Les Grosses Têtes: L'INTÉGRALE - Émission du mardi 3 octobre 2023
RTL 10/3/23 - Episode Page - 1h 43m - PDF Transcript
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Hello, happy to see you again.
Bravo!
With for you today, a brostate who triumphs with Sophie Marceau, Parisian food theater, François Berléon.
Bravo!
She's talented.
A brostate who triumphs in a library with her book CRIME & FRIENDS of France, Paul Alcarazzo.
Bravo!
A brostate who triumphs in a 20 years in France with her new spectrum,
and she just had a short break in the grand studio Liane quality!
Hello!
Boo-hoo!
A brostate who triumphs at the presentation of the饒-to,
Oh yeah, everyone gives it it's glory!
And flowers complete when they sing...
Christophe Beau Hotel!
Hello!
a big head that has on the tongue what Bernard Mabille has no more on the head
Isabelle Mergo
a big head put in the exam for Ciber Arcellement on UberHit and Denis Verrou
Bernard Mabille
How many orders do you make per day?
I imagine that now it has to go, I'm not 3-4 times per day
now that we can order what we want to eat at any time
I changed my freezer
I took something bigger for them
I took the courgette model
If you want
Stop, the girls of Bernard are there today
It's not true
Well yes
Your sons
They come out
They come out in the public, I saw them just now
They come out, they walk, they live
They are not old
You are horrible
It's true that they are already retired
They must not be all young, your daughters
Yes they are young
They will never get old
No but like François Berléon, they were not quite late
A comedian can be lost very early
Oh
You understand a little
There are three people who have applauded, there are still people who have understood
By the way, the great injustice with women's lives
Why?
Because a guy who can do it
Hugo Frey, 94 years old
He is no longer Hugo Frey
Yes
I agree with Isabelle
45 years of difference
It's crazy, it's like I'm 15 years old
Ah yes, you do it
No but the young man does not want to
Well it depends
No it's not true
Come on, a first quote for Claire Larry
Who lives in Vitry on stage
Who said
I have already tried to pay my taxes with the smile
He prefers a check
François Yaldax
Jean Yann
Jean Yann, good answer
You have to say that he was obsessed with taxes
Good answer, Isabelle Mergo
It was hard
Ah yes, it was hard
For Lucie Pommier who lives in L'Huel in Lyon
Who said to Hollywood
If you do not have a psychiatrist
Everyone thinks you are crazy
It's an American
An American who died 20 years ago
Mel Brooks
Mel Brooks, no
He died 100 years ago
George Burns
No
Bob Rupp
Bob Rupp
Good answer
from Paul Alcaraz
A question for Nicolas Vial
who lives in Tonnex in Switzerland
Who said
He has to love someone
To prefer him to his absence
That's crazy
No, not at all
Jean Cocteau
Someone who was born in 1894
Who died in 1977
Jean Roestan
Jean Roestan
That's how we get rid of him
He's in church
For Philippe Dolherme who lives in Lisbon
Who said
Nothing beautiful can be summed up
That's crazy
No, we can't
Nothing beautiful
And he's missing something
It's a woman
It's a woman
It's a painter
No, it's a poet
It's a writer, a philosopher
Alain
Cocteau
Pascal
Born in 1871
Paul Valéry
Paul Valéry
You have another quote
Yes, more difficult
Maybe just dates
Yes, just dates
And then you give the quote
Yes, give the dates to see
We can go to something else
But I don't think the dates will give anything
I'm not sure our friend Paul Alcarrat
Knows the one
I'm going to give the quote now
But I can give you these dates
Yes, the dates first
1920-2006
That's good
That doesn't mean anything
Jack Sternberg?
No, no, no
1920-2006
Jacques Lanzmann?
No, no
But we're getting close
Jacques Chirac
Dari Kohl?
Go and ask the question
Who said the tailor is here
But his son is a tailor
And his son is a tailor
Not a tailor, by the way
Because the son of the tailor
He didn't like to be a tailor
So he was a tailor
So he was a tailor
By the way
No, it's a drama
Dari Kohl
Dari Kohl
It's not a drama
Dari Kohl
It's a drama
A French drama
A French drama
Yes
It's a drama
I was writing pieces
No, a novel
Not a novel
We owe him 200 songs
Francis Blanche?
He played it sometimes
It was a friend of George Brassens
Nicolas, Nicolas
No, no, no
With Bobby Lapointe, maybe
Pierre Nicolas?
No, no, no
And he also said
Never had we seen so many people
in these obsesses
We must specify
that he would die for the first time
Pierre Lucchi
Pierre Lucchi
Good answer
from Bernard Mabille
Oh, I'm so happy
It's forbidden by the law, Mr Mabille
Bernard Mabille is so proud
to have found the name of Pierre Lucchi
Absolutely
Who was Pierre Lucchi
for the youngest in our schools?
A singer, Amid Brassens
who was the best
He doesn't know who he is
Yes, yes
I saw it on stage
He wrote a lot of songs
for Patachou
Ah, Patachou
For Isabel Obré
For Mimuche
I don't know who Mimuche is
For Mimuche
For Amid Brassens
For Amid Brassens
You know Mimuche
No, not particularly
That was
There are a lot of questions at the moment for the fast skutigers, but what are the fast skutigers?
Do they eat themselves?
No, they don't eat themselves.
I don't know.
They are transport bikes.
No.
Is it linked to the bedspreads?
Yes, so...
So, you're talking about the bedspreads and the bedspreads stuck in it?
No.
Is it a kind of bedspread?
No, it's not a kind of bedspread.
Is it a predator of the bedspread?
It's the most famous predator of the bedspread!
Good answer!
So, what is it?
It's another bedspread.
It's another bedspread of the bedspread.
It's a bedspread that sticks even more than the bedspread.
What is it?
The fast skutigers, or if you prefer,
skutigers stuck in it.
Oh, you had to say that.
It's a bedspread.
It's spread all over the world.
It's a kind of milipede, you see?
So, you choose where you have the bedspreads,
where you have the milipedes?
Yes.
And if you take those milipedes, you won't have any bedspreads.
But you'll have milipedes.
But you'll have milipedes.
So, what do you have as a predator of the milipede?
The bedspreads that can suck you up for 20 minutes.
Oh, that's great!
Sorry, but me too.
That's why I know.
Me too, I can do it.
That's why we don't talk about it.
And I don't do that in bedspreads.
Yes, but what can it absorb for a year and a half?
No, it seems that when they grow up once,
they need you badly.
Oh, yes.
And they get up regularly.
But you tell me,
yes, what does she mean by that?
But no, it's serious.
They get up,
and they grow up once,
after they don't need you badly anymore.
They get up regularly,
thousands of eggs,
all the time, without needing you badly.
Thousands of eggs?
Yes, yes.
So, you've understood.
That is to say that...
She dies in less than 42 years.
So, they don't need men,
that's what you mean?
When I say no,
but I'm going to shut her up forever.
So, Isabel, you're not in a good mood this morning.
What's going on?
She's going to say something.
No, but what's going on?
Really, did you know
that the chicks get up once,
and after they don't need you badly anymore?
After they don't need you badly anymore,
and they get up regularly,
did you know that?
No.
So, a bunch of bastards, so...
But you see,
you're still a little nervous.
No, but wait,
I'll give you a hand.
No, but it's okay.
Why are you so bad today?
Because I said something,
that no one knows,
and you got me badly.
No, she arrived badly.
You arrived badly.
I know you.
I know you.
When you arrived like that,
no shampoo,
no toilet,
with the hair.
But what's raining outside?
Yes, and then...
Is that what makes my life worse?
No, but that's what...
You can't be un-disposed anymore
at your age.
You're a mess, Bernard.
I know how to talk.
And we both...
And we both...
Why am I laughing?
Relax, Isabel.
Fight.
What could please you?
I'm not ready to make you happy.
I'm not ready to make you happy.
I'm not ready to make you happy.
Now, go ahead.
I'm going to give her a massage.
No.
She says,
Don't touch me!
I was very disappointed.
Besides, she has a very nice personality,
Paul,
you don't find it funny?
Yes, of course.
She's a little bit shy.
I see you, Paul,
look,
the mergo is dead.
No, not at all.
It's not funny.
Isabel,
it would be a nice cougar.
No, no, no.
First, she doesn't like me,
and then here you are.
That's the base,
that's right.
Stop being shy.
Stop being shy.
She's crazy.
She's crazy.
She's crazy.
She's crazy.
She's crazy.
This thing is hot,
after I'm cold,
after I...
So here I am.
But I do what I want with my body.
No, but that's...
Well, she's crazy.
She's pretty,
she's still naked.
Yes, yes, yes.
Go, go, go, go.
No, take it off again.
When I walk on the street,
we whistle,
and then we double,
and then...
Oh, sorry.
That's it.
Back, it's okay.
People still love you
more than before.
Absolutely.
And I had a lot of luck with the mask,
because I had glasses,
the mask,
and then I was doing drag.
But now...
It's going to come back to Covid.
Yes, yes.
Ah.
And we wonder why
it's a bad time.
So, once again,
you hold my pillow.
What did I say?
Ah, you were my chou chou.
My favorite,
say my favorite.
Yes, my favorite,
you were my favorite.
And how did you
launch a skud there?
A big skud?
What did he say?
Oh, well,
you know,
I have to repeat it.
Well, we forgot.
And then,
the reading glasses, right?
A political question
for Michel Lyocca,
who lives in the Pertre,
Gérard Larcher,
you know,
the president of the Senate.
Yes, yes.
The Rolling Stone.
Yes,
he was already...
Yes,
he was already elected.
He was elected,
and my question
is going to be very simple,
because it's his fifth mandate,
as president of the Senate,
Gérard Larcher,
and indeed,
he's been there
since 2014.
But
who was his predecessor?
It was a woman.
To the president of the Senate?
No,
there has never been a woman
to the president of the Senate.
To the MPR?
No,
to the MPR.
No,
it wasn't
the ex-Marie Michel Lyot-Marie.
No.
So,
frankly,
I think I can
prepare a check
of 300 euros,
because this morning
I looked a little bit
who was
all the presidents
of the Senate
under the Fifth Republic.
The first,
you know him,
by the way,
a president
of the Senate
who was black,
Gaston Monerville,
then there was
Alain Poirot,
then there was
René Monorit,
then there was
Christian Ponce,
then there was
Gérard Larcher,
because Gérard Larcher,
in fact...
He was there before.
He was there before,
and then there was
someone between
Gérard Larcher
and Gérard Larcher.
Who died,
who died.
No,
not someone who died.
Wait,
was he the first minister?
He wasn't the first minister.
Has he already been
minister, this gentleman?
No, no, senator,
but not minister.
And he only stayed
a year, senator?
No,
he stayed senator
for two years,
eleven months
and twenty-nine days.
The Republicans?
It's by the way
the only president
of the Senate
on the left.
All the presidents
of the Senate
were always on the right.
The only president
of the Senate on the left
was just before
Mr. Larcher,
and I ask you
his name.
Was he radical on the left?
Was he radical on the left?
In which year?
He wasn't a socialist.
So he was president
of the Senate
between 2011 and 2014?
It wasn't Emmanueline.
No.
Could you give us
the first name?
Jean-Pierre.
Jean-Pierre Madeir.
No, no, no.
No, it's not that.
Jean-Pierre.
Jean-Pierre.
After,
he did diplomatic missions
in Latin America
when he left
the president
of the Senate.
Jean-Pierre Guevara.
He has a name
originally a little...
Jean-Pierre Castro?
Jean-Pierre Fuentes.
