Les Grosses Têtes: L'INTÉGRALE - Émission du mardi 17 octobre 2023

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Fresh for everyone.

Romain Daudwijk!

Hello everyone!

Next to you is a kind of dad or a good dad on social media.

Elyse Moon!

Elyse Moon, you know him?

Romain, let me introduce you to the others.

Big head.

Anything you know, maybe less.

But still.

A big head in the middle.

I prefer that we stay together,

an excellent piece of a young author,

forgotten by the mollies.

But you're insensitive, don't worry.

Michel Berbier!

A big head that you can listen to every morning on RTL.

But you can also find the last book in the library,

Rodway Vitas.

Florian Gazan!

A big head that was the last one

until you arrived.

Critique d'art.

And also very excited today,

to find Caroline Diamant.

Hector Obalica!

And a big head that is on the show,

what the show called,

Oh!

The most visited monument!

Caroline Diamant!

You agree, Mr Obalica,

it's a bit like our show, Caroline?

Well, yes.

It's not the same frame size.

So, very honestly, it's rare.

What I'm going to say is rare.

I think I'm prettier than the show.

It's less green.

You're younger too.

No, she's not very pretty.

The joconde?

What do you think, Mr Obalica,

about the joconde and Caroline,

by the way, on the same occasion?

It's difficult because the joconde is too well known.

People don't look at the details anymore.

They know it as the Vajkiri.

It's very annoying.

Because as soon as we forget the joconde

and we just see our hands,

look at the right hand of the joconde.

We have to say who moves.

It's just a fantastic painting.

But except that we look at everything

and look at everything,

it's a fake painting.

OK, I can look at the...

And the Vajkiri is for Caroline?

And Caroline Diamant, then?

I have the fourth finger who moves.

Because it's very soft.

I'm the 11th.

Welcome, Mr Obalica.

It's great for me, I feel like I'm in Jurassic Park.

It's a very nice introduction.

It's beautiful.

What else do you have, Mr Oman?

I celebrated 25 years ago.

Two weeks ago.

He's not so young.

Can you close your sweatshirt?

Because I would have liked to ask Mr Obalica

what he thought of the colors you had.

It's beautiful.

It's beautiful.

It's beautiful.

It's beautiful.

In any case, there is no black.

Wait, I'm trying to understand this ridiculous laugh.

It's up to you.

It's not up to me.

Yes, this laugh is up to me.

Yes, it's a laugh that I'm on board.

I'm on board.

This month, I came here to be insulted.

Anyway, I understood from the baby.

No.

Don't worry about yourself.

You have everything your aunt,

everything your mommy.

It's not Jurassic Park, it's a family meal.

So that's it.

Michel Bernier is ready to take you between the two breasts.

So...

I don't want him to be mad at you right away.

He has a second laugh.

He has a laugh of hate.

You have to let him have time to love women.

It means I'm at ease.

This laugh means I'm extremely at ease

and you're going to hear it a lot today.

You know Michel.

Of course, at the time, we only asked for a laugh.

I think that's where I discovered you for the first time.

You kill me.

I'm not that old.

They're like that, young people.

You kill yourself for a year.

I don't think they know you.

Sorry, they don't know you.

You're right.

We don't like to be killed like that.

No, I'm always you.

We agree.

We kill ourselves.

But we're in front of our audience

but with respect for the audience.

It would be an opportunity to pass my song.

Okay.

I want to see you

I want to see you

I want to see you

I want to see you

I suggest we kill ourselves.

You don't have a sketch on a diadist.

Yes, absolutely.

No, no, no, it's not me.

No, you're making a mistake.

There's a first quote.

Mr. Obal, do you want to give some advice

to the young people?

Maybe now you have the experience

in the legions, what would you say to them?

What do you have to do here?

It's up to you.

I heard when I was young

it's up to you.

It's up to me.

It's not your answer.

It's going well, I'm going to live.

Yes.

What do you want to say?

Nothing at the moment.

No love.

My mother left on a trip.

I'm all alone at home.

When I go out, I do a show.

There are hundreds of people.

I go out of the show, I'm all alone.

I eat a bouillon all alone.

People never talk to you.

You always have to be known

to talk to you.

I like to talk to anyone.

So I see a woman.

I was in the elevator.

I see a woman, I say, you're wrong about me.

The woman is terrified.

She says, why are you talking to me?

I say, because normally

I took a little too many kilos.

You can make an effort.

Look at me differently.

The woman is completely disconcerted.

I say, you know, it's just to talk.

What do you think?

What do you say?

If you make a small effort, you can see me thin.

It's just a small effort.

That is, the one who makes me see

the big man and the beauty of him.

And that's it.

I'm telling you all this.

It's useless.

How many tasks does it take?

I would be at the end.

I say, the door opens.

I say, it's not really possible to stay.

We can go up.

You really have to go up Tinder.

It's important.

A first quote for M. Vasseur,

who lives in Turquoise,

who said, to stop drinking,

you need a psychological trigger.

I had one night,

I went into the car with a friend

and suddenly I told him,

but it's you who's driving.

Coluche?

No, not Coluche.

No, one of our habits.

Jean-Yann.

Jean-Yann, good answer.

From Florian-Gazan,

a quote for Julien Alvarez,

who lives in Marseille,

who said, we're going to land

at the airport of Dallas.

Thank you for attaching your belts.

The temperature on the ground is 12 degrees.

You can go back to your three-century watch.

French?

You're an American.

So in any case, it comes from the United States, yes.

But it's not an American.

It's someone who lives and who is...

Who is still alive?

And who I want?

No, someone who was born in 58 in the United States,

in Louisiana, precisely.

A woman?

A woman, that's why I didn't tell you

one, since it was one.

Whoopie Goldberg?

Ellen DeGeneres.

I don't know who she is.

She's a woman.

She's funny.

She's very funny.

There's her show.

You don't live in the United States?

No, I don't.

People who follow American comics

even when we're very strong in English,

we don't understand anything.

Maybe that's enough.

There are subtitles on Netflix.

Yes, but we understand.

The subtitles remove all the charm.

Yes, I'm not sure.

I'm not sure there are many Americans

who try to watch The Plumber.

The Plumber?

The Plumber?

You know, the Plumber is a good thing.

You know, the Plumber is a good thing.

You know, the Plumber is a good thing.

You know, the Plumber is a good thing.

Hello toon toon, why are you toon toon?

I feel like you're going to be surprised

by the voice of Romain Dodwick and Hector O'Bike.

But it's going to take a few shows.

No, that's for sure.

Let's start with a little game of ding ding.

It's always at the door of everyone.

It's a title of the newspaper Le Monde

dated today,

from yesterday afternoon.

It's the principle of this big evening newspaper

which would title,

from yesterday afternoon,

the inflation decimates the market of the ding ding.

Ding ding, is it a word composed or are there two words?

It's a single word.

Of the shoe?

Of the shoe!

No, it's not possible.

Why?

My nerves!

The teachers of the shoe are so focused

because of the inflation,

people no longer buy even baskets of shoes.

They don't renew their shoes.

People no longer have enough money

to buy new pairs.

André's stores are disappearing

very slowly.

Andra has a lot of trouble.

Raoul, cool!

Raoul, it's a brand of shoes too.

Yes, Raoul's shoes.

It's a brand of shoes.

Raoul's shoes.

Do you ever buy Raoul's shoes, Michel?

I don't buy Raoul's shoes

but it's true that, for example,

asking to register for Raoul's shoes

they buy these shoes.

If you take a pair in the end of fashion...

Ah yes, ok.

We're talking about the fashion week.

If you buy a pair of Raoul's shoes

it's beautiful.

It's a matter of taste at this level.

If you take Raoul's shoes

it's not as comfortable as a mannequin.

Ah yes.

It's a box of shoes.

No, but it seems

that the shoes don't sell anymore.

We're not going to find a shoe store

in the city center.

We'll have to go to Peri-Feri to buy your shoes.

Particularly the city shoes.

People buy a little more baskets

but even the basket is cool.

Why are you looking at me strangely, Mr. Dauduic?

No, I don't look strangely.

Do you often buy shoes?

Especially sneakers.

Welcome to the club.

I'm wearing shoes.

I don't know if the public will see them.

You don't wear them.

We're talking about a shoe that's more expensive.

There's a big shoe in your pocket.

Shit.

But even his shoes, we'll say a big shoe in your pocket.

I don't know if it's really a shoe in your pocket.

I didn't know that young people were disgusting.

Thank you for that.

It was my first show.

It was a big shoe in your pocket.

I'm wearing shoes from the bottom.

Thank you.

I'm going to have a sleep.

There's a big one on my left as well.

The inflation

decims the shoe market.

It was a new newspaper title in the press.

We're also talking about

a lot of leather and

a lot of eggs.

If you prefer,

I don't know how to tell you.

Every time I talk about eggs,

But anyway, we need eggs, and we also need breadcrumbs.

But to do what? For what reason do we talk about these two ingredients in the press today?

To make breadcrumbs.

But what breadcrumbs?

Well, breadcrumbs.

But I'm just going to give you the answer.

The breadcrumbs of Rotko.

The breadcrumbs of Rotko!

The answer!

From Florian Riazant.

And yes, there was an exhibition in Rotko that started this week at the Foundation 811

in the 16th arrondissement of Paris, right next to the Boulogne box.

From tomorrow, an explosive exhibition will be held by this American artist, Rotko.

He was born in 1970, and we are told that to paint, he used a lot of them

and the glue from the breadcrumbs to link the pigments.

And then?

It's a thing.

Is it a bit depressive today?

No, it's not at all.

That is to say it's a thing.

I don't know much about Rotko, but it's just that as no one knows much, it goes for something.

I mean, he does abstract paintings, a bit monochrome, a bit monochrome, not completely.

Yes, with rectangles.

Yes, with rectangles.

So you know, in abstracts, there are those who are smooth and those who are clear.

He does both at the same time.

So he thinks he found it.

So what does it represent?

It generally represents a black rectangle, on a red-painted rectangle,

on which there is another rectangle that is perhaps blue-painted.

For me, if you want, there is a religious side to the little feet.

To the little feet.

To the little feet.

It's false sacred.

But anyway, you have to have the thing.

Do you understand what he's saying, or is it just me?

No, I don't understand anything.

We exaggerate the interest of Rotko.

But as they say, it's less like the rest.

So it goes.

Because you have to understand.

You have to listen to the press release of the Rotko exhibition.

It's not the problem.

No, I don't understand this story.

I beg you, let's go to Disneyland both of them.

I want us to go to Disneyland together.

Listen, you tell me, you see, the end of the mine, it's not that crazy.

In the end, you think, because yes, the ride goes in a mine, it's great.

But hey, if you look at the train, it's not that big.

And I want to say, yes, you're right.

Come on, let's go eat barbapapa.

But what is barbapapa?

It's sugar that we have all around us.

