 23rd

representative of the state.

So that is to say, if the 23

die, for example, it's her who will

become the representative of France.

In some way, the mother of Paris, Anne Hidalgo,

she is before Valérie Pécresse.

She is 22nd.

22nd.

But before her, you have the Prime Minister

of Paris.

So finally, the ranks don't want

to say anything, because in 12 and 13,

you have all the deputies in 12.

And in 13, all the senators.

As they are 577,

nothing in Parliament.

That means that anyway,

they are at the same time,

how do we separate them?

I don't know.

But what is interesting,

you understood me, you see me coming,

I will give you the first four.

I said one, President of the Republic,

two Prime Ministers,

three President of the Senate,

four President of the National Assembly,

who is in the 5th place,

in the top 5,

the highest representatives of the state.

A danger player.

The President of the State Council?

No.

Have you ever heard of this?

No, never.

I fell down this morning.

A military.

A military.

Politically, yes.

The President of the Constitutional Council?

No.

The Constitutional Council comes in 8th place.

Oh, it's not if an old President of the Republic

who is still alive.

Old President of the Republic.

Good answer.

There are two.

Good job, Joanne.

François Hollande and Nicolas Sarkozy

are currently

the 5th representatives

of the State, the Foreigners.

So we screwed them up.

It's incredible.

It's incredible this country.

We're not going to be beaten up by Hollande.

And Hollande is

every Sunday

in the Monkartier.

What is he doing?

He is here to sign

for someone to look at him.

He had to go to Paris.

It's like a...

He's in red light.

He has a little thing with a...

He's disguised as a Romanian.

Are you sure it's him?

Yes, yes, yes.

The Tuesday is in the second round.

The Thursday is in the third round.

Well, anyway, there you have the order.

We call it the order of precedence.

You see?

Who would you be for?

Imagine, we would make a perpetual secretary of the big heads.

Who would it be?

According to you, who would deserve this position?

Oh, listen to him.

He would be presented to the authorities.

It won't be you because

when we see your academy...

Imagine if there is a vote

and you vote at the top.

We would get together, we would vote.

We would have to have allies.

Do you think he would vote for me?

No.

I would like to make a speech

to try to...

Go ahead.

For example, I would like to see a perpetual secretary of the big heads

because as much as we take a young person,

it's up to death.

It would be your Gabriel Atal.

No, it's the same.

As much as we take a young person.

Yes.

He would vote for me.

He would vote for you.

How old are you?

28.

And when we see him,

we think he would be perpetual.

Oh, it's beautiful.

The first kindness after 45 years.

FTL.

Six big heads.

Mr. Villain is on the phone.

Sir, how?

He must have suffered a lot.

Every time, it's names that don't exist.

Villain, Dipper, Diffaudi.

Mr. Villain, are you there?

Show us that you exist, Yann.

Hello Laurent.

Hello the society, hello the public.

Hello.

And I think, Mr. Marcelin, that Villain

is certainly more widespread than Yakuza.

Bravo.

It's true.

Villains and the villain are also very much in France.

Absolutely.

And Yann, it's written with a single N in your name.

Absolutely. Yann with a single N.

And Villain with two L.

And at school, they told me that I had to take a picture of an angel.

Oh, it's pretty.

What do you do in your life, Yann?

Are you stupid?

I'm a restaurateur.

But I don't take cocaine.

And what is your restaurant called?

The Brasserie Michel

at the portail,

next to Boulogne-sur-Mer.

Well, we'll do the advertising for the Brasserie Michel.

We'll offer you, Yann, a pretty gift.

You're lucky.

Because yesterday, it was a canapé.

And today...

It's a canapé.

Tell me about the trip, Salah.

Exactly.

10 days in Vietnam.

10 days in Vietnam.

Wow.

Salah Holidays.

They offer you a flight to Hanoi.

French guides who will take you for

10 days all along the Mandarin road.

It's the name

of the circuit we offer you.

With the passage of the neck of clouds.

A walk on the river of perfumes.

You will visit the imperial city of Hue.

You will discover Ninh Binh.

It's called La Bédalongne-Terrestre.

I don't know Vietnam.

So I really read the prospectus for you.

Vietnam is wonderful.

But you will discover the risières,

the pineapples.

The nemes.

And you will be able to

travel in traditional

language to discover La Bédalongne.

A joy of the China Sea.

Here is the program that you

offer Salah Holidays.

In condition.

Be careful, it's not won.

And yes, in condition, Yann,

to share the good news among the

six we will offer you.

We start with Bernard Mabille.

Pope Francis was furious

against Emmanuel Macron.

Once he entered Rome, he would have

declared to his friends in Vatican

while Charles III would have

declared to his friends in Europe.

The minister of health,

Aurélien Rousseau, has just asked

for a change of gender.

He will be called Sandrine

so that the doctors speak of him every day.

Marcela Yacoub.

One week after,

the facial fracture.

Sorry, I was sick.

That's why I'm a little...

bad.

That's funny.

That's why I was born

bad.

Not because I'm sick.

That's very funny.

The answer is also funny.

One week after his facial fracture,

Antoine Dupont has returned

to training.

Medef has applauded the French captain

for coming to work

so quickly.

Almost.

He's walking now.

During a wedding in London, the 31st

or the last, the wedding,

was blinded by the eyes of her husband

and all the guests during the ceremony

so that everyone shared their experience.

We just hope she got married the right day.

Olivier Bellamy.

The average age of the Sena

is under 60.

The president, Gérard Larcher,

is worried that

harassment cases

will be closed with all these kids

in the limites.

Yohann Riou to finish.

High advice on the porn

online. 90% of the advice

who worked on the report

have never seen the end of the film.

So Yohann,

who said the truth to your life?

We're going to start the elimination.

So Yohann Riou,

the porn,

I don't think it's the end of the film.

But it's true that there's a

relationship about the

pornography that just came out.

It's one of Luma and Figaro today.

But I imagine that they went

to the end of the film.

He was talking to him, Riou, of course.

Bernard Mabille,

it was about Pope Francis,

so he doesn't know much about it.

He's used to men.

It's true that it was two points of

measure when he had to see the images

of Charles III.

He didn't want to see that.

He was eating a chips.

He didn't come to France.

He came to Marseille.

He said hello to Marseille.

Hello to France.

Did Aspe reminded me what he said?

Was it Aurélien Rousseau who changes

people to call him Sandrine?

It's true that we hear him

more often.

Then Olivier Bellamy

was...

Gerard Larcher.

Not Larcher.

I don't think he's afraid

of sexual harassment.

Okay.

So I think the right answer

is Karine Le Marchand on

marriage.

But me, you slapped me, gentlemen.

Sorry, but I didn't

wake up well today.

If you slapped me...

I can't hear you

so...

Are you angry with me?

No, I don't want you.

I would have liked to call you

Villain.

When you were Villain.

Excuse me, Marseille.

She raised both my feet.

But it's Karine Le Marchand

who actually gave

the good news.

Bravo, you go to Vietnam.

Great.

A British wedding

that took place in London.

I even see the photo.