No.
And he's dead when?
He's alive.
He's alive.
Oh shit.
It's stupid.
And why isn't he dead?
It's a shame
he couldn't have helped us
with Paul.
He was born
in a community-resistant family.
Oh, he was a communist.
His father,
no, he was a socialist.
His father was...
He was federated.
His father was
commercial staff,
his mother worked
in telegraph and telephone posts.
At the time,
we used to say
PTT.
He studied
Toulouse.
Toulouse.
He married
the daughter of
the president
of the General Council
of La Rige.
As by chance.
And then
he divorced
his husband,
second-nose,
Irina Plagodinez,
Cuban mannequin.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Oh.
Gagne a chèque RTL, des mains solaires.
Oui, il y a une dame au fond qui a levé la main tout de suite.
Il y en a deux.
Je vais voir la dame au fond qui a levé la main en première.
Bonjour, alors donnez-moi votre prénom s'il vous plaît.
Laurence.
Bonjour Laurence, vous venez d'où ?
De Neuilly.
L'Orange de Neuilly.
Alors, 100 euros.
Elle a pas besoin de 300 euros.
Oui, il n'y a pas besoin de 300 euros.
Ça suffit largement.
Alors, dites-moi quel est le nom de ce président du Sénat.
Jean-Pierre Bell.
Jean-Pierre Bell.
Bravo.
Bravo madame.
RTL.
Les grosses têtes répondent aux auditeurs.
On commence par Marine, qui nous écoute tous les jours en podcast.
Bonjour Marine.
Oui, bonjour Marine.
Oui, bonjour.
Oui, bonjour.
Dans le public.
Dans le public, vous salut.
Votre chouchou.
Là, votre chouchou, il est là aujourd'hui.
C'est François Berlion.
Eh ben oui, c'est mon petit chouchou.
Vous aimez les personnes âgées ?
Je suis.
Vous êtes gérante au fil, Marine.
Ah c'est gentil.
Non, vous rêvez, vous rêvez d'aller voir la nouvelle pièce de François Berlion.
Ah, elle veut juste une place grâteau, ça.
Avec Sophie Marceau.
Non, c'est...
Non, non, non.
Vous avez retéléphé de rien que ça, c'est un beau cadeau.
Vous avez déjà aller voir Monsieur Berlion sur scène ou pas ?
Eh ben non, j'en casse, non, j'en casse, eh ben allez.
C'est pour vous dire à quel point, les fans ?
Y a de l'E.
Y a de l'E.
Y a de l'E.
Y a de l'E.
Y a de l'E.
Y a de l'E.
Y a de l'E.
Y a de l'E.
Vous êtes dans votre toilette ?
Vous êtes au...
Ah non, je suis dans mon bureau.
Dans votre bureau.
Je suis chargé de tir en tête dans une agence d'intérim.
Ah oui.
Ça va pas être facile de trouver de place,
parce que je crois que c'est blindé, blindé, blindé
au bouffe parisien.
Eh ben oui, c'est ça le problème.
Je vais essayer, madame, mais je suis pas celui-là.
Je vais essayer.
On ne peut pas vous promettre.
On va demander à Monsieur Richard Cayat,
qui est le producteur et directeur du théâtre.
Je suis une fan inconditionnelle de Sophie Marceau,
donc au moins.
Oui, mais lui aussi.
Ah, voilà.
Elle a vous, elle a vous.
Donc en fait, c'est pas Berlion,
où vous allez voir, c'est...
Mais non, elle a fini par avouer.
Elle a fini par avouer.
J'ai 2004 dans les choristes.
Ah, oui.
Ah ben oui.
On vous embrasse.
En tout cas, Marine, c'est gentil.
Raphael, maintenant, est au téléphone.
Bonjour Raphael.
Bonjour Laurent,
vous ont les grosses têtes.
Bonjour Lutubique.
Bonjour Raphael.
Raphael, à noter que l'autre jour,
j'ai utilisé moi-même une expression
qui n'était pas très jeune.
J'ai dit à Monsieur Az,
tu as le bonjour d'Alfred.
Je reconnais que c'est pas très moderne,
comme expression.
Non.
Oui.
On se voit bien.
J'ai fait une recherche sur Internet,
et ça vient d'une bande dessinée
des années rares zigue et puce.
Je me rappelle d'une question
que vous avez posée, je pense,
qui allait être la première BD
à utiliser des phylactères, des bulles.
Oui.
Et c'était zigue et puce.
Oui.
Je crois que les camarades des grosses têtes
avaient perdu 300 euros
sur cette affaire,
enfin, c'est pas eux qui perdent,
c'est la station,
dans ces cas-là.
Mais effectivement,
à cause de tal bonjour d'Alfred,
je crois qu'on avait perdu 300 euros.
Oui.
Il y a eu plusieurs questions
sur zigue et puce, Raphael.
Autre chose,
ajouter mon bon Raphael.
Ben écoute,
je vous écoute tous les autres,
donc,
je vous l'adore.
Oh, bonsoir,
j'en suis, Raphael.
Vous voulez rien,
pas une montre,
pas un...
Je sais quand même.
Il veut une BD,
Sophie Marceau,
une BD zigue et puce.
Il veut une BD...
Non, il veut rien.
Il est content de nous avoir eu au téléphone.
Ça va nous coûter moins cher,
c'est très bien.
Alors, vous avez le bonjour
des grosses têtes, Raphael.
Alors, Vero,
maintenant,
est au téléphone.
Bonjour, Vero.
Salut, Vero 1.
Vero de la content.
Bonjour, Vero.
Vous voulez dire quelque chose
à Isabel Mergo,
c'est ça?
Oui.
Alors, en fait,
j'adore toutes vos grosses têtes,
mais la chouchoute,
la vraie vraie chouchoute,
c'est Isabel.
Ah...
Alors, attendez.
Alors, là,
je suis contente
parce que je t'en prends plein la figure
depuis le début de l'émission.
Ça me réchauffe le coeur.
Merci, Veronique.
Ouais, non, mais c'est vrai
que depuis ce matin,
c'est à votre fête, effectivement.
Depuis t'as vu l'expression.
J'ai l'impression
que ça l'a fait marrer.
Vous l'avez vu arriver
à la fête qu'elle fait.
Alors, pourquoi vous êtes
fan d'Isabel?
J'adore.
J'avais toujours hôtel
des variétés.
Sauf quand vous êtes absente,
ça est arrivé
une fois malheureusement.
Ah oui.
J'espère que vous allez avoir
une nouvelle pièce
prochainement.
Oui, en février
au terre des nouveautés.
Il y avait Liane Folie,
à sa place,
peut-être le soir,
vous y êtes allée.
Non, non.
Sarmonte, non, non,
Sarmonte, Liane Folie.
C'est quoi ta pièce en février?
Eh bien, c'est une pièce
en février,
mais comme personne s'intéresse
à moi,
bah je te dirai si.
Et voilà,
on donne une question
de la compagnie.
Déjà vous,
au terre des nouveautés,
c'est une surprise.
C'est quoi le nom
de ta pièce?
Oh la tête.
La déconfigure.
Merde.
Est-ce que c'est une pièce
merveille?
C'est une pièce drôle
ou c'est un mec
qui est sur scène
toute seule?
Je suis pas là
pour faire ma promotion.
Allez.
Allez, on va passer
à Pierre.
Bonjour Pierre.
Oui.
D'une émission la semaine
dernière.
Bonjour Pierre.
Je sais pas si c'est moi,
c'est quelqu'un
des grosses têtes
qui a dit que le champagne
n'était pas un vin.
Vous dites si
le champagne est un vin
et vous résumez
d'ailleurs ça
très très bien
dans le mail
que vous m'avez envoyé.
Vous dites
tous les vins
ne sont pas du champagne
mais tous les champagne
sont des vins,
sont plus champagne.
Voilà, voilà.
Vous avez tout dit.
Vous avez tout dit.
Eh ben, voilà Pierre.
Je me fâche toujours
un peu quand on fait
cette distraction
entre champagne et vin.
Mais vous avez raison.
En tant qu'anciens viticulteurs
car vous êtes un ancien viticulteur.
Oui, oui.
Al-Jassian
mais je pense
que c'est un coup
des champenois.
Si vous demandez
à un viticulteur
champenois
de déguster son vin
il vous regarde de haut
et il vous dit
moi je fais pas de vin
monsieur je fais du champagne.
Donc, ils ont bien
joué leur coup, les gars.
Ah oui.
Mais qu'ils nous lâchent
la grappe maintenant, alors.
Ben carrément.
Oui, oui, oui.
Vous avez des combats, monsieur.
Pierre.
Bah, écoutez,
on a les combats
de ses compétences, quoi.
Pierre.
Pierre, on apprécie
ce coup de gueule.
Je vais vous donner
le téléphone de Pascal Pro.
Allez, c'est à des punettes.
Et on te lance
très fort.
Les grosses têtes
avec Laurent Ruquier
c'est tous les jours
de 15h30
à 18h
sur RTL.
Toujours avec Isabel Mergo.
Yann Folie.
François Berlian.
Bernard Mabdi.
Christophe Beaugrand.
Et Paulette Carras.
Une question
pour Thérèse Vidéen
qui habite Montgermont
c'est dans Lille et Villaine.
C'est l'année Eiffel
cette année
puisque
en décembre prochain
le 27 décembre
nous célébrerons
le 100e anniversaire.
L'année ercère de la mort
pouvez-vous me citer
une autre construction ?
Le Viaduc de Garabhi.
Le Viaduc de Garabhi.
Le viaduc de Garabhi.
Le Viaduc de Garabhi.
Le Viaduc de Garabhi.
Bon, on a une réponse.
Il faut voir le pont à Porto
aussi le pont de Porto,
qui est extraordinaire.
Le pont de Porto,
j'y suis allé
à Porto, effectivement,
le pont est...
Et l'ausature
de la Statue de la Liberté.
Exactement.
La Statue de la Liberté
c'est un peu lui aussi.
Il est fort ce tatave,
en tout cas.
What's your name?
Gustav.
Gustav, it's Tatav.
I had a name called Gustav, so we called it Tatav.
It's terrible.
It's called FFL.
It's true?
It's called Gustav.
It's possible.
I have a sports question to leave the world of Mr. FFL, and for Charles Tendron, who
is used to playing on Erdre, it's in the Atlantic law.
The question is all stupid, there is a Mr. Popovic, Greg Popovic, who we talk about
a lot in the press today.
It's one of the best in the genre.
The best coach.
Yes, where is that?
Yes.
The best basketball coach at St-Antonio, Spurs de St-Antonio.
Good answer from François Berléand.
Bravo.
And it's Greg Popovic who will have to train the young Frenchman.
The prodigy number one, indeed, Victor Wemba-Nyama.
Victor Wemba-Nyama who is 2.22 meters still.
He didn't pay much to grow up.
He is taller than the basket.
It's almost cheating, I think.
I find it.
So I had a debate.
I think I don't know him, but it's still a debate.
And he said to himself that we are taller than the basket.
It's still cheating.
It's true.
Yes, no.
He's taller, he didn't want to make a boom.
The basket is 3.5 meters still.
Yes.
So you have to jump a little.
You have to jump a little.
Maybe a little bit.
Maybe a little bit.
Maybe a little bit.
Yes.
It's not won but it's easier.
Anyway, it's easier.
It's easier.
Yes, but he scored 3 points.
It's still pretty rare.
It's pretty rare.
From afar too.
Yes, yes.
So it's pretty good.
The little Wemby can't get through the ball.
It goes well and it's the basket.
