Les Grosses Têtes: LE LIVRE DU JOUR - "La Nostalvie" de Patrick Sébastien

A podiatrist will tell you about your feet.

An orthopedist will tell you about your bones.

A physical therapist will analyze your gait.

A psychologist will help you manage your anxiety.

But what if they're all connected?

What if your walk affects your hip alignment

and the loss of movement affects your mental health?

At Kaiser Permanente,

we know the body is connected in unseen ways.

That's why our doctors work together

to care for all that is you.

Kaiser Permanente, for all that is you.

Learn more at kp.org.

RTL, the book of the day.

The book of the day is called The Nostal Life.

It's Patrick Sébastien, who we'll have on the phone in a moment.

Patrick will answer our questions.

But first, a question, obviously.

Who concerns his book?

Would it be you? He answers.

He evokes his famous, huge success.

A huge success, Sébastien.

It's crazy.

You know, the artists got angry

and accepted to play other roles,

other characters.

And for example, it was characters

who had accepted to play the famous song of the unknown.

You know, because Legitimus and his comrades.

And if Patrick Sébastien tells this episode,

it's because in his book, he explains that today, at C8,

at one point, we refused to postpone this scene

because the blackface is now forbidden

and we could not pass someone who imitated

because Legitimus was angry.

But what is the group that parodyed the unknown at this time?

The charlots.

The lefty.

No, not the charlots.

Indochine?

Yes.

It was Indochine who played the parody of the parody.

Good answer from Christophe Bogrand.

Bravo.

Isabella, the blue eyes.

Hello Patrick Sébastien.

Hello children, hello friends.

Hello Patrick.

Hello Patrick.

Hello Patrick.

It was a great memory that Indochine was accepted

to do the parody that we had done two times.

And yes, what I do not understand,

it's really true what you are telling us.

Yes, but anyway, that's it today, Elas.

I do not see why it can make racism progress,

to see circuses with who were a little bit wrong,

the face to look like Legitimus.

I also had another thing,

I had Paul Prebois who did Michael Jackson or Moran

who did Ella Fitzgerald who made a very nice homage.

Well, we said no, blackface, it's not possible.

We can no longer pass that today on television.

A man can disguise as a woman to play or something like that.

It's funny.

Yes, it's very special.

No, but it's true, it's very special.

I gave this example, but there are many others in this book.

The Nostal life is titled

and if we made a step back to better go forward.

And there is an absolutely incredible story,

it's this story with Tarik Ramadhan.

And there, I think that's what surprised me the most in the book.

Well, listen, it's something that surprised me too.

I did an issue with Frédéric Tadej

and then there was this man that I knew from reputation,

so you put your hand just by little.

And then, at the moment, I put my hand,

he started to recite a poem for me.

When he was born, the good God who plumes his womb,

said to my grandmother, and I looked at him with big eyes,

I said, how do you know that?

Or in fact, it was a poem that I recited at the end of the show

in the 80s.

And then he said to me, well, here I am,

when I was a student at Geneva,

I came to see your show and this poem marked me.

So it really surprised me.

What's surprising is that at the time,

I had made this poem in a show that I was doing

for Amici International.

And there, it was put on my face,

I couldn't even finish it.

So I do something about the a priori,

by saying on the other side, there is a person who was...

Pursuaded by justice for Viola.

Pursuaded by justice, it was Amici...

And the one who was the most attached to this text,

rather humanist, it was the other.

So that's just what I wanted to say.

I can give you this text, I don't know if you remember it by heart,

but I can read it if you want.

When he snows, it's the good God who roams his eyes up there,

said my grandmother.

When he snows, it's the good God who roams his caroms,

said my grandmother.

When he snows, it's the good God who cries over men.

And then I said, when he snows, it's the calm.

When he snows, it's the mist.

And when he snows, it's always the good God who cries over men.

It's my grandmother who said that.

And that's it for soon.

Grandmother, it's pretty, it's indeed in the book,

like stories, obviously, very funny too.

There's not just nostalgia or nostalgia.

No, there are plenty of things.

And then there is a look on the current society,

on the relationship between women, on immigration,

on plenty of things compared to what was before.

But it's not past, it's the opposite.

It's if you want the reasoning, it's to say,

since how it's going at this moment,

I have the impression that we're going in the wall.

And when we go in the wall, there are two solutions.

Either we crack on it,

either we brake forward,

we do two, three steps backwards,

we take some tears and we go over it.

And for me, the two, three steps backwards,

it's to come back to...

Well, it's a bit...

Why am I good at you too?

You are the guarantors of a good humor,

of a freedom, of your,

that we had trouble finding elsewhere.

A little joke, for example,

that of Coluche, who you tell in the book,

a little four-year-old girl who says to her mom,

Mom, I'd like a little sister.

Okay, I'm going to call Sigone.

You don't prefer to try with dad's dick first.

But that's why the book obviously is attractive,

because you're talking about an era,

a revolution era.

Yeah, but I'm not talking about it,

precisely with Nostalgia,

that is to say, well, it's revolution,

but I think there are values in this era.

What do I hear around me?

And very strangely,

I was talking about the Vendée just now,

I was going to do it this summer,

I did a lot of concerts,

I made a concert in Vendée,

in Poupée,

where I had 32,000 people in front of me,

so many young people,

because they find that in my audience,

my songs are stupid,

like they say,

they're not the minors between 15 and 20 years old,

they like that.

And I talked to these kids,

well, the kids who, by the way,

celebrate their birthday on the songs of the 80s,

these kids there,

they want to, well, of that,

a little more freedom,

a little more authority too,

a little more security.

In the book, you also tell us this episode

broadcasted in the Ozone show,

we will remember for the oldest among us

that it is an show that he had only known a number,

that's it Patrick.

No, three.

Three, anyway.

But it was a little too pink.

Which was...

No, I'm not too pink.

Interrupted, we will say, at the time,

but there is a funny thing that you tell us,

it's Gilbert Montagnier.

Here, Gilbert Montagnier,

on a beach in Languedoc,

in the middle of the crowd,

you make him suffer a inflatable doll.

Yeah, and I arrived,

and I arrived in the morning,

and I said, but it's okay,

there are plenty of people around,

if my Gilbert was crazy,

you're making a inflatable doll.

And he said, shit, then,

during the whole winter,

I took my zodiac.

He did it for us, he did it for us.

I was talking about this freedom,

and I think that today,

this sketch,

we would rather do it

because it's about reaching

the honor of the non-seekers,

I mean, we are in a world

that works on our heads.

You also mentioned our big-headed friend,

Olivier de Kersozon,

about couples.

It's funny because it was after a big-headed evening,

where we were going to have

carnival parties,

or the carnival,

and we found ourselves

like two old celibates.

We had a little chagrin

to see each one and the other,

and I had a absolutely wonderful evening.

We found ourselves like two old fools

to drink a beer together

for four hours at the house,

and we disagreed on the relationship with a woman.

And he came to this conclusion,

which was not bad,

that he told me, you know,

when you get into a couple,

after a few months,

there is someone who wants to change the other.

So, either he doesn't arrive,

and he reproaches that of not changing,

either he arrives,

but the guy doesn't match

what he had been doing at the beginning,

and in the two cases, we lost.

The analysis was pretty good.

In the two cases, it's the end of the story.

Inelementarily, my dear Kirk Soso,

understand, in your book,

it's called The Nostal Life.

It was signed by Patrick Sébastien,

at XO.

And if we did a step backwards,

to better go forward,

it was our book of the day.

Thank you, Patrick.

Téléchargée, dès maintenant,

l'application RTL.

Machine-generated transcript that may contain inaccuracies.