Les Grosses Têtes: L'INTÉGRALE - Émission du mardi 24 octobre 2023

RTL 10/24/23 - Episode Page - 1h 44m - PDF Transcript

Transcript
Show Notes

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A big head that came back from San Rafael

after his triumph on the coast of Azure.

Isabelle Mervaux.

A big head that has a nickname of Les Sives

and thanks to who the world is much softer,

Ariel Dombal.

Nothing makes them happy.

A big Belgian head.

I came to take the bread of French humorists.

Guillaume!

A big head that is named Maximillian in tourney.

Max is his and minimum for the answers.

Max Boublil.

It's a good game, it's a good game.

A big head from the north that will hold on tonight

against the PSV Eindhoven.

Even if he doesn't look at the match

at the end of the change of the jersey.

Jean-François Jancel.

Did you know at least tonight

your team of lances played in the European Cup, sir?

Yes, but I know.

In the Champions League, you didn't know yet.

No, but I don't care about football.

I support them when I know,

but when I don't know, I can't.

Tonight, there's a lances.

Hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey.

Maybe he knows better, Mr Guillaume, than you in football.

Yes, in football, I know him very, very well.

Ah, yes, so?

With a jacket on.

Wait, even on Sunday, he didn't wear it anymore.

It was so ugly.

But what's the name of Guillaume?

It's Guillaume Toucourt.

Guillaume Toucourt.

Ah, Guillaume Toucourt.

Very good.

How are you, Madame Mergo?

No, no, it doesn't fit.

No, no, no, no, no, no.

I'm glad she takes it to Guillaume, but not to me.

You're the one who can't take it.

I'm going to take the orange, I feel it.

No, no, it's not that.

We don't have the means.

You're not going to take it to Guillaume, you're not going to.

It's not the first time you've met Guillaume.

First time?

No, I've already done an show with you.

I feel like it's...

You see, it's like my brand.

There's a funny atmosphere on this platform.

I want all of us to kiss.

Where are we going to kiss?

We don't need that.

We don't need a hug.

We don't need a kiss.

We don't need a hug.

Come on, come on, let's dress up.

Come on, the first quote is going to put everyone in agreement

for Mr. Laurent Salin, who lives in Brughias,

in the Allier, who said,

I'm carrying my legion of honor.

Only when I'm going to discuss my lawyer

or when I'm going to look for my children at the police station.

It's the last century, isn't it?

Pardon?

It's the last century.

No, no, no, it's...

He died not long ago.

Benisho?

And it's Pierre Benisho.

Oh, my God!

Oh, the answers!

Niva Balmerio.

A quote for Solani Shou, who lives in Terranden,

the hero who is said to be an intellectual.

It's someone who uses more words than he needs

to say more than he knows.

Oh, nice.

It's collusion.

No, it's not collusion at all.

It's a drama.

It's not a drama.

It's a...

It's a woman.

It's not a humorist.

It's a man.

Oh, yes, yes, yes.

He's French.

He's not French.

Oh, yes.

He's American, surely.

He was born in Texas and he died in Washington.

George Bush.

President.

George Bush.

George Bush, no, but a president.

Donald Reagan.

Ronald Reagan.

Jimmy Carter.

He's too intelligent.

Donald Trump.

No.

No, no, he's dead.

Joe Biden.

No, he's alive.

Joe Biden.

No, no, he's alive.

No, he's alive.

Not very much, but a little more.

John Fitzgerald.

What did he say?

What did he say, no.

Oh, you have them all there.

Lincoln.

No.

No, Nixon.

Nixon, no.

No, it would be Nixon.

Yes, that's a good idea.

He was Republican, if that could help you.

General Ford.

I'm going to find him.

Ford, no.

He wasn't a Democrat.

No, no, no.

Was he also an actor?

Because there are presidents who were actors.

No, he wasn't an actor.

That's Reagan.

He died in 1969 in Washington.

Kissinger.

No, it's the 34th...

It wasn't Clinton, he was the president.

It's Clinton, but it's not him.

It's Monica Levinsky, sorry.

It's the 34th president of the United States, if it can help you.

Well, yeah, we're going to start with the first one.

The 34th president of the United States, who said an intellectual,

it's someone who uses more words that he needs to say more than he knows.

He did it in the original language.

An intellectual, an intellectual, it's someone who says,

we use a lot of words, more than he knows.

Laura, would you please question?

Is it before Clinton or after Clinton?

It is before Clinton.

I'm going to make a sound.

It's a little joke between us.

We could have done it with Clinton.

At 20, I can't do it with this one.

I'm taking advantage of it.

Is it the president of the United States at the time of the Westerns?

No, no, no.

He was president of the United States in the 1950s.

8 years, 8 years, 2 months.

2 months.

What does he say after a mandate?

Kennedy.

Just before Kennedy.

It's not Kennedy.

Because there are two Kennedy's.

Yes, yes, yes.

We're bad.

It's just before Kennedy.

Kennedy succeeded and before him, it was Truman.

Capote.

Yes, there was Carter.

No, we lost him in Carter.

We're not going to fall on a president of the United States.

Washington.

Yes, everything is said except him.

It's crazy.

Eisenhower.

Good, good.

The answer of Max Boublil.

He's out of nowhere.

He sometimes finds...

It's incredible.

What's happening to me?

He finds, especially when others have Eisenhower's disease.

A very easy question for their students who live in the station.

So it has existed since 1995 and other cities have imitated Paris.

It will be a weekend, to tell you everything.

And it's every year since 1995.

And so I didn't know, but there are many cities that have been like us.

New York, Tokyo, Beijing, Moscow, Shanghai, Le Caire, Salvador de Bahia, Seoul.

I didn't even know it was cities.

Cologne, Zurich, Monaco, Brussels, London, Toulouse, Lyon, Nantes.

To remove the trotinettes.

In Marseille, as you can see, in Paris, we have removed the trotinettes.

I don't know why I'm even tired of what I'm going to tell you.

You always come to me.

I stop in the middle of a sentence because I don't care about myself.

That's exactly what's coming to me.

Thank you, but it's always been me.

So we're going to forget the trotinette.

So we started here.

And everyone imitates us.

Yes, since 1995, everyone imitates us.

To remove the dog barks?

No, to remove the dog barks.

Anyway, maybe it could be useful in this demonstration.

Is it urban?

Is it the gay pride?

No, it's related to the gay pride.

I didn't say it was related to the dog barks.

It could help.

No, I didn't say it could help.

If it had a link with the dog barks,

I said, well, in the sense that we really want it,

we can do it.

A parade?

Not a parade.

It's not a bike parade.

No, no, no.

It's taking place all over Paris since 1995.

And since many cities around the world.

Marathon?

We followed our example.

Vendors.

Well, yes, in Tokyo, vendors.

What's happening?

Marathons?

New York vendors.

It's famous.

We're in the world.

In the United States.

Marathon?

Marathon, no.

Is it a festival?

Yes, I think you participated in the parade.

The gay pride.

No, not the gay pride.

The techno parade.

The music party.

What?

The music party.

No, she didn't participate in the music party.

No, the love parade.

The love parade.

Is there a parade thing?

No, there's no parade thing.

Well, we just said it.

Crackers.

Well, it's a festival.

Ariel participated in it.

I've seen it every day.

Well, what?

The Kresios.

What?

The Kresios.

It's true, Ariel is a painter.

She dances to the Kresios.

Yes, yes.

And she even knows how to dress in the Kresios.

She's wearing black clothes.

Is it related to fashion?

With fashion, no, not specifically.

No, but listen, it's not simple.

What are you talking about?

No, no, no.

Oh, I don't have to.

I can still find the answer.

The new nice jolly one.

Oh, the new New York new jolly one.

Oh no.

Tokyo.

But as a friend, you'll stop acting too.

Is it a special делать?

Oh, day without car.

The day without car, no but it's not bad, you see.

What's the relationship with Ariel, the day without a car?

Well, it's a nice joke.

No, I know.

The day without a driver, okay.

No.

He's right, my friend.

No, I know. Illumination.

It would be funny, the day without a driver.

It's in Paris.

There's nothing we could have done.

So how would we do it?

I love walking on foot.

I'm someone who walks on foot.

Yes, but Paris-Marseille is still difficult.

Halloween?

It's nice for Ariel.

What?

I'm... I'm...

I'm in the Citroën.

No, but we're not going to do that.

We're not going to do that.

We don't need to do that.

No, but...

But I love Halloween.

It's over now.

What did she say?

Halloween.

It's the day without a driver.

The good guy...

Well, I don't know about the party.

But no, but Ariel was...

She was taking part. I'm sure.

Really?

I'm not sure, by the way.

Oh, I know the Illumination of the Tour Eiffel.

Bob.

There's a big parade this time.

Yes, and she must have had a parade.

Really?

Yes.

But it's the losers who have a parade.

Those who do the following.

I try to understand.

We're going to give 300 euros and surely 400 because...

There are some neighbors' parties.

To be honest.

I want to see Ariel do something.

Kiss Lorraine for the party of the neighbors.

And see...

And be able to sit in a vero-plastic.

In the H&M class.

Yes.

That's good.

There's nothing to do with the motocrosses.

But no!