And just how do we call a new player?
A rookie?
A rookie?
Not an answer!
A question for Léa Dumas now who lives in Saudeville, Léroix.
A question that concerns Catherine Donov, who answers Etienne Sorin in the Figaro today.
It's the title of the article, it's quite interesting because she plays Bernadette Chirac in the movie that comes out tomorrow
and there she says, I wouldn't like at all that we... what?
We think I'm on the right.
We'll make a movie about me.
Exactly, I wouldn't like at all that we tell my life in the cinema.
Good answer from François Berléan.
It's funny what she says.
Yes, it's funny because she plays the role of Bernadette Chirac.
In fact, she would hate that an actress plays the role of Catherine Donov in a biopic
which we would take to play Catherine Donov.
Alice Taglioni.
Alice Taglioni is the one who smells like that.
Yes, Elodie Frege.
Elodie Frege is young, she has already played Catherine Donov young in the film Potiche.
Yes, Isabelle Merlin.
Oh, that's Catherine Donov.
She can play everything, Isabelle.
Oh yeah, if only she could play the bi-it
so frankly.
Oh, that's why this mous escola.
I would have waited.
But how earlier didn't you do that?
That's right.
Oh let's push it!
But we were able to respect each other.
Why did you jump on me like that?
In this movie that comes out tomorrow, I don't know if you've already seen it, I've already had the chance to see it.
It looks funny.
It's very successful, very fun.
And there is an amazing scene, obviously incredible.
A scene that reminds us of the famous night where Lady Diana had her car accident in Paris.
For what reason do we see this scene in the movie?
Well, because Jacques Chirac wasn't at his home this night.
And she says he was with an Italian actress.
Exactly.
But that's what happened in real life, apparently.
And we see that in the movie.
We even hear the voice of the Italian actress,
Bernadette Chirac, obviously, is terribly sad,
because she sees everyone agitated to try to find the president of the public.
We are in the middle of the night, it's not where she is married.
And she is indeed part of a great Italian actress whose initials are CC.
CC.
So we won't say anything.
But it's funny because they have...
But think it's true, this story.
Yes, it's true.
Mr. Bernadette.
I don't know, I don't know, I was there, I don't know.
We were making the bridge.
Would she have imagined one day Bernadette Chirac being played in the cinema by Catherine Donner?
No, I don't think so.
No, but I don't think so.
But on the other hand, it's rather...
Flattener, Flattener.
Flattener, yes, Flattener.
She would have been played by Catherine Donner.
But did she see the movie?
So no, we say she didn't see it.
Claude Chirac saw it, his daughter...
Ah, Claude Chirac, yes, yes.
No, but then...
No, it's not an Italian actress, Claude Chirac.
Ah, yes, that's right.
Chirac is played by Sarah Giraudot in the movie.
Very, very well.
She too.
And it's true that what's terrible about the movie is that the first presidential candidate
of Mr. Chirac, Bernadette, has a rather effaced role
with the daughter of Jacques Chirac, Claude Chirac,
who is kind of a first lady,
while Bernadette was the first lady.
But there's a kind of jealousy between the mother and the daughter.
It's kind of what the movie tells tomorrow,
but in any case, it's a good collective response.
Speaking of Catherine Donner and the night where Lady Diana
had this accident in Paris.
RTL, six big heads, five fake news.
Ah, Boie Colombe is Guillaume who will play with the big heads,
trying to find the real info.
Hello Guillaume.
Hello, hello everyone.
I'm Boie Colombe.
Precisely, what do you think?
I advise companies on sustainable development policies.
Oh la la.
Ah, you're Colombe.
That's important.
Well, perfect.
A Colombe who will perhaps leave
during a three-day weekend
at the Hotel Quatre-Étoiles-Freigate-Provence de Bandol.
Ah, it's not bad, Bandol.
At the heart of the vineyards and the golf course
that overflows the Mediterranean,
the Hotel Freigate-Provence is a place
where a peaceful atmosphere or these days
takes all the colors of the province
to nourish the heart, the body and the mind.
Live a enriching and vivifying experience
in one of the most beautiful hotels
of Sincere-sur-Mer and Bandol.
It touches you, Bandol and Sincere-sur-Mer.
It touches you, it touches you.
There you go.
In Bandol, it touches you.
90 hectares of preserved nature,
a panorama to resource you,
a golf course of 27 holes,
three tennis grounds,
two swimming grounds,
five swimming pools
and a fitness space.
Guillaume is doing sports, Guillaume.
He can do sports there, Bandol.
At the Hotel Freigate-Provence,
a condition to find the good news
among the fake news that you're going to hear.
So, it starts right away by Bernard Mabille.
Gérard Depardieu, the actor written in the Figaro.
How do you want me to rape someone?
It's been more than ten years that I don't see Mabille anymore.
Isabelle Mergo.
The Bernadette movie comes out tomorrow in the room.
It's the story of Bernadette Soubiroux
who walked into the cave
and her husband who invented
motorbikes in the capital.
Christophe Bogrand.
Enigme scientifique.
Not a single trace of the line
was discovered on the island of Lampedusa
despite the active research of all the teams of CNews.
Palais Carattes.
The Parisian newspaper
addresses one of the assaults in the buses.
An investigation in which
we find the poignant testimony
of Cécile de Minibus
who is no longer coming out of her house.
François Berléand.
The Bouba rapper was examined
for cyber harassment on Magali Berda.
The boutiques du Tiffry of the Orly airport
ask Magali Berda not to take a plane
for a short dozen years.
And there is a madness to finish.
France has just launched a campaign
of unedited vaccinations of canards
against the flu in Vier
whereas during this time,
a dramatic version of the canard dance
is playing on social networks
interpreted by a boy who is called Léman.
So who says the truth?
Bernard Mady lives by God.
I don't think so.
And here it was a testimony of someone
who knows what he's talking about.
It's true.
So who uses Elmergo and Bernadette?
I think it's about another Bernadette.
Yes, it's Bernadette Chirac
and not Soubirou of course.
François Berléan and Bouba
I don't think so either.
Ok, so you stay.
Yann Bougrand
Yann Bougrand
Yann Bougrand
Well, why not?
We didn't think about it.
You eliminate Bougrand, you mean?
It was, otherwise the Punettes de Lille
Yes, the Punettes de Lille and Seigneuse.
They didn't go all the way there.
And in France, I eliminate Paulel Carrat
and the Parisian to keep the vaccination.
And you keep it.
And the dance of the canards that cartons on the Internet.
Yes, it's Eliane Folli who was right.
We have this song by the way.
It's the dance of the canards
who are coming out of the march
They're going crazy
and they're going crazy
It's funny, isn't it?
It's not bad at all.
They sing well.
It's not bad.
Yes, it's amazing.
Everyone can take the dance of the canards again.
Isn't it, Yann?
If I asked Veronica Sanson to take the dance of the canards again,
what would it be?
It's the dance of the canards
who are coming out of the march
I'm going crazy
It's this bad guy
who's going crazy
Jane Birkin
Hommage to Jane
If Jane Birkin had sung the dance of the canards
before leaving us
and if the dance of the canards
were coming out of the march
it would have been cool.
It's not bad at all.
I don't know.
We can ask Aline Renault
who has a garden in her name.
Oh my God,
but of course my dear Laurent
So you know it's in the chorus
in the couplet there
We have fun like crazy
Now the knees are crying
I can't anymore.
And maybe we can ask
if you asked Isabel Mergo
to sing the dance of the canards
Yes, but I love it.
It smells good.
I love the dance of the canards
There's a lot of the march
It's this bad guy
who's going crazy
Yes, it's you Isabel
Yes
No
Yes
I'm going like this
Yes, it's me
Yes
It's over
Look at me
I'm going crazy
But you know, there's nothing better
All the dancers on stage, I'm Timit
and you are a crazy success
People love you
People love you when it's Eliane
Are you the hero of Guillaume?
Yes
You're going to Bandol
or Saint-Syr-sur-Mer
It's one of the most beautiful hotels in France
You're waiting for the Frégate-Provence
It's for you
Great, thank you
Another question
Politics
Politics is sex
For Caroline de Merck
I know
Who lives in Lune-Plage
It's in the north, Lune-Plage
And the question concerns someone
who in a book
just wrote
I proved the need to beat crazy
Oh, it's Alain Juppé
Alain Juppé
Yes
The answer
We can imagine it
To beat crazy
But is there still this word
to say to my daughter
Stop beating crazy
Look at me
He's 80
He would have always been charming
Alain Juppé
Yes, but in fact
we weren't expecting that
from him
He tells a lot of things
With an Italian actress
He tells a lot of personal things
How could we imagine that one day
Alain Juppé
The rigor, the austerity
Who is right in his boots
Not only in his boots
He's right
You have to keep his boots
I've always been sensitive
to the beauty of women
Politics multiplies temptations
That's what he writes in his book
His memoirs
That he just published
It's rare when he slashes
like that
Alain Juppé
I've had adventures
most of the day
Even the evening
I like women
I like feminine beauty
I perfectly agree
I've had great love in my life
And it's true that I've had
the desire to beat crazy
That's why at 40
I've proved this need
I live a very very happy life
when I beat crazy
He tells that he got married young
He took advantage of it
And then he met
One journalist
The woman of his life
A journalist
Where he had a blow
Isabelle
She's got a microphone
And him too
And between the two
Between his previous wife
And Isabelle
He beat crazy
But it makes me happy
To know that Alain Juppé
Beat crazy
Oh, it surprises you
It doesn't surprise me
We would have said
I don't know
No, we're not going to say no
But we know very well
that politicians
are generally a bit hot
Not Juppé
He was beautiful
He was beautiful
It's not like he said
I do regimes
You don't expect it
A question for Laurent Goulet
Who lives far away
in the Mané Loire
What do we find on the Thain
On the Thain
It's in the newspaper
On the Thain
What does it say?
T-Y-N-E
Is it a river?
It's a river
A river
A river
A river
What are we looking for?
A big city
A big city
Newcastle
Newcastle
Good, the answer
From Mr. Paul Alcarrat
And yes, since Paris Saint-Germain
will face Newcastle tomorrow
Know that this city is on the Thain
But we say Newcastle on the Thain
A north river
From the Angleterre
Which is 100 km long
And which is thrown into the sea
From the north
And it's true that if we want to say
The name of the city
In its entirety
We can actually call it
Newcastle on the on the Thain
It's like a street phone
On the on the
Yes, it's like a Christmas tree
That's it
That's it
Since we're talking about Newcastle
In Paris today
And obviously there's the former player
Of Paris Saint-Germain
David Ginola
Ginola, yes, I've seen him
An ex-brother to you too, an animator
Yes, it didn't last long
Yes, but still
He tried to be an animator
David Ginola
Now he's a consultant
It's not an honor to everyone
A sports consultant
It doesn't matter either
And no, you would have been
Better on the field
Than him in front of the cameras
He was as a presenter
Yes, that's for sure
In any case, when he came
To Newcastle
It was a choice he made
Because the coach
Of Newcastle was one of the great players
Of English football
He became a coach
Who was he?
Bobbi Chardonnay
Eric Cantona
Eric Cantona, no
Kevin Keegan
Kevin Keegan
Excellent response
From Paul Elkarat
I've never expected this
I know him
He had twice the Ballon d'Or
In the 80s
Exactly
Twice the Ballon d'Or
He was a great English player
Kevin Keegan
I wouldn't shoot
In a Ballon d'Or
It hurts
It's not good
It's heavy
In any case, it's because
It's Kevin Keegan
Who trained in Newcastle
It was a good reason
For David Ginola
To go play there
He had other proposals at the time
But being trained
By a great player
Like Kevin Keegan
It was obviously
An additional asset
For this club
Who will face today
But it's no longer Keegan
The coach
Who will face tomorrow
Tomorrow, by the way
Tonight it's slow
Tomorrow it's PSG
In the Champions League
For Pascal Stark
Who lives 11
In the rich law
A question
Theater, Mr. Berléan
What for?