We see all the guests

with masks on their eyes.

Because as she is blind,

she decided that

no one else would see

what's going on in the wedding.

Marseille, on the other hand,

doesn't have the mask on her eyes.

So the bride and the bride

don't see...

There's only Marseille

and she doesn't have the little holes

that look at her.

Yes, you're right.

There must be one who watches.

Maybe it's a solution for Vuyo

at the wedding.

Why can't you marry

at the first look?

It would be huge.

Because there's the first look.

In the case there,

he doesn't care about Vietnam.

Bravo, Yann.

Thanks to Salin Voyage,

a question for Mr. Lanz,

who lives in Bandzendorf.

Do you know what's hiding behind the letters?

PTZ that we find

in the press today.

Petit zizi?

PTZ.

Is it international or is it really in France?

It's in France.

Maybe it exists in other countries,

but the one we're talking about in the press today

is the PTZ français.

It's a sign.

P is province.

No, province.

It's yo-sport, yo-sport.

PTZ, it has nothing to do with sport.

Do we find that on an envelope?

No, we don't find that on an envelope.

Is it artistic in the cultural environment?

Not at all.

Small turn of the water.

It's small.

What are we talking about now in the newspapers?

Pollution.

Yes, maybe, but no.

The essence of the essence.

No, part of the Z.

It will be easier in my opinion.

It's not a pesticide pesticide.

No, no, it's quite simple.

It's not the economy.

The Olympics.

We're talking like the president.

Zab.

Zab, it's the Zizi in Arabic.

Zab.

There are words that start with the same letter.

Yes, it's on the outside.

We say Zab.

In French, we say Zab.

No, Zab.

No, Zab.

Zab.

In fact, there are several words.

Zab, Zboub.

Zab, Zgag, Zgag.

But everything starts with a Z.

It's a sign that means...

Is it a chemical name?

A chemical name? No, not at all.

Zero, zero.

Zero, yes, the Z is zero.

No, you're the Tau. Tau zero.

Tau zero.

See, it was easy.

Tau zero, the PTZ.

A pre-banker.

To favor the loans to the household.

It's Mr Lemaire who talked about it yesterday.

The PTZ.

It's the loan at Tau zero.

Nothing to do with the Zgag, the Zombs.

And everything that has come out, Mr...

Well, if I'm not mistaken.

Mr Az...

Love is in the loan.

But why do we always come back to that?

That's what's weird in life.

Let's talk a little bit about culture now.

You're talking about a famous painter

who measured, and I'll ignore that,

but it's confirmed on the photo that we're showing today

in the Figaro.

He measured two meters, so to speak.

He died very young at 41 years old

in 1955.

He's conned.

That's it, he had passed the ceiling.

He manages to pass the ceiling.

Your bank often has to tell you.

Ah, very often.

You have passed the ceiling.

No, I'm asking you to find the name of this...

We're only talking about him.

No, we're not talking about him.

He doesn't care at all.

He's talking about your fucking balloon.

Oh no, it's still not posted.

He's French.

Oh yes, it's not original.

No, it's still Russian.

He was originally Russian and had his name

at the end of the language.

And there was no more an exhibition

at the Museum of Modern Art in Paris.

There are posters everywhere.

There's publicity everywhere in the newspapers.

If you didn't find his name...

It's from the Buffet, no.

No, he was originally Russian.

He was born in Saint Petersburg,

but he died in Antibes.

He committed suicide in Antibes.

At first, he had a Russian name,

but he then franchised his name

and made a web called Parc des Princes.

Yes, he made a series on footballers.

That's true.

He created the surprise by putting...

It was the name at the end of the language.

A web on footballers.

We talked about him...

Ah, Ibrahimovic?

No.

We talked about him in about a month

in this show, but that's it.

The exhibition starts on Arte.

There's a documentary tonight

about this great painter from the pre-war

who threw himself off the terrace of his building.

But he loves this painter.

Oh yes, it looks like him.

What's that?

Expressionism?

No, no, no.

He does rectangular touches like that.

He does landscapes too.

He does landscapes.

I was...

It was quite surprising.

It's not Rotko.

No, it's not Rotko.

No, no, no.

He was very prolific.

He has a French name today.

He had a name that went as well

in Russia than in France.

Igor.

Pauline.

He just took...

Pauline.

Pauline.

Valentino.

It's when you have...

a way to do it on the side of the sea.

Jean, what's his name?

Soleil Couchant.

Footballers, I told you.

Robert.

No, no, no.

Victor.

Maurice.

You only know him.

He measured two meters.

Does he have a name that another star has?

Well, yes, of course.

Are you sure it was suicide

or is it because he was too big?

Pierre.

Pierre, it's a name.

No, Pierre, no.

Serge.

No, no.

Rashid.

No, no, no.

I'm so ashamed.

There was a picture in Figaro this morning

Valérie DuPonchel who made a paper on the document.

Nicolas.

Yes, it's true.

Stahl.

Nicolas de Stahl.

Nicolas de Stahl.

Good answer.

Come on, look at him.

It's not why I had a flash.

And in addition, you had pronounced it well.

Yes.

Because it's true that it's written S-T-A-L.

And sometimes we hear Nicolas de Stahl.

Nicolas de Stahl.

It's true that you have to say Nicolas de Stahl.

And indeed, there is an exhibition

Nicolas de Stahl currently in Paris.

And in addition, a documentary tonight on Arte Bravo.

We're here.

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A question for Adeline Malek,

who lives in Saq.

It's in Gironde.

A question that concerns an event

that will take place next Sunday.

An event that the Japanese want to win

because they never won.

What is it?

Champion of the Sushi.

Pardon?

Champion of the Sushi.

You see?

Frankly, do I have a head to ask you

questions about a Sushi champion?

Yes.

Yes, yes, yes.

It's great.

It's great.

It's great.

It's great.

It's great.

It's great.

It's great.

It's great.

It's great.

It's great.

Yes.

It's great.

It's great.

It's great.

Some will say that it's not.

It's an art to be an art to live.

No, an art.

No, no, no.

We'll say it's sporty, of course.

It's not great.

It's not great.

It's true that France has won 68 times

this competition.

It's pastry.

The Japanese have been dreaming for years.

They've never won.

The best pastry.

No, and it's next Sunday.

And it happens in Japan?

No, it happens here in France.

It's Ping Pong?

In Paris, the Ping Pong.

You only know that they already won, they are better than us.

No, but as you say, it's considered a little bit like sport.

No, no, no, no.

I'm going to hit on it.

It's sport.

But it's true that there is a little controversy inside this same sport.

It's not dance, it's regna, regna, regna, regna, regna, regna, regna, regna, regna, regna, regna.

Is it something that we practice face to face? Two people?

No, not at all.

It's been more than 100 years since it existed.

It's a legendary competition.

By team.

It's not by team.

We are strong in equipment.

In judo.

Ah, it's a horse.

Ah, in pony, in pony.

It's not in the air.

What's next Sunday?

It's not because it's a French sport.

It's a long-distance race.

The big price of the triumph.

The big price of the triumph.