All of them.

The macabre dance.

But no!

Ariel, don't listen to them.

No, but I love...

The dance.

I love the night of the dead.

Yes.

It's not that.

I don't know a prison visit.

No!

300 euros.

It's the shame.

So much better for their student who lives in Nîmes.

Does anyone look?

There's a gentleman with a finger up there.

There's a lady up there.

There's a gentleman.

Where is he?

He's lost.

I know.

I'm here.

Hello, sir.

How do you call yourself?

Hello, Patrice.

Patrice, what's your answer?

The chocolate salon.

Good answer!

But you have...

You have a doubt.

Everyone makes mistakes.

I don't like chocolate.

No, but if she says no, it's excellent.

But yes.

Why would I say no?

No, no.

While the erotic salon is all over the years.

You think she remembers everything she does.

No.

At least that.

We remember a chocolate robe.

Well, yes.

It must be a sweat suit.

We'll check it anyway.

Look for me to tap Ariel Dombal's chocolate

and we'll see what we find.

Yes, yes.

Oh, it scares me.

Yes.

You have to be careful with this kind of research.

On the internet.

I don't know where you're going.

We're going to have a surprise, then.

OK.

We're going to eat a dessert.

It's a bit...

Well, listen, I'm wrong.

Maybe it was during the day

where I saw you, you were disturbed.

I don't know.

No.

Oh, well, well, well.

No, I was...

I had a crystal robe.

You're confused.

Well, if I confuse crystal and chocolate,

I don't know.

In any case, it's us who are chocolate.

Yes, because we lost 400 euros.

Yes, that's right.

That's what you're going to do.

R-P-L.

The big girls answer to the audience.

Jean-Christophe, we wrote an email.

Very funny, by the way.

Hello, Jean-Christophe.

Hello.

Hello everyone.

I'm going to say...

Oh, that's right, it's you.

Ah, yes.

There's an echo in the house.

You don't have a lot of furniture.

You're in the shots.

That's because...

What do you say?

That's because I'm hidden.

I'm at work.

Ah, you're at work.

There's no room.

I'm listening.

It's going to be quick, because I'm going to read the email

that you sent me, which is very funny,

on lesgrossetetsarobasertl.fr.

You wrote,

I find this rubric facing the big head,

completely useless.

As soon as I have the opportunity,

I zap it.

And it's not worth calling me to talk about it.

What a mistake.

I love it.

You're going to explain what you're going to take.

You're going to be crazy, Jean-Christophe.

Yes.

I said to Kamel like that,

we're going to be necessarily called.

Well, yes.

Well done.

You won.

We wish you a good day, Jean-Christophe.

Christophe, now you're on the phone after Jean-Christophe.

Hello, Christophe.

Hello.

We're going to hold all the hands like that.

Hello.

Hello, Monsieur.

Hello, Les Grossettes.

Hello, public.

Ah, public.

Ah.

And Ravik, you're going to say hi.

You write to me, Monsieur.

First of all,

I saw you on BFM for your 20 hours.

And I want to tell you that it's the day and the night

between Les Grossettes and the 20 hours.

Yes, that's true.

But you're going well.

Well, thank you.

It's very nice.

Moreover, if Mrs. Mergo was celibate,

it interests me.

Me too.

Because she has a charisma and a crazy charm.

But you have such a good taste.

Jean-Christophe.

Yes, hello, Isabelle.

But...

How are they talking?

What a sensual drink, suddenly.

Tell me, Jean-Christophe,

where are you from?

Not Christophe, Jean-Christophe, Christophe.

Unfortunately, I don't live in Paris.

I live in Nantes.

Yesterday.

It's close to Saint-Nazaire.

She's confused with Saint-Rafael and Saint-Nazaire yesterday.

So she almost came to see you, I'm going to tell you.

And what are you in life?

I'm a road driver.

Ah, too bad.

Ah, but yes, that's good.

That's good.

Yes, it gives a lot of time.

And I'm...

And I'm retired from firefighters.

I'm 18 years old.

18 years of firefighters?

It's less than me.

I'm going to give you a poster of me that you will hang on your truck.

My truck?

Yes.

That's what you think when you unload?

Well, yes.

Well, it's not me who unloads.

Ah, I'm shocked.

Oh yes, well, yes.

Christophe.

Well, yes.

I'm sorry, he's a trucker.

Well, yes.

I didn't say anything.

Yes, yes.

Do you know what I mean?

I think you're still bad with her because every time she has to say something,

she doesn't have a joke.

Or something, she always has to, when in fact, be in a relationship,

if there's a problem, her hair is in the way.

No, no.

She's such a funny person.

No, we're never going to talk about it.

You've noticed?

We've only talked about it.

I can never finish my sentences.

That's true.

No one has to say anything.

We're not going to talk about it.

No, we're not going to talk about it.

We're not going to talk about it.

No one listens to me.

You listen to me.

I could do better if you wanted to.

Wow, wow, wow, wow, wow.

He's hot.

I didn't hear.

Articulate, I don't get it.

He's ready to come to you as you please.

He can do much more, he says.

He's hot like a baracquette.

No, no, no, not at all.

I'm not hot like a baracquette.

Like a barraque.

But he's going to...

You see, he's only sexual.

He's going to do everything.

He has a lot of admiration for my work, for me, for him.

He's very sexual.

He's interested in you too, isn't he?

Oh no.

Look.

He's married.

No, no, no.

I'm not married.

I'm 46 years old.

No, no, no, no.

It's loose.

It's my time of order.

No, no, no.

We're going to stay...

You know, in the old days,

we made the best soup with new carrots.

Thank you for the end.

I didn't know the end.

So there...

He knows how to talk to women.

I knew it was in the old days that we made...

I didn't know that it was...

I didn't know that it was in the old days that we made...

He knows how to talk to women.

We have editors who...

We have editors who we deserve.

We kiss you, Christophe.

And we send you a photo of...

of Isabelle Mergo.

Well, someone else who wanted to congratulate you.

Stéphane, hello, Stéphane.

Hello, hello.

You have read the film

Isabelle Mergo des mains en orre.

And you liked it.

And you wanted to congratulate her.

Is that good?

Exactly, exactly.

I wanted to be able to see her live

for her, for the happiness of this film.

I have a lot of ideas that having Malodo

is also by having a lot of water and...

And it's true that the film is on the platforms now.

I saw that, we had the choice.

Yes, yes, yes.

You are not a big fan.

I didn't know that yet.

Well, yes, yes, yes.

Since week two, I don't know.

Well, yes, yes, of course.

There is no right of author on it.

You know, I don't know.

Ah, no.

No, but the important thing is that you like it.

Please, that's it.

Yes, a lot.

Stéphane, do you want to watch RTL?

You?

Well, with pleasure.

Well, here we go.

And now, Angelina.

Now, hello Angelina.

Hello Laurent.

Hello the big heads.

Hello Angelina.

Oh, it's a legend.

I have a little cuckoo to realise.

Isabelle, that I love.

Ah.

I find that these are two women

who are too classed,

and each of them in their own way.

Yes, that, that in their own way.

That, you don't have any idea.

Everything is said.

Each of them has its own way of having class.

Exactly, there is a way of having class.

What is interesting would be to know

what is the class of Ariel

and what is the class of Isabelle.

So, the little difference,

each of them in their own way.

What do you want to say?

I think that these are two very intelligent women

but who sometimes go a little bit

to be a little less intelligent than they are.

Well, Angelina, you have understood everything.

Yes, because

you have to give yourself to your men.

You see, we have understood that it was not worth it.

You better, you better look a little dumb

so that they look intelligent.

Exactly, it's a technique.

But it's a technique.

A technic, a technic.

I'm the one who frequency both of them in life.

No.

Well, they wanted to tell us

other things, I think, Angelina.

Yes.

To have a good birthday.

That's it.

Exactly.

So, Laurent, listen,

I'm at the Dax's Tribunal.

I have a colleague with me

who is originally from the Havre

and who is doing his 60th birthday today.

Ah.

She is next to me.

She is a little surprised

because there was nothing said.

So, we are a little bit

sequestered in my office.

So, we would like,

Laurent, if you want to wish him

a very good birthday.

Oh, well, we wish him.

Well, yes.

Pass it to us.

As they say.

Don't leave.

Laurent.

It's called Laurent.

Since you are Angelina.

Hello, Laurent.

Hello.

Well then, happy birthday, Laurent.

He will not pass us the whole family either.

Laurent, you are from Havre like me.

When I wish you a good birthday,

we have the same age in addition, Laurent.

Yes, indeed.

Yes, yes.

Do you want to go to school together?

Did you go to school in Havre?

No.

Ah, well then.

Well, you did not go to Havre then.

I was Montivillier.

Ah, Montivillier.

Ah, well.

Goodbye, Laurent.

Goodbye.

Happy birthday.

Well, you wish a good birthday to Dax, Laurent.

Thomas now.

Hello, Thomas.

Hello, big heads.

Hello to Guillaume,

who is a compatriot.

You are Belgian, Thomas.

Elas, yes.

Why Elas, Thomas?

And among your chouchous there is Guillaume,

but there is also Jean-Fy.

Yes, hello, Marie-Toutoulle.