It looks a bit like the blue barbapapa side of Rotko.

But it's a rectangular barbapapa.

And we never say that.

We can't eat it.

Marco Rotko died in 1970.

And it's true that we can see 100.

It's a lot of 115.

No, it's a lot.

No, but that's what you have to say.

That the Foundation has invited us.

They made very good exclusions.

That is, when you're not sure what an artist is worth,

we know it.

I'm not going there, there's no doubt.

No, but I'm going there, we can't say, yes, there was not everything.

No, there was everything.

So there, really, we can be sure.

Thank you.

They said, but we had a doubt.

We're going.

No, but listen, in any case, Rotko used eggs and...

Yes, yes, eggs, but all the artists of the 15th century who use eggs

are called the painting at Tampéras with eggs.

There you go.

There's an extraordinary one in there.

Yes, yes, but you're nervous.

What are you going to take with you?

Calm down.

I don't do crepes with gouache.

What is that?

What is the school of pottery?

I don't know anything.

Well, it's your job, shit.

No.

You come here because you have to get out of a van.

I come here to tell you something that's left.

I mean, I have a double charge.

But we make vans because I'm not interested.

But I don't do one or the other.

No van and no interesting story.

FTL.

The big heads answer to the audience.

Henri is on the phone, the first auditor who would like to address,

not only Caroline Diamant, the best, he says.

While she often takes full picture, he says,

it's true that you like Caroline the best.

I don't sell her.

I don't sell her.

It's you who told me the best while she takes full picture.

You even wrote.

Yes, indeed.

I confirm.

I find that you have a lot of friends.

Especially you, Laurent.

OK.

We're not lying.

But listen, what does it do?

It's been 40 years since I practiced it.

We are friends of the regime, Caroline.

It's me, Caroline.

It's been 20 years since we practiced.

20 years.

You realize, Henri.

Everything passes, everything slips, everything.

So if we could find images.

I think that the proof is expensive,

while it's expensive.

Not even expensive.

It's also for that, that she's been here for 20 years.

And you lived around the table today.

Hector, you like our new Hector O'Bike.

So, I think there's a little relationship

with Isabel Mergo,

and I think there's something to try.

I mean, me with Isabel Mergo, is that it?

Yes, yes.

OK.

There's something to try.

Don't forget Caroline.

You want to keep it for yourself, Caroline.

Why not?

Ah, you see, Caroline.

Very well, I send you my rhyme.

Hello, Hector.

We have a little new,

we have a little new,

if today Romain Dauduic,

you know Romain Dauduic.

Ah, the strange questions,

that's good.

It's good to find new people

of less than 45 years in your team.

Well, it makes the average age go down right away.

We went down to 50 easily.

It's great.

In addition, he's not yet mute.

You see, we hear it.

Well, what's strange,

on the other hand,

it's this tic-tock with which he's leaving.

It's not great.

What do you mean it's not great?

How do you say it's not great?

I'm not going to tell him.

I'm here, Henri.

Oh, shit.

In case, in case.

You're going to tell me.

But I can give you a very small message.

You're Gourmand, Henri.

I'm Gourmand, I admit.

It's for my mother,

because she listens to you a lot.

And I know she'll be proud to know

if I spend a long time

that I'm going to make a big kiss

and that I love it.

Okay, it's called your mother.

And Christine.

Christine.

You'll tell me she's recognized.

You don't necessarily know many,

but at least we can hug her.

Christine.

Thank you, Henri.

It's the son of Bravo.

Incredible.

Tony, now.

Hello, Tony.

Yes, hello.

So Tony, it's Elisabeth

who wants to address you.

He wants to take advantage of your presence.

Because you are an apicultor.

You too, Tony, is that it?

No, I'm not an apicultor.

I fight against...

Against apicultors.

Against Asian frelons, right?

Yes.

I invented a technique

to send insecticides

in frelons at 30 meters high.

Oh, yes.

Ah, but you have to spot the nests,

for that.

The nests, we spot them

as soon as the leaves fall.

And it prevents

from taking a nacelle

or a telescopic frame

which is much more difficult.

We'll talk to you

between specialists.

Wait.

I would like to understand.

We're talking Chinese.

Chinese frelons criminals, is that it?

Yes, exactly.

Ah, okay.

And how do you spot the nests?

The nests are the clients

who find them.

When an apicultor

will find a nests at 25 or 30 meters high,

we intervene with

the penball lancer.

I have the impression

that I shouldn't have selected

your honey.

No, but...

Don't you want to talk about apicultors

on Rechasse?

Don't you want to go

and talk about French apiculture?

We're going to...

We're going to...

We're going to...

We're going to...

We're going to Isabel.

Hello, Isabel.

Hello, Laurent.

Hello.

Good evening.

Isabel loves to listen to us

in the car

or when she's at home.

Yeah.

But Isabel is angry

against Hector.

That's good.

That's good.

So what did he say

that he needed a voice from Canard?

I really like you all.

But not Hector, so...

I would like to see

if this artist, Mr. Hector,

because he criticizes

a lot Van Gogh.

Yeah, yeah, yeah.

That's not good.

No, that's not good.

Because you like Van Gogh.

You're from the family.

There's a lot of paint,

but...

You're a jeweler.

Imagine the...

Let's go to the end.

You like Van Gogh, don't you?

Yes.

So what's the problem?

It's not you, Van Gogh?

No, it's not me.

There's no time.

That's the problem.

People take it for themselves.

So let me tell you something.

It's much more interesting

to hear Van Gogh's evil,

especially if you love Van Gogh.

Because suddenly,

you learn something,

it's that we can't be of your opinion.

It's true.

We can see it differently.

Things we found so beautiful,

I say, no, it's easy,

and it makes you question

and progress.

At the end, you say yes,

but I still like Van Gogh.

And you've won the big water.

All that, you see?

It offered you on a carpet.

And you,

what are you doing?

You please.

And that, I don't understand,

because I come here for free.

Emili will reconcile you with our audience.

Hello Emili.

Hello.

You like Mr. O'Balck.

Oh, that's good.

Yes, he's great.

You say it's the future Benny Shubu.

That's it.

But Benny Shubu is genius for me.

Oh yes.

Oh yes, frankly.

Oh yes.

He doesn't like me completely.

Oh yes.

Already his culture of the 1930s.

Already the fact that he is able to sing songs of the 1881s.

Already the fact that he has a voice of Stantor.

He is no longer there.

Yes, he is.

Yes, he seems to be still there.

I love him.

So it's a nice comparison and a compliment that you made him, you see Emili?

Quite.

And in addition, for a premiere, I was better and it was huge.

You came here as an audience?

Yes, when he finished the first time.

Oh yes.

So yes, please physically too then?

Physically, we will not say too much, but ...

Is that so?

Yes, then be careful because a work of art.

And the results ...

We have to go under the table of what we see, okay?

Madame Bernier will follow the story.

Here you are.

Is that the beauty of the interior?

Do you have an elevator at home?

Emili, it's very nice.

A good charge maybe.

They raised the moral, the editor, and just before the infos of his viewers.

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The doctor will see you now.

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I have Kector Obalk, Caroline Diamant, Florian Gazan, Michel Bernier and Elie Semoun.

And the young man who starts Roman Doduic.

Hey, we're still here!

So, while Mr. Obalk triumphs at the 13th Mars,

it's the place of Italy in the 13th round.

It's once a week.

Yes, it's Monday night.

Monday night, what time is it?

20 o'clock, it's 20 o'clock.

While Mr. Obalk triumphs at the 13th Mars with his show on art,

well, this young man, adorable, it's the title of his show.

It's worth triumphing in turn, but I saw...

I don't know who's exploiting you, Mr. Doduic, but...

I saw the dates of the tour, but you have to do it.

You go from Plougastel to St. Maxence,

Lorient, Vaucress, Saint-Etienne.

In addition, it's not...

It doesn't follow, it's not even regional.

No, no, we're going everywhere, it's great.

And above all, two exceptional dates,

the 25th and 26th of November, in Paris, in the theater of the Grand Point.

There are two times 400 seats, so it's 800 seats.

For now, we sold 12 seats.

So really, don't hesitate to come.

Really, I have no problem with...

Really, come with everything, I mean, Kahn...

You'll see the little jet, Mr. Obalk.

Yes, yes, yes, I'll see it, I'll see it.

He likes you, he likes you.

Yes, yes, yes, yes, he has a difficult voice, but...

But I wanted you to come see me at the show,

which at the end, in front of the theater, on the sidewalk, he tells me...

It was bad.

Yeah, it wasn't cool.

But at the same time, if we look closely,

the theater is pretty nice, for him, the curtain is rather beautiful.

Only when he falls on the left.

But you see, I'm going to go, Hector, because I...

No, because Romain, you don't want us to take a step together.

No, really, not Hector, because I have to go in there.

No, I'm going to accompany you anyway.

But we're in the taxi, both of us.

I don't find this thing extraordinary, because...

It's not really that nice, and when you look at a street,

it's pretty simple, Hector, you have to let me go now, please.

It's been two hours.

You have a sister-in-law at home.

It's a pretty video, you see.

For Madame Aurélie Corses, who lives in Noisy, Le Grand,

try to solve this puzzle.

He had 14 partners, and he will only have six in 2024.

But who is he?

An animal.

No.

A comedian?

A comedian, no.

He had 14 partners so far.

He will only have six next year, in 2024.

Is it about sports?

Yes, it's about sports.

Is it about rugby?

And it's about rugby.

We're talking about a team, the French team.

So...

It's Antoine Dupont.

Why?

Because there, in the French team, he has 14 partners,

but when he goes back to his team, I don't know for which city he plays,

but he probably plays for a city, he will only have six.

No, because we also play rugby at 15 in this city.

I think that's great.

Because there, he plays rugby at 15 at the World Cup,

and at the J.O. Paris in 2024, he will play rugby at 7,

so he will have six partners instead of 14.

Excellent!

The answer of Florian Gazan.

Respect.

He will feel alone.

I would have never found him.

Florian, do you play rugby?

Of course not.

I think it's good, right?

But why do you answer that?

Of course not.

But it's me who talked about it.

No, I said no.

No, no, no, Florian.

Okay.

Antoine Dupont, in any case, will perhaps participate in the J.O.,

but in the Olympic Games, indeed, rugby is not at 15.

It's rugby tournaments at 7.

But it's hard, it's not a lot of 7 to play rugby.

No, it's another game, but it runs a lot more.

We knew each other at 13.

But I didn't know that it could go down to 7.

Or that they agree with each other.

In any case, at 1, it doesn't work.

Yes, it's much less fun.

Yes, that's it.

But it's crazy then.

Yes, but it's like that at J.O.

It's super spectacular.

Obviously, it runs a lot faster, there is more action.

But they also take tampons.

Are the poles closer?

No, no, it's the same.

It's the same terrain.