Good answer from Aze and Bernard Mabille.

And yes, the best of the planet.

They are going to discuss the Qatar.

Now, Qatar has bought everything.

The Qatar price of the triumph.

That will take place Sunday 1st October next.

The long-distance trip to Paris.

In Paris, it would be the Japanese

dream to win this race.

They failed a race in 2010.

They would like to be able to win this race

with their pure heart.

They never managed to do it.

When you ask me if it's a sport,

you confuse the hypnosis

and the equitation.

It has nothing to do with it.

What do we learn?

It's not what we learn.

But it's like that, Bernard.

Because in a case, it's the horse performance.

Exactly.

If you have a difference

between the equitation

and the horse racing

as a noble sport

and it's not speed racing

for horses,

or obstacle racing,

or dressage.

But it's not speed racing.

It's the difference with races

in Paris.

It's competition,

but it's not a sport.

100%.

But it's still a sport.

It's not going to be happy.

A little question, I don't know.

The horse racing is on the horse

or it's on a...

It runs in front of you.

But it's still there.

The horse racing is on the horse.

It's on the silky.

The horse racing is on the horse.

You're right.

It's not little horses.

Little horses.

And again, it's all the difference.

It's called jogging for

lipism.

And white cheese.

And it's called horse racing for equitation.

I would like to go to the Divanche

because it's a sport.

To the Ipodrome.

To Longchamp.

Yes, it's true.

Because it's a sumo finish.

It's also a fashion show.

It would be perfect with shirts and everything.

Because women wear a nice hat.

And it would be even better.

And there are of course

attractive tariffs.

If you want to go to the Ipodrome

of Longchamp this weekend.

It's from 10 euros on Saturday.

20 euros on Sunday.

Yes, there is no race on Saturday.

And it's free

for less than 12 years.

Maybe.

Come on.

Discover a new world.

I know myself.

Why?

I always went to the Ipodrome of Vincennes with my father.

Yes, it's true, it's cute.

Yes, that's why I know myself.

Do you have a couple of third and fifth?

A couple, a simple winner,

a couple placed multi in 4, 5, 6, 7.

12 years ago.

Yes, 12 years ago.

And 13 years ago, you were wrong.

And you never wanted to do jogging?

I don't have the physique.

Like you, footballer.

Did your father win or not?

No, he didn't win.

Same, my father too.

I would love to do the third with my father on Sunday.

Yes, it's true.

Except that at the time,

you were already, I imagine,

a modernized informatizer in your time, Mr. As.

You were with the little...

At our time, it was with the little prince.

We would waste the...

Composted.

We would waste the PMU tickets.

And we would recover them and make sweets.

And you would go to Paris

and sometimes you would see some...

You are crazy.

You would go to Paris to see the horse races.

We would sometimes go to L'Hippodrome,

not L'Hippodrome, but to the synodrome

in the port of Havre,

in Octoville-sur-Mer.

What is synodrome? It's to see the Chinese.

No, finally.

It was the L'Hévrier race.

We could, at the time,

I don't know if it was still authorized,

but it still existed.

It could happen.

And I just...

I have a joke.

I have a joke.

And I never run out of breath at all.

Le Mans is my first language game

in five weeks of participation.

Wait for the second one.

NPL, the book of the day.

The book of the day is called

The Treaty on Apparitions

and Vampires,

presented and edited by Philippe Charlier.

It's a treaty that was written

by a priest, a monk,

named Don Augustin, calm down.

I hope I pronounce his name well.

But Philippe Charlier will rectify me

in a moment since we will have him on the phone.

He is editing, he re-edits this thesis

on vampires and appearances,

on revenges,

among other things, Dracula, obviously.

And my first question before we are Mr. Charlier

on the phone, you surely know him.

He is a very brilliant,

very famous doctor.

He studied many corpses,

including historical corpses.

For example, he worked on

I think at the time, it was the Crane d'Hitler.

We will come back

with him on all this.

But let's talk about Dracula.

You obviously know the name

of the actor who played Dracula the most.

Boris Karloff?

No, it's Christopher Lee,

who played Dracula the most.

And Boris Karloff,

I think he played Frankenstein.

Dracula.

And my question, here it is,

Mr. Benjamin, if you are waiting

for me to pause it.

My question for Christine Kriff,

who lives badly in the Rhone booths,

outside of Christopher Lee,

who played almost

a dozen times Dracula,

which other comedian,

can you mention a comedian

who also played Dracula?

Alex Guinness.

The easiest to find,

No, Michael Cain.

Harrison Ford.

Fonsido.

He's a bit ugly, I think we're looking for.

But the easiest to find is...

There's one who played in 2023.

Robert Pattinson?

No, a bit older,

but who sometimes plays with Travolta,

with action movies.

Jackie Chan?

He's rather small,

or is it the little sheep?

Nicolas Cage.

Jean-Pierre.

Bravo.

Nicolas Cage.

It's the most recent Nicolas Cage.

There was also Leslie Nielsen.

Gary Oldman.

Klaus Kinski.

David Niven played it.

John Caradine.

Luke Evans.

Among other things,

some famous Dracula in movies.

Hello, Philippe Charlier.

You should answer the question

So I had Gary Oldman and Klaus Kinski.

I would have added Bella Lugosi too.

The first one.

In the 1930s and 1940s,

Bella Lugosi played Dracula

in 1931,

you realize a bit.

But let's go back to your book.

Let's go back, that's the case of the book,

because vampires are just

coming back,

dealing with the apparitions and vampires

that you published, Philippe Charlier.

It dates from 1751.

We're in the middle of light.

There are philosophers,

physics, chemistry,

at the time, really modern.

We start to think in a pragmatic way.

And then there's this writing,

Benedictine, as you said,

who says to himself,

in Eastern Europe, there's a real vampire epidemic.

Everyone becomes completely crazy about it.

I'm going to investigate.

I'm going to try to analyze them.

It's a real compilation

of chronicles of vampires,

of Poltergeist, of Phantom.

It's quite...

How did you find this text?

Did you know about it?

Are you interested in that?

Of course, you're interested in death and corpses,

since you're a doctor,

and also an anthropologist.

I said to my comrades earlier,

since I was lucky enough to meet you

at a few shows, or on TV, or on radio,

that you had worked on,

famous corpses, or skulls,

or historical skeletons,

or Dichler.

It was really the skull of Dichler.

I'm not mistaken, that's it.

You worked on who?

On Marat,

on Saint Louis.

Mountain, is the mountain effect?

No, it's my colleagues from Bordeaux who took care of me.

I took care of Descartes.

There's always a question,

is it true,

good skeleton?

And today, with DNA tests

and other science progress,

your job has evolved, Philippe Charié.

Yes, I'm back from the archaeological site

of Saint Helena in Longwood.

We re-opened the tomb of Napoléon,

but also, which is empty, of course,

and then the latrines, and the napoleons

to better know his daily life,

before dying.

Do you believe in vampires?

It's a question I don't ask myself,

but I ask myself the question of

why people believe in them,

and what they saw, because it's true

there's a real vampire epidemic in the 18th century,

in Romania, etc.