Thank you
Thank you for me
No, but you can also find
You can also find
You can also find
You can also find
In which famous room
Can you hear this replica
I made his knowledge
In a bus name
His first word
Was a kick
That's nice
Is it the 20th century
Or the 19th
We are in the 19th century
Is it Felicia Marceau?
No, no, no
The Biche?
The Biche, yes
The trip of Mr. Périchon?
No
A piece of the Biche
Who is playing at the moment
Yes, who is playing
And it's on the stage
The hat of Pai d'Italie
The hat of Pai d'Italie
A hat of Pai d'Italie
Even
Good answer, Bernard Mabille
It's our friend Vincent Dodienne
Who plays the main character
Of a hat of Pai d'Italie
You know the name
Of the main character
Mr. Berléan
Yes
It's the initials
No
Fadinar
Fadinar
Who has to marry a young girl
Who loses his hat
Yes, he runs after
His hat of Pai d'Italie
In the whole room
And at some point
There is a scene where
He just asked
The hand of the girl
As we used to do at the time
Of course
I just asked you
The hand of your girl
And who are you?
I have 22 francs of rent
So get out
Every day
So try
That's funny
It's funny
Yes, it's funny
There is another one
That's funny
She is in red
In pink
Yes, because it's her husband
The scene is of a French woman
And it's a very big show
Exactly
At the Saint-Martin gate
At least it was a good answer
Of Mr. Mabille
The hat of Pai d'Italie
A question for Valentin Péguet
Who lives in Vierzon
In the chair
Who pronounced this last sentence
He killed me
Henry III
During his murder
Exactly
Why are you laughing?
No, because the guy is on the
He is waiting at the Saint-Clou castle
That a monk comes to visit him
And at the moment
Yes, I think he's on the throne
That is to say in the toilet
He gets held up
He falls, injured, dead
And he says
He killed me
Well, yes, it's a good answer
Of Paul and Karak
I can see it for my birthday
Paul
And what's his name?
The evil monk
Jacques Clément
Jacques Clément
Well, you have to say
That it's in his book
To Paul and Karak
Yes, he wanted to test it
If he wrote it himself
Thank you
He has at least read it
It's called
It's called
Crimes and Mysteries
Of France
And dear Percolines
It's the new book
Of our Polo
How many books do you have?
He explores you
Dear Percolines
Four books
Four
A question now
For François Stavo
Who lives in Strasbourg
A question about an expo
An expo that hasn't started
It will be for next year
April 2024
But first
The strength of the red Mustang
Is ready
It will be the entry of the exhibition
James Dean
James Dean
No
Starsky Hodge
No
Is it an exhibition on a film?
A film
Is it a series?
No, please
Yes, baby
It's...
It's...
Louis Dunez
Louis Dunez
Louis Dunez
How do I put this in?
Explain
Well, I don't know
At some point
He's in a red car
Yes
It's the car of Claude Janssac
It's the car of Claude Janssac
Claude Janssac
It's the car of Claude Janssac
The car of de Capotab
The one that's going to become
The woman of the gender
I remember
The woman of the gender
Good answer from Christophe Boganc
It's going to be an exhibition
I remember
Of the gender
An exhibition which will mark
The anniversary
Of the first film
Of the series
In 10 years of We The Funest, Patrice Lafond, who played in the first film, was interviewed about this exhibition.
He said, if I was invited, I would come. Well, it proves, by the way, that we have not already invited.
He passes a message there. He passes a message slightly.
No, but let's start with the journalists. I have to find a survivor of the film.
There is no time for that.
The key, yes.
So, as Patrice Lafond was a young actor at the time, who went to interview him and asked him if he would be the inauguration of the exhibition,
he answered, well, if I was invited, I would come.
He also says that he has a good memory of the shooting, because it was not bad,
but that of Funest, he was not happy at all that the young people of the film, precisely,
were not serious during the shooting.
There, he didn't say hello to us.
Well, of course, he didn't care about the young people who were there.
It was no longer a very big role, Patrice Lafond.
He was almost a figure.
Yes, in this film.
He was sitting on the car, that's all.
He had more than a role as a figure, Patrice Lafond, sorry to tell you,
because at the end of the film, with Geneviève Grade, who plays the girl, Nicole Cruchot.
That's right, the girl of Cruchot.
The girl of Cruchot.
Yes, at the end of the first episode, they are married, they have twins in their arms.
They don't remember anymore.
Yes, so he was sure, having twins with the daughter of Funest,
to be in the following, in the New York gendarme.
And so he explains in the interview that he just gave,
he says, well, I had to die between Sintrop and New York because I wasn't in the two.
I don't remember that.
I have the photo of Patrice Lafond with Geneviève Grade and the twins, Bernard.
Yes, yes, yes.
He had a lot of hair, so to speak.
Oh, it was in color.
The museum, where is the museum?
In Sintrop, it will be.
Yes, it's weird.
I don't know who it might be interested in,
the young generation surely not.
The old one.
But the kids, they love it.
You show them Funest, they are funny.
To me, at the Atelier des Lumières, I took my daughters to see the exhibition on Tintin.
And there were a lot of children and everything.
And in fact, it's our generation that was interested in it.
Yes, it's very old.
But Maya, she went over it, she was on her phone.
And all the words were looking at me.
And yet, the Atelier des Lumières, it's beautiful as a place.
You have your children at the museum, it's nice.
Yes, at the Tintin Museum.
Why don't you take it?
No, not at the Tintin Museum, at the Atelier des Lumières.
Tintin.
Yes, yes.
Tintin.
So there is also the Van Gogh exhibition.
No, no, you don't know the Atelier des Lumières.
It's great.
For example, there is a Van Gogh exhibition.
You are surrounded by paintings.
It's magic.
Well, I wanted to make it fun, manifestly.
And all the words were boring.
That's all I was going to say.
So I brought my children to the museum.
Tokyo Museum, which was, let's see,
an exhibition of Sarah Seineau on the Toiles d'Arrégnie.
It was magnificent and all.
It was Spiderman.
We are not interested in it.
Yes, yes.
The Toiles d'Arrégnie.
And it's there that...
They need to be in your sleep.
Yes.
Well, listen.
For Noemi Bié, who lives in Saint-Hilaire, in Aurilliers.
Ah, well, here we come back, Gérald Larcher.
You live in Aurilliers?
Yes.
Well, it's in Vendée.
I was there.
Well, very well.
That interests us.
France is captivated by what you are saying.
Exactly.
Vendée, they know that I went camping this summer.
You're making campings now.
No, I did it once.
It was the first time.
They sell their books in the camps.
And I also speak in the library.
And I answer the question.
But what do you sign on the PQ wheel that is in the toilets?
No, it's in the book of games, no.
But Mr. Rukier, are you deaf or what?
Yes.
What do you do on your phone, my mother-in-law?
I can know.
It prevents me from getting out of my knees.
No, because there, frankly...
Well, I'm listening to you.
Excuse me, but I have an emergency.
Ah, yes.
What can you have as a kind of emergency?
Virgule-vous-pouin.
No, but it doesn't concern you.
A lover.
A lover.
Ah, no, no.
It's work.
Ah.
Ah.
And I tell you, I have a big head.
I remind you that when I'm done with it, it's stupid.
That's it.
It's for the shooting of Bernadette II.
My question concerns Gérard Larcher,
but it will be after the pub.
And the book of the day.
The book of the day is called The Nostalgia of Life.
It's Patrick Sébastien that we will have on the phone in a moment.
Patrick will answer our questions.
But first, a question, obviously.
Who concerns his book?
Would you answer?
He evokes, in my opinion,
his famous big success.
A huge success, Sébastien.
It's crazy.
You know, the artists got angry
and accepted to play other roles,
other characters.
And there, for example, it was characters
who had accepted to play the famous song of the unknown.
You know?
Because Legitimus and his comrades.
And if Patrick Sébastien tells this episode,
it's because in his book, he explains that today, at C8,
we have, at some point, refused to postpone this scene
because the blackface is now forbidden
and we could not pass someone who imitated
because Legitimus.
But what is the group that parodyed the unknown at that time?
The charlots.
No, not the charlots.
Indochine?
Yes.
It was Indochine who played the parody of the parody.
Good answer from Christophe Bogrand.
Bravo.
Hello Patrick Sébastien.
Hello children, hello friends.
Hello Patrick.
It was a great memory that Indochine
accepted to do the parody that we had done two times.
And yes, because I do not understand,
it's really true what you are telling us.
Yes, but anyway, that's it today, Elas.
I do not see why it can make racism progress,
to see circuses with which it was a bit wrong
the face to resemble Legitimus.
I also had another thing,
I had Paul Prebois who did Michael Jackson
or Moran who did Ella Fitzgerald
who made a very nice homage.
Well, we said to ourselves, no, blackface,
we can no longer pass that today on TV.
On the other hand, a man can disguise as a woman
to play or something like that, it's funny.
Yes, it's very special.
I gave this example,
but there are many others in this book,
the Nostal Life,
titled, and if we made a step back
to better go forward,
and there is an absolutely incredible story,
it's this story with Tarik Ramadan.
And there, I think that's what surprised me the most in the book.
Well, listen, it's a thing that surprised me too,
I was doing a show with Frédéric Tadeil,
and then there was this gentleman
that I knew from reputation,
so you put your hand just by little.
And then, at the moment, I put my hand,
he started to recite a poem to me.
When he was born, it was the good old man
who plumes his womb, said to my grandmother,
and I looked with big eyes, I said,
how do you know that, or in fact, it was a poem
that I recited at the end of my shows in the 80s.
And then he told me, well, here I am,
when I was a student in Geneva,
I came to see your show and this poem
was marked. So it really surprised me.
And what's surprising is that
at the time, I had made this poem
in a show that I was doing
for Amnesty International,
and there, it was put on my face,
I had not even finished it.
So I do something on the a priori,
by saying on one side, there is a person
who was...
To be followed by justice, for God.
To be followed by justice, it was Amnesty,
and the one who was the most attached to this text,
rather humanist, it was the other.
So that's just what I wanted to say.
I do not know if you remember it by heart,
but I can read it if you want.
When it snows, it's the good God who
swallows his eyes up, my grandmother told me.
When it snows, it's the good God who
goes through his caroms, my grandmother told me.
When it snows, it's the good God who
cries over men. And then I said,
when it snows, it's the bed, when it snows,
it's the bed, and when it snows,
it's always the good God who cries over men.
And that's over by soon,
grandmother, it's pretty, it's actually
in the book like stories, obviously,
very funny too. There's not just
nostalgia or nostalgia.
No, there are plenty of things.
And then there is a look on the current society,
on the relationship of women,
on immigration, on many things,
compared to what was before.
But it's not past, it's the opposite.
If you want the reasoning,
it's to say, since it's
turning at this time, I have the impression that
we go down the wall, and when we go down the wall,
there are two solutions. Either we crack on it,
or we brake before. We do
three steps backwards, we take the lead
and we go over it. And for me,
the two three steps backwards, it's to come
to, well, it's a bit,
why am I good at you too,
you are the guarantors of a good humor,
of a freedom, of your,
that we had trouble finding elsewhere.