Hello, my boy.

It's going well, yes.

Your magic fingers.

So, it's Thomas Turillon.

Do you see who?

Oh yes, it's the journalist Thomas Turillon.

I know him well, I know him well.

A beautiful journalist.

You have been dressed since.

There is Moucron.

The guys spend their private time

on the missions, in fact.

Besides, I hit myself with an orange

from Dax's tribunal.

There is no justice.

The big heads with Laurent Ruquier

are every day from 5.30 to 18.00

on RTL.

Always with Ariel Dombard,

Elizabeth Mergo, Jean-Fy Jansen,

Max Goublil, Guillaume

and Olivier Bellamy.

So, I don't know if there was this

incredible publicity with Michel

Paul-Naref.

So, obviously, for a few seconds,

we were wondering if it was the real

Michel Paul-Naref in this pub,

a pub for a business management company,

Yomoni.

It's called, by the way, this company

that had the good idea of engaging

Paul-Naref with a slogan,

obviously, very surprising.

And above all, what's funny is that

we hear in the advertising

that we can get closer a little more

because otherwise, we will believe

that we paid for the Sausage.

Because it would have already been Sausage

of Paul-Naref in other pubs.

But here, it's the real...

Nothing to see, nothing to see.

Yes, yes, it's the real one.

But it wasn't a Sausage.

You see, it was my friend Jean-Luc Bartholomew.

It was a great campaign of pubs.

Yes, yes, it was funny.

His portrait crashed.

But here, it's the real Paul-Naref.

And the slogan of the pub

is that if he had better painted it,

Michel Paul-Naref would not have

to make a pub for the solution of the part.

No, but it's genius.

It's a very good idea.

It's very funny.

He must have touched a lot of money for that.

No, no.

Obviously, we didn't think about it.

Yes, it's a good idea.

Look, everyone is talking about it.

But in any case, it's true that it was my question.

But you answered before, even though

I ask it, Isabel Mergo.

What was the name of the actor

who played Michel Paul-Naref in the other pub?

The pub was the student.

Ah, well, that's it.

And it's Jean-Louis Barcelona.

Good answer, Isabel Mergo.

We offered you the pub, Mr. Jean-Saint.

In Paris?

Yes, yes.

We wanted to offer pubs,

but I have trouble doing that to pubs.

It's weird to associate an image with a sausage

or a veranda.

What did we offer you?

Air France.

Air, you can do Air France.

I'm not sure that Air France wants that.

Wait a minute.

What are the products that offered you?

We offered you the Bank de Sperma.

No, no, no.

We offered me socks,

Jean-Phil socks.

Yes, surely.

It was to talk about the wire of the coast

and then the charcuterie.

The charcuterie, why the charcuterie?

I don't know.

A sausage.

Ah, yes.

You see well with a sausage in your hand.

Yes.

Do you know what I'm going to do now?

No, the pub.

The pub was the pub.

I went into a charcuterie

and he said,

Hello, I would like a sausage in the eye.

The butcher told me,

Just cut it in half

and I said,

You take my ass for a teardrop.

It was...

It was a...

It wasn't true.

I invented it.

Ah, okay, okay.

Do you see anything?

Have you done the pub already?

Yes, I have to say that I have done it.

I did that for Revlon.

Beautiful hair.

With that.

That's it, Revlon.

And then we were...

Where did you do it?

No, I didn't do anything.

You were good at it.

Yes, that's true.

But we also offered the presidential camembert.

And...

Well, I didn't do it.

And yet...

What did you have to do in the presidential camembert?

Well, I was with Thierry Lermite

and then we exchanged camembert pieces.

Yes, it was a big credit card.

It was taken by God then, right?

It was taken by God.

No, no, it was strangely camembert.

And then I did...

Yes, I did one that was very pretty,

which was for the antifreeze.

And Mike was there.

Yes, remember that.

And when I open my mouth,

there's always a white one.

The white one is Mike Diamant.

And what did you do, Isabelle?

I did a pub that was tested in the south of France

for the Fresh Start les cives.

And so I did...

Fresh Start takes away the fat,

like the...

I don't know what, in short.

And so he tests that in the south of France.

There's...

I don't understand what he said.

But I assure you,

he gave me a gold digger because he was

hesitating about their pub,

we had a lot of time in the tournament

to double it.

And I said no.

Well, you did well because it's what

represents you.

What a beautiful story.

Beautiful, beautiful.

Well, you were with your Tirelire Marant,

you asked.

But everyone has no funny anecdotes to tell.

You bubble it, you bubble it.

I was young in all pubs in the 2000s.

I did YAH,

I did the same thing.

I did YAH, I did grunt,

I did honey,

I did...

Crashed in the Valle Gyat.

A moment of every youth in each pub.

YOP.

It was you, YOP.

But yes, I was...

A moment,

the first time I was young in the pubs

in the 2000s, it was me.

Ah, so YOP.

It was you.

Well yes, YOP crunch.

What did you do?

I even did the painful rules.

Upsa, I swear I was the friend of the

Nana who spoke of those painful rules

and I was behind the scooter

and I did what she said.

Well, last night, by chance,

invited me to a small ceremony for Roselyne Bachelot and I met someone who told me

it was me who made you turn in a pub. I said, I haven't done a lot, so I'll

immediately find out if it's true because I did very little advertising. It was in

the 90s. At the time, I was still doing one-man show and all the artists were

asked for the post. And my pub never passed because it was so bad in the

advertising. They didn't even want to pass it. And I made another advertising for the T.E.R.

which never passed either. I only did two pubs. It was in the 90s. I started and I

would consider it to be honorific when you complain to make a pub.

Well, I had the melon when we recognized pubs and everything in the street.

Yes, but you weren't taken because you were Max Boublil.

Oh no, I was taken as the young man.

Yes, while I was taking for my name. So at the beginning, when we start, we are

flattened, you see, when we call for your name. So I stupidly said yes twice.

And then I realized that frankly, it wasn't good, so I stopped. But I did

the post, but everyone did the post. And the other was the T.E.R.

And we had to be two personalities in the T.E.R. And we had to say why we liked

the T.E.R. And there were landscapes that unfolded next to each other.

It's hard to find arguments.

And in front of me, it was because we turned the pub to Florence Artaud.

And it turns out that no luck, this poor and regretted Florence Artaud,

almost 15 days after we made the ad, she quarreled in a bar in Brittany.

She made a kind of rick, you see, because she was...

Yes, she was quarrelsome.

And so, as she quarrelled, it gave a bad image for the T.E.R., the pub

didn't go through our...

But no, because of Florence Artaud, it wasn't fucked.

And that's it.

And for once, you were good.

Oh no, there you go.

You would have lived the T.E.R.

I said the T.E.R. at the level of beautiful landscapes.

No, you can't do it like that.

The T.E.R., it allows you to go fast from one city to another.

Oh, what are we good at in the T.E.R.?

And did you take the money from the pub too?

Well, obviously.

Yes, because I turned, I turned.

When we turned, we turned.

It had to be broadcast once to touch the three pubs.

I remember, I waited for them, I was hooked like that.

The three, yes.

Yes, but the...

But like the games.

You sign a paper that says that the gains are only given if the broadcast is broadcast.

If the broadcast is not broadcast, you don't touch the pubs that you won.

Even the millionaire.

Did you pay to make the games...

Did you pay to make TV shows?

No, but the gains you can have in TV shows, because before I was famous,

I made TV shows.

I had made TV shows where I won shows.

But we sign a paper that says that if the broadcast is broadcast...

If it doesn't work, you don't win.

Finally, you're a candidate.

Yes, yes, that's right.

The show is her.

If we cut the passage, we don't give it to her.

We don't send the show to her.

And you, Mr. Bellamy, do you want to try?

Well, I've always refused because it's an ethical question.

Well, you talk.

Florian, 33 years old, is a rising star in the drama.

Hello, Florian.

Hello, Laurent. Hello, Grosset.

Hello, Grosset.

Hello, the audience too, who encourages you.

Hello, the audience.

Spontaneously.

What do you do in Florian's life?

I'm responsible for the sector in mobile phones.

Well, there are a lot of people in mobile phones who call us.

By the way, surely, because it doesn't cost them a round.

Florian, you're going to listen to my big heads.

And you're obviously going to try to find the real info among the fake news that we're going to give you.

Five fake news, one real one, all that to obviously win a magnificent season.

The Europa Park, the best park in the world.

A season for four people.

Do you have children, Florian?

So no, but my companion is a amusement park.

Oh, very well.

Listen, who do you want to see with us?

Don't look at us, Florian.

There are twenty-seven toboggan, thirty-five aquatic attractions.

Oh, it's going to slide.

It's thirty minutes from Strasbourg.

It's accessible in TGVI, Nuit, EuropaPark.com.

It's for you, for four people.

One night at the hotel, four stars.

The Europa Park.

Little breakfast, buffet.

A day of access with all the free attractions.

There are sixteen European theme parks in the Europa Park.

More than a hundred attractions, including thirteen great eights.

How many? Thirteen great eights?

Yes, thirteen great eights.

Thirteen great eights, four stars.

That's a lot.

That's true.

Are you going to get angry, Mr. Cossack?