And they saw something, all these people there,

they saw corpses in the state of putrefaction.

And as they needed a book hemisphere,

as they really needed something

to unravel

their hatred of the other,

of the stranger, in this case, of the invaders,

but also their fear of wars,

of death, etc.

Well, this book hemisphere was this corpse

for which they used this metaphor of the vampire,

and every time they had a corpse

that they found, yes, indeed, with blood

that flowed from the eyes, from the mouth, from the ears,

and then a body a little bit breathed,

for them it was not a corpse in a state of putrefaction,

no, it was a vampire,

and all this he interpreted as signs of life,

it was an error of interpretation,

but it still translates to something

from Soujassan, which is a real anguish

of the daily life.

So calm down, this Abe who made himself

deal with vampires. Voltaire,

I see that in your book, Voltaire has reproached him

to banalize anarchy, imbecility,

that's it.

So calm down, Voltaire, if I may,

because he is short-tempered with Don Calmey

to get close to him

to write his philosophical dictionary

that will prompt him a lot of things, a lot of ideas.

Oh, he's making sense too, so what are you talking about?

Yes, that's it, yes.

The poor Don Calmey tried to make himself suspicious,

and then it's good,

then he will criticize the poor Don Calmey.

It's true that Don Calmey is quite credulous,

and when we read the book, we see that he does one step in front,

two steps in the back, he believes it, he believes it more,

he believes it again. The only problem is that Don Calmey

is the only scientific weapon he has for himself,

it's the metaphysics, it's the religion.

So it's true that he compares

Lazar, coming out of his grave,

with a poor citizen of Moldavia

who has become a vampire,

and it's true that it's not necessarily the right comparison.

It's called the Treaty on Apparitions

and Vampires,

it's edited and presented by Philippe Charlier,

which I always dream of

being a big head once,

I already proposed to you, Philippe Charlier,

but you don't want to make too much money,

I imagine you want to bet on the return.

A question for Arnaud, who lives in the peluche,

it's in the drama.

A question that you like, Mr. Azz,

since it concerns...

I mean, it's still too old,

it concerns a singer,

it's a bit expensive, it tells you something.

Yesterday we had...

In Paris, at the time,

there were 8 concerts at the stage in Paris,

we talked about it yesterday,

in this show, because we actually announced

that he was going to sing

the myth of the Super Bowl,

it's an important American event,

it was Rihanna who did it last year,

and it's Rihanna or Beyoncé,

I have no doubt, I think Rihanna.

Rihanna in Saint.

No, Rihanna in Saint,

it was done yesterday.

I never heard of Rihanna from Beyoncé.

Well, it's like Céline Dion

and Patricia Casca.

It's not the same people, actually.

Well, anyway, it will be in February

and the next concert,

which is currently in Paris, the musical scene.

We can also listen to this song

that I had forgotten, that I love.

So, very well, it's the one who will sing

the myth of the Super Bowl,

it's the one who was chosen,

by the way, in Paris today,

interviewed by Marie Poussel,

who was very surprised when we called her

and we announced that to her,

but who decides, who announced it?

It's Jay-Z, Jay-Z the singer of Jay-Z.

Yes, it's him.

Good answer, by the way,

Jay-Z called her at 7 in the morning

and there you have a chair that is in his bed

with his girlfriend,

and his girlfriend says, if Jay-Z calls you,

you really have to answer,

because obviously singing...

Singing at night...

Yes, it would be Jay-Z instead of him.

And I didn't get it at all.

Why is it Jay-Z who decides?

So, Jay-Z,

that I explain to you, dear Karine,

since you asked him,

he is a producer

associated with the Super Bowl

and it's him who decides

of the artist of the show

who will be produced by the myth.

By the way, it was Rihanna in Saint

last year.

How many?

One person.

In any case, Jay-Z

directs the production company

who decides who will be sung

by the myth of the Super Bowl.

It's called Rock Nation,

Jay-Z's company,

and it's him who, every year,

says, well, what singer will we put this year?

It doesn't have to be stars, it's a very restrained circle.

Apparently yes, it was in the end...

But can you imagine

the luck you have, the publicity it gives you?

In the crowd, you sell millions of albums.

I did a beat, I did the same beat

as you, there are 10 seconds.

We go as fast as we can, it doesn't work at all, Laurent.

No matter what.

I should stay at football, Bronson.

And again, and again.

And again.

Another question

for Marie Bourriac,

who lives in Lusso on Loire,

what is Guillaume the Conqueror

to bring from Great Britain

which we use,

I would like to say,

in the tragic news of these last days,

which we use a lot in France at the moment.

Is it a gun?

No, Guillaume the Conqueror

has seen it around.

He comes from Great Britain

and he brings back to France

something...

Something we are talking about

in the winter, rather tragic,

so we won't laugh too much about it.

A truck?

How is it called a truck?

But anyway, there is a relationship

with the disappearance,

which is surprising

at this moment between the children

and the teenagers who disappear.

It's true that it's a bit scary

and precisely, in the researches we use,

what do we use?

The dog, the dog,

the Uber dog,

the Uber dog,

the Uber dog,

good answer,

but because when I heard that

in the news that we used

a lot for the researches,

a dog from Saint-Hubert,

I didn't know the dog from Saint-Hubert,

it's a dog brought back to us in France

by Guillaume the Conqueror.

It's a race...

A race didn't exist before,

you see,

and it's a race named for its flair,

it's an excellent line,

so it's a dog

of detection,

with a sort of...

Babines, the babines that fall.

A good one, you like babines.

It's not a dog that I'm looking at,

it's a big one.

It's a dog that's pulling a leg.

It's a dog that's pulling a leg.

You're not going to be able to see

the Conqueror, you know.

It's bad dogs,

dogs who take care of their hair.

But they didn't find it.

We call that dog Saint-Hubert,

and it's funny that

you say it's a vampire dog,

It's not only Laurent a dog, because it's the butter that I take, the St. Hubert, no, it's the Berge, no, it's the Berge, it's the St. Hubert, St. Hubert 45, I don't know, it's the St. Hubert that I take, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Berge, the Ber

the Berge, the Berge, the Berge, the Berge.

You have to pull out the paper before eating it.

But why?

It's because it's like fishing for the breads.

Of course.

You have to put salt aside.

No, but we also took half salt.

But of course, we took half salt.

We took half salt.

We have a brain.

Laurent, I was always telling you.

No, no.

I saw the Pope the other day.

He had half salt.

Jolie Bernard.

The big heads of Laurent Ruchier are from 15.30 to 18.00 on RTL.

Always with Bernard Amadie, with Marcela Yacoube.

Karine Le Marchand.

Olivier Bellamy and Yoann Aveillou.

A question for Mr Latour who lives in the L'afferté Saint-Aubain

in the law and the question that will allow us to talk to Mr Jean Benoît Morel

in a moment who is the director of research.

I shouldn't tell you where, by the way,

because it will help you a lot.

I will tell you after, indeed, his post, his function.

Otherwise, it will tell you the answer to my first question.