A little joke, for example, that of Coluche,
who you tell in the book, a little four-year-old girl
who says to her mother,
mom, I would like a little sister, okay,
I'm going to call Sygon, do you prefer
not to try with dad's dick first?
No, but that's why the book, obviously,
is attached, because
you're talking about an era, a time
revolved.
Yes, but I'm not talking about it, with precisely
with Nostalgia, that is to say, well, it is revolved,
but I think there are values in this
time there. What do I hear around me?
And very strangely, I was talking about the
Vendée, there, just now, I was going to do
this summer, I did a lot of concerts,
I did a concert in Vendée,
in Poupée, where I had 32,000 people
in front of me, including many young people
because they find that in my audience, my songs
are stupid, as they say, it's not the minos between
15 and 20 years old, they like that.
And I talked to these kids, well, the kids
who, by the way, make their party
on the songs of the 1980s,
these kids there, they want
of that, a little more freedom,
a little more authority also,
a little more security.
In the book, you tell us too
this episode, broadcast in the show
Ozon, we will remember
for the oldest among us that it is a show
number one, that's it Patrick.
No, three. Three, three.
It was a little too pink.
Interrupted, we will say,
at the time, but there is a funny
sound that you tell us.
With Gilbert Montagnier.
Gilbert Montagnier on a Languedoc beach
in the middle of the crowd, you make him
suffer a inflatable doll.
Yes, and I arrived, and I arrived
warned, I said, but it's okay, there are
plenty of people around, if Gilbert was
crazy, you're making a inflatable doll
all winter, I looked at my zodiac.
He did it.
He did it.
He did it.
I was talking about this freedom, and I think
that today, this sketch, we will
intervene in doing it, because it is
in line with the honor of the
viewers, I mean, we are in a world
that works on the head.
You also mentioned our friend
Grosset-Olivier de Caerce-Ozon about couples.
It's funny because it was
after a big evening,
we went to parties, and we were
only at the level of the boat.
And we found ourselves
like two old celibates, we had
each one having each one and the other,
and I spent an absolutely wonderful evening,
we found ourselves like two old fools
having a beer together for four hours
at home, and we were sure about
the relationship with a woman, and we
came to this conclusion, which was not
bad, which told me, you know, when you
start a couple, after a few months,
there is one who wants to change the other.
Either he does not arrive, and he
approaches the one who does not change,
either he arrives, but the guy
does not match what he had
done at the beginning, and in the two cases
we lost. The analysis was pretty good.
In the two cases, it is the end of the story,
especially my dear
Grosset-Olivier de Caerce-Ozon, do you understand?
In your book, it is called the Nostal Life.
It was signed by Patrick Sébastien
at XO, and if we made a step
backwards, to better go forward,
it was our book of the day. Thank you,
thank you very much.
A question for Mr...
No, Madame, Noémie Billet
lives in Vendée, Mame Billet...
Again?
I did not ask this question before.
I was interrupted.
I avoided saying Sainte-Hilaire
de Riais because I know that Mr.
Paul Agarré... Yes, I was.
In Vendée.
Do you understand why I did not ask
the question earlier?
Now I'm going, Mr...
I have already been summoned at the beginning of the show.
I have trapped you with the name of his predecessor.
Jean-Pierre Bell.
It is well, you have memory,
predecessor to the presidency of the Sena
since Mr. Larcher has just been re-elected
for a fifth mandate.
But what we did not specify earlier
even if I wanted to say maybe a little bit,
it is therefore not five consecutive mandates
because between these...
There was a beautiful one between them.
There was Mr. Bell between them.
But how do we call Sena the equivalent
of the Perchoir to the National Assembly?
Yes, that's my question.
The Chaiselongue.
Because the president,
since it is a woman currently at the National Assembly
we say that she is at the Perchoir
of the National Assembly. The pilot.
And how do we call that for Sena?
The Tribune. No, the Tribune.
The Cerre. The Cerre.
The Montescalier. No more.
Is it also something that absolutely
has nothing to do with it?
So I want to tell you that it is better
to enlarge the mountain.
The mountain, no.
It's better to enlarge it because of
its family name.
No, because of its body shape.
Rather because of its body shape.
Boudoir. The kitchen.
The kitchen, no.
Is it a kitchen utensil or a dish?
It is the place in front of the hemicycle
where the president of the session
watches at the end of the debate
and it is called...
It is an utensil or a dish?
It is bigger than a dish.
Is it a place where we eat?
Is it at the piano?
At the piano, no.
It is closer to the kitchen.
At the oven, no.
It is a place to cook.
Gérard Larcher has been reused.
At the oven, no.
At the oven of a pizza.
At the oven of a pizza.
At the oven of a pizza.
At the oven of pizza.
At the oven of a pizza.
Is it something we cook?
No, we can't say that.
At the fridge, no.
It's big, it's big.
There are different sizes, Bernard.
At the self-cuisine.
We don't say that Gérard Larcher has been reused
at the self-cuisine.
No, it's unlikely.
At the coconut.
It's a title.
No, it's a title.
After this morning,
Gérard Larcher fills the...
Oh shit.
Imagine that it has a double meaning.
A double meaning.
A more general meaning.
But since it's Mr Larcher,
we can think in the sense of food.
But it's not only that, you see.
At the stove.
It's not bad at the stove.
But it's not an instrument, I told you.
At the blanket.
We're lost.
It's not a beach.
It's bigger than a beach, I said.
What's bigger than a beach?
A big beach?
A big beach, yes.
A big beach.
A big beach.
Bernard's answer, my dear.
Gérard Larcher fills the beach.
If you had wanted to help us,
you could have said that I could help you.
Because you're used to beaches,
as well as Mr Berlin.
Of course, but it's not cinematographic dishes.
Yes, but it would have helped us.
Yes, more than food.
It's the dish that was the equivalent
of the Perchoir at the National Assembly.
An answer that was long to come,
but it won't surprise us
that it's finally Bernard Maby
who found it.
A question.
Since you remember, dear Isabelle,
that you're actresses and...
Yes, she was obliged.
Mr Berlin is an actor.
Here's a theatrical question.
It's about a comic opera.
The name has to be found.
The main character of this comic opera
is called Clérette.
But what's the other name
of Clérette, which is the title
of this comic opera?
It's called Charles Lococque.
How do you say it?
Clérette de Dix.
It's a question for Philippe Giroux.
What's his first name?
Saint Agne in Haute-Garonne.
Clérette is a pronoun?
Yes, and we're looking for a pronoun.
No, we're not looking for a pronoun.
We're looking for Clérette
in the title of this comic opera
in three acts by Charles Lococque.
It's not an animal.
Clérette has to marry
with Pomponné, a perroquet.
A perroquet?
The Perroquet's father?
No.
A perroquet who is in love with her.
Clérette?
Clérette is not insensitive
to the charm of the angel and everything.
A singer who is used to going to prison
for the songs he writes.
And she joins him in hiding
and finds a way so that the wedding
doesn't take place.
The story of Clérette...
And the potolet.
Clérette and the potolet.
Is it Adam II?
Adam II, no.
Adam III?
It looks like...
It's mademoiselle A1.
Is it Cadix?
No.
It's played until October 5
in the comic opera.
Is it mademoiselle A1?
It's mademoiselle A1.
It's mademoiselle Cc.
Clérette has to marry.
Is it mademoiselle A1?
It's mademoiselle A1.
It's mademoiselle A1.
It's mademoiselle A1.
It's mademoiselle A1.
It's mademoiselle A1.
I'll try to help you, but I can't.
It's mademoiselle A1.
It's played by Richard Brunel at the comic opera.
I'll summarize your help.
Yes.
There is mademoiselle A1.
But...
Remember that she will never be mademoiselle A1.
That's what you're saying.
I said she will never be mademoiselle A1.
Is it mademoiselle A1?
No.
It's mademoiselle A1.
No, it will never be mademoiselle A1.
It's mademoiselle A1.
Who is it?
It's mademoiselle A1.
It's not the whole title.
It's mademoiselle A1.
It's mademoiselle A1.
It's mademoiselle A1.
I got it.
It's mademoiselle A1.
Good response from Bernard Mabi.
I'll let you go.
No, not with your parents!
It's very well known, Mrs. Mango's daughter.
Yes, but she doesn't have...
But it has nothing to do with Christine Ango!
Her name is Clérette, she's one of the most famous operas.
Mrs. Ango's daughter, who currently plays the operas,
her name is Clérette, Mrs. Ango's daughter.
Bravo Bernard Mabie, you saved us!
He's dead.
The big heads of Laurent Ruchier are at 5.30 am on RTL.
Always with Bernard Mabie,
Isabelle Mercebo, Christophe Beaubrand,
Paul Alcaraz, Liam Folie and François Berlion.
A question that will allow us to have on the phone
in a moment Mr. Pierre-William Fregonnaise
who just published a book,
called L'Invention du rose.
It's at the Puff-Presse Universitaire de France,
the invention of roses,
everything about roses in this book
and obviously everything about sakura.
But what about sakura?
It's the cherry flowers.
It's Japanese.
It's the cherry flowers.
It's the cherry flowers.
The cherry flowers.
Good answer from Paul Alcaraz.
Bravo.
Very precisely, by the way, Pierre-William Fregonnaise.
Hello.
The cherry flowers or the cherry flowers of sakura?
The cherry flowers.
The cherry flowers.
It's indeed the one on which you put the most
in the book even if you tell us,
I mean all the nuances of roses that exist.
Yes, the idea was to start with my first perception.
That is to say,
why today everyone sees sakura as roses,
while they are mostly white?
Yes, the cherry flowers are white more than roses.
It's almost a song by J.B.B. Beko that I'm doing.
Yes.
But how did the Japanese invent a color in some way?
Well, by pushing it to the excess.
That is to say that somewhere,
we have a global movement with roses.
That is to say that from the moment we will have
these colors of synthesis,
the textualization of roses,
a rose that will be applied to marketing,
linked to childhood,
and therefore a more purple rose.
And well, we will arrive at a rose that has come to present.
You succeed in the exploit in this trial,
because you still have to do it.
You are not the first, by the way.
There is a famous author who, before you,
is interested in the different colors.
You have made references to several reprises.
Can you remember his name?
Michel Pastouro.
Yes, Michel Pastouro.
He did that with the black, the red.
And it's true that it's often brilliant and often interesting
because behind a color,
a lot of things are hidden.
And the rose today is very, very fashionable
thanks to Barbie.
So obviously, you dedicate several pages to Barbie
in your book.
Well, yes.
Barbie is the whole paradox of roses,
and you have seen it well with the film.
It means that the film has managed to be passed on
for a sort of feminist tract,
while it is a magnificent publicity of guides.
Musically, a lot of people have sung the rose.
Well, in Japan, obviously, the life in rose is ...
It's the French song.
And yes, the French song preferred Japanese.
No, not everywhere in the world.
You are in Japan, by the way.
You have to tell us now.
That's good.
Yes, I am in Japan.
Where exactly are you in Japan?
I am in Kobe.
In Kobe.
In the Buff.
In the Buff.
What Kobe?
And it's true that you have, let's say,
an inclination of nippon.
Still, in this book, it's still the rose,
the rose through Japan, essentially.
The idea was precisely to also distinguish
Michel Pastoreau's works,
which has a lot to study in Europe.
I have to point out that it is also precisely
since we are talking about the rose,
at this time, and RTL and partners,
October Rose.
Yes, yes, yes.
It is that breast cancer continues to kill
more than 12,000 women every year.
12,000 women in France.
