Les Grosses Têtes: INVITÉ - Grand Corps Malade présente son nouvel album "Reflets"

I knew you'd love this place.

What was that?

A selfie.

You just took a selfie.

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It's so small, I can put it right back in my front pocket.

Now it's in my pocket.

Now it's taking selfies.

Whoa!

And the huge cover screen lets us see our pics without opening it.

Aw, you look cute confused.

I do look cute confused.

Get your Galaxy Z Flip 5 now at the Samsung Experience Store at Roosevelt Field.

RTL, it's time for the guest of the day.

The guest of the day will have a great tour across France

from January 2024.

We'll have to wait a few days

for his album to be released on October 20.

It will be called Reflet, his album.

But we already have an avant-goux,

an avant-goux of this album.

He's going to talk to us about it.

And obviously, we're going to receive him for this occasion.

After listening to it all together,

Retain les Rèves,

Retain les Rèves,

it's the new title of Grandcourt Malade,

who will join us.

I loved you.

You looked at me from behind,

who was happy to see me.

I found you full of light,

out there it was all black.

I didn't tell you that I was proud.

I smiled at you without knowing.

I dreamed.

It was a summer evening,

we were coming back from your training.

I looked at you.

You were a little tired,

your eyes were blue,

inspiring.

I loved you.

In the baggy radio,

you're afraid of the moment.

In the car, we'll sing.

How would you wish otherwise?

The sun didn't want to set.

Take advantage of our moment.

I loved you.

Was it a dream?

I loved you.

I don't want that night to end.

I loved you.

I looked at you.

What would you do if you wanted?

If you wanted.

If you wanted.

I loved you.

Was it a dream?

I didn't want that night to end.

I looked at you.

What would you do if you wanted?

If you wanted.

If you wanted.

I dreamed.

It was a winter morning,

just before the sunrise.

I looked at you.

Your eyes were asleep,

around the table of the little angel.

I loved you.

There was the smell of the flu,

and you were telling me your dreams.

The funny story of requins

and of sailors that we take off.

It was a morning like one,

but like a privilege.

I dreamed.

It was a winter morning,

just before the sunrise.

I looked at you.

Your eyes were asleep,

around the table of the little angel.

I loved you.

You told me it was a dream,

that the sun would set.

There was happiness everywhere,

and you wanted to use it.

I was always with you,

to be able to feel and grow.

I loved you.

Was it a dream?

I loved you.

I don't want that night to end.

I love you.

I love you.

Do we keep our dreams?

If you want.

If you want.

I dream.

Was it a dream?

That the sun would set.

I don't want that night to end.

I love you.

Do we keep our dreams?

If you want.

We keep our dreams.

Big sick body of our guest of the day.

Hello Fabien,

my name is Fabien.

Fabien, I can call you Fabien.

Yes, of course.

It's not easy.

Or GCM, I don't like GCM.

No, Fabien.

Big body, it makes us compose.

No, but we were all very, very emulous.

Yes.

But like every time,

there is the text,

there is the voice

and the magic of the two reunions.

It works as much as you sing now.

You sing, let's say.

Yes, I sing.

I like it.

So you see your fiancé.

How do I see you?

In the text?

No, it's his children who address him.

Really?

You didn't listen to Arienne.

Yes, yes, yes.

It's your children who address you.

Of course, I talk to my two boys.

Your two boys who have been saying this for 13 years,

that's about it.

Exactly.

And you really dream where?

Indeed, it's a dream to wake up

and every day you think about it.

I ask myself the question.

Yes, it's true that it's small moments

very common.

And what I say in the song,

and at the same time, it's a privilege.

And all that, it goes very fast.

We often say it,

when the children are born,

it accelerates a little the sable.

And it's true that I realize it.

And suddenly, these little moments

that seem very anodinous,

I say to myself that one day,

they will miss me a lot.

So here, it's a dream,

maybe, to wake up

that we want to remember a little bit.

The album Reflet will be released on October 20,

next time.

For now, we just have this single,

Retien, Les Révières.