Do you like great eights, Florian?

Not too much, but you can do it.

There's the chicken house too.

You prefer a dozen of eights, so maybe you stay.

Yes, completely.

Well, yes, yes, yes.

But there's a restaurant that is also expected.

Everything is expected for you.

Attention for that, obviously, you have to listen to my big-headed comrades

who are starting first.

Ariel, donba, delicious Ariel.

The most beautiful.

So, according to experts, we can't do anything anymore.

For the South Pole, it will melt inevitably.

For Bernard Maby, nothing is possible on the other hand.

He will not melt, despite the big heat.

Isabelle Mergo.

It's official.

The cells hidden in tyrums can be dangerous.

It's better to bathe, even in his sleeve,

do a choum on a choum,

or brush your nose every day with a cotton swab

or a tissue according to the health agency.

He put it in alliterations.

It's really annoying.

I'm happy to be on the phone and not in front of you.

Oh, the aggression.

No, nothing.

I suggest you listen to Olivier Bellamy now.

The camping term, having made its official entry into the dictionary of antisemitism,

Franck Dubosk will have to explain himself in front of justice

for the three flights of the camping saga.

Diom.

In Valence, in La Drôme,

followed by several planes of riverine,

the police had to intervene in the restaurant

called Chamastakos

and asked his owner to turn off his luminous stage.

Indeed, the ampoules of the first letter being grilled

gave it to Amastakos,

which obviously worried all the people of the village.

Max Boublile, then.

Emmanuel Macron visits Israel.

The president of the republic has been accompanied by Daniel Obono,

Mathilde Pano, Louis Boyard and Emmanuel Bonpart

to try to exchange them for hostages.

Jean-Phi, Jean-Seine to finish.

Yes, Michel Polnareff in a advertising for l'Epargne with this slogan.

If it had better spread, Michel Polnareff would not have needed to do this pub.

So it's not that he had better spread.

Yes, it's that it's better than...

Because it's dangerous.

Excuse me.

At least that's how we talk about it in the chenard,

but if it had better spread...

It's called a patekette.

If it had better spread, Michel Polnareff would not have needed to do this pub.

We will also soon find Eddie Mitchell in a pub for a shumgum.

If he had taken it out of his mouth, he would have sung better.

So Florian, who said the truth?

So, I'm going to do it by elimination.

Often, it's better.

Ariel Dombal, I'm going to eliminate him.

Ah, well, you're right, of course Bernard Maby has lost a little.

It's not because of the big heat.

Max Boublile, I'm going to eliminate him too.

Yes, the president is not part of France Insoumise in Israel.

Next.

Jean-Pierre Jansen.

So even if I love him, I'm going to have to eliminate him too.

So it's true that there is a pub with Polnareff, but not yet with Eddie Mitchell.

Olivier Bellamy, the same, I eliminate him.

That's it.

The boss is not currently watching because he turned in camping.

Lyôme, I heard the news because I'm just next to Valence.

Yes.

I think it's this information.

Yes, you will win your trip, Jean-Pierre.

But at the same time, I have to say that my information is not completely wrong.

It's true, but there are still a few medicines that are good against Lyôme.

No.

It's Ephedrine, that's what we're talking about.

Because it's not so constrictor.

Like the viagra.

And like the wood.

I've always heard that Lyôme, that we take care of him for eight days,

and Lyôme, that we don't take care of him for a week.

Yes, we have to make it work.

So anyway, that's it.

Wherever the song goes, never give me too much.

Never, never, never give me too much.

Oh, I don't know.

Ariel just understands.

Yes, yes, I just understand.

You have to go get it far.

No, really.

You don't have to sing with me, Ariel.

Never, never, never give me too much.

No, the ball.

No, no, no, no.

Oh, look, she's doing it.

It's less beautiful there.

It's much less funny.

Yes, yes, yes.

Never, never give me too much.

I wouldn't have thrown it away.

No, no, no, no.

It was pretty.

It was trapped.

Well, they added the arrival.

Bravo.

It's well done.

Well, anyway, you go to the Europapark, Florian.

Bravo.

Bravo, Florian.

For Madame Karpi, who lives in the Yvelines,

a question about Christophe Law-Lichon,

Christophe Law-Lichon,

who is interviewed in the press today on a subject

that few people can talk about

because he is one of the few specialists of this profession.

But what is the specialty of Christophe Law-Lichon?

Is it weather?

Weather, no.

Is it a profession that has to do with animals?

Not at all, Monsieur Bouboulien.

Is it medical?

Medical, no.

Is it sports?

It's sporty, yes.

Is he a stripteaser or a footballer stripteaser?

Not at all.

Is it a collective sport or an individual sport?

The sport is very easy to find.

Football.

So, would it simply be a masseur?

A masseur?

No, I wouldn't ask a question about a masseur.

Is it a ball masseur?

No, it's not a ball masseur.

You're talking about the Tibia protectors.

No, no, no.

He is interviewed after, on the other hand,

not about tonight's match against the PSV,

but about tomorrow's match.

He could have been there too, obviously,

about tonight's match.

But more precisely, tomorrow,

the match that will be against

Paris Saint-Germain in Milan.

He will arbitrate the match.

No, no.

Is it a relation to the lawn?

No.

Is it a relation to the accessories you see with the knife?

No, it's a profession that exists

sometimes when you're not interested in football,

but he does this job, and tomorrow...

He is a guard trainer.

How did you know that?

Well, because it's true,

we always talk about the trainer,

but we forget that the guardians

have their own trainer.

The guard trainer!

Good!

A response from Guillaume.

And yes.

Oh, yes.

But the guardians have their own goals?

Yes.

The guardians have their own goals.

The guardians have their own trainer.

That's how it is.

You didn't know, Mr. Jean-Fu?

No, no, I didn't know.

I escaped, but...

It's not the same thing

to train a field player

than to train a goalkeeper.

So it's true that the trainer

trains all the team, including the goalkeeper,

but in addition, there is a joint trainer

who trains only the guardians.

And tomorrow, it's a fight

between two very well-known guardians,

the PSG guardian,

which is called Dona Ruma,

and the guard of La Sémiland,

who is also the guard of the French team,

because he is French and Mike is cute.

So it's a shock to the goalkeeper

in this PSG game, La Sémiland,

and that's why we're asking...

And he, Mr. Lollichon, is neutral.

Lollichon, Lollichon.

Lollichon, because he...

He held his name.

Yes, there is a guardian trainer

by the team.

Well, Lollichon isn't going to train

the other one.

Train the other one, you see.

And the other one,

he only trains...

In this case, he doesn't train

both of them.

And he's neutral,

and we're just asking

to know which of the two guardians

is stronger.

Is it the one of La Sémiland,

or is it the one of Paris Saint-Germain?

What does he say?

And what does he learn

to throw himself on the ground

on the left or on the right?

That's it, for example.

Wait, there's a lot of training,

there are a lot of stuff

the guardians do.

Yes, yes, yes, yes.

There are a lot of people who run,

they put their hands on it.

They have the right to run.

It's not the babyfoot,

they can move...

I thought he had to stay in...

In the locker room.

That's the prisoner's ball.

Anyway, there you go,

Mr. Christophe.

The coach is indeed

the guardian of the goal.

He's in England now.

He's a guardian coach in Chelsea.

It's quite difficult to understand

how a coach can be neutral.

He goes to England,

and then...

Yes, yes, yes, yes, yes.

There's a lot of stuff.

It's true.

You don't have to put it on the table.

Yes, it's true.

He's the one who trains him,

it's for sure.

When the coach is following him

from the edge,

he's going to be for the guy on the edge.

When he trains him,

I'm going to talk to you,

Marie-Antoinette.

Marie-Antoinette, you don't understand anything.

No, I agree with you.

But I'm going to tell you

that he was one of the two teams.

He gave his opinion.

But Mr. Lollichon,

he's not from France.

I'm not from Milan.

I'm from Switzerland.

I don't care about Lollichon.

And she's also from France.

But Lollichon...

We're going to talk about Lollichon

and all the missions as well.

He has a family, Mr. Lollichon.

Yes.

We'd like to know

which team Mr. Lollichon is working for.

Lollichon and Chelsea, I'm telling you.

Lollichon and Rocauchon.

Chelsea.

If he works for Chelsea...

What?

Lollichon...

It's not possible.

But he can't train

Rocauchon and Rocauchon.

He can't train Rocauchon and Rocauchon.

No, but who told you that?

He gives his opinion

on the two guards

who play against each other

tomorrow,

but he's ours.

He doesn't train him.

He's the winner,

according to Mr. Lollichon.

Do you want to know that?

So, how do you give your opinion

if you're ours?

The other one.

Oh, come on.

There's only one.

It's just that,

there's only two of us.

He's the winner,

Lollichon.

There, on the other hand,

I got it.

I like to be on your side all the time.

He's ours for this match.

The title of the Parisian

today was Don Aruma

or Mike Mignon.

Who's the strongest?

So, who's the strongest?

What does Lollichon say?

Lauren comes,

we call her Lollichon.

He has a 0-6.

So, for example,

you see,

for the matches played,

a guard duel.

So, Mike Mignon,

he played eight matches with

Don Aruma.