And men.
And we can make a donation,
but women are still more men.
More men.
I know, I know.
There is a reason.
But it's weird, I knew a man who had a breast cancer.
That's true, but we especially call women
to go get breast cancer.
We have to make sure that, indeed,
there has been a lot of progress in science
and today, when they are early,
it's cancer that is almost all cured.
So it's super important,
the breast cancer and the sensibilization.
And yet this operation has taken the color
rose and a rose ribbon.
It's called October Rose,
this annual campaign.
I'm not sure you're talking about it in this book.
So I'm talking about a corollary.
That is, how the rose is feminized.
And we come today to this notion of October Rose,
which is linked to the skin color of women.
There is this music too.
The Pink Panther.
The Pink Panther.
You're talking about the Pink Panther.
I love it.
Henry Monchini.
We love it.
We love the Pink Panther.
That's great.
A lot of characters are pink.
Hello Kitty, pink too.
Hello Kitty is really a very interesting example.
Because originally, Hello Kitty has the three colors
of Japanese beauty.
That is white, black and red.
And over time, Hello Kitty has become
more and more pink.
Even the rappers like pink.
You mentioned the names of those who sometimes
dress in pink.
Kenny West, Pharrell Williams.
And even in France, Mathieu Shedid,
who came up with this name.
He came up with the pink one.
Bruno Mars too.
Bruno Mars too.
So you see, the rose is very beautiful.
But I'm sorry, Mr. Pierre-William Freigones.
You forgot a French artist who listens to us.
Ariel Dombard.
And who would be very happy.
No, no.
Not Ariel.
Well, Ariel was mentioned through Barbie in some way.
But no, no.
A singer.
A singer you forgot, Pierre-William Freigones.
And I want you to know.
Who is it?
Because she listens to us.
I know.
It will make her happy when we talk about her.
You don't guess who, Pierre-William Freigones?
It's Rose, something.
Rose Lawrence, no, no.
No, not Rose.
Not Rose Lawrence.
Not Amanda Lear.
The one who sang that.
Is it Chantal Goya?
No.
Who is that?
Stone.
No.
A stone.
No, it's not Stone.
Is it a singer or not?
Listen.
Listen to the work.
Sheila?
No.
It's not Charlotte Julien.
It's Charlotte Julien.
Bravo, son of Dombard.
I hope we talk about the pink library.
Ah, yes.
The pink library.
Did you forget it or not, Pierre-William Freigones?
No, no.
We talk about the pink library.
We talk about a lot of things.
The maximum possible.
The invention.
You talk about the bouffle, the pink bouffle.
Sorry, I only think about the bouffle.
And you think...
You talk about the pink cut, too?
No.
And the pink cirrhosis.
Do you talk about the flower, of course?
Ah, yes.
Of course.
You mention Saint Thérèse de Lisieux.
He talks about the pink roses.
Yes.
So, actually, the flower is a big part of the explanation.
That is to say, originally, the rose in Europe is mostly white and red.
Yes.
Then it turns yellow.
After, during the 12th, 13th centuries, imported crosses.
And the pink rose really appears with the sounds of the architecture.
That is to say, in the 18th century.
So, the rose wasn't really pink originally.
The rose wasn't pink.
And you talk about the rose garden.
He talks about everything.
Even pompadour, of course.
You make a tribute to the D'Altonien.
It's called the invention of the rose.
It's at the University Press of France.
And it's signed Pierre-William Frégonès.
A painter's name.
Long live the rose!
For Karine Perfillon, who lives in the Jura,
culture, precisely,
a question that concerns a measure taken by Sylvain,
not Sylvain, sorry, Gabriel Attal.
There are several Attals.
You shouldn't confuse them.
Gabriel Attal is the Minister of Education, of course.
And Gabriel Attal announced that now, in schools,
there would be courses of what?
Empathies.
Empathies.
Good answer!
The Pistof Baudran.
The Camino Therapy.
At the limitation of what is done,
especially in Scandinavian countries,
there is especially Denmark,
where children, in the morning,
show that they are solidary.
It's amazing.
Drawing things in the back,
he has to caress himself with his finger.
Oh, a penicillin!
Because they explain that if you touch someone
in an intimate way,
you can't be mean to him.
What is this lady's name
that embraces everyone in the world?
Ah, yes.
Amar.
Of course.
Amar, she's a group, by the way,
the group over there.
No, no.
She makes free hugs.
She has a lot of insurance when she arrives.
She makes hugs like that.
The Camino Therapy.
Another question for Philippe Vidal.
Now, it's about finding
a male substance
that is equivalent to
a professional denunciator.
A sycophant?
A sycophant!
Excellent answer!
We don't even have time.
We don't even have time.
We don't even have time.
We don't even have time to...
Yes, yes.
The word is beautiful.
I didn't know that.
A professional denunciator.
Exactly.
A denunciator.
A denunciator was a sycophant.
That's a nice word.
It's written S-Y-C-O-P-H-A-N-T-E.
Bravo, Mr. Paul El-Karate.
You're a real big head.
For Roselyne Brusquet,
who lives in Linn.
René Bousquet?
I would like to talk to you about Gérard Meudal.
Few people know Gérard Meudal,
who the magazine Le Monde has dedicated
and there is little news on a few pages.
Gérard Meudal is a brave man.
Really?
For what reason?
Is he known under another name, Gérard Meudal?
No, it's his real name.
Is he dead?
No, he lives in Gérard Meudal.
He is 73 years old.
He was photographed by M, the magazine Le Monde.
He is brave because he made an incredible sports exploit.
An exploit, we can't say it's an exploit.
He saved him?
He's the companion of Madame Bourne.
He needs courage.
Oh, that's good.
Bernard.
Do you know how to question your wife?
Is he hungry?
Oh no, he's not especially hungry.
Is he saved by someone?
No, I think I can prepare my checkerty.
He saved an extreme sportsman.
He made a mistake.
It's not an extreme sportsman.
He didn't make mistakes.
Are we very admirable?
Because you said he was brave.
When you were going to tell us, we were going to say,
it's wonderful.
No, because it's even more brave
than something quite discreet.
People know that.
The proof is that you don't know Gérard Meudal.
Is it linked to health?
No.
Is it linked to a crime scene?
No.
Because being brave when it's in front of everyone,
you know, it's much easier.
Is it courageous?
Courageous when no one knows.
Did he save someone?
No.
He was in the center of a test battery.
He saved no one.
He's very modest then.
Is he courageous or generous?
I'm going to answer you.
He's courageous.
He's more courageous than generous.
He's generous.
He's paid to do what he does.
Oh.
He's paid.
Is he a pilot?
No.
He's paid to do something that people don't dare to do.
He's testing a new drug.
He's testing something.
Other than this, he would have refused to do it
or not continue to do it.
He's paid because he thinks it's important to do it.
Yes, because it's his job and he likes his job.
He has been doing it for a long time.
Yes, he's been doing it since 2008.
Does he intervene in dangerous places?
No.
Is he a snake?
No.
Archaeology?
No.
Is it linked to climate?
No.
Is it linked to the cod?
Nothing to do with it.
Is it linked to animals?
He's 73 years old.
And he still works?
He's still working.
Is it linked to animals?
To animals, no.
He's testing the bridges?
No.
Is there a physical risk when he's working?
You're very, very, very far away from the moment.
He's doing this at home.
He's doing this at home.
He's doing this at home.
He's doing this at home.
He's doing this at home.
He's holding a record.
No, not a record.
He's doing this at home.
Are we around the table?
Today, we could ask him for something.
We could be concerned.
Yes, but it would no longer have anything to do with courage.
There's an animal?
Ah, so it's...
He's making a living out of it without money.
Against the dog?
No, not at all.
Not at all.
He's very, very far away from the moment.
He lives with his beautiful hand.
Wait.
He gives his sperm?
No, no, no.
Seriously?
I don't need courage.
Me too, I do it.
You're a little generous.
Oh, I've known a lot of people who were generous.
And generous.
He's generous.
He's doing this at home with a tool, an engine.
Do you need a special installation?
No, no, no.
Do you need a phone?
No, not a special one.
Is it something physical?
Or is it something he writes?
For example, it's rather intellectual.
It's rather intellectual.
Is it a public writer?
A public writer.
No, but we're getting close.
Ah.
Does he answer...
Does he make confessions?
Confessions?
No.
For people who don't have computers and stuff like that,
he helps them...
Wouldn't it be especially generous and generous?
He writes anonymous letters.
No.
Does he write to the prisoners?
No.
He writes to the prisoners instead of people.
No.
We're starting to burn.
It's not generous.
He writes to the prisoners.
But we only have 30 seconds left.
He doesn't make the bills.
I promised a checker-touch because we're going to do it.
I hope that the word generous has been well used.
Ah yes, you'll see.
You'll see.
You can trust me, Isabelle.
He needs an object, or not.
An object, yes.
A pen, a pen.
Yes, for example.
But it's related to crime.
Or a machine to write.
No, he writes horrible things.
He writes something.
He writes for people.
He doesn't feel anything.
Does he do it to bring the international?
No, he doesn't.
He writes to the prisoners instead of people.
No.
He writes to people's testimonies.
No.
He's not courageous.
He's courageous, he puts his life in danger.
He puts his life in danger.
Ah, there, there, there.
He denounces crimes of war.
He denounces crimes of war.
He denounces crimes of war.
No, he doesn't.
He denounces crimes of war.
And there's no drug, either.
A checker-touch.
I told him, Madame Bousquet.
Ah, there's someone who knows.
Roselyne Bousquet just touched 300 euros.
She lives in Croté.
Bravo, Madame Bousquet.
Roselyne.
Maybe the name of the apprentice of Madame Bachelot who asks questions.
Dispreto.
And in any case, I had promised a checker-touch of 300 euros.
Does anyone in the audience now have an answer?
Yes, hands up.
Mr. Beau-Grand for 100 euros extra.
We'll see.
Will we know what Mr. Gérard Medalle's work is?
So, hello, sir.
What is your name?
Daniel de Vincent.
Hello, Daniel.
So, Daniel, what is your opinion about the activity?
It's the translator of Salman Rushdieff.
Excellent answer.
Bravo.
It's the translator of Salman Rushdieff.
Bravo, sir.
Here are the questions of the day.
For Géraldine Redon, who lives in Lyon, William Stegg is a writer, sculptor, illustrator,
who died 20 years ago.
Yes.
But only invented in Lyon.
He's the creator of Shrek.
Well, that's what he's happy to know.
We love Shrek.
Well, yes, he's the creator of Shrek.
Bravo.
And he copied Fioda.
Do you like Shrek?
Not particularly, but I know he liked Shrek.
Because at first, Shrek was not a cartoon.
But it's a book.
And it's a prolific writer for children's literature of youth.
Indeed, William Stegg.
Stegg.
Not Stegg.
Not Stegg.
Sorry.
You put two people in trouble.
Yes.
Stegg.
Stegg.
Stegg.
He's the one who wrote Shrek's adventures in children's literature
before it became a hero of cinema.
Another important date.
It's someone called André Bélec.
And he died on October 3, 2008.
Today, he's 15 years old.
And André Bélec, with his brother George,
they founded something that the oldest people still know today.
Brother Jacques.
Brother Jacques, I said the oldest people.
I didn't get it wrong.
Good answer from Bernard Mabille.
You can explain to the youngest who were Brother Jacques, Bernard.
Hello, Mr. Bélec and his brother and two other friends.
They were in color, but they each had a different color.
And André Bélec, the founder, who died 15 years ago,
he was the green color.
He had just a green body.