A question that concerns, in any way,

I can tell you that he works at the INRA,

because it concerns plants.

Ah, agronomic research.

That's right, agronomic research.

And French researchers have discovered that plants ...

What did certain plants do?

Not all.

But what do plants do to survive?

They eat each other.

No.

On the contrary.

They cut each other.

No.

They eat each other.

They eat each other.

That is to say ...

Well, for example, there are trees that survive

to capture, for example, the light in a slightly dimmed forest.

They will ... they will like ...

They will rub each other.

They will push towards one.

They will help each other.

So it's not bad.

But then, in terms of terms, of course,

you can say precisely what the plants do.

They mutate.

No, they mutate.

No, they mutate.

No, they mutate.

No, they mutate.

No, they mutate.

No, they mutate.

No, they mutate.

They mutate.

Better than that.

But it is ...

They mutate.

No.

Better than that.

They eat each other.

They mutate.

No.

They eat each other.

They communicate among themselves.

She eats each other.

They talk.

They talk!

The good answer by Karine LeMarchand.

They talk.

Yes.

Unwoven.

The plants speak among themselves to survive.

No.

And they are not long then.

Of course.

But what are they long for?

But what are the its acts?

They speak in the figurative sense, of course, of the term.

Oh yes, but it's very ideological as an expression.

No.

Jean Benoît Morin, you are the research director

of the Inra Specialist of Plant Psychology,

and you agree to say that they speak.

Yes, so I'm not a psychologist, guys.

I'm an ideologist, okay?

Ah, yes, I noticed Plant Psychology.

I was saying, it's still curious, Plant Psychology.

There are, but they are controversial.

Physiology and psychology are not quite the same.

No, it's not quite the same.

It's like astronomy and astrology.

So what do you think?

I don't think so.

What we have shown is that plants exchange information.

They exchange information, without a doubt,

molecules that we haven't identified yet.

So they exchange information between them in the soil,

and they probably do that to manage more collectively

their physiology, precisely.

So it means that they talk, but they actually hide it.

In addition, in addition.

So they don't just hide it, because there are other cases

where we know that they exchange information

above the ground.

There are molecules that...

The tomatoes, for example, in the article that I read,

signed by Frédéric Mouchon, we are told that...

They talk.

You know, you're a little red.

I heard a tomato say to another one,

so I'm going to bite it.

But it's true that tomatoes are very good

with cucumbers.

Seriously, then.

Seriously.

What do tomatoes do?

So for the time being, in the article

of the Parisian, as you mentioned,

it was an example.

But tomatoes, it's true that we know that

when there are two plants of tomatoes,

one next to the other,

there is one that is attacked by a insect

that is going to eat its leaves.

It's very well known, very well described,

that the plant that is attacked will send signals

to its neighbor, chemical signals.

To tell him, be careful, I'm attacked,

so you're going to be in it for a long time.

And what makes the box, in fact,

is preparing to increase its immunity,

because the plants, they have an immunity system.

So the box plant has not increased its immunity.

Be careful, be careful.

There is a buzz that is coming.

Be careful.

Exactly.

But it's true that it's interesting to know

that plants, in fact, are centred.

So obviously, we're talking,

it's a little far away,

but it's a way of talking about centred,

centred to survive against insects,

essentially.

I heard you talk about it in my fridge.

Not only insects,

the weather, too, then.

You laugh because Bernhard said

I heard you talk about it in my fridge.

Yes.

I'm crazy about the fridge, Bernhard.

Bernhard, in his fridge,

we hear their voice, their voice.

Here it is.

The big idiot is coming.

Shit, by the way, here it is.

Sorry, Mr. Aurélien.

Not only insects, there are also mushrooms.

Yes.

To take the idea of ​​a big concept earlier,

who doesn't know how to recognize anything at all.

The cherry tomato and the tomato with eggs, for example.

Here it is.

It's the information that says,

be careful, what's next to me is not me.

And the cherry tomatoes are starting to speak at what age?

But does she do it?

When they start to age,

when they are too old,

they do an exam in the kitchen.

No, but is she doing it?

I don't think so, Mr.

I have a question.

Do they send these information to the cantonade

like that?

No, the forest.

To the forest.

To the forest.

And by the tree next to it.

Okay.

Is that what the cherry tomato tells me?

No, but do they do it to save the other tomatoes?

Or do they do it simply because they scream

and the others hear a screaming domain?

Oh la la.

We scream the tomato.

That's the good question.

We don't know.

It's the good question anyway.

No, it's the good question.

Why?

Reply to Mr. Bellamy if you please.

Thank you Mr. Bellamy.

For the good question,

indeed.

It's why they do that.

So we generally don't answer the question of why.

But there, for the moment,

what you give the clues is that

obviously,

the fact that she communicates with her,

she answers,

what does it do?

It makes her generally manage their energy,

their resources,

and they won't defend themselves if it's not necessary.

You shouldn't only talk,

she sometimes sings.

The singer-automater.

Oh yeah, yeah, yeah.

In Starman.

There's the singer-automater.

It's him, Barton, to pull the tomato.

I think we did the tour.

You were very, very nice.

Very passionate.

Very passionate with all of you.

Very nice.

Very passionate.

We can applaud Jean Benoît,

director of Research Aline,

specialist in plant physiology.

Two literary questions now.

For you, Mr. Bellamy,

essentially.

For him?

And for you, Marcella...

See, like what?

How could I ever...

I almost forgot you, Marcella.

Terrible.

It's the classic music.

In addition to being concerned,

since you just released a book,

and we're going to talk about competitors,

since these are writers

who are currently in the library.

Figaro is talking to us,

but that's not your case.

Primo Romanciers.

You've already published a book.

It's not a romance that I've written.

I know, I know.

But you've already written at least one.

Yes, yes, I have.

A novel.

There, Penis Oribilis.

I know that it's not a romance.

It's very high-end.

It's a penis oribilis essay.

Oh, it's his book.

Oh, it's the real name.

Oh yes, Penis Oribilis.

It's not a joke.

Are you writing?

It's a joke.

But you thought I was helping a manager

for this standard test.

I don't know, I thought I was...

Help a manager?

I'm sure you're not,

because I really...

I would really not like it, but...

I didn't know you were writing.

He published at Faillard, Marcella,

Penis Oribilis.

It's true that she's going to be in the library

at the same time

where others are Primo Romanciers,

which means that they are only

their first romance,

and we're talking about it today.

She didn't have her first penis.

So, why are we talking about Primo Romanciers

in the Figaro today?

Because it turns out that among the best

books of the moment,

there are indeed

a few first novels.

For example, and there,

I'd like to know if you're going to find

the author of this novel

that makes a tabaque

and in the first category essay sales,

number one of the rankings,

someone who comes to write

the next time you bite

It's Pascos.

It's the son of the other writer,

the father who was called Pascos,

I don't know his first name.

His first name is...

His first name is already...

Pianotis Pascos.

Pianotis Pascos!

Good answer!

It's very amusing.

I think you know more about

the one who makes the one-man show

than the writer.

No, I know him.

But it's the same, indeed.