He played eleven.

Don Aruma,

he's the one who wins them.

Good.

The goal is broken.

Oh, that's it.

Mike Mignon,

we've broken only seven.

While Don Aruma,

he's broken eleven.

The Seminand is better.

The goal is broken

by a game.

A goal by game

for Don Aruma.

0.88.

So, they're going to tell me

how it's done,

that there's no goal

that's been broken.

0.88.

What does Lollichon say?

0.88.

It's like the French family

that has 1.2 children.

And Mimimati,

what are you doing?

So, here it is.

After a game,

it's gone.

So...

No, no, it's good.

It's good, Lauren.

You know it.

You want details?

No, no, no.

You understand.

That's what he said.

Melancholy.

Listen, I think

there will be a famous

Mr. Lollichon.

And it's going to be better.

We've locked in low prices

to help you save big store-wide.

Look for the locked-in low-prices tags

and enjoy extra savings

throughout the store.

Ralphs, fresh for everyone.

A question for Gene Clément,

Cabitreine,

we're the villains.

For what reason

do you speak a lot

about the Casa Rosas at the moment?

Yes, I know.

The Casa Rosas,

it's not the Casa de Papel,

it's nothing.

Yes, it's Dali, right?

No, not at all.

It's nothing to do with the Casa Rosas.

Ah, yes.

It's in Argentina.

Yes, it's in Argentina.

The Casa Rosas.

It's in Buenos Aires, yes.

In Buenos Aires,

how do you know that?

Because I visited it,

I had an old test of air.

And what's the Casa Rosas then?

Well, it was the residence

of the presidents.

No, yes.

The Casa Rosas.

And the Casa Rosas

is inhabited.

And why are we talking

about the Casa Rosas

at the moment?

Because they want to pay

or because they don't?

No, no.

Because the best I have

appeared?

No, because there are elections.

No, I don't know why.

No, but there are some.

One, two,

three,

four,

five,

six,

seven,

eight,

ten,

nine,

ten,

nine,

ten,

nine,

ten,

nine,

ten,

nine,

ten,

nine,

ten,

nine,

ten,

nine,

ten,

nine,

Sergio Massac against Ravier Milam, so what's amazing is that there are four weeks between the first and the second round, it really gives the people the time to breathe.

To make a campaign, to change their life.

Four weeks less, four weeks, I change my life.

It's too much, you're changing my life.

Yes, I'm showing you the kind of clothes.

No, but it seems that Evita and Vita Peron had 340 pairs of shoes.

What a relationship.

Who asked you this question?

If we're going to visit La Casa Rosal, is there still the effects of the previous presidents?

Evita Peron.

I haven't seen 340 pairs of shoes, but indeed there are some dresses.

It's surely a good number in addition.

Why?

You're confused with another president, but it wasn't Evita Peron.

It was Mrs. Marcos.

Ah, that's true.

Yes, Mrs. Marcos.

In the Philippines.

I mean, it tells me that she has no relationship.

No relationship.

Yes, but it's still South America.

In any case, in any case, Frédéric Chopin had 200 pairs of gloves.

What relationship?

What kind of relationship?

It's a huge piece of shit.

But it's interesting in the conversation.

It's true, it's true.

I have 32 pairs of shoes.

It doesn't matter.

Welcome to the United States for the next question.

Ah, let's answer.

For Mr. Iman, who lives in Marseille.

So the boots...

Not the boots, the pink boots.

The pink boots.

It's not pink.

There are the boots that come back, but...

The strike has been in the United States for 7 years in the automotive sector.

We have already talked about it here.

Yes.

And now it's at Stellantis.

Stellantis, in addition, it's a brand that concerns us.

Because Peugeot, Chrysler, Jeep...

It's what hides, obviously, the name that regroups these three brands.

The name Stellantis.

Obviously, I asked you in which US state

is the new automobile strike?

There was already Ford in Kentucky.

And indeed, the strike is being in other US states.

In a state...

Is it Michigan?

Michigan.

In a catastrophic state.

In a state of law enforcement.

In Detroit.

Michigan.

I heard the right answer.

Michigan.

It's in Michigan.

The right answer.

How do you know that?

Because it's an industrial zone.

It's what we called the Rust Belt,

where there was just the industry.

And there's Ford.

There's Ford.

It's like what?

We can bet.

It's wonderful.

No, I don't know.

I didn't say anything else.

No, but there were a lot of people who go to New York and say,

Oh my God, there's an energy.

An energy.

Well, no, there are a lot of people, a lot of cars.

That's all.

I mean, if you don't understand this energy story,

if you go once, I don't understand the energy.

It's cool, there's a lot of energy.

We feel it's tense.

Everything can happen to you in New York.

Love can happen to a corner.

You can go to work and fall on you.

There are magnetic forces.

Magnetic forces.

No, there's always a lot of energy.

It's for the rust, but it's for tourists.

It's for the rust.

It's expensive in New York.

Why don't you have it in New York?

I think it's very loud.

It's very loud.

It doesn't make the houses too high, the buildings.

The buildings don't make you feel like you're in a white dress.

It doesn't make you feel like you're in a white dress.

It's too loud.

I was in a hotel, it was not 45th.

It exists, I don't know.

And then, and then, he speaks English all the time.

I understand.

And he speaks strong.

He speaks strong.

I love you.

Hi, how are you?

My dear.

Oh nice to meet you.

Oh, you're so cute, amazing.

Oh, your face, you're so cute.

Oh, I prefer the bad servers.

What is it?

Coffee, okay.

Here's the note.

What do you want?

A coffee?

Oh, I think I'm going to cry.

You're so cute.

Your face, you're not going to have coffee with the croissants.

He's probably soft.

Why do they love me so much?

Because they want you to give them a drink.

No, they don't.

No, no.

Oh, yes.

No, you choose.

It's very expensive sometimes.

It's very, very expensive.

It's 10%.

No, it's 20%.

10% or 20%.

Yes, there, you buy a croissant, it costs you 50 bucks.

What would you do in New York that we can know?

Criticize.

I would go see my boyfriend.

Oh!

An American boyfriend.

We would say...

There is a certain time.

You never told us your story with an American.

But of course, every time I know how to tell a story,

I cut myself off.

So I stop before I tell a story.

Well, you have to know what it was.

What was it?

It wasn't who.

What was it?

Oh, it was a kind of animal.

A rich American.

No, no, an artist.

A great painter.

No.

Yes, you know, the guy we see on the photos.

It must be the guy we see on the photos

with our white hair sitting on a powder.

Oh, he painted all the walls of New York.

Well, I...

Talk, talk.

Come on.

I'll go on his side.

It was Basquiat, no?

BTP.com.

A painter, an American painter.

No, man.

Forminam.

No, no, no.

I have a lot of you.

But if...

Well, yes, as long as you don't see it anymore.

Oh!

I don't get it.

I got it right away.

I know the bad spirits.

We have to go back to New York.

SPL, the book of the day.

The book of the day is called

To make costs.

We do it here often.

Except that it talks about boxing and politics

and fighting.

It's signed by Céline Derkawi

that I know a little

because from time to time,

we are together on BFM TV.

It's prefaced by the rapper Médine.

It's post-faceted.

I don't know if it exists

by François Ruffin himself.

And it's fascinating, this book.

We're going to talk to Céline Derkawi

in an instant on the phone.

And in this book,

by the way,

we're talking about the Parondi family.

I'm going to give you some names.

Vincenzo, Parondi,

Siro, Parondi,

Luca, Parondi,

Simonet, Parondi.

But what is the famous brother

of Simonet,

Vincenzo,

Siro,

and Luca?

Are you people of the Italian mafia?

Not at all.

Rocco and his brothers?

Rocco and his brothers.

A response from Olivier Bellamy.

The film of Vistropi.

Exactly.

Simonet, Vincenzo, Luca.

I had forgotten the name of the family.

Rocco and his brothers.

Parondi.

It was the favorite film.

And it's probably always the favorite film

of your father, Céline Derkawi.

Hello.

Do you know the name of the family?

Would you be able to answer this question?

Probably, I wouldn't have been able to do better.

Well, congratulations.

It's true that you're talking about Rocco and his brothers

because it's a cult film

in the boxing world,

even if it's old,

very old.

It's a cult film in relation to Rocky

and many others today.

Besides, what is the series after Rocky

who today also makes a cartoon

in the theaters of cinema?

So it's the series Creed.

Creed.

But your book doesn't only talk about boxing,

it talks about boxing and the fight

of the classes.

Because what is very interesting,

you say it,

is that most of the champions here,

we are talking about boxing English,

we come back to that,

are people from mediums

rather disadvantaged.

Exactly.

So Rocco and his brothers,

what is interesting in the film,

is that it also tells the story

of an English family,

of a proletarian family,

worker,

and that's what often comes back

in boxing films.

It's always popular in social media.

You, your father,

was a boxer,

really a boxer,

and you tell a fight,

Abandoned,

where Alain Delon is,

and I still believe Jean-Paul Belmondo,

in the audience.

Oh yes, it's a fight that was more important,

because for my father,

Alain Delon was really his idol

in relation to Rocco and his brothers.