It's a terrain that's a little smaller, but rugby at 7.

A little smaller.

And there are three ballons in addition.

We have so much art.

27 poles.

Whether it's the Olympic Games.

14 partners in rugby at 15.

And of course, six partners in rugby at 7.

Bravo, Antoine Dupont.

He will perhaps defend the colors of France in the next J.O.

A historical question for Florence.

I was living in the Puy-de-Dôme.

I ask you to find the name of a famous battle.

So today, we don't have specialists in the history of France.

We still have a little bit of culture.

And then Mr. Holbac is going to...

Holbac.

Holbac.

No, it's not Holbac.

It's good to recruit people.

No, think about the company.

But the minimum...

I can't say that.

It would be to retain the order.

There is a technical method.

It's the company created by Holbac Masked.

Holbac, Holbac Masked.

But detector.

Hector, detector.

Let's say detector.

No, no.

No, no.

No, it's ugly.

You don't know what you call detector?

No, no.

Mr. Holbac, Hector, everything is fine.

It's not Holbac, it's Holbac.

It's because of rugby.

Mr. Holbac, in any case,

if you know a little more...

Of course.

But wait, he didn't finish his sentence.

It's a little more...

When painting, I imagine that the culture of the history of France...

Of course, of course.

As long as the battles were often painted by artists...

I think it was too early.

I imagine that when you were painting...

It was the Battle of Valmy in 1715.

By the way, the proof is that I see this battle painted by

Paul-Joseph Blanc in 1881.

You see, the proof that finally everything brings back to painting.

But this battle is a battle...

Like a...

...that dates from 896.

A French victory won by Clovis, King of the Front,

on the Alamans.

At the time, we said the Alamans.

And this battle was then painted,

a fresco that we can see at the Pantheon.

By the way, a fresco signed by Paul-Joseph Blanc.

What famous battle was it?

So it was in Germany?

Yes, we're all ready.

We're all ready for colonies.

Colony, if you prefer.

The Guard...

Ah, well, I know, it's the Battle of...

of the Colony Banlieu.

No, no, no.

No, it's a very, very well-known name that you all know here.

A city or region.

But without knowing, of course, that it's a famous battle.

Except if you were to be told about the story of France.

It's a city name.

It's a city name.

A city name, no.

A region name.

A region name.

Ah, a beer name.

Jean-Laure.

No.

This question, I chose it,

so to tell you, to please the little one.

Ah, really?

It's rather for Romain Dauduic that I chose this question.

Ah, the Battle of Dauduic.

The Battle of Dauduic.

Ah, no, no.

The famous Battle of Dauduic is known.

The Battle of Romain.

It's a Christmas every year.

When you smile with my brother,

it's the Great Battle of Dauduic.

No, no, no, no.

It's a very well-known name, of course.

Ah, because it's the Battle of Tik Tok.

And you, who, when you're going to play...

Yes, of course.

I should know, but I don't know.

The Battle of Dauduic.

Wait, wait.

When you're going to...

No, if it wasn't...

When you're going to play your show in the 13th...

Yes.

...maybe...

Ah, he's going through there.

The Battle of Italy.

The Battle of Italy.

Sorry.

The Battle of Italy.

The Battle of Italy, no.

The Battle of...

The Battle of...

The Battle of...

The Battle of Tolbiac.

The Battle of Tolbiac.

Good answer.

Okay.

Congratulations, Héctor Obarriac.

I have no merit.

I said to myself,

I thought of Tolbiac,

because I was going to the FAC in Tolbiac

before going to the FAC in Tolbiac.

Well, I was also at the FAC in Tolbiac.

And that's why I was at the FAC.

You were in the same class?

No, but...

Yes, but not at the same post.

I don't think I'll stay for a long time.

So, no, I only stayed one day in Tolbiac.

And very quickly, I said to myself,

it wasn't for me,

but I had the time to do something crazy

because the first day,

there was the HG,

so you know, it's the General Assembly.

It's all the college students

who gather in an amphitheater.

And I wanted to see that.

It was in my images,

the Péril Jeune, a little, all that.

So we entered the amphitheater.

And everyone,

it smoked, it was written on the walls.

It was really my image of May 68,

which was there in real life,

in 2017.

And everyone was going to go to the board

to say a great speech.

And I love talking in microphones.

So even if I'm absolutely not politically engaged,

I took the microphone,

I said,

we absolutely have to block Tolbiac

until we know what we want.

And everyone said,

yeah!

And it's the biggest,

the biggest student blocker

that happened during the 2010s.

It was in 2017.

It was me who wrote it.

And then I got married.

I never came back to the FAC.

And here we are, Tolbiac.

It's in any case,

a battle won by Clovis.

And by me.

And by Romando Duic,

today, big head.

RTL, big head.

Five fake news.

Fake news for Anthony

from Chateaubriand.

Hello, Anthony.

Hello, Laurent.

Hello, big head.

Hello!

In the Atlantic law,

Anthony.

What do you do as a job?

If it's not...

I'm a pharmacist.

A pharmacist?

Well, it's tomorrow,

Roselyne isn't here today.

Yes.

Anthony,

pharmacist,

Chateaubriand himself?

Yes.

I thought it was his name.

I thought it was very pretty.

What's his name?

I thought it was his family name

from Chateaubriand.

No, his name is Pharmacy.

You didn't get it.

You, Anthony,

you're going to listen to the information

given by my big-head comrades,

try to defy the real information

among the fake news and the principle

to be able to leave for a week

or so in the snow.

You're going to leave the Atlantic law

to resolve 1850.

I don't know if you remember

this station,

which has already been our partner,

but it's the ideal station

for what is surfed,

you're going to laugh.

It's his slogan,

the most intimate of the big stations.

Sorry.

Why are you laughing?

In the intimacy of a station,

it means that there is no one.

No, but it's a nice altitude station

under the sun of the Alps of the South.

There is a pâté noir,

there is an aqualudic center,

there are restaurants,

shops,

a little like in all stations.

Yes.

But in any case,

there is a lot of mountain activity

and animation

and you can ski

on the white forest area

at more than 2,700 meters of altitude

in front of the massive screens

that we talked about yesterday

with our alpinist

who was called,

who was called by the way,

by the way, Védrine.

He was called Védrine.

A family week for four, Anthony.

Well, that's great.

It makes you want to.

Do you have a big family of four or not?

No, I have a daughter

and then my wife.

Well, we'll have to make two more kids.

Oh, well, it's not bad.

It's good.

You feel depressed

when he talks about his wife.

My wife.

And then wait,

I live with a thing there.

Oh, yes, it's my wife.

And how old is your daughter?

At eight.

Adored.

Yes, I was going to say.

And how old is your wife?

At eight.

I was going to say

that taking your daughter's little fiancé

at eight years old,

she doesn't have a little fiancé.

Well, you'll find someone good.

At the end of the day,

there's nothing wrong with it.

Anthony, in any case,

listen carefully to my big heads.

A single one will tell you the truth.

Others invent.

We start here

by Mr. Elisémoune.

Ah.

While all the media are broken

on the Middle East,

Arras and Brussels,

a family has managed to reform.

Xavier Dupont from Ligones

married Delfine Jubilar

and they adopted

little Emil and Lina.

She's beautiful this time.

Romain Dauduic.

Conflict Israeli-Palestinian.

The villain of the new album

of Astérix,

which will be released on October 26,

next to Bernard-Henri-Lévis.

The drawings are signed

by Jean-Luc Mélenchon

and the scenario

Mathilde Panot.

Héctor Obarec.

The French Insoumise

asked yesterday

that the OQTF,

the obligation to leave

the French territory,

is replaced by the CPAC.

Copiocu, of course.

Michel Bernier.

The government,

wanting to expel

all those people

who present signs of radicalization,

Enrico Macias

is currently in a flight

for Constantin.

Florian Gazan.

An artist has been the

founder of the SNCF

after singing

on the plateau

of Touch pas à mon post

while he was in a serious illness.

His group is called Tragedy.

Caroline Diamant to finish.

Rugby.

The French had been eliminated

in quarter-finals.

Tf1 and M6 sign that the next matches

will be broadcast on Tmc and Teva.

So, Antony,

who said the truth?

So, I would eliminate

the Procession Astérix

with BHL and...

So, that's true,

which is indeed

a character who,

we say,

I didn't find at all,

looks like Bernard-Henri.

Did you agree?

Yes, we say a mix

between Wilpin,

Bernard-Henri,

it's a bit weird.

So, frankly,

because yesterday,

they told us, look,

it looks like someone

who didn't tell us yet that it was BHL.

I didn't find who it was.

And then, when they told us

it was BHL, I said,

yes, maybe.

Well, frankly,

I hope the album will be better,

because for now,

it's not a super teasing

that they did.

Who did it?

Well, it's one of the designers

of the last albums.

Fab Caro and...

And Corrad.

I think it's Corrad,

the designer.

In any case,

you eliminated Romando Duic

for the album of Astérix.

For some reason,

it's not, in any case,

a rather sure mix

and Mathilde Doppano

who made the drawings and the scenery.

I would eliminate

Elis Simone with...

Simone, not Simone.

I know we're in a delicate period,

politically.

Call it Moomoon.

Yeah, Moomoon.

No, but I understand

that you eliminate it.

Well, yes, because,

of course, it's wrong even

if it's true that,

suddenly, I thought about it

this morning,

with the current tragedy

that is a little everywhere.

We don't talk about the little Emil at all.

We don't talk about the poor,

innocent,

who disappeared.

We don't know anything about it.

No, but...

No, but...

There is nothing more.

No, but I think

that if by happiness,

we found them...

We would say so.

Yes.

Yes, you're right.

Who would you eliminate

others, Antony?

Hector Obalc with the OQTF.

No, you have to eliminate,

eliminate, eliminate, eliminate.

I have no interest.

The CP is quite expensive.

Indeed,

it's an invention

of our crew.

Then...

Michel Bernier

with Enrico Macias.

Well, it's true

that he radicalized

an Enrico, but...

No, he's not radicalized.

He just insulted Melanchon,

who deserved it.

Yes, but usually,

he's always for peace

with everyone.

Yes, but this time

I didn't agree.

And then, there you go.

Let me go, let me go.

I have the right, anyway.

They are connoisseurs

for the elderly.

Who would you eliminate others?

Caroline Diamant.

So Caroline, yes, of course.

Yes, yes, of course.

Notice, they may have thought

of a TFA.

Yes, but I would have taken the right one.

And M6,

to broadcast the next matches

because the blue ones are eliminated.

Obviously, there will be

fewer people

in front of the next matches

of Rigby.

So maybe the idea

to broadcast them on TMC

or on Teva

wasn't so stupid.

So who are you left with?

Heymas Florent Gazan

with the tragedy singer.

Well, yes, indeed.

There is a member

of the tragedy group

who has been licensed

by the SNCF

because he went to sing

on the plateau

of Syria and the Nounah.