Pianotis Pascos has just published

his first novel at Stock,

the next time you bite the dust,

and it's a carton in the sales

at the moment.

The other first novel,

I should say first novel,

because it's a woman,

there you go,

she's called Julie Heracles

and her book,

Julie Heracles,

is entitled

You don't know anything about me.

But who does she talk about in this book?

You don't know anything about me.

It's the biography of someone famous.

So, biography,

yes, we can say it's a biography,

someone famous.

I'm not sure you're going to be able

to tell me her name.

I'll give you her name.

She talks about Simone Tuzo.

But who is Simone Tuzo?

Sam Cedot?

No, it's not a Cedot.

Was she a murderer of the Belle Epoque?

No, not a murderer of the Belle Epoque.

Simone Weber?

No, Simone Weber, no more.

It was the half-mondaine.

A half-mondaine, no.

She did it in prison?

She did it in prison,

I don't think she did it in prison.

Ah, she was the first woman

taxi driver.

No, no more.

She did it in the car, Simone.

Did she kill someone?

No, she didn't kill someone.

She was accused of something.

She was born in 1921.

Yes, she was accused.

That's true.

Was she not a politician's mistress?

No, no.

She was accused of collaboration.

So, it's...

The first race.

The first collaboration.

The famous tundu.

Indeed.

Bravo.

The tundu of Chartres.

It's her, Simone Tuzo.

Bravo.

Indeed, it's the tundu of Chartres

that interests each other.

Remancier's first word,

which we're talking about in the Figaro today,

Julie Heracles,

even if the name is not in the title,

it would have been simpler after all.

Why not the tundu of Chartres?

But how...

We're always talking about tundus,

collaboration,

liberation.

That's complicated.

So, who are you talking to?

Who are you talking to?

We're talking about...

We're talking about life.

We're talking about...

We're talking about the women who slept with the Nazis

who were born, listen...

There's a little reason.

There was a paper in Telerama recently

that was filled with the book of Julie Heracles

to say that we were a little victim.

Of course, she was a victim

because she was tundered with liberation

and that it wasn't necessarily very pleasant to see

and that it became

a sort of heroine

because today,

we find it disgusting to have done that

but that we have a little tendency.

And that's what some journalists say

about the book of Julie Heracles.

We tend to forget

the first part of the story,

that is to say,

someone who denounced the Jews during the war

and who didn't necessarily have an irreproachable attitude.

We always keep that in mind

in a story,

but the life of this woman, Simon Tuzo,

isn't...

So, you criticize me like that

that you threw a bonarien

at the first...

I didn't say anything.

I didn't say anything.

You see, I'm here to defend you from time to time.

Unfortunately.

I regret it, but...

But from time to time, I defend you.

You see, Marcella?

She doesn't just say crap, we thought.

Oh, happy.

And in my cry.

I was advised

to open your mind a little bit,

your intellect a little bit,

to read Penisoribilis.

It's about contemporary masculinity

and contemporary femininity.

On the Mithu movement,

on the feminism of today.

Today, we've made estates with Penis.

It's not...

It's not sold enough.

It was horrible.

But Bernard,

it's the best show of your life,

in 40 years, it's big.

It's the last one.

The last one.

But did I well sum up

your research, Marcella?

It was so short that I didn't even hear it.

To sum it up.

It's the principle of a summary.

No, but it lasted for how long?

When I made a summary,

the teacher told me

it's too long to sum up.

So a summary is short by definition.

Especially when it's about Penis.

Did you like the book, Laurent?

I haven't read it yet.

She gave it to me this morning.

And that's why I know at least the theme.

It's actually on the...

But you can read the dedication.

That's really, I'm proud.

Ah, for your dog.

She dedicates.

It's not dedicated.

You dedicate your book...

Her dog?

Yes.

To Mademoiselle Carlotta Maria Zapata-Guzman,

from the Chihuahua profession,

who was watching me during the editorial

of this book, with the discrepancy

of which only the great sovereigns

are able to prove themselves.

That's nice.

Penis or Ibulis,

it's the last book of Marcella Latout.

A musical question,

which interests me because I was surprised

when I saw this article on two, three pages.

By the way, in Liberation,

there's one weekend of that,

about one or two weekends.

No, I'm just reassuring,

without that date.

Saturday 16th and Sunday 17th September last,

in Liberation.

It's Nicolas Plommet,

who dedicates a whole paper.

A phenomenon, I was going to say,

new, not entirely new,

but it's the return of this phenomenon

that no longer existed,

that is to say, in the French musical industry.

And we're coming back now.

It's a new mode,

not the disc industry,

because I know there's no disc anymore today,

but in any case,

in the musical industry,

what was this phenomenon

that was in the mode in the 1960s

and that had disappeared and is coming back today?

The simple.

What do you call the simple?

A single title.

The single.

No, no, no, no.

The simple.

The simple.

No, because already...

The simple is for a sandwich.

It's not for a disc.

A mini-castle.

It's an object, dear.

No, it's not an object.

It's something, indeed.

It's a mode.

That was in the mode in the 1960s

and has disappeared a little

and is coming back today.

Telecrochet.

No, no, no.

Telecrochet.

The swing.

The swing.

No, no, no.

Is it linked to music

or rather to the object

that transmitted the music?

No, it's linked to music.

And to dance.

And dance, no.

It's linked to music

and, by the way,

Libé explained that behind this phenomenon,

there was the success of telecrochets

but also a marketing strategy

adapted to new constraints,

in terms of the digital economy.

The karaoke.

The karaoke.

The karaoke.

The votes.

The votes.

No, no, no, no.

And for a year,

it's really the wave

of this kind of song,

we can say,

because it's a song.

But songs,

like we didn't do them.

The contines.

The contines, no.

The songs are short.

The songs are short.

No, not very short.

In canon.

In text.

In text.

In slums.

In slums, no.

Songs in text.

Not necessarily,

but in any case, there is text,

slums.

Slums, no.

Do you like this phenomenon,

Laurent?

Oh, I think it's not bad.

If, for example,

Marie Laforêt, at a time,

we did a lot of this kind of songs.

A Norwegian song.

But it was, in the 60s,

very common for all artists.

And it's true that it had disappeared.

Summer tubes.

Not summer tubes.

No.

Summer tubes.

No, not anymore.

With an orchestra.

The songs that we change

in all countries,

that we translate.

That is to say.

Well, that is to say,

there is a tube

and then they will do it in Spanish,

in Portuguese,

in international adaptations.

Good question, Karine Marchand.

And yes.

It was four.

Most French tubes in the 60s

were translated songs

from foreign tubes.

We stopped that

for decades.

It was over.

I mean,

everyone at home,

each one of his songs.

And then it comes back to fashion.

For example,

Juliette Armanet

just took a title

of Daft Punk,

which she translated in French.

Like a parent.

I feel like coming

to you.

That's the French version.

Maybe.

A little less joy than the Daft Punk.

So maybe you remember

the original version of the Daft Punk?

Ah, yes.

It's beautiful anyway.

I feel it coming.

I feel it coming, baby.

I feel it coming.

I feel it coming.