Jean-Paul Belmondo,

who practiced boxing himself,

a worker boxer,

was really someone

very important to my father.

He found himself boxing

against a professional boxer,

and in front of him,

there was precisely these two actors,

there was all the gratin,

as my father used to say himself,

bourgeois,

who looked at him,

removed his t-shirt,

because in professional boxing,

boxing for television,

he removed his t-shirt,

it was torn,

so it was really like

gladiator fights,

and my father had the feeling

of finding himself

like a piece of meat.

Like a prostitute,

the feeling of being prostituted.

That's what you write in the book.

And you yourself,

did you try to write this book

to put you in boxing?

So, I tried brilliantly

and in a rather loose way,

just a year,

to write time,

because it was a very difficult sport.

And my father,

he always told me,

like in Rocky IV,

he told his son,

he asked him,

why don't you put boxing in boxing?

And Rocci answered him,

exactly how my father answered me,

because it's a very difficult sport.

You don't have as many demons

as I have to deal with

through this sport.

You don't have reason

to depend on the world.

You don't have as much to do as I do.

So I want to preserve that.

You explained through this book

that you need a social reason

to box,

even if,

and it's by the way,

a fun passage of the book,

even if more and more,

I mean,

people a little more excited,

they do boxing,

they even do promo

on the fact that they do boxing.

You think of Edouard Philippe,

the former prime minister,

for example,

in a chapter called

white collar and black shirt.

And you say here,

we forget the collective,

the body, the body, the blood

and the tears.

Box is a simple liberal deluge,

a chic banlieu source

of individualism sport,

without real finality

that comes to boost the narcissism

of a dominant class

who came to get back

from his toxic ex,

from a zoom meeting

in Allonge

where other little bubbles

existed.

For you,

it's no longer the real boxing.

No, no, it's no longer

the real boxing.

After, it's very interesting

that he also puts himself

into boxing,

but what interests me

is rather what it says,

what it tells,

is that finally,

he knows very well

that boxing is a very

popular sport,

very open,

therefore very political.

So the fact

that he also puts himself

into boxing

and also in advance

in certain media,

or in any case,

in a very demonstrative way,

is also a way

to say

that they are a little

like the people.

Women,

women,

it's interesting

to talk about boxing

because it's true

that it's even more complicated

for women,

it's already complicated

for a boy,

you say,

women never accept

their children in front

of boxing at the start,

but even more so

when it's a girl who comes

to say to her mother,

mom, I want to box.

Box,

yes,

it is authorized in France

in the 90s

for women.

And I often cite

the philosopher Elza Berlant

who says

that for a woman

to enter boxing

is already a political start.

Nothing but the fact

of opening the door

of the club

like the actress

in Million Dollar Baby

by Pinkie Pood.

Exactly,

the opening scene

of the door

of the club,

they have twice

the effort to do

in your case.

They are bending their fingers.

Exactly,

precisely,

there is a whole

codification that they

must do

and put on stage

to be able to adapt

to a male environment.

There are also

the hair

that they must pull

and so on.

And boxing

boxing,

in any case,

is more and more suitable

for women,

especially in France.

And what we say

in between

who will prepare

a woman

for a male zomologist,

they have

three times more rage

in them.

It's not just

their social media,

it's also

the genre.

On their status of woman,

who says that

on the ring,

she still surpasses

and the coaches

have said

it's more interesting

to train women

more and more

for these reasons.

François Ruffin,

at the end of the book,

explains

the reason

of this live video.

In fact,

it's not boxing

that he wanted to talk to us about.

It's Lime Dercauille.

It's to pay tribute

to his father,

that what is very important

is the phrase

of Mohammed Ali

who used to say

boxing was nothing,

it was only a way

to introduce ourselves

to the world,

politically,

socially,

to find trust

and dignity in him.

And it's true that boxing

is the way

that I found more interesting

to give tribute

to my father

but also to all my family.

The labor class

on the ring

gives the blows,

boxing and fighting for the class.

These are your editions,

the clandestine passage.

It was signed by

Lime Dercauille

and it was the book of the day.

Thank you.

A question now

for Madame Lyot,

Candice Lyot,

who lives in the city of Juif

in the Valle de Marne.

And the question is

about a boat

that left the city

on July 11, 1947.

Which famous boat

left the port on July 11, 1947?

Maybe the French.

The Queen Marie.

No.

Is it not a boat,

sorry,

maybe I'm wrong,

but precisely

from those who left the port

on July 11, 1947.

Maybe the French.

The Queen Marie.

Exactly from those who left

on July 11, 1947,

the war was over, sorry.

Ah, but still,

you shine,

if I'm not mistaken.

It's not the Juifs who escaped

that went to Israel.

The Exodus.

Ah yes, the Exodus.

It's the Exodus,

1947.

Well, the answer

of Max Boublile.

And yes.

Yes.

Certainly, the war was over,

but indeed,

the Exodus,

1947,

which was first called

President Warfield,

was a boat

that transported Jews

to Palestine.

It was after the war.

Certainly.

But the boat,

then,

was precisely called

Exodus,

the name of the Exodus.

And it stopped.

1947,

the name of the year.

It's a cross-country coast.

Yes.

It's good that you brought

a touch of culture.

No,

it wasn't a cross-country coast.

Fourteen French.

That's the next question

for Alexandra Fibre,

who lives in Bordeaux.

Fourteen French.

We counted them this morning.

I wanted to check it myself,

but it's good,

fourteen.

But fourteen French

who do what?

Is it in a sports field?

Yes, ma'am.

Is it a team that needs snow?

Is it a little rare sport?

Do you allow me to answer

to my friend,

Isabelle Merveau?

Yes,

he took some time.

Two glasses.

You asked me

if there was snow

or ice,

neither there,

nor water.

From the flight.

From the flight,

but what about fourteen French?

So,

there were seven on the field,

seven replacing,

I said to myself,

I tried to,

well,

there you are,

you're not angry with me.

So,

fourteen French.

The show,

that's what you put in the mail,

answer the question.

I said,

answer the question,

we won't want it.

Sure,

but I think there's a question

quite clear.

I know,

it's two times seven.

What is seven?

It's the seven names.

So,

there are two teams

from Blanche-Neige

and the seven names.

It's a real musical show.

Is it possible that

fourteen people

know each other?

I'm fucked,

I tell you.

Is it possible that

fourteen people,

I'm not going to repeat it ten times,

frankly.

Do you know

reputation in any case?

They're not in the same team.

No,

not necessarily.

So,

we're talking about the team,

we're talking about sports.

It's fourteen.

Oh yes,

since the beginning,

we're talking about sports.

They go to the J.O.

They prepare for the J.O.

Oh yes,

there are more than fourteen French

who prepare for the J.O.

Listen Laura,

if you see me again,

you're going to answer me

with this idiot,

I'm going back to Monorostar.

So,

yes,

first of all,

sorry,

but it's not the Orostar.

No,

it's the Talis.

It's the Talis.

No, it's the Talis.

You tell us that now.

Well,

if you're going to see Parisian,

you don't see it,

but I live in the transportation in common

to come here and make me humiliated

by you,

he's a comer.

And we,

and we bring

plenty of punis of bed.

No,

that's you.

But how is that,

it's not Orostar, it's the Talis.

The punis is beautiful,

I'm going to pick only once.

So,

there are fourteen French footballers

who prepare for a volleyball game.

Good answer from Guillaume.

No,

there are only two French footballers.

Two men?

Yes, there are only two.

You're wrong.

It is.

There are fourteen French footballers

who,

in different disciplines,

have already chosen

to come here.

No,

it's the same sport for the fourteen French footballers.

They will be received by the Elysée.

No,

the basket.

So,

the basket.

So,

with the

fourteen French footballers,

the great French footballers.

Yes,

the great French footballers.

Not all at the same time.

There are fourteen French footballers

and they are all at the NBA.

Good answer!

Bravo!

Ah,

NBA!

Good answer from Mr Guillaume.

Well,

like what?

It was enough to tease me a little.

Help me,

Mr Bellamy.

Yes, like a little.

Mr Bellamy is more and more red.

From here,

we think it's the micro-RTL who speaks.

But no,

but no,

it's my ass.

Because it's true

that we only talk about Victor

or Mba Nyama.

Certainly,

because it's a young talent,

he's huge.

And it's true

that it's the new Vaudette

from the NBA

that starts tonight.

NBA.

NBA,

the round.

The American champion

starts tonight.

And it's true

that I wanted to go out.

I thought,

but he's not all alone

French to play

in the United States.

But I didn't think

there was so much.

Yes, that's a lot.

There are fourteen French footballers

who play in the American

basketball championship.

The NBA.

And there is a Belgian.

Really,

there is a Belgian in the NBA.

Yes,

it's the head of the bucket.

I have a bad mouth.

That's who it is.

Well,

now we have fourteen players

who really play.

That's good.

I have all the names.

I know a lot.

Very good.

And it's a 20-foot one.

It tells you a bit.

Oh,

oh,

rudy gober.

Oh,

Rudy gober,

yes,

I have her sing.

But are they all

all more than 2 meters?

What are you going to tell me?

Are they all

allowed to do more things?

No,

No, not necessarily. Not necessarily, no, no, not necessarily, it's not necessary.