That was it,

the good answer.

Bravo, Anthony.

You go to the snow,

to Rijoux,

the altitude station.

A musical question

for Charles Miraki

who lives in Austria.

I would like to

make you listen to

someone, someone

who would have been 90

years old today.

She was not

too early,

as we say in these cases.

90 years old,

it's an age possible.

She would have been 90

years old today.

Are you going to recognize her?

I made you listen

to one of her songs.

This song.

Yes.

Her smile.

How did you know

it was her smile?

Because I thought

of Nick, Nick, Nick.

Nick, Nick, Nick.

She only does

the rhyme.

And I said

she only does the rhyme.

Well, yes,

it's her smile.

It's great.

Yes but

the relationship,

what problem.

What's it about?

She has a lot of Burns

It tells you something,

Roman de Duc's smile

No, not at all.

It's really…

Put the tube on.

We should put the tube

And Cindy地方 with

the lyrics of the song?

I am looking forward

to the orange

but I am not ready for that.

He is a little

wave by this tube.

The title is Dominique O'Nick, of course.

Yes, it's the same thing.

And you should know it, because Cecil de France played it in the cinema not long ago.

It was a real good sister, a real good sister, to smile.

That's funny.

And of course, she got to know this song.

By the way, there were only 60 years old, because the song was released in 1963.

And I would ignore that she had made other tubes smile, like this tic-tic moustache,

but also this song that we could think it was Carlos.

I have the trick-a-trick-a-trick.

No.

I like flicks, I like flicks.

Put your finger on the elastic, tic-tic-tic-tick.

And here, with a tic-tic-tick.

You look like a tic-tic-tick.

I like flicks, flicks, flicks.

We make a tic-tick-tick-tick.

It's not a tic-tick today.

It's not a tic-tick.

It's normal, it's a tic-tick-tick-tick-tick.

Well, no, she sang it too.

I swear, we could think it came from Carlos's repertoire.

She sang the Tire-lits-tonton.

No.

He had a little brush,

which was called the Tire-lits-tonton.

He asked me to open it,

while I was picking it up.

She was Belgian, to smile at the beginning.

It's not an excuse.

It's not.

It's not at the beginning.

It can explain a lot of things.

Her parents were management of a pastry,

but she was religious.

That's true.

Lucien and Gabriel Deskerces

were holding a pastry shop.

She had faith.

She didn't take the light, she took the religious.

She went back to the Dominican order.

Where is Dominic?

It's Dominican-Iconic.

Oh, that's it.

It was a shame.

We didn't understand.

Dominican?

Yes, yes.

It was for the children, those songs, right?

Not really.

The Tire-lits-tonton, yes.

I don't think it went well.

Yes.

Dominican-Iconic.

She did all the way, too, as a success.

She would be 90 now,

since she was born on October 17, 1933.

And she committed suicide, Lucien.

But she didn't have the right.

At the same time.

She didn't have the right to start.

Well, no.

Normally, she was a sister.

Yes.

Well, listen, she committed suicide.

She already had a companion.

That is to say, in fact, she was...

Oh, yes, okay.

She was defrocked.

You know what?

The showbiz.

Yes.

Yes.

Stastic.

Stastic.

She had a companion.

So that doesn't mean that she was called Annie Pecher.

Oh, that's crazy.

Great.

A smile on your face.

I present you...

At least a smile would have been 90 today.

And I find it a shame to him.

Jean-Paul-Marie Deskerces.

That was his real name.

Sister Luc Gabrielle, who became a sister smile.

Sister Luc.

For the showbiz.

Fia de Patissier.

And singer Asucsay.

Who...

Asucsay with Claire.

Who...

Ah, no.

The song is known across the world.

Yes, of course.

Yes, of course.

It started.

However, I have never known the francs.

He should have known the francs, I tell you.

He was born in 1998, I imagine.

Yes, exactly.

In 2000.

We had francs back in 2000.

The parents had just given us money.

When you lost Pierre Première in a little mouse,

she had deposited a franc.

Ah, but exactly.

Little shit.

He goes to the hairdresser.

He's dressed badly.

He's fucked up.

No matter how.

He stinks.

It's really a little shit.

I'm the only one who put color on it.

And then I fuck you up.

We're going to leave completely.

Well, that gives us a point like that.

Do you think we're old?

Do you really think we're old?

No, no.

Listen.

Last night, did you wake up old?

No, not at all.

Last night, it was the 60-year-old.

We celebrated it at his place.

It was great.

With your Brazilians, obviously.

But yes.

Well, I had invited everyone.

It was great.

Yes, so we weren't old.

I would have loved this birthday party.

I would have liked to have it.

But you were old.

We weren't invited.

We were invited.

We would have made a nice gift.

Caroline.

Oh, yes.

We wouldn't have invited.

A pot of honey.

I sent him a little text for his 60-year-old.

I can't say otherwise.

I did it.

Very nice.

On the way back, he didn't tell me.

Come to the house tonight.

There's a party.

No, I don't think that's cool.

You wouldn't have come, Laurent.

I wouldn't have come.

You wouldn't have come.

I wouldn't have come.

I wouldn't have come.

I wouldn't have come.

I wouldn't have come.

Laurent, he would have come.

No, I wouldn't have come.

I wouldn't have come.

I wouldn't have come.

Your podcast is going to start in a moment.

But just before that, I wanted to tell you that my new album...

Oh sorry, I didn't introduce myself.

It's Philippe Geluc.

And so, my 24th album just came out.

The cat and the 40 bougies.

64 pages of gags by Laurent.

Do you want an example?

My God, how I love imbeciles.

It gives me the impression of being a little less than.

Well, the other gags are even more funny than this one.

The cat and the 40 bougies at the Casterman editions.

And a checkout select.

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A question for Jean-Luc Ponce who lives in the Pyrenees, Atlantique.

Maybe you know this tableau called Dianne and Andy Mion.

A tableau made by Jérôme Martin Langlois between 1819 and 1822.

We don't have the exact date.

It's a shame.

We'll say it's in the 1920s that Dianne and Andy Mion were painted.

A work that France claims.

But who does it claim?

I don't know.

In Greece.

In Germany.

In Greece.

A tableau from the 19th century, a bit neocademic.

Exactly, neoclassical.

Neoclassical, from the time of Ingres and all that.

A work of neoclassical style.

Neoclassical means that it's very light.

An oil on the canvas that represents...

It's always a bit dramatic, otherwise it's romantic.

Neoclassical is when it's...

Yes, it gives the answer.

Is it in Greece?

In Germany.

It represents...

This tableau represents the Dianne-Roman goddess,

hence the title of the tableau.

One of the 12 Olympian divinities that fall in love with Andy Mion.

So, so, so...

OK, I have an idea, I have an idea.

Oh, yes?

Yes, because...

Oh, yes, you have to explain to Romain Daudu that this little roll of tambour is when...

It's for Caroline.

Caroline is convinced to have the answer.

It's only Caroline.

Yes, yes, it's only for Caroline.

It's in the right place, this thing.

And obviously, it's not there.

In general, I'm not there.

And now, I'm announcing in advance...

What did you say?

I said, I didn't have an idea.

There's another roll of tambour.

No.

You said the name of the painter, which is called L'Anglois.

Jérôme Martin L'Anglois.

So, if he's not French, it's not the French he claims,

maybe he's Swiss or maybe Belgian.

Oh, no, he's French.

Jérôme Martin L'Anglois and...

So, I'll remove the roll of tambour and I'll let you go.

If he was a student of Jacques-Louis David,

if that could help you.

David, yes.

David, he's the one who makes Napoleon's bag.

Napoleon, yes.

So, who's the French he claims,

that is to say it's a nation, a country, or is it someone?

Oh, no.

France is the French he claims,

but who's the French he claims to?

Who's the French he claims to?

Someone stole it, so...

No, not stolen.

Someone bought it.

We bought it, we didn't sell it.

He stole it.

It's someone who actually bought it.

He stole it.

He stole it?

Not really.

So, it's someone rich.

He's in England.

He's in England.

If you hesitated...

He's in England.

Oh, no, he's not in England.

He's in Europe.

He's in Europe?

We don't know exactly where he is.

Oh, so it's someone.

But we know who he belongs to now.

Ah, it's Trump.

It's Mick Jagger.

No.

Is it a star, the person who owns the tableau?

Yes, ma'am.

Is it a man?

No, ma'am.

It's Madonna.

It's Madonna.

It's Madonna who has this canvas.

Good answer, Florian Gavant, and Michel Bernier.

Indeed, the city of Amiens is desperate to find this monumental canvas one day

for its museum of Picardi,

a work that disappeared under the bombs of the Great War,

but a work that reappeared in 1989

and which was acquired at the time,

1.3 million dollars by Madonna

who thought he had something to do with a copy

during a sale at Sotheby's.

By law, the collections of our public museums

are unprescripted and inalienable.

By the way, a lot of flyers have been deposited

that still run,

and the mayor of Amiens, the mayor of Amiens,

by the way, it's a woman, a madwoman,

Brigitte Fouret.

A friend to smile at.

Yes.

It accompanies her.

It's a sin.

It's a lack of respect for the one I'm talking about.

Yes, because the mayor of Amiens didn't ask for anything.

And she asked for Madonna's canvas.

Well, do you see what she asks for?

Copsine.

And even the Minister of Culture,

Abdul Malak, has been involved in this subject,

Kedorset,

and even the heirs of the painter, the family.

They are not very busy,

so the city of Amiens...

The Anglois family has also been manifested.

But Utre Atlantic, Madonna,

for the moment, did not hesitate to answer

to France about this painting.

What does it have to do with it?

Do you think, Mr. Obal?

It's delicate, this problem.

It's made a mess, Madonna, in fact.

Yes.

It's all history.

I'm still sad to see that you don't know this canvas,

Diane and Andrew.

Yes, I see.

Do you see it?

Do you want to show it to you?

It's an academic universe.

But it's real.

Look at the canvas and tell us...

I see it very well.

I see it very well.

You see, there's a kind of S and Z there,

with a good coat of hair,

and a little bit of dark hair,

with big dark light.

It's a heavy one.

It's not possible.

It's ugly.

But it's...

Oh, a coat of hair with a little young...

After Hector, I'm sure it's a photocopy.

But it's a kitschery, especially.

That's why she bought it, for sure.

Yes, because it makes great paint in her salon.

It shouldn't be made because it would be ugly

in a French museum, something like that.

She just paid 1.3 million for a copy.

It's not even the original, and she put 1.3 million.

She thought it was real or a copy?

She thought it was a copy.

She thought it was a copy.

So she sees something.

We tell you, it's fake, it's not real.

1.3 million.

Yes, but...

It's Madonna!

She didn't do it at all because she thought she'd bought a copy

while it was original.

Yes, but the reason...

That's true!