Each had his color, André, George Bélec, the two brothers,
François Sous-Béran and Paul Touraine.
Here are the names of the other two brothers, Jacques.
Was the green guy in green?
Yes, but it wasn't all in green.
It wasn't all in green.
It wasn't all in green.
I'm sure they were all black.
Oh, but because it was in black and white at the time.
Yes, so you didn't see the colors.
No, but it's true.
It was in black and white.
It was in black and white.
But they were in color.
The top was in color.
The top was in color and the color was black.
And they sang, Mr. Bélec, you won't contradict me.
They sang.
It was the rugby.
You didn't know that?
That's the rugby sung by brother Jacques.
There is another song of today.
It's a bit old, you have to know it.
It was already very old.
It was actually a meme.
That's what was important.
They made memes at the same time.
At the same time that they sang, for example, the pompistas.
Here is a song that could be released today.
It's a modern one.
It's a modern one.
I propose that we release this song.
It's a modern one.
You listen to radio fans.
We could do a radio, there is no such thing.
You have to ask Bob Sinclair to make a remix.
There is a belt.
Maybe we can try the belt.
What is the belt?
Maybe the belt is more modern.
No, it's not more modern.
There is a belt to find it.
There is a loop with a thing.
There is a loop with a thing.
When we make the loop, the thing has to be clicked.
In the thing.
Which ends up with a thing.
Each hook goes on a thing.
But we never find it.
Something that corresponds to where the thing is.
There is a thing that doesn't hang on a thing.
Which makes that when we look for the thing,
it is lost under the buttons.
She still walks that one.
Yes.
And brother Jacques.
Here is a little tribute.
Now, tribute to the Nobel Prize of Medicine.
Since yesterday, the Nobel Prize of Medicine
has been awarded to Cataline Caricot
and Drouf Weisman.
They managed to modify the RNA
sent to the basis of the vaccines
that made you talk at the time of the Covid.
By the way, the vaccination campaign has restarted yesterday.
But my question will be about the first French
to have obtained the Nobel Prize of Medicine.
In 1905, no?
No, 1912.
Alexis Carrel?
Excellent question!
Well done.
That was a good one.
There was no Slavic font in 1905 before?
No, in 1905, it was a certain Robert Coque.
Ah yes, for the...
The Coque Basin.
No, there was no French before...
I agree with you.
Alexis Carrel, who is the first French
to have obtained the Nobel Prize of Medicine in 1912,
knows the list by heart of all the Nobel Prize of Medicine.
No, you reassure me then.
I was going to say it.
He was no longer a guy like you.
If you want a second chance, Mr. Berléan.
There you go, go ahead.
Go ahead, François.
What British celebrity
has received the Nobel Prize of Medicine in 1945?
Alexander Fleming.
Alexander Fleming, good answer!
Bravo!
From François Berléan and D'Aupolel Carrat.
Yes, who invented...
The penicillin.
The penicillin.
The penicillin.
They were three at the time.
In 1945, they were three.
There was not only Fleming, we only talk about him,
but there were Floré and Chain.
Absolutely.
Okay.
Absolutely.
It was not...
It was not good to report.
It was not Frère Jacques.
Yes, but when we are several,
to have the same player...
Yes, but we have retained Fleming.
Because...
Of course, it was him who discovered the penicillin in 1928.
Yes, but he was not alone.
In his lab too, in his lab too.
When he came back and saw the mushrooms,
he was alone.
We never get bored with him.
But that's why I want him for my birthday
or for Christmas.
You put him in a box?
Yes, because it's great.
We will put him in a hat.
You don't want to live with me for a while.
You will take me a lot of things.
Yes, yes, certainly.
I think she will take you some things too.
Really?
Yes, it's giving, giving, as we say.
It's a question for Basile Nibous,
who lives in Vance, in the Maritime Alps.
Do you know the collection for the nul?
There are all sorts of books that you may want to read at home.
I don't know.
PC for the nul.
Sex for the nul.
Ah, you have that one.
Wine for the nul.
You have taken it as an example.
And never for the nul.
Jazz for the nul.
Does sex exist for the nul?
Yes, it exists.
I haven't finished it.
Meditation for the nul.
Golf for the nul.
Opera for the nul.
But you're in Syria for the nul?
All a collection.
And there, it's a little more surprising.
We just came out in the same collection.
So for the nul, well, what is it?
The nul to be able to read the nul.
Not bad.
Not bad.
It would be not bad.
Wait a minute, sir.
For those who are really stupid,
who can't read the nul.
It's not the nul for the nul.
It's the nul.
The nul for the nul.
It's something.
If you don't let me express myself,
I know that.
You won't hear my voice anymore,
she won't be able to imitate me.
You wouldn't have been able to buy that nul.
Me?
Ah, the pronunciation for the nul.
No, no, no.
The big emo for the nul.
No, no, no.
But because it takes.
The humor.
The hair for the nul.
The humor.
No, no, no.
You wouldn't have been able to buy that nul.
Yes, you wouldn't have been able to buy that nul.
The cocaine for the nul.
Just Isabelle or us two.
For now, the others.
No, we didn't need it.
Mr. Berlian, Mr. Maby.
Ah, the bouff for the nul.
And Mr. Beaugrand too.
Stop.
You can see a garden.
No, no, no.
If I tell you the name of the one who published this new.
The Buddha for the nul.
No.
If I tell you the name of the one who collaborated with this new collection for the nul.
The children for the nul.
We will be close.
Education for the nul.
It's Marcel Ruffeau.
Get up.
Change the notes.
The pedo-psychiatry for the nul.
So.
The pedo-psychiatry for the nul.
So.
The pedo-psychiatry for the nul.
So.
The pedo-psychiatry for the nul.
The pedo-psychiatry for the nul.
So.
for the nul.
So, education for the nul, being parent for the nul, good answer.
I have an anecdote, it can be used.
Yes, Marcel Ruffot, pedopsychiatrist.
I have an anecdote with him.
Oh yes, why?
I was going to consult when I was very young, because I was unbearable, he wanted to know
what I had.
And you are still, it's incredible.
And Marcel Ruffot was unable to tell me what I had.
He told me, it's normal, vote for you if he is a little over excited, he has energy
to sell, that's it.
But he is really nul, then.
But he never put the name on his phone.
It makes him a good nul, anyway.
Really, that's good.
So it's normal that he publishes parent for the nul, pedopsychiatrist for the nul
also.
He knows it, you see.
He knows it.
He goes to the teenagers, or not?
Yes, I'm going to give him the book, if you want.
Ah yes, I want to see if it goes to the teenagers.
Being parent for the nul.
So what does he advise or disconcerts?
To finish, Marcel Ruffot, he tries to tell us what to do now for the children.
He also tells us about the GP, it will interest you, Mr. Beaugrand.
The stop of screens at 22.30, you see, he says.
22.30, I hope they have.
The stop of screens, yes, at 2 years?
Yes, the stop of screens at 22.30.
At 2 years, it is better to stop at 22.30.
And the night boxes, what is the price?
Yes, it is indeed a good book.
And in any case, Marcel Ruffot, you did not have a diagnosis.
Yes, that's it, he had not seen anything.
It's like a lot.
It's not a good sign.
What time was it?
Believe me, how long have you been in the big head?
It will take three years, finally, we go.
Well, I confirm the diagnosis.
That's it.
A question for Annie, Annie, who is in the lead in the votes.
Liliane?
No, she's not called Liliane.
Oh, there, normally, everyone can answer this question.
Even the nul?
Yes.
Oh, it's okay.
It's a drink from the fermentation of milk.
Ah, the quiffir, the quiffir, the quiffir, the quiffir.
The quiffir, good answer, Isabelle Merlot.
Bravo, Isabelle.
Bravo.
Well done.
Well done.
Don't say bravo like that, as if it was extraordinary.
People want to get up so much, they are fans of you, aren't they?
Yes, yes.
She is slightly gaseous.
I'm not talking about Isabelle, I'm talking about...
Yes, it happens.
Oh, but it's working.
She just broke it.
Oh, but the quiffir too.
Oh.
What a horror, but how?
I don't know the quiffir, in fact.
Oh, it's very good.
Oh yes, it's very good.
It's very good.
Yes, it's good, but yes.
There you go.
Very good.
No, but what I wanted to say, I wanted to say that the quiffir is also fermented milk, but chamel.
Ah, very good.
We have less here.
But it's caillou milk, right?
Yes, it's fermented milk.
No, no, it's fermented milk.
It's a Levin.
That's it.
And it's mainly for bacteria, lactic acid and luscious.
Lightly gaseous.
Lightly gaseous.
Yes, but like Isabelle.
No, we're not going to start again.
No, but...
And it contains a little bit of alcohol, anyway.
Like Isabelle.
No.
No, no.
There's no alcohol.
Oh, no, there's no alcohol.
How do you leave the quiffir, you?
Well, because...
There are two kinds of quiffirs.
There's the quiffir with the little grains of quiffirs,
which multiply.
The quiffirs in the morning.
You drink a little quiffir.
Which multiply at high speed.
You put figs, you put water, you close the glass,
you let it ferment.
And indeed, maybe you'll have a little bit of alcohol
and it will surprise you.
You drink that.
And then there's the quiffir, the caillou milk,
which is bought in stores and which is very good.
But it comes from the female quiffir.
Yes, yes, that's it.
My God.
So, in addition, Laurent asked me a question
because he knows I'm not going to be passionate at all
in my exhibition.
Anyway, he's going to say,
you cut everything she said.
No, no, no.
We're not going to cut it,
we're even going to publish it,
the quiffir for the nul.
It's time for the guest of the day.
Our guest of the day has animated
the blind test, money drop,
the great contest of the animators,
the revision contest of the song.
Everyone wants to take their place.
And from October 22,
she will animate the children of the TV.
Yes, I'm happy to welcome
Laurence Boccolini.
At 18.20 on Sunday, October 22,
it will be the first of Laurence Boccolini
who will be the third to present this cult show
for Arthur and your server.
Laurence, welcome.
Thank you.
I'm happy to officially present
the flambo of the children of the TV.
Well, it's a pleasure.
Is it already recorded?
Yes, two yesterday.
Two yesterday, how did that happen?
Very well.
We missed.
I wanted to say very badly
for the first time.
It's not true.
Obviously, I'm very happy.
Who did you invite for the first time?
Pascal Obispo,
Philippe Risoli.
Ah, yes.
I remember.
Ah, Léa Salamé.
Ah, yes.
Ah, yes.
She wouldn't have come otherwise.
Gabrielle Lierre.
That's it.
She didn't come either.
Yes, it's great.
It went well.
It's too cool.
You'll find some cashrolls then.
In full.
It's funny.
It's me, that's what I prefer.
In fact, finally,
it's to look at the people
who do more nonsense than you.
But they have reserved me
for me too.
Obviously.
It's a problem.
We give cashrolls to others.
It's the visitation.
We have the right.
It starts on October 22 at 18.20.
It starts late because it's the world cup
of rugby.
And a lot of sports proofs.
Look, even Berlin is wearing the...
Ah, that's good.
...the top of the French team.
But once all of this is over,
well, Laurence Boccolini will be
the puppet of the children of TV.
I'm happy for you.
Yes, it's funny for me.
You left your own place.
Yes, the lodging is all right.
It's all...
No, I mean, the lodging,
I wouldn't have arranged it.
No, but it makes me...
That's it.
It made something for me
to succeed.
That's it.
I don't replace you.
What is the most regrettable show
among all the shows you have
before the children of TV?
Money Drop.
Money Drop, why?