The group Abba, for example.

Do you remember

this song by the group Abba?

The gods made from the dice.

They're minds.

Well,

it comes back

on an album

by Clara Luciani.

Clara Luciani just

took this song.

But they're thrown away

by a red-black pair

and the treasure

of ten or two

to six,

six,

seven.

I said one thing.

It's that I,

as I am ten,

a real bilingual,

even bilingual.

When I was a child.

What are we?

You're barely there.

You're not getting there.

You're already there,

you're going to cry.

You're talking about

mother tongue.

You're talking about tomatoes.

In fact,

I honestly think

I find it horrible

to listen to the...

The original is after the French version.

Because it's poetry. We can never translate poetry.

Yes, it's very beautiful.

Don't leave me in Spanish.

You die, you die, you vomit when you listen to that.

Billie Eilish, for example, listen to this tube.

There is a band called Ter Noir

who took back the song in French.

Harry Styles, who is an international model,

an actor, in addition to being a singer,

made a success with this song, Azitoise.

There is a French singer called Pierre Guénard

who just made a French version.

It always seems less beautiful.

It's beautiful.

It's not bad, I think.

It's not bad.

It's a lack of inspiration.

No, where people...

We are more and more tongue-tied,

doing this type of exercise,

poetic destruction.

It's good for Italian songs,

if you remember Ricci Epoveri.

Well, there is a boy called Fouet,

he sings very well, by the way.

Fouet just took back this song in French.

It's a bit less.

In the 1960s, it was all the songs.

But on the other hand,

taking back the melody, it's not translated into words.

Yes, exactly.

In fact, the difference...

Adapted.

The difference between the 1960s

is that in the 1960s,

we were hearing the successes in French.

We didn't necessarily know

that it was a foreign success.

Well, the transfer wasn't born.

You weren't born.

Today, obviously, with globalization,

we know the international success

before knowing the French version.

Look at the Beatles, for example.

Everyone was listening in English, right?

Yes, but there were French versions.

The companions of the song had transformed

Yellow Submarine into a green submarine, for example.

The yellow one was green.

Michel Mabel.

While the words themselves have a musicality.

And I was talking about my favorite singer,

Marie La Forêt.

Do you remember the Stones tube?

Marie La Forêt, we had made a French version.

That's good.

That's good.

Thank you for Marie La Forêt.

A cultural question for you, Mr Bellamy, this time.

Excuse me, Marcel Ayacou.

You said literary for Bellamy.

I didn't say literary, I said cultural,

because it's musical, above all.

Musical, I'm not very good at it.

So it's true that it's rather the field of Mr Bellamy.

Even if it's about finding the name of a doctor,

a French poet, who was,

we just talked about the Perpetual Secretaries

of the French Academy,

of an important election,

it's someone who was the Perpetual Secretaries

of the French Academy,

in the 1940s.

From 1944 to 1946,

he was in the photo number 30

of the French Academy.

And it was someone who, at the time,

had,

as we were talking about music,

the phonograph.

The phonograph, you have to explain it to Az.

We can say the disc tour, if you prefer.

With an ear.

It was important.

With an ear.

It was a tour with a big ear.

Here, a little like Prince Charles,

who became king.

And so this writer had seen the Pandé,

in an essay called Correlles de Famille,

the phonograph and even the TSF,

so the radio of the time,

which entered all families,

and he said that it would prevent the active practice

of instrumental music in direct,

and that it would replace

the fact of making music

by listening to it.

It's not stupid at all.

Wouldn't it be Maurice Drouon?

Charles Cro.

Jean-Pfidzel?

After, in the 1940s,

he wrote to the Figaro

of famous musical critics,

and then he released

texts...

Bernard Gavotti?

No, no, no, no.

Texts that were telling the story

of some great concerts, recordings,

then it's a bit controversial,

the progress, and then we do it.

But how did it start?

It was written by a French academician

who at first was against the electrophonography,

the phonograph, if you prefer,

or even the radio.

Electricity and everything, in fact.

In short, Romain Roland?

No, he has a street in Paris.

He was a doctor?

No, but on the other hand,

he has a very famous name,

because it's a very widespread name in our profession,

not only at journalists,

so...

George Duhamel?

George Duhamel, good answer!

Olivier Bellamy?

Bravo!

It was George Duhamel,

doctor, writer, French poet,

secretary of the French Academy

who was raised

against the phonograph and the radio

and who thought that it would prevent

people from playing music

because they would listen to it rather than do it.

It's not stupid at all.

It's rare to see a Duhamel

who is against something.

And when Chirac said

I dreamed that there was a third Duhamel,

well, there was one.

Yes, there were a lot of them.

The Duhamels, I think,

have nothing to do with this family

that we know, Patrice, Alain

and the son who, by the way, is on BFMTV

today.

There was a minister of culture called Duhamel.

Well, there were a lot of Duhamels, indeed.

And George Duhamel was also

the composer Antoine Duhamel

and the grandfather of the writer-journalist

Jérôme Duhamel.

We were saying that the bourrage and the patural

are the Duhamels of the French Academy.

He is very strong, our governor.

It's the escargot and the choucroute.

Today. We talk a lot about the former champions

in the press these days,

but for what reason do we talk about the former

champions? Who is the former champion?

A sportsman.

No.

The guy with the champion brand.

Oh, but you always wanted to do Bernard today.

Question for the champion.

Well, listen, we hope, in any case,

that he will wear his name well, Mr. Champion.

Ah, yes, I know. You have visited him at BFM

and he's a champion.

He's going to make a contest.

No, no, no, he has an important post

and we hope, indeed, that it will be more effective.

He is a minister.

Ah, the one who will be the new rector of Versailles.

Well, a big round of applause.

Wow.

I will take your wow.

But did you know?

Did you know that it existed in Versailles?

Of course.

But I still had too many good answers today.

Absolutely, Mr. Asou is a real big head.

That's it.

We're not going to answer the most cultural questions

that are.

I'm sorry about my time. Panayotis Pasco

and Chen Champion.

Exactly, you have.

People who serve us today who have not died

and Shakespeare continues to serve us.

But we don't care about Shakespeare.

No.

Has it not been a victim of harassment when you were little?

No, no, no.

You, yes, by the way.

No, but not at all.

At that time, I had never seen harassment

at school, at high school.

No, I was a bit harassed.

But you think it's a lie that harassed has always existed?

Yes, but it's nothing.

Laurent, you have always been concerned.

Yes, I was a bit harassed because I was

not, yes, I was not.

No, but wait.

The mockery is not harassment.

Ah, the mockery is not harassment.

The children have always been ugly.

They have always been a bit mocked.

Harassment is really people who are lying

against a person who is hurt.

Yes.

It becomes harassment.

We can be harassed by a single person.

It's no need to lie.

Social networks have amplified the phenomenon

considerably.

No, no, no, no, I did not say it was culpable.

It brings a lot of things to mind

and a lot of things to mind too.

The woman of Mime-Marceau often said

my husband Marcel.

And Laurent, what saved you then, Laurent?

Sorry?

Humour, Monsieur, humour.