There's nothing to understand.

That's weird.

It's my dream to make...

Vermeer.

Sorry, maybe you found that...

It's beautiful, it's beautiful.

Thank you.

No, it's not.

It's ugly.

There are artists who are easier to copy than others.

Because I...

I told you...

Do you love Vermeer?

You're right.

I love Vermeer.

But there are 30 paintings.

I'd never have a Vermeer.

No, never.

Never.

So I was wondering,

would you advise me to do it?

To see it.

There's no problem.

It's legal.

Because he won't sign Vermeer.

To make a copy.

Can I do that?

Is it good or not?

You'll have shit anyway.

Because Vermeer is uncopiable.

It's like Velasquez.

Yes.

If you want to copy something that's uncopiable,

it's Goya.

It'll help.

But he doesn't like Goya, he loves Vermeer.

You have to choose something that's uncopiable.

In my opinion, you can copy yourself.

Or a Gelluc.

A Gelluc.

A Gelluc.

A Gelluc.

There are Mondrians that are very good.

That are very good.

It's really good to buy them.

You'd better do it yourself.

Because it's easy.

But in Vermeer,

you won't be able to do it.

No one can do it.

Take a mirror.

Well, I remove my glasses.

I do it.

But there are mirrors everywhere.

Yes.

Yes.

You're in any gallery in New York.

There are three mirrors.

Yes.

Even in the bathroom.

Yes.

I bought a Mondrian poster.

It's very good.

Yes, yes.

But a poster is a paper.

You have to put a real star.

It's true.

Yes.

But I have advice on it.

Yes.

You take the glue from the paint.

The powder from the paint.

You put some on it.

No, but seriously,

I'm not going to have a copy

to make me a Vermeer.

No.

He won't be able to do it.

You can see right away that it's shit.

I'm sorry to talk about me.

You look really sorry to talk about you.

You see how I have time to do it.

Yes.

It bothers me.

But it's okay.

In my thing,

I talk about Velasquez

and at some point,

I try to make them understand

the flow.

The flow of Velasquez is awesome.

And I tell him that you see,

it's very simple.

But eight years later,

he made a copy.

And we show the copy.

And right away,

people say,

well, yes, okay.

And everyone understands.

Did you understand?

Of course.

You have to see the show.

It's okay.

The radio,

it's okay.

The radio,

it's okay.

The radio,

it's okay.

The radio,

it's okay.

The radio,

it's okay.

The radio,

it's okay.

The radio,

it's okay.

No, no, no.

I mean,

I'm very well understood.

She's very well understood.

She has a very good copy.

She shows two original pictures.

It's for that,

it's art, by the way.

And a copy.

And people say,

well, yes,

the copy didn't succeed

to make like the original.

The more it's conceptual,

the more it's copyable.

The more it's art,

the less it's copyable.

Well, anyway, listen,

if Madonna hears us,

what are the...

Yes,

I don't think so.

We can maybe do

a painting.

We can maybe do a trick.

We give her her little ass,

she gives us the towel

and things go into the order.

STL, the book of the day.

The book of the day,

it's signed by Samuel Piquet.

It's our dictionary,

Aïsable words.

And I must admit that I

really liked that

because it's very clever,

this dictionary published

at the Middle Church

that shows us

that there are words

a bit in fashion,

by the way,

that we find

in the press

and even in the language.

Today,

for example,

a word very in fashion,

a hook.

I love it.

It's very cute.

Yes, but then,

they give funny definitions.

Samuel Piquet,

there's a hook,

it's an intangible attraction

for the future person

who will disappoint you.

That's funny.

That's a nice definition

of the word hook.

It's a hook,

it's a hook,

it's not a hook.

There's a hook

and there's a hook.

You said hook

while you had to say hook.

There's also a hook,

that's what I'm talking about.

And it's a hook.

And it's not like

English speakers

saying hook,

no.

A hook,

a hook,

like a hook.

A hook.

Now,

I don't know how to say it.

It's bad.

A hook,

a hook.

Laurent,

it's like the word

the fear,

you can tell me fear.

Fear?

A hook.

A hook.

There it comes.

A hook.

Well,

find rather the word.

My mother is a phonetic teacher.

If that's possible.

Yes, that's true.

If that's possible,

do you want to do something?

Find rather the word

that corresponds to this definition

and then,

we'll have Samuel Piquet's

phone

about his dictionary,

and I'll really end up talking to him.

It's good.

If you repeat it to me

as many times,

I ask you,

the word that corresponds

to this definition,

a masculine name,

a word that convokes

the waiting

for intoxicated

heterogeneous frames

in video games

and is unable to

show mature

in a few areas

that it is

if it is their faculty

to hold the alcohol

in parties

between friends.

By the way,

for example,

we could have put

Florian Gazan,

Romain Dauduic,

maybe even

Elisabeth Moussin,

Adulissant?

Adulissant?

Adulissant!

Adulissant!

Yes!

The answer

of Michel Bernier.

Hello, Samuel Piquet.

Hello.

It's true that it's a word

in fashion.

Adulissant,

it didn't exist

before,

ten, twenty years ago,

we didn't use that word.

No, we had real men.

Shut up.

Hello.

I don't really remember

having heard it.

It's recent,

and there are words...

We were teenagers myself.

There are words like that.

And there are a lot of

hyper-sensibility words.

That's become really...

Everybody is hyper-sensitive today,

non-binary.

Well, yes,

it's true that it didn't exist

non-binary.

And there,

you give

the definition of this non-binary

adjective.

If your child

plays all the time

in the truck

she has pooped

and he likes to

disguise himself

as a superhero

as a princess,

it's no doubt that he is non-binary

since he doesn't

respond to any

stereotype of genre

whether he behaves

as a boy

or as a girl

Construite, who recalls it, does not exist as such, as it does not seem to correspond to any of these two large categories.

Construite, it is therefore urgent to build a third one, and this construction is non-binary.

Here are all these words that you really know Samuel Piquet.

Yes, but for different reasons, that is to say that some I only hear them because we hear them all the time.

Others, it is because they are dead or they do not want to say anything.

And others, like for example the word benevolence, is that we have operated a sliding of blood and they do not want to say the same thing as before.

That is to say, for example, benevolence.

Well, benevolence, it comes from benevolence, so wanting the good of others, and now it is rather to take a positive look all the time on others or on something.

And it gives situations that are urgent, like in national education, we ask you to note in a benevolent way.

Master 1-15, to someone who is also here, I do not think it is particularly helpful and benevolent in terms of the term, for example.

Vegetalized, here is a word that did not exist any more, there are a few years.

I vegetalized my walls.

Oh yes, now, vegetalized.

I vegetalized my mother.

But Anidalgo, she did not vegetalize.

Well, here is a good example, Anidalgo, she could be in all your definitions, Anidalgo, I have the impression that Samuel Piquet.

Yes, especially that vegetalized, it is rather a word of order than a reality, I have the impression.

I turn to the little youth of the band, Romain Dauduic, the scrolling.

Ah, of course, the scrolling which consists of finally sliding your finger like that, in a lateral way on the screen.

So here it is called scrolling, it is swipe and for the older ones it is zapper, you see, it is the fact of really moving forward.

Do you use Instagram or Twitter?

For example, Caroline scrolls from the cable.

Don't listen to them, I'm a virgin.

And she swiped sometimes.

And besides, she is a sexual sapphire, Caroline.

Yes, that's true.

That too, it's a word in the sexual sapphire mode, isn't it?

It's to love intelligent people.

After all, there are still small things that follow.

I take a passport.

There is not only the sapphire in the jiffy.

You still have eyes, we are all a bit symmetrical.

This word is interesting, it is sexual, because we have the impression that it is modern.

I don't think that we have been particularly attracted by stupid people before, but hey, you are right.

Yes, but I have the impression that it also integrates itself in this concept of a sexuality where the genre has no importance,

but it is the intelligence that takes over.

There is also a kind of pretentious thing in there to say, no, but I am not men, women are intelligent people.

And frankly, I want you to say that it arranges us.

So, I especially like it.

In addition to your dictionary, thank you.

At the end of the book, Samuel Piquet, we will remember that you also work for Marianne,

and that it is also a little bit a copy of what you sometimes write in Marianne, this book.

The dictionary of the words Aïsable.

At the end of your remarks, I want to thank you.

I want to thank Valérie Pécresse, who helped me thanks to her dazzling speech of the bourgeoisie,

to trust me and to win my reticence and my port of failure.

It is great to dedicate.

The violence.

I want to thank Augustin Trappner, who would pass from Bernard Verbert to Baudelaire,

and whose depth of questions regularly makes me want to reread the whole of Riberis.

Oh la la!

Lauren, it's a violence.

You're going to make you laugh, my dear.

I want to thank my mentor Edvi Plénel, who is honest and intellectual,

what Neymar is to the taste of effort and humour.

Oh, it's not very nice.

You make me laugh.

Is that the Balkans are the life of Bohème?

We love it, we love it.

We love it.

In short, it's very funny, your book.

It's called the dictionary of the words Aïsable.

It's in the Middle Ages. It's signed Samuel Piquet.

It was the book of the day.

A question for Mr. Paul Barré, who is a strong Jordanian.

I counted four Macs, but in what?

Reading the press this morning.

Where did I find four Macs?

Do you talk about Macintosh, the old computers?

No.

The Macs are in the Coswing team.

The Coswing team, I imagine.

There must be Macs, of course, who are playing against France.

Yes, but you see, everything is lost.

There are more than four Macs on 11 players in the Coswing team.

Good answer.

No time to reflect.

And how do they call those who remain?

So, Mac Jean, number 7.

Mac Jean?

Yes, Mac Jean.

It's Mac Tominez, I think.

Mac Tominez is the captain.

Number 4, Mac Gregor, number 8.

And Mac Donald.

Kenna, number 16.

No, Mac Donald.

He's a nutritionist.

I'm going to trap Florian Gazon, because I have someone in front of me.

Someone that I know well, that I know well, we don't know each other.

But I know who he is.

Did you recognize him, Florian Gazon?

There is someone in front of me who was a famous goalkeeper.

Yes, it's Jean Castaneda.

Wow, bravo, he is strong, Florian Gazon.

That's right.

That's right.

You can do all his CV, or not?

Jean Castaneda, he did his career on health care.

It was the great goalkeeper from Dever,

after Curcovie, who was Jean Castaneda.

He was a legend.

And a great goalkeeper with the moustache,

who always gives this little side, Gérard Hernandez.

I don't think it's been Hernandez since the beginning of the show.

I was there, I said, there's Gérard Hernandez first.

We are proud to have a goalkeeper.

Today, he still wanted to say hello to the goalkeeper.

It's not important.

We have Pégé Thaly.

And so, Madame, and footballer woman, then?

Bravo, Madame.

The woman of first contract or second?

No, we are so proud of Jean Castaneda.