Yeah, but the grandeur that makes the talent sometimes.

No, not necessarily.

There are Usman Dying, Franck Entilikanay, Kylian Hayes, Bilal Kulibali, Ryan Rupert,

a little less known, maybe, but still, Sidi Sisoko, Theo Maledon, Moussa Diabaté, Olivier Sarr,

Malcolm Casalon, I'll give it to you.

And Ariel, to answer your question, I'm 1.64m and I've done 8 years of basketball,

so it proves to you that we can...

Well, there's not much.

Not necessarily, it's in his hair.

No, actually, I had to stop because I was too small, but it's to show you that we can be...

A small category, so it can be...

Exactly, I finished managing the bench and...

and preparing the gourds for the others.

Mr. Boublin, you're big, you could have done basketball.

Yeah, but he doesn't know what to do with his body.

No, I'm not very good in my body.

No, I'm not good in sports, I'm more intellectual.

Yes, yes.

Ah, yes.

That's enough, that's enough.

We didn't make it into the court, no.

Well, that's not true.

Now that you say it, yes.

Ariel, you could have done basketball.

Oh, yes.

Well, I did.

Ah!

What were you waiting for to tell us?

She was cutting the basket.

No, no, I was...

I loved basketball and I was classified among the champions of the Mexican College.

What's the most important thing about the Spanish academy?

No, but it was...

Yes, it was...

You can't verify it.

Okay, so, Ariel, what position were you in?

I was in...

I was in dribbling.

Yes, dribbling, dribbling, dribbling, dribbling.

No, I love it, I love it.

But what position did you play?

Tissue of lies.

But no!

I'm sure you were an inter-school champion.

And how many players are there in a basketball team?

Oh, I forgot!

No, no, no!

The big heads of Laurent Rukier are from 15.30 to 18.00 on RTL.

Always with Olivier Bellamy, Ariel Dombard, Isabelle Merlot, Jean-Pierre Jancède, Guillaume and Max Boublil!

A question that Mr Bellamy should answer, or at least help you answer.

Someone whose body was first placed in Nice

in an oil tank of a property owned by Cessor,

at the point of St. Hospice of Capferra,

at the Lázaré de Ville-Franche, to be very precise.

Then his body was transferred to the paternal house,

let's say near Genne.

Then his body was transferred near Parme.

Then, 36 years after his death, the pape Pinoff rehabilitated

and the body was finally transferred to Parme's cemetery.

Then, after the displacement of this cemetery 20 years later,

in a monument in the center of Parme.

Then, his circle was opened in 1893 in the presence of his son.

Then in 1940 again, on the occasion of the centenary of the death of this artist.

The Marquis de Sade.

No, which artist is he?

So is he a painter?

A painter, no.

An author.

A writer, no.

A musician.

A musician, yes.

Sully.

Paganini.

Niccolò Paganini.

Good answer, Olivier Bellamy.

Why did he do all this?

Well, you can perhaps first recall a few of our listeners.

He was a huge violinist, a huge violinist, a composer too.

We discovered that he had what we call the disease of marco.

No, no, we're talking about the marco.

He had very soft hands.

He had a hyper plexus.

Laxis.

It's the disease of my friend.

And that's why it gave him this virtuosity, this prodigious virtuosity.

Yes, virtuosity.

Yes, yes.

Prodigy.

So he made the fools out of him.

Yes, yes.

And after the Christendom, I don't know.

I was never asked, it has nothing to do with Paganini.

Rossini once said, I have to do this, it's the turn of the world.

Yes, yes.

But he said once, I cried three times in my life.

When my first opera made a failure, I cried.

Already one.

When a dinde to the maroon fell into the water while I piqued.

I cried.

And the third time is when I heard Paganini play.

The dinde to the maroon.

No, I'm interested.

No, the dinde to the maroon.

When he piqued.

You're not sure of the dinde to the maroon.

The dinde to the maroon.

The important, the important.

No, no, no.

Why did he fall into the water?

The dinde to the maroon.

It made him cry.

The important thing is that he cried.

He was a violinist, Paganini.

Paganini was a violinist.

Everyone heard him.

But everyone cried.

Everyone was absolutely.

Whether Beethoven, whether Schubert, all these musicians.

And we considered that he was the incarnation of the devil because of that.

Yes, yes, yes.

That's what he said.

Well yes, but that's why his body.

I explain why his body.

He did all that terrible.

Because no one wanted the body.

And no one wanted it.

But it was the devil.

And so then nine.

A child.

There.

A, a, a.

A child.

Oh yes.

Besides, it's Pissette.

I'm sorry, I lost the information.

But where is he now?

Well, there.

In Parme, no?

In Parme.

Is there someone else?

Paganini in Parme.

The stocked.

Oh yes, yes.

We made a jambon.

Or in Genes.

In Genes.

It would not be in Genes rather.

No, in Parme.

In Parme.

Because he was born in Genes, I think.

In the cemetery of the town of Parme.

Well, except that we opened the circle in 1893.

In the presence of his son.

To verify that it was him who was inside.

To verify how?

And what?

So he was inside this rotten henhouse?

And then we checked again in 1940.

On the occasion of the centenary of the death of Niccolò Paganini.

How can we know?

Indeed, he died in 1840.

And you're right.

He was born in Genes in 1782.

He was one of the most famous violinists.

And he also made guitar, of course.

Yes, yes.

You know that he also has the first recipe to rape and exhaust a mace.

It's real.

Ignored.

Ah yes, yes, yes.

Ah yes, yes.

I'll tell you.

You had everything prepared like that?

Excuse me?

To the musician?

Yes, to the musician.

To Paganini.

Paganini.

Hey, the guitar, excuse me.

He was a violinist.

He made some violins and he ate them.

What do you say?

I'm not talking about details.

What are you going to tell us?

He is buried in Padoo.

Well, who?

Who?

Paganini.

No, not Padoo.

Not Padoo.

Because he is buried in Padoo.

No, we don't care about Padoo.

But no, there was a language.

There was a language in a monster.

Yes, not Padoo.

It's extraordinary.

What a relationship since he is not buried in Padoo.

No, but we recognize the bodies even in the language.

Since there is the language.

Yes, the language.

But whose language?

Well, Saint-Jean-de-Padoo.

But it's Antoine-de-Padoo.

So that's the metaverse, Laurent.

Let's say the words precisely.

It's a relic.

An relic.

Extraordinary.

A language relic.

A real language.

Language, we see it well.

In a monster.

Yes, yes.

Laurent, you will put the credits in tomorrow's show.

It works every week.

A busy show indeed.

Listen, Ariel, we don't talk about Padoo.

We don't talk about the language.

No.

We talk about Paganini.

No, but we recognize the bodies finally.

Yes, it's because we said how he recognized his son.

Yes.

Since he buried him.

Well, you didn't make me look like that of the head.

Maybe because he had his violin with him.

Oh yes.

Or a Paganini, I don't know.

Yes, you had a different one.

Or a violinist, we don't know.

Finally, listen.

It doesn't matter.

In a moment, we will have Mr. Pierre Martot on the phone who is currently playing.

The Parisian modern voice.

It's in the 18th arrondissement, the modern voice.

And he plays a piece.

Well, a piece, by the way.

A piece adapted from Albert Camus's text.

Because it's the first time that this text is adapted to the theatre.

But which famous text of Camus plays Mr. Pierre Martot that we will have on the phone in a moment.

The plague.

No.

The plague has already been adapted to the theatre.

Mr. Uster.

It's not the Stranger.

Francis Uster has played it so often.

The Stranger.

The Stranger has already been played.

So is it not the wall?

The wall.

No.

It's an essay by Albert Camus who, by the way, was published immediately after The Stranger.

I think the same year.

The rock of Cisif.

So it's not the rock, but it's...

Ah, it's the stone.

The complex.

The myth of Cisif.

Good answer.

An essay by Olivier Bellamy, helped by Isabelle Merlot.

Hello, Pierre Martot.

Hello, and congratulations to your guests.

They are very strong.

Yes, they are.

Thank you.

Finally.

It's the work of a whole team.

Well, in any case.

Two out of six, in any case.

You heard me answer the myth of Cisif.

Absolutely.

Bravo.

Thank you.

It's true that the myth existed well before Camus.

Maybe we can recall what the myth of Cisif and Olivier Bellamy is.

He pushes a rock, and the rock falls.

But you have to eternally...

The rock falls, the rock falls, etc.

You also said that Cisif was the father of the lyse.

Is that true?

Do you know that, Pierre Martot?

I don't know anything at all.

There are often several versions in the Greek myths.

I don't know anything at all.

But we know anyway the text of Albert Camus.

Because Albert Camus, what does he talk about?

He talks about life, death, suicide.

What is the theme of the myth of Cisif?

Well, above all, he talks about the absurdity of existence.

But what is good with Camus is that the absurdity is not an end, but a beginning.

And in fact, thanks to the absurdity of existence,

we will be able to find our revolt against this absurdity,

and especially our freedom.

That's the theme of the book.

And it had never been adapted to the theater before you.

No, it's the first time.

On October 29, so we have to hurry there.