Is it true that you answer from time to time then?

It's a means of defense.

When you are not hostile.

I have always said that, it's true at school.

When you are not hostile, you are not rich,

and you are not beautiful,

but in Laurent,

you are rich, you are constant,

and you are beautiful.

It was the invitation of the day.

The invitation of the day, it's called

Maël and she will sing live

in our show.

Her album,

Vendredi,

she was the first young woman,

I could not do that.

She was the first girl to win The Voice.

Since she released two albums,

the album will be called

Phil Rouge, but for you,

today at Grosse Tête,

she sings Open Eyes.

I can not see

but I can see

that he looks like me.

We just want to forget

forget about us.

But the heat

warms my hopes

and it does not come from you.

The ladies

are in retreat

I drink in your memory

in waiting

the sky is black

it is good in my pure

it will remain

or not

Dance, where are you going?

I am the prisoner of time

who passes

Dance, do not stop

I can not continue

Dance, where are you going?

I am the prisoner

of a world without you

without you

are you there?

Dance, where are you going?

Your heart is broken

like me

finally I believe

and what she looks like

I hope she will listen to you

she will listen to you

but the heat

warms my hopes

and it does not come from you

but the ladies

are in retreat

I drink in your memory

in waiting

the sky is black

it is good in my pure

it will remain

or not

Dance, where are you going?

I am the prisoner

of time

who passes

Dance, do not stop

I can not continue

Dance, where are you going?

I am the prisoner

of a world without you

without you

Thank you

In acoustic, piano, voice

Bravo Amel

who sang to open the eyes

an expression of his new album

which comes out on Friday red

the young Amel, she is only 22 years old

she will sing at La Sigale

in the month of March in Paris next year

but there will be a tour

which will start in February

through the whole of France

Welcome Amel

thank you very much

he had to wait 7 seasons

of The Voice until a young girl

wins this competition

Yes, there was another one

Yes, there was another one

I launched the movement

You are in your second album

on the first one, Zazie

who was your coach

at The Voice

who worked on the second album

with you?

I had the chance to work with

a man called Jean Castel

He gives me too much

I'm doing the van first

I felt she was coming

You know the missions

That's why

Jean Castel

I worked with us, Adrien Gallo

from BB Brune

and Stan Neff who made the whole album

It was a real chance to work with all these people

You mentioned Adrien Gallo

Do you remember him and BB Brune?

The band no longer exists today

but it continues to write and compose

It was slow, that's the song

Exactly

This is on the new album

just like Flash

who was the first single

before the release of this album

What do you want to say?

You are always in my flash

as if I had no more space

But what do you imagine

so quickly?

What do you want to escape?

The album is sold again

It's called red wire

What is the red wire between these different songs then?

I think it's overall love

unfortunately

It's not easy to find love at the age of 22

It's not easy

but it doesn't run the streets

You are romantic

Don't answer him

You are 22 years old

What do you think?

Do you feel the same in real life?

I'm not very romantic

It's something that gives me a little

the word sometimes

That's not romantic

except if you order it at Interflora

You don't like the softness

Yes, I really like the softness

but I can't get out of it

It's going to come to Mal

It's going to be a little soft

You will be in the big studio

here

where you are today

I'm going to move here

Saturday at 18.15 on RTL

we will hear you in the big studio

with two artists

we have received here

ZAO from Sagazan

and a color that was a big success

this summer

an extract of the song

one of the songs that made you win

The Voice

we were talking about Aristotle

you had recieved a song by Aristotle

Why didn't you want to hear that?

What a remarkable English accent

I didn't notice

We have the same

It's for that

It's good memories

Great memories

It's just that when you listen

in a helmet like that

it's a real pleasure

I'm going to do that every day

I would like to present you

precisely since we are talking about

this show together

I would like to introduce someone

who you know well

He is here for you today

I wanted to see you again

Nikos!

Hi guys!

It's Nikos

the animator at 35 hours

but every day

Maël, do you remember me?

I'm the one who took the sirtaki

to your family in the ZAO's lodge

By the way, in 2019

you got ZAO

and you got it all over the world

Come on, Maël

I leave you with someone you know

It's Mika

Thank you, Mika

Don't forget our dinner tonight

We're going to eat together

Mika, just like that

Miel, I love your music

I listen to you in my helmet

and it's so cool to have Miel in my ears

But I was waiting for you

You didn't choose my team

nor my Florent Péné

You chose my Zizi's team

Zazi, Zazi

Yeah, Zizi

With the rancule

you did well in my Zizi

Like that, you won the show

I could be fine on the sky

Relax

Sing below and come back

Hello

So, we're a talented young artist

and we don't call you a singer

Hello, Miel

You said you wanted to talk about me

on TV or in history

I listened to your song

It's beautiful

There's a guy who tried

to harass me

I caught him in the elevator

I blocked his doors

Like that, you don't want to say anything

And in the end, he's the one who brought the place

That was on the previous album

This song about the harassment

of mass

But I think it's a very famous voice

I think it's the voice of Dock

back to the future

Bravo to Marc-Antoine Lebray

who stays with us

We meet again after the rain

with Mael for the Valleys Hurtel

Hurtel

The Valleys

Mael, if you're going to do the Valleys Hurtel

I've heard of the Valleys

Do you know the place?

No, you can tell me a little about it

Can you explain to him with my voice

Lebray?

It's very simple

We don't have

an auditor or an auditor

You just ask

what's in the Valleys

Ok, very good

First, you gave me a little number

from 1 to 20 to the choice

4

Marion Montpois

Well, yours is not better

Marion lives in Lyon

It's simple, it's a lioness

Marion Montpois

Marion Montpois

Hello, Marion, you're doing well

I'm Mael and I'm with the whole team

and I have a question to ask you

Are you ready or not?

What's in the Valleys Hurtel?

Sorry, I don't know

Marion

You didn't listen to us yesterday, Marion?

No, not yet

I'm a bit late

You're a bit late, so you're late

You won't be allowed to win the Valleys

because every day we add

something, so I understand where you don't know

I understand that you don't know

for nothing

I understand that you don't know

You don't know

I'll say it in your place

All this to tell me that you lost

Too bad

What do you do in life?

I'm at the test of air

Do you know Jean-Phi and then Marion?

No, only Jean-Phi

I've never been at the test of air

We had sails

What company do you work on?

Trontavia

So what?

You didn't win, you lost everything

We have complaints

Marion, I hope that you will continue

to listen to the big heads

Can we offer him your new album?

With great pleasure

Marion, I hope you'll like it

We offer you the album

Do you remember Marion? She won The Voice

It was the 7th season

The first young woman to win The Voice

It was Marion's show

Marion, you lost

Marion, listen

We have everything wrong

Don't look at Nico

Marion, you have a little trouble

But it will be for another time

And we send you not only the album

You will discover it

And a big hand

We hug you

Tomorrow at 5.30

We wait for the release of the album

Fidrouge de Maël

You will find Julien Célier

With Marc Antoine

Good evening Julien

It's your turn

Thank you

Machine-generated transcript that may contain inaccuracies.