Jean Castaneda, the great goalkeeper of Saint-Etienne.

In our audience today,

I would like to talk to you now about Mr. Erasmus.

Do you know who Mr. Erasmus is?

We should talk a few more days.

Maybe even ten more days.

Who is Mr. Erasmus?

It has nothing to do with Erasmus,

the program that sends young people abroad.

The Spanish language, you would say.

Well, no.

It's someone, Mr. Erasmus.

It's someone, Mr. Erasmus.

For Madame Erasmus.

And then, he does sports?

He does sports too, Mr. Erasmus.

He wouldn't come from South Africa.

Go ahead.

He wouldn't be the coach of South Africa, from Springbok.

He is the coach who, with his team, beat us,

obviously, last Sunday.

He is the equivalent of Galitay for the South Africans

who eliminated us in the quarter-finals.

Joanne Erasmus is the coach,

the selector of the South African team.

They are two, by the way, to take care of the team.

But he seems to be the real coach.

The real coach, the real coach is him.

It means that he had already won the previous World Cup

because, in fact, it's the tenor of the title.

Exactly.

The South Africans are the tenor of the title.

Do you follow the rugby, Mr. Doduit?

Because you didn't have a career in rugby.

No, not at all.

I don't have any arms, no legs, no torso.

Well, once I played rugby, I played the ball.

And since then, it's been very bad for me.

No, one day, I would be muscular, you'll see.

No, in fact...

Stop smoking, by the way.

One day, I'll be thin.

I think you have to think like Hector.

You don't have to see me as the little cheetah I am.

You have to see me as the muscular man

that I will be here for two or three years.

When I would have worked well, you have to know...

He's 25 years old, he's trying to be muscular.

Look at him, look at him.

He's 60 years old.

Look at him, look at him, look at him.

Look at him, look at him, look at him.

Look at him, look at him, look at him.

What I want to know is that since 13 days now,

I stopped smoking and I'm very proud.

It's a fight every day.

I want to take some of the mass, anyway,

to be able to be muscular, but it's very difficult.

You know that to stop smoking,

I started this, it's nicoride, nicotine in chewing gum.

It's free in pharmacy, for those who want to stop smoking,

don't hesitate, because it's...

Free in pharmacy?

Free, reimbursed by security.

With the doctor's order.

So it's reimbursed, you can really escape from this.

But it's sure that I replaced the boner of the cigarette

with a chewing gum, and I said to myself,

why isn't there that for the rest of the...

So you crushed the chewing gum with your shoe?

No, but it's true.

When you did it for the megos, it's stupid.

No, but it's true.

Now, I throw my nicorides as clubs,

I throw them as clubs.

It takes a lot of time to disintegrate

in the... in the nature of the chewing gum.

You didn't bring your pipe, Mr...

Here, I...

Ah!

Oh la la, but it's been a long time

but the nicoride in his pipe...

Ah, it's crazy!

It's impressive!

So, all of a sudden, it's crazy,

because I think it embraces women.

The pipe, it's a big advantage

and it allows you to walk with your chin.

It's another advantage,

is that when you smoke,

you can still make it look white.

But then you...

It's just an advantage.

I already said that.

You're really the new Pierre Benishouf.

Ah!

When you say it twice in the same mission,

you'll make it.

APPLAUSE

MUSIC

APPLAUSE

APPLAUSE

The big heads of the Rourou Chiers

are from 15.30 to 18.00 on RTL.

Always with Hector Obay,

Florian Yazan,

Romain Doduic,

Élysée Moune,

Sœur Caroline and Sœur Michel Vermier.

APPLAUSE

I'm calling my sisters,

Michel Bernier and Caroline Diamant,

because we mentioned the 90-year-old...

It's funny!

Anyway, it starts with the phrase...

The 90-year-old Sœur Sourire.

And now I'm going to mention

another religious person

called Sœur Jacques-Marie

of his real name, Monique Bourgeois.

Sœur Jacques-Marie served as a model

for years at a famous painter.

Which one?

Mayol? No!

A French painter?

A French painter, absolutely.

Decédé?

Decédé, yes.

It's been a long time.

It's been decédé in 1954,

so it's still going on.

Matisse?

Matisse, good!

APPLAUSE

Henry?

He wasn't French, was he?

Yes, he was French.

And this Sœur Jacques-Marie,

Alias Monique Bourgeois...

It's weird to paint a...

She was a poet, wasn't she?

No, but she wasn't a nun at the beginning!

Ah, but be precise!

He couldn't paint anyone!

She became his model,

he painted four with her.

Monique, Elidol, La Robberte et les Oranges,

Tabard Royal,

and then...

Were they all naked or not?

No, they weren't necessarily naked.

And then she went to...

She also went to the Dominican sisters.

Ah, well, there you go.

Dominique!

Just go!

It's better than that,

she made her...

It's her who had this idea,

this crazy Paris, of a chapel.

You didn't know this story?

Yes, I'll tell you.

We don't have to tell you.

I'll tell you, but as there are several,

that's where you think.

Bourgeois, first, was hired

to keep company and take care

of the painter Henri Matisse.

A link, this is between...

Yes, a link that made her not a nun

when she entered the Dominican sisters.

Ah, a link!

Between the nurse and the sick.

And then, in my opinion,

Monique announced

her entry into the painting.

So he had to leave her a good memory.

And then he said,

you're going to miss your life,

you're not going to go to the painting.

He said, Matisse...

Just think about my link.

He said, I need you!

You inspire me, you're going to cut my creative talent.

The egoism of art.

Ah!

And then they continued to...

to exchange correspondence.

He told her,

you live your spiritual life

in light, while I only live

for light.

And then, what did he do?

He started painting

for a chapel.

And all this is told in a book

called The Last Flower of Henri Matisse.

Ah, but I wouldn't give it to him.

But then he was in love with her.

Well, a little.

It was his crush.

I think he was in a wheelchair,

he was dressed, he painted,

where he helped to paint

with brushes that were made

by sticks that were made two meters long.

It was dramatic.

Did you see the chapel?

Where is it?

I think it's in Vance.

The chapel of Vance.

He said to his sister-in-law,

I'm going to rebuild it.

I'm going to rebuild your chapel,

and I'm going to take care of the windows.

I'm surprised you're never going, Mr. Baalke.

I had an admiration for you.

I put you there, on the podium of art critics.

I thought you did all these magical places

where a painter like Matisse

made his masterpiece.

I would have bought the catalogs,

like I did for the redoubt.

You would have sauté admiration.

The windows, it's not exactly painting,

it's windows.

It's still a work by Artesana

who has done,

who has delegated the execution.

It's not

a priority.

You learn a lot of things here, Mr.

You've been there since then, the windows.

It's not your favorite painting.

My favorite is René Magritte.

I think 5-6 years ago,

the museum, which is in Brussels.

Don't look at me like that,

I don't care about Matisse.

Because we were in Brussels together.

You're doing everything together, you two.

It's crazy.

It's crazy, this story.

It's crazy.

Let's have some time.

I don't know what to say.

René Magritte is my favorite painter.

I have a monstrous heart

for a canvas called,

L'Empire des Lumières

by René Magritte.

It's a house

on the other side of a lake.

What's incredible is that it's daylight

in the sky and at night

in the ground.

It's a kind of daylight in the windows.

It's extraordinary.

It's a blue sky up there.

It's absolutely beautiful, it's on the other side of the lake.

You see, you're showing something.

It's nothing when you tell the painting.

We didn't need to see it.

That's where I'm going to come.

It's not a big painting.

It's imagery.

It's really done for the artists of the 20th century.

I'm angry with him.

I'm not saying you're wrong, you're right.

You just have to evolve

and make it...

It's a good place.

It's a good thing, it's okay.

And then you'll see that an immebable

where there's no effect day and night,

it's just an immebable and it's just a sky.

It's not just an immebable.

For now, you need an anecdote.

If it's not an anecdote, you say,

there's no interest.

I'm going to explain.

I'm not angry at all.

I agree with you.

The real reason why I like this painting, Hector,

is not because the sky is like this

or because the ground is like that.

Do you know why I like this painting?

Because there's no door.

It's called a good idea.

There's no door, so it's intriguing.

It's just not an immebable

on the other side of the...

The door is on the other side.

Is that what you mean?

What I mean is that the fact that there's no door

shows something bourgeoisie

that wasn't accessible to René Magritte.

Plus, he took the audio guide.

That's true!

In a moment, we'll have on the phone

Mr. Yves Germon,

I'm going to land the job

and the federation,

because he's the president of a national federation,

but I'm not telling you which one,

because it would be too much for you

to answer the question,

and Mrs. Arth, Sylvie Arth,

who lives in the Morbillon,

hopes for a checker.

What I can tell you, in any case,

is that it's between 15 and 80 euros

currently,

and that it's a Russian,

a Russian piano teacher

from 1970.

It comes back to fashion a lot,

but what is it?

From 1970 to 1870.

From 1970 to 1870.

Is it a partition?

No, no, no. It's a game.

There was a page, what do I say?

Two pages, even, in the magazine Elle,

dedicated to this phenomenon,

new phenomena,

new cockles.

I'm going to help you. It's fashion.

Not fashion, the new cockles

that surprise some, but...

It's an accessory.

The pilot.

It's an object.

The cockle.

And I can tell you that Mr. Germon,

that we will have the phone in a moment,

because that will no longer help us now,

and president of the National Federation

of Traditional Chinese Medicine.

The Shih Tzu.

No, no, no. It's something we buy,

we don't buy the Shih Tzu.

You buy it, you bring it home.

Yes, yes, yes, yes, I know what you're talking about.

Attention.

What are you doing?

It's the roller coasters, etc.

where the cats go to massage their faces.

Not at all, then.

It's dancing sticks.

What do you say, sir?

She has courage, because she thinks it's good.

She asks for tambourine. It's not good.

And...

I mean...

I would never have this courage.

Are these dancing sticks?

Is it good to feel beautiful?

No, it's a relationship with a smell.

The smell. No, it's...

Does the object hold in your hand?

No, it's good to be.

The new roller coaster has to be surprised.

It's Raphael El-Krieff,

who in her,

has devoted two pages to this phenomenon.

Is it the smell diffuser?

No, not the smell.

Is it a relationship with the sleep?

With the sleep, not at all.

It touches, it's tripod, it's...

Does it hold in your hand?

It doesn't.

It does, yes.

Yes, yes, yes.

She starts again.

Mr. Obal, she starts again.

I think that the awakening is...

Not at all.

Why is there a panache?

What are these? Diogal sticks?

There's a big one in my neighbor.

You're going to make a elevator.

We've already advanced,

I thought it was a tapioca,

but what kind of tapioca?

Diogal stick?

Not a tapioca, not a Diogano stick.

A tapioca for the shower?

No, no, no.

A tapioca, there's something marked on it.

A tapioca mouse?

Yes, I know what it is.