Ah, it's an extraordinary thing to do.
It was a...
A great game.
There was everything in it.
There was theater,
there was suspense,
there were tears.
We had a lot of fun.
The culture.
There was culture, I don't know.
We have the culture that we can.
No, but the game mechanics
were great.
They were great.
It was for an animator.
It was something I...
Why did it stop then?
It stopped because the direction
of the chain changed
and it happened.
It happens.
Yes, it happens.
And it happened with a fiction
that replaced the game.
Yes, it worked well,
but they didn't want to put more games at the time.
Yes, they didn't want to put more games.
I loved that.
So that's a better memory,
Money Drop,
the worst memory
of all the shows.
Oh, well, yes.
Your thing in the corner.
Oh, well, I'm a celebrity.
Yes, well, yes.
Oh, well.
But there was a very good side.
We were in South Africa
and we still lived extraordinary moments.
There were other moments
that were less extraordinary,
but it's not the worst,
I would say,
two primes that we recorded
with Jean-Pierre Foucault.
And there was a technical problem
due to the computer.
And the computer records everything
in our job.
That is to say, the questions
are managed by the computer.
It was a big quiz.
Yes, something like that.
I don't remember.
And so we started the first prime
at 14 o'clock
when we finished at midnight.
And the second had to continue.
So we started the other
at 1 o'clock in the morning
and the two were put
in the trash bin because
all the statistics were wrong.
I take your answer,
but I would have loved so much
that you would have told me
my worst memory.
It was with Bernard Maby
on the 5th.
Oh, it was funny.
Oh, it was funny.
Oh, it was funny.
It was funny.
It was funny on the 5th.
It was called public, right?
Yes, it was public.
I chose a small chronicle.
What did you do with Bernard Maby?
We didn't do anything.
At the time, nothing.
At the time, nothing.
At the time, well,
I chose a chronicle.
I don't know what I was talking about.
It was presented by Bernard Maby
and François Gaujou.
Yes, François.
And you also animated with Beau Grand.
Oh yes, we did the trampoline race.
We did Big Bones, the trampoline race.
What did we do?
We had to say it was an animation
that looked like that.
We said, the trampoline race.
But we arrived and it was shot in Holland
with a German team.
Yes, we had a German director.
A French public and a room-heater
who didn't speak French well.
And if all the German teams were detestable.
He didn't understand.
So we had a German director
who spoke English with us
in English with the accent.
Yes, yes, yes, yes.
In French.
Arrhyocédie.
Arrhyocédie?
Because we, as Americans,
we are arrhyocédie.
Arrhyocédie, ya ya ya, ya ya, ya ya.
But we laughed a lot.
We laughed, it was crazy.
That was the trampoline.
But you were reborn on children on TV.
I still was reborn.
It's a good sign.
Children of the TV on France 2
from October 22,
a new season,
a new adventure
animated by Laurence Boccolini.
Laurence.
There's someone who wanted to
just wish you
the welcome in this show
of the children on TV.
Hello, it's Laurent Rukier.
Every day, every day, it's not true.
You know the house, my dear Laurence.
I learned that at the age of 17, you were insistent in the big heads.
What was your work with Philippe Bouvard?
Question of...
Yes, I'm not going to let you answer.
The name of Mr Rukier du Havre.
Well, Laurence was in charge of waking Bernard Bhabie up after every puerpube cut.
Above all, she was in charge of trying the questions of the audience,
whose answers were neither Archie du Cesse nor Sal Siffy
so that Isabelle Mergo could participate.
What were you doing exactly then?
I was with Philippe.
Well, with Philippe, I think I know him.
Mr Bouvard.
Mr Bouvard.
I was behind the door of his office, but he wasn't there.
It was his assistant who was there.
And I was trying the cards.
There were two bags.
And I was trying.
Well, Mrs Belpère de Loge, Mr Le Prieur d'Agoncoutainville.
Mr Scran.
Nicolas Jacques de Rince.
There you go.
Finally, things like that.
And he came once for his recordings.
He arrived in his role.
He got up in his office and pushed the door.
And I was behind the door like that.
I was standing at the door.
And he never saw me.
He never saw me.
And then I served.
I was at the head of the big heads.
By the way, I was all ready.
Jacques Martin, Jean-Yan.
I was all ready.
And then I became the head of the big heads.
But very long after.
Laurence.
Yes.
You also won the first season of Mask Singer.
No, the unicorn.
The unicorn.
The unicorn.
And Camille Cambal is there.
Hello to all the friends.
It's beautiful.
What's up, Laurence?
Or should I say my little sequence?
It's beautiful.
The friends.
Laurence won the season 1 of the show.
From all the others.
It's just a warning.
Hello, Christophe Bogrand.
We're going to do the season 6 soon.
So now, Gadi.
Because Singer is like catching the Covid.
Everyone doesn't care.
It's good Camille Cambal.
I didn't hear it yet.
The unicorn.
Who too?
Nagy now.
Yes, hello, hello, hello.
Laurence, you were the biggest winner of the show.
Everyone wants to take its place.
Because you're the only one who managed to take mine.
Yes.
But you only stayed for 2 years.
Yes.
So why?
The game was too complicated.
However, the rules are very simple.
I ask you a question.
And you have to find the answer.
Or the lyrics of a song that allows you to win 1000 euros.
And to switch the points of another candidate in a secret notebook.
Except if you have a joker.
Or a friend who is a fan of Taratata.
Or a 49.3 d'Elisabeth Born.
So in this case, the winner will have the choice between breaking his PEL
or simply asking me for the job mode of the show.
Yes, that's simple.
Here, ciao ciao ciao.
You call yourself Jean-Pierre Foucault.
Here I am Jean-Pierre.
My candidate of the day, it's Laurence Boccolini.
Let's go straight to the question.
Okay.
Laurence, you're going to replace me in who you want to win millions with Dario.
So I would now like you to propose to replace me.
Answer A, the election of Miss France.
Because it's the only thing I still present.
Answer B, in the freezer.
Where you put me between each election of Miss France.
Answer C, in the ambulance that transports me from Miss France.
Oh no.
Or answer D, in the ambulance that transports me from Miss France to the freezer.
No, Miss France, you're not interested in the contest.
I thought it was on TF1 and now you're on France 2.
Yes, no, but even.
No, no.
From October 22, the children of the TV take over with,
at the head of the show, Laurence Boccolini.
In a moment, you're going to do the Valleys RTL in addition.
RTL.
The Valleys.
So that, the Valleys RTL, you know Laurence.
Oh yes.
Especially since you were here at the standard.
Yes, at the standard.
At the standard of Anne-Marie Pesson, Bernard Rchu, Max Ménier, all that.
You know the maison Parker.
There is 1,100 euros in the Valleys RTL plus 6 things.
I ask for a number from 1 to 20.
15.
15.
15.
Come on.
We will call André Brenafou who lives in Bruguière.
Yes.
You want to hold your high ground.
Bravo.
You hold your high ground, André.
André.
You call him.
You introduce yourself and you ask him.
What did I say?
You tell him, do you know what you are André?
To Bonafou, to High Ground.
It sounds like André.
It sounds like André.
It sounds like André.
And what is the content of the Valleys?
There you go.
You know everything.
We let you make it.
We let you make it.
It sounds like André.
It sounds like André.
It sounds like André.
It sounds like André.
It sounds like André.
I do not know what it is.
Do you want to say that?
I do not want to say that.
Are you sure?
Are you sure?
Are you sure?
Hello André.
It's Laurence Buccolini.
I am from Airtel, in the mission of Laurent Hucquet, La Grosse Tête.
And I called you to Valleys RTL.
So, I am sorry to say that you lost some of your money.
That's never the kind of message that we want to see on his answer.
But you have it.
I still embrace you, André.
It's not bad, he has it.
Anyway, on his reply, the voice of Laurence Boccolini.
Another number.
Four.
Four.
A second attempt with Mr. Ballarini.
Ballarini.
Ivano Ballarini.
He's going to be called by Laurence Boccolini.
Asavini, in French.
Yes, that's my Italian.
Savini.
Savini.
Savini.
It's in the sounds.
It's in the sounds.
Mr. Ballarini.
Mr. Ballarini.
It's in the sounds of Mr. Ballarini.
He doesn't work at that time.
Ivano.
Ivano, he's called.
Well, another reply.
Hello.
You're fine.
If you're fine, it's the main one.
A comic.
It's a comic about your friendship.
It's a comic about your friendship.
Laurence, you have to be a humorist.
Hello, Ivano.
Laurence Boccolini is on the phone.
I was passing by Laurence Boccolini on RTL.
And I called you for the Valise RTL.
But I find your message very funny.
We're going to call you to write some...
We're going to pick it up for you.
We're going to pick up some vans.
Have a good day. Goodbye.
Another number.
Last chance.
I'm going to call you.
Last chance, Laurence.
OK.
So, two.
Gérard Bellotti.
Oh, well, the best.
Gérard Bellotti.
The diaspora.
He's here yesterday.
He's doing jambon, Bellotti.
In the VAR.
No, Chantal.
He's here yesterday in the VAR.
Mr. Bellotti, are you going to hang up?
It sounds.
Hello, Gérard.
Hello, Gérard.
Gérard Bellotti.
Yesterday, it's good.
It's beautiful yesterday.
She doesn't want to give money, Mrs. Bellotti.
Hello, you're welcome to take it.
No, no.
Go ahead.
You're the queen of the answerers.
You can hang up your message.
It's the same lady who works for everyone.
We noticed.
Hello, it's Philippe Bouvard,
big heads.
We're in 1990.
Bernard Maby is still here.
You missed the Valizier TL.
Time for you.
Have a good day.
It will be all for today.
Time for Valiz.
We'll try it tomorrow and I'll add it.
I'll add it in the Valizier TL
for tomorrow's attempts.
An electric tondeuse for the body.
Not for the body.
For the body?
Not for the garden.
Not for the body.
There are men who are very stuck in the back.
We can't give up, Berluson.
It's an electric tondeuse.
Wilkinson, Mr. Donzer.
It's the name of this electric tondeuse.
I want to hear it.
It's an electric tondeuse
unique to its kind that pivots
to prevent you from being torsionated.
Yes, yes.
For the testicles.
Mr. Donzer is not an ordinary tondeuse.
Mr. Donzer, believe me,
there is only one left.
She is flexible.
She is very flexible.
Me, yes.
She pivots.
She pivots.
What is the weight of the weight?
She adjusts herself on five different positions.
It's not bad.
It's the mini Kamasutra.
So that you can get the right angle.
Well, that's it.
To comfortably measure.
Oh yes.
It's good to measure comfortably.
To measure comfortably in any area,
including below.
Yes, yes, yes, yes, yes.
You're right.
There are poles at the top.
What I like is that they put
below, you see, between, you see.
Yes, but we see very well what it is.
We see what it is, Mr. Wilkinson.
Yes, yes.
But the electric tondeuse for the body.
Wilkinson, Mr. Donzer.
And in the RTA Valley.
We will thank Lawrence Boccolini
for finding you.
Thank you.
On October 22,
on the children of the TV,
tomorrow at 5.30,
for another big head,
you leave it with Julien Seigner.
And of course, Marc-Antoine Le Gré.
It's up to you, Julien.
Good evening.
Machine-generated transcript that may contain inaccuracies.
Avec Bernard Mabille, Liane Foly, Paul El Kharrat, Christophe Beaugrand, François Berléand et Isabelle Mergault.
Retrouvez tous les jours le meilleur des Grosses Têtes en podcast sur RTL.fr et l'application RTL.