Just this week in Paris, in any case,

at the Parisian Modern Lover,

but you will play it, I guess, later and shoot it,

this myth of Cisif, adapted from the work of Camus.

You built the show, you play it.

There is Jean-Claude Fahl who worked with you on this show.

Where exactly is the Parisian Modern Lover

for those who listen to us and who don't know Paris well?

So it's 35 Rue-Léon, it's in the north of Paris.

It's a little bit more than Barbès.

It's in the Red Castle, it's in the African neighborhood of Paris.

And for those who don't know your name,

I would even ignore it because I admit,

I didn't look at the most beautiful life.

You were the captain of police, Leo Castelli,

in the most beautiful life.

Exactly, it's a reconversion.

Yes, because it's still not bad to go through anything.

Isn't the most beautiful life the summary of Camus's text?

Only critics have written,

that's how they made the link between the most beautiful life and Camus.

It's not quite written in the same way.

Are you happy to have done that too?

I am very, very happy, of course.

I think that if I can go up to Camus,

it's also thanks to the most beautiful life

because it gave me a certain notoriety

and there are people who have seen me on television

and who just discovered me in the theater

and it made me very happy, obviously.

The myth of Sisyphus on the boards,

the text of Camus for the first time in the theater,

it's about the modern voice

and it's played by Pierre Martau,

which you may have already seen in the role

of the captain of police, Leo Castelli,

in the most beautiful life.

Thank you for answering our questions.

Thank you very much.

A question for Laura Essel,

now she lives in Argentina,

Mrs. Essel, it's in the Valle d'Oise.

It's all stupid, who invented the Poivrier?

Mr. Poivrier?

Mr. Poivrier.

No, not Poivrier, no.

It's not the Ducro.

The Ducro.

The Ducro? No.

The Ducro?

It's not a woman.

So it's a man?

No.

Yes, yes, yes.

Of course, yes.

I follow him on a trail.

It's not the Ducro, it's from Carcass.

It's not the Ducro, no, no, no.

It's a date of what?

The 15th century?

The 15th century.

Before, still.

The 14th century.

After.

The 15th century.

After.

The 16th century.

The great navigator, Marco Polo.

Marco Polo, no.

He brought back the Poivrier.

He invented it.

I say that.

Leonard de Vinci.

And it's Leonard de Vinci.

Good answer, Olivier Bellamy.

Yes, he did.

He didn't do the seal at the same time.

Sorry?

He didn't do the seal at the same time.

You put what you want in the powder of salt.

Yes.

A big salt.

Do what you want.

But it's true that it's not the Peugeot brothers who invented the Poivrier.

It's good to remember that it's Leonard de Vinci.

Yes.

Who is actually...

He's a great inventor.

And above all, a great astronomer.

He even seems to be...

I would ignore that.

Yet, God knows that I broke up with Leonard de Vinci.

He even seems to have opened a kind of restaurant.

You see.

I don't know where this info came from.

I found it in the North.

Today.

Because there is an exhibition at Villeneuve d'Asque.

All the geniuses do that, Laurent.

Sorry?

All the geniuses.

Me, for example, I also have a...

A restaurant.

A little shop in Gauffre, in Namur.

So that's it.

You have a shop in Gauffre.

Yes, I opened a bar in Gauffre, in Namur.

Since there is La Gauffre de Liège, La Gauffre de Bruxelles,

I created La Gauffre de Namur,

which is the confluence of the Sambres and the Sambres de la Meuse.

And we made a moula-gauffre on measure.

And we put the food in it.

It's called Tamer-La Gauffre.

And...

And so all the geniuses, I think,

open a little bistro next to their work,

or something like that.

I don't know if it's this one or that one.

Me neither.

I think it's true, unfortunately.

But how exactly is it called?

Tamer-La Gauffre.

Yes.

If you're inspired by the expression,

go home.

Your mother made a moula-gauffre.

Ah yes.

I had Tamer something else.

We don't say Tamer-La Gauffre.

We say,

we would have opened a brothel with Tamer.

With Tamer.

We would have put Tamer-La Gauffre.

For Hubert Eppone,

who lives in Saint-Oba in Loire,

the question concerns a record.

A record that was fought during the match

Ireland, South Africa, rugby match,

on 23 September last.

What record was fought that day?

The number of deaths.

Is it transformed?

No.

The number of decibels calculated?

No more.

Was it Ireland against whom?

The previous record

was held by a metalica concert.

Ah, the number of beers in the valley.

Good answer!

Too bad, Goublul.

The previous record of a number of beer paints

was used during a demonstration.

That's a question for you.

That's a question for you, my dear friend.

It's a metalica concert

where 90,000 beer paints were sold.

During the match,

Ireland, South Africa,

on 23 September last,

130,000 beer paints were sold.

That's me.

They were consumed.

There was someone who asked

how many beer paints were consumed.

How many did you say?

At last, they counted the views.

It's a little more than a dozen.

In one hour?

The routine?

When we take the Belgian flag,

it excites me a little.

What's up?

When she takes the Belgian flag,

I have the Belgian flag,

and I have the French flag.

You're going to kill me!

It excites you when she takes the Belgian flag?

Yes, really.

You don't have to.

It feels like she's hearing her mother.

That's what excites her.

It's funny.

It's a funny one for you.

It's over.

I thought we were in the same...

No, I'm taking it back.

No, no, no, no, nothing at all.

Look, he's got a beard.

My friend.

We have the red face.

He's got a red face.

I asked myself,

did I do it, or did I not?

I was like that.

No, he's become more and more contractual.

He's become more and more...

He's in love.

Because he answered a question about Panini.

He's the crazy one.

Paganini!

A question for Julien MCLM,

who lives in Saint-Nectaire.

A question that allows us to have a thought

for our Guadeloupe viewers.

We obviously listen to them a lot.

We listen to them too.

And there, they escaped a hurricane.

Of course, there were material damage,

but at the time I'm talking to you,

there was no victim.

Obviously, the hurricane

disturbed the supply of water,

electricity.

There, in this apartment,

there were 380,000 inhabitants

who had been confined

for a whole week

because of this hurricane,

which had a feminine name.

I see.

Aline.

What was the name of this hurricane

that brought a name?

Tatiana.

Tatiana, no.

Christian.

Christian, no.

It starts with an S.

No, it starts with a T.

Talia, Talia.

And to answer your question,

dear Isabelle,

it's an alternative.

It's not always feminine pronouns.

It's sometimes masculine pronouns.

There's Arthur, there's Billy, there's Danny.

You see, it's masculine.

There was Gerard, not long ago.

Edward.

What's the name of the origin?

Pardon?

What's the name of the origin?

Ah, here's a good question.

Listen, curiously,

it comes from the Hebrew pronoun.

And it's a diminutive,

a name worn by several women in the Bible

and also by the Queen of the Kingdom of Georgia

in the 12th century.

Talia.

How do you say it?

Talia.

Talia, no.

Talia.

No, no, no.

Tabita.

No, no.

No, but it's true.

It's a name that exists.

Tania, Tania.

Tabata.

Tabata, no.

In any case, it's the diminutive of a pronoun

which is very close to Tabata,

but which is not Tabata.

Tabata.

No, no.

And besides, there was a film

because I think it's a drawing heroine

who's called...

Tamara.

How?

Tamara.

So, perfect.

So, you will find Tamara.

Now...

Family name?

Tamara.

You will find Tamara.

Now, you have to find the diminutive

because...

Tami.

Bravo.

We can say that it's my fifth good answer

of the day.

No, no, no.

Now, we share it.

Certainly, it's a fifth answer,

but very helpful by our friend Guillaume and Saagosa.

Excuse me.

No, but you have to put the glasses

in the middle of the village.

Now, I would like to talk to you

about another composer,

who died at the age of 38.

It's pretty incredible because

he's still young, 38 years old.

Especially since we were looking for a doctor

who was going fishing to try to save him.

A coast guard was sent to the research

of the governor's yacht,

on which the famous doctor

specialized in neurosurgery

to try to save this doctor,

who is still dying

from a tumour at the age of 38.

What famous musician is he?

Contemporary.

So yes, contemporary.

He died in 1937.

Was it an Englishman?

No, it's not an Englishman.

An American?

An ecocet.

An American?

Yes.

Gershwin.

Good answer from Olivier Bellamy.

Fortunately, it's his job.

Gershwin.

He died at 38 years old.

38 years old.

Great composer, Gershwin.

Yes.

He mixed jazz and classical music,

which he wrote.

Absodine Blue.

It's Gershwin.

Yes.

This is his great song, Mr Bellamy.

Oh yes.

Are you sure?

Yes, we would say he's looking for an accordion.

An American in Paris?

Oh yes, we would say he's looking for an accordion.

We would say he's looking for a note from Earth.

Maybe you know it better, Summertime.

Oh yes.

Gershwin.

Oh yes.

Okay.

All of this is before his death.

Look, Ariel is going to sing.

You go, Ariel is going to sing.

Come on.

He's green.

I never said that.

One of these mornings,

you're gonna rise up singing.

So hush, little baby.

Don't you cry.

That's the taste of a child.

And the living is easy.

And the produce is not bad.

There's a jump in,

and the cotton is high.

One of these mornings,

you're going to rise up singing.

In time,