The third one.

The third one.

It's the tapioca and the little pico's

that crush the puncture points.

The acupressure sticks.

Thank you very much.

Thank you.

Hello Mr. Germon.

Respect, respect, respect.

In addition, it's the winner.

Mr. Germon, you're president

of the National Federation of Traditional Chinese Medicine.

Can you confirm

what the magazine

has told us on two pages

last week?

The clou matla

is in fashion.

We buy between 15 and 80 euros

these clou matlas,

which we're obviously going to extend

for a matter of well-being.

It's in fashion at the moment.

Hello Mr. Huquet.

Yes, indeed, I confirm.

It's a

derivative, let's say,

quite far from the Chinese medicine

and which will

use a few principles.

But I, listen,

I didn't buy clou matlas,

but I had punctures on my matla.

Can it do the same thing?

Well, you're not far from the truth.

It's not real clou matlas,

it's not yours.

But what we find in the market

is the joy of the brand.

I can quote it,

because the magazine does the promotion

of this brand.

Between 15 and 80 euros,

it's equipped with acupressure

on which we're going to extend.

It's to relieve muscle tension, that's it.

That's it.

It's going to relieve muscle tension,

it's going to release endorphins,

it's going to make a rupture

at the level of the skin.

And if we see things

with the vision of the Chinese medicine,

it's simply

these little pico's

who, by their stimulation,

are going to circulate the cheese,

that is to say, release

energy stages that bring back

pain and tensions.

I still imagine that you have to know

where.

Yes, I made Fakir second language

and I can say, I know absolutely

no, but we simply extend on a matlas,

there's no need to know more.

But it's drawn like a corpse in American films,

you have to put yourself in the line or what?

You have to press in the right place.

You have to press in the right place?

I have nothing to do with me.

I think he wants you to press him in the right place.

I think Kector is going to buy a carpet.

I think Kector wants to bring you on his carpet,

not with clubs and many screws.

Oh!

It seems in any case that it works.

It's expensive, 80 euros for a carpet

with clubs, no?

It's not given either,

but you have to be with the shops

in front of their work and that the industries

follow.

It's generally on the back,

if you want to choose the points,

there, you have to go and consult

a practitioner in traditional medicine.

That's it!

The practitioner,

it's very useful,

because for example, my daughter,

she knosed on a boat,

she knows the point on which

you have to press, I think,

near the handle

to calm this knosed

and she uses it.

No, by the way,

she doesn't have the knosed on a boat,

she has the knosed on a plane.

The six meters of the heart, in fact,

it's a puncture point that is known for that,

to fight against the

sensations like the hammer

or the hammer of the plane or the hammer of the boat.

She doesn't say anything to Rosine.

No, she doesn't say anything.

She doesn't say anything.

She doesn't say anything, but I feel that she

will end up on a carpet

of a carpenter.

She will end up on a carpet

of a carpenter.

A question for Odile Hernandez

and maybe we can come back to the painting,

to art. In general, there was

a documentary broadcast on France 5

last week,

documentary devoted to this artist.

Artist, by the way,

who participated as a soldier,

military at the Second World War.

He even came from England

to France,

in 1943-1944.

In January 1945,

he passed by us.

The war was over, but he was a little

installed to paint, started to draw

and then he went back to his country

of origin, which is

the United States, New York,

since he was born in Manhattan.

He was born, by the way, in Manhattan.

He was 100 years old in 1923,

this artist.

An artist whom I ask

to find the name, look how he thinks.

It's not obvious.

It smells of the next door.

No, because it was 50 years ago.

It's not going to help.

Is he at the moment?

He was born in 1923, your artist.

He was born in 1923,

so his 100 years of birth.

And he died in which year?

He was exposed in Mommalo.

He was exposed everywhere in the United States,

you have to say.

And I can tell you, what is his most famous canvas?

And that might help you.

That's it, I think I know.

It's a very good painting.

His most famous canvas,

which is by the way,

in London.

He made only one painting known.

I think it's called...

Do you want to try the Tambour roll?

Yes, we'll try.

He's happy?

He's happy, he's happy.

I think it's Andrew Wayes.

Not at all.

Tell me what it's about.

It works!

It works!

You're the couple of the year.

It works!

It works!

It works!

That's the bad addiction

of the Tambour roll.

Hector and Caroline, the couple of the year.

The Tambour family.

No, my painter,

because...

My painter,

I feel like you're going to say it's not a painter.

It's not a painter.

He's taking off.

He's an artist who's famous

for his canvas

on the head of London.

It's the most famous painting.

A big size.

1.70m x 4m.

It represents

a combat plane

shooting a rocket

on an enemy plane

in a yellow and red explosion

marked by an onomatopoeia

Wham!

Roy Lichtenstein!

Roy Lichtenstein!

Good answer!

Roy Lichtenstein and Hector O'Bike.

Roy Lichtenstein.

Is it a painting or not for you?

No...

It's more like a comic book, isn't it?

Yes, it's a comic book.

It's a comic book with

adhesive paper.

It's good.

It's an artistic thing.

Why so much price for adhesive paper?

Well, it's

someone who said,

no, I don't make good drawings.

My work is different

from the comic book.

It's exposed

to the modern head

marked by the war

he participated in.

It's an old fighter.

That's why you have to admire

everything he does.

It's not a comic book.

He takes a box and makes it.

He lacks history.

You like

the painting

of the 17th or 18th century?

Well, Gilaillot is

shit, maybe.

OK, I didn't say anything.

I don't want to mess it up.

I like what Roy Lichtenstein does.

It's normal, it's decorative.

It's the good news

that it's easily copied.

No, there's a lot of posters.

There were a lot of posters.

Maybe you know

the most famous painting

he's been able to make

in a combat plane

shooting a rocket.

Yes, it was George Michael's group.

But you can see this plane

shooting a rocket on an enemy plane.

Yes, it looks like

a Soviet plane.

You mentioned Magritte.

We could say it's the same.

It's the same thing.

It's not a good idea.

Good ideas are

over-realistic or pop.

That's all.

I'm getting nervous.

I'm getting nervous.

I'm getting nervous.

It's the same thing for chocolate bars.

It's a shame you don't have

the same ambition as the painters

when it comes to your Gilaillot.

It's a shame you don't say

it's very figurative.

I think you should try

my Gilaillot.

You have an old muralist Gilaillot.

There's no problem.

No problem.

It's not easy to do that.

He's also a musician.

What are we going to do with the wedding?

It's going to be fine.

There's a question now

about divorce.

A question for Mrs. Leudin.

Are you married?

Why didn't you tell her?

She's married, she didn't tell her.

I'm married, but I've never

done divorce papers.

I told her.

It's not a marriage proposal,

but we need to ruin the situation.

It would be easier,

it would be more clear between us.

It's for you to see

Mrs. Decton.

She's very open.

My mother, she's 94 years old.

It reminds me of her.

It's the most beautiful mother I've ever seen.

She's a mother of Caroline Vie

and she's still alive.

She's 89 years old.

It's going to be nice.

It's going to be great.

We're going to invite all the four of us.

We saw that there was no walk at the church.

You don't know my mother.

Why?

I know her, you would be under the shade.

Her name is Henriette Valter.

Henriette?

She went to a language school

in Greece alone with her little suitcase.

No.

I don't want to mock you.

It's extraordinary.

There are people who say

it's because she's a mother.

My mother is an extraordinary woman

and by chance she's her son.

No one should call her mother.

What surprises us

is that you're still

a kind of tangy

that is to say alive

still at your age.

I know, women are afraid.

That's what you wanted to say.

There are brothers and sisters.

Yes, I have a sister.

It's cute to live with her at the moment.

I think it's cute.

It's not easy.

Yes, I like my mother in madness

but two sisters too.

But they have tangy opinions

that she doesn't often have.

That's why with Hector,

they hear each other well.

A question for Madame Leudin.

Leudin from yesterday.

The question is about the razor.

Do you know the story of death?

Not at all.

Not at all.

If you want to conclude,

don't contradict me anymore.

It's starting to hurt.

I don't like to say what she says.

It's not far from the razor.

The razor is a philosophical principle.

I ask you to summarize

what the razor consists of.

It's not easy.

It's not easy.

Don't divide the concepts too much.

Something like that.

It's not far from that.

If you have the concept of the thing,

there's nothing to do with it.

Help us!

Help us!

You have to see Monsieur le Père.

It's going to be too long.

Call your mother and ask for the answer.

No, no.

It's going well because what you're doing

is exactly the opposite.

It's the principle of Okam.

What you're doing.

Okam is a nominalist.

What does that mean?

It means that

the concept doesn't exist.

Everything that exists is the thing.

The concept of tomato doesn't exist.

What exists is such a tomato,

such a tomato, such a tomato.

Or such a woman.

Do you understand the concept of tomato?

It's a big problem.

It's a big problem.

It's romantic.

He's not only drinking half of it.

He's drinking it.

It's a pity that he's got the bad thing.

It's a pity that he's got the bad thing.

It's a pity that he's got the bad thing.

Is it the cause of the called rasoir?

Is it a relationship with these tears

that passes on something?

No, no, no.

Is it a relationship with rasoir or their night?

No, no, no.

The elected ones are annoying.

It's not symbolic of thinking that it's a vehicle.

It's not that far from what you said.

It's not that far.

It's been 20 minutes talking.

It's not that far from what?

He's going to end up finding something.

If I turn around, I'm going to do something.

You often turn around with your truck.

You stop.

What are the best doors?

The door to the chapel.

I don't like when you reach the dignity of your neighbor.

I don't like it.

I don't like it when you bring me a lot of money.

She can give you some rasoirs.

No, but the rasoir.

Is it not the fact of generalities?

So, the name is

N-Titan on the route

Multiplica Ndapra Eternis system.

You wish?

Exactly what I said.

It's funny.

The entities shouldn't be multiplied.

The entities shouldn't be multiplied.

No, it's the opposite.

I said exactly what I said.

It's the opposite.

No, it's the opposite.

It's the opposite.

It's like he understands nothing.

No, it's not the same thing.

We can know.

He doesn't understand.

The rasoir.

It's not exactly the right answer.

I'm trying to help you

by translating the Latin.

Say slowly what I'm talking about.

No, but I'm going to translate it.

The entities shouldn't be multiplied

beyond what is

necessary.

We can say that more simply.

I'm asking you more simply

what is this

philosophical sentence,

this philosophical reasoning

that we also call the rasoir of Okam.

Yes, yes, I think so.

She just played.

We're waiting.

I think it means that

it's not necessary to multiply the examples

if something is true and it's true

and if it's not, it's not.

I'm just asking you

to translate this sentence

more simply.

You don't have to

create concepts to everything we see.

There are things that are white

that we're going to invent white concepts.

Is that it?

Yes, how to translate that

into a simple sentence.

It's not easy in the big heads.

I'm asking you to be simple.

What is and what is is.

And you're doing

the opposite.

We complicate things.

We complicate things.

Things are more simple

than they seem.

What is the sentence?

Why make it complicated

when we can do it simple?

Good answer!

It's a nice allegory

because we only did complicated things

for 15 minutes to get a simple sentence.

The simplest hypotheses

must be preferred

or even more so.

Why make it complicated

when it's simple enough?

That's the principle of Okam

and the razor of Okam.

You were all ready.

It was simple to summarize.

Wait, are we recording now?

Yes.

For about two and a half hours.

It's not an interrogatory, it's not the police.

It's my father who has a spot in the face.

You're going to talk, sir.

It's only two and a half hours

that I would like to go to the bathroom.

It's starting to look like that.

I have to go.

Why make it complicated

when we can do it simple?

They're really going to the bathroom.

That's the truth.

It's really the new blessing.

It's the new blessing.

She's always going to pee.

She's always going to pee.

She's always going to pee.

She's always going to pee.

The guests of the day.

The guests of the day.

It's a duo.

A duo that you know well.

Maybe not as well as that.

By the way, there will be a documentary tonight.

I'll tell you.

A documentary that will be dedicated to them.

It's on T.M.C. at 21.25.

The Ornorm Cinema is the subtitle

of this documentary that would have been dedicated to them.

Olivier Nakah and Eric Tolédano.

We call them simply Nakah and Tolédano.

The French directors

and the success of the years

are our guests.

Bravo!

They welcome you.

The directors of Intouchable,

of Soba,

of the meaning of the party.

Ornorm.

And even

another success.

A TV success.

The one in therapy.

They did all of that.

Intouchable until in therapy.

Nakah and Tolédano.

Welcome, gentlemen.

Named.

I didn't know that surname

that we gave you both.

The brothers who don't have the same name.

I like them as surnames.

Jean-Pierre Bacry,

regretted Bacry,

who made you turn in the sense of the party.

One of your great, great successes.

And it's true that there is a new

Nakah and Tolédano who come out on the screen.

Tomorrow, a difficult year.

It's a new comedy,

but a comedy about,

as you often do,

on a subject of society.

And that's the ecology

that is your target, we can say.

Ecology, surrender,

consumption, our way of living.

We asked ourselves,

a kind of photograph of the time,

on the most and the least,

what are in the overconsumption

of a side with two surrender interpreted by

Puyo Marmaille and Jonathan Cohen,

will, by mistake, go to a meeting

more for the beer and the chips

than for something else, in a meeting

of militants and colos, and they will slide

and see what they can do.

I saw the film, it's two losers,

played by Jonathan Cohen and Puyo Marmaille,

it's a joke because

they are just in the shit,

they want to erase their surrender,

they will find a way,

we will not tell everything, but a subterfuge

which will not necessarily work,

but to try to erase their debt,

because there is a way,

I would ignore that,

the Bank of France has a way to erase

their surrender, have you studied

this phenomenon?

Yes of course, we followed the path of people

who are inspired in this spiral of surrender

and yes, in France we have the right

to have a second chance to be able to erase

their debt and try to leave

and get the head out of the water.

And it's by the way Mathieu Amalric who will teach them

this possibility, without guarantee

of course of results,

Mathieu Amalric also has an incredible character

who himself has some non-resolute addictions.

Puyo, we can say that.

But really, the most funny moments

you have to say is when these two losers

arrive in the middle of these militants

actually you said it because

they have nothing to eat and nothing to drink

and when there is a free beer and maybe

cacahuels and chips, they rush here

and I have to say that the voices

but really, I burst laughing,

the voices, all the two

realize that they will have to

also if they want to integrate the group

to have a nickname like the

ecological militants who are there

because they are all little names

ridiculous, you have to say.

But that's real, by the way.

We always have this vocation

to immerse ourselves in

the realities that we try to describe

and so there it is a group called Extinction Rebellion

they have participated with us

in many militant shootings

and it's not that there is ethnic or cultural judgment

on you, you choose a pseudo

quinoa, antelope, siren

it's like the Scoot

but that's how we were welcomed at the first meeting

at the first meeting

it's so funny and I have to say

that Noemi Merlin is

the main female character

but also a militant

of the film because

I have the same impression that she doesn't play

it's a compliment that I make

we have the impression that she is a real

ecological militant

I don't know if she is in life, but we don't have the impression

so in life she is

very involved, very concerned

but it's a fantastic actress

we have the impression that the words have never been written

she has been

immersed in this association

in this movement called Extinction Rebellion

for some time and she followed them

she did actions, us too by the way

and it's true that we really feel

very concerned, very involved

she makes an incredible performance

in front of these 2% that her Jonathan and Pio Marmai

A difficult year

the film comes out tomorrow

on your screens, the new

Toledo and Olivier Nakash

your last success, it's not a cinema

it's in therapy

it's a therapy

it's a therapy by the laugh in this difficult year

we will try to create a bubble

of lightness in the middle of the chaos

so it's tomorrow

I would like to introduce you to both

second, Eli Semoun

you want to intervene Eli?

Hello

Hello everyone

the war

between Ruki and Ukraine

the war between Ukraine

and Palectin

Attentive in a liqueur

and yesterday, Brukel

you have chosen the title very well

a difficult year

that's it, thank you and good day

Olivier Nakash, Eric Toledo

an actor that you have made

it was in Ornorm

and the subtitle of the documentary

that was dedicated to you tonight

on TMC, Ornorm, it's Vincent Cassell

Yes, hi, it's me

Guys, I was saying something

you like to make films on the handicap

untouchable, with the tetraplagic

Ornorm, with me and the autistic

and there, a difficult year

with actors who are not me

sacred handicap

Edouard Baer came to see you

Eric and Olivier, you are admirable

you manage to make us laugh

with serious topics

so if you make a film on the

bad actors who are not expecting

nothing from life

if it's a role in the next Akash and Toledo

make me sign, I'm ready to talk

about a Chinese mock-up

because life is above all

encounters

by chance of director

gifted with a huge talent

and who, by drinking a moca coffee

Ethiopian with floral flavor

but why didn't we make it

earlier?

You already made a film with Albert?

Not yet, but we like it a lot

Jean-Paul Rouves, you made a film

with a friend of yours

almost Jean-Paul Rouves

So like that, we will make a new film

and we forget to call his friend Jeff Tuch

in life, for a film

we can forget Nicolas Cage, that yes

we can forget Frédéric Diffinntal

that's what you recommend

It's not nice for Frédéric

but how can we forget Jeff

in his film, we have to think

we have friends, we don't have friends

Jean-Paul Rouves

is not a comedian

yet, if I saw him in a film

not so long ago

Jean-LaSalle

Jean-LaSalle

Jean-LaSalle

Jean-LaSalle

beautiful region

Hello, Jasper Naclo

Jean-Marc

I like

I like the message

of your film

you see, it's two brave men

who frequent the ecological environment

to take advantage of the welcoming skin

I have the alarm in my eye

and the rotot in my mouth

It's important, ecology

let's mobilize together

to save the welcoming skin

but let's go further

and let's place the starting skin

among the protected species

I can't wait to say Marc-Antoine Lebré

obviously

the film

a difficult year

tomorrow on your screens

don't forget the new Nacache and Toledano

I don't know if we can say it in another way

there is an order or not

Toledano and Nacache

Nacache and Toledano

you stay with us

the time of the Valley Zertel

in a few minutes

the Valley Zertel

I'm going to make you choose

Eric and Olivier a random number

I don't know who you choose in this case

Yes, a number between

1 and 20

I would say 14

the number 14

I tell you who it is

I remind you that a documentary

you saw it, the documentary that dedicated you

tonight, please

it's very touching

it's not only on us

it's on the films and what it gave

the word

that's what made this documentary

on T.M.C. tonight at 21.25

the cinema

of Nacache and Toledano

and the number 14

it's Astrid Henri

I hope she will hang up

you call her, you ask her if she listens to RTL

you introduce yourself

and obviously she must give us the continue

it's Astrid or Henri

I think Astrid is her name and Henri her name

and she lives in the Alps Maritime

Yes, it's Astrid

Yes, hello

Hello Astrid, it's RTL

on the phone

Oh no, I don't know

It's a little hard

You're not Astrid, you're at work, right?

Yes

We disturb you in the middle of work

But you have the list or not?

Yes, I try to find my

She is mute

We may hold a winner

Definitely, you wear good luck

I hope Astrid

I hope for you

You've been out of your last movie

Yes, I've been out of my last movie

For two weeks

So if we hold a winner today

it will be really thanks to you

So Astrid

100 euros

The Album Love Box Serone

Marc Lavoine

A print

A real box

A 500 euros

Contrary to the sea

A single album

Reflected, still sick

A suitcase

A tucano, a backpack

A theater

A work, I don't know what

To go see François Vincent Telly

at the Theater of Work, I agree

It smells good

A turntable with Kingston

Yes, for your body

For your body

For who?

For Joaquin

Well done Astrid!

Thank you Michel, I love you

Sorry Astrid

Astrid, I'm with you

I'm with you Astrid

Three books I added yesterday

A book from Laudit Gauchoin Man

A book from Laurent Doche

A book from Berling

A book from Thomas Louis

A book from Laudit Gauchoin Man

A book from Laudit Gauchoin Man

A book from Thomas Louis

A book from Musa

Half Naza

A book from Denver

Our last dinosaur

That's the show of Arthur toad

Arthur toad

I know, I heard it

Exactly, Denver

our last dinosaur it's a musical day

for children in Renaissance theater

It's doing many things

Toad said they wouldn't be

conquering it

Bravo!

It's been three times!

How is it three times?

I already lost twice my belly.

But you're lucky if it's the third time you're called.

I'm going to ask my husband for a move.

So wait, don't ask him anything.

When did you call last time?

For the first time, it was during the confinement.

No, because if it had been less than three months, we wouldn't have the right to do it.

No, no, no.

They would have realized it.

The guy is trying to scratch the belly and get it back.

I'm sure it hasn't been two months, always.

What do you do as a job because we take you to your workplace?

It's not interesting, I'm not going to go to the pub, they just paid me more money.

I love to stay.

You're going to live in this place?

In Strid.

You live there, in Strid.

In Strid?

Yeah, yeah, yeah.

In Strid, you live there?

We live in Gatière in the Alpes Maritime.

In Strid, what we're going to do is offer her two places to go to the cinema.

And you'll go see the whole new Nacacha and Toledo.

And we thank our director duo of course for having us here.

Thank you.

They've had a chance, in Strid.

We're going to add 1,000 euros, 1,000, 2 euros to the valise.

Attention, there will be another surprise.

Here tomorrow, at 5.30 am, in a moment, you will find Marc-Antoine Negré,

at Junien-Sélier. Good evening, Junien.

Machine-generated transcript that may contain inaccuracies.