Collaborations on the album,

as often you do it,

or is it only you this time?

No, it's just me.

After all, a duet album,

my lady, after the album

with my friends Gael,

Faye, Ben, Mazouet,

we were always in three.

There, I come back alone.

It's true that you had a huge success.

You have to say it for the previous album.

I think about duet with Luan

behind the noise,

but also that one with Camille Loulouche.

But I love it.

Was it the biggest success of your career,

those songs there?

Yes, surely.

Yes, because there were a lot of radio passages.

And suddenly, there are real tubes

that people sing after,

in the concert halls.

Yes, it's surely the biggest.

For you, it was unexpected,

because since, I think, mid-20s,

mid-20s was the title of your first success.

It was 17 years ago,

that's about it.

Yes, 2006.

Yes, that's it.

And it's true that it's more and more difficult

to be broadcast on radio.

And on the previous album,

it happened to you twice

with these incredible titles,

with Luan and Camille Loulouche.

Yes, but it's true that,

as I was doing a format

a little less classic,

where I was speaking,

I wasn't singing.

So suddenly,

I wasn't immediately well served by the radio.

And it's true that it has evolved,

maybe also that my albums

have been more and more musical.

I sing, as you said,

more and more.

And that's it,

it's true that now,

I'm more served by the radio.

But that should indeed

be a lot of broadcast,

keep your dreams,

the first song

extracted from the album,

to come back,

then there will be a big tour.

I'm not going to give all the dates.

It starts in January 2024.

Here, it will be,

go to Brussels,

to the National Forest,

the 14th of January,

Mr. Geluc,

for our Belgian friends

who have been listening to us

for decades,

a little everywhere in France,

the exposition parks,

the very big rooms,

every time,

you will have a first part?

Yeah, yeah,

I have two singers

and a singer

that I'm a little bit

that I'm going to put in the first part.

And cinema,

what are you doing?

Well, yes,

of course,

Mr. Junio,

who is interested in cinema,

indeed,

we remember the adaptation

of your patient book,

but there has been

other things since.

What about this story

of Charles Aznavour?

A little bit, yeah,

we can say that.

Well, no,

but I co-written the script

and I co-realized the film.

We just came

to finish the shooting.

So it's no longer a scoop.

It will be a biography

of Charles Aznavour.

It will be a biography.

We are especially interested

in the first part

of his career,

that is to say,

really the success front.

And it's not a scoop,

it's Tar Raim

who does

master the great Charles Aznavour.

That's still,

you have to say

that he is extraordinary.

He has the sense

to transform.

We saw in a series

not so long ago,

the serpent.

The serpent,

he is absolutely incredible.

So I do not doubt

a second,

which is excellent.

He is incredible.

Charles Aznavour.

He is incredible.

He is metamorphosed.

He has taken

management courses

of piano.

Fabien,

I present to you

right away

someone you know.

You have surely already

met.

Because you are interested

in sports,

it's Didier Deschamps.

Hello Didier Deschamps.

Yes,

hello.

Well, Fabien,

you remember me,

huh?

We met

you were always

very serviceable.

As you were big,

it's you who

changed the ampoules

of the projectors.

Well,

at the same time,

with the celebrity,

you remained a nice boy.

The proof today

you are there to make

a slum animation

for Papi Junior.

So good

day.

It's true that

you worked

at the State of France.

Yes, it's true.

What did you do

exactly to change

the ampoules?

Almost.

No, I was there.

Yes,

you were right.

I was in the marketing direction.

So it was

very good.

It was the biggest sports event.

Stéphane Baird.

Yes.

Would you like to say

a few words, Fabien?

Yes, hello.

Prince Laurent of the street.

Yes, thank you.

Yes.

And Grand Duke Fabien

of the disease.

And hello to the

gay and populace.

Oh no.

Personally,

I love the slum,

the musical style,

not the show

of Cyril Ferro.

By the way,

you know the difference

between slum and slum,

no?

When we listen to slums,

we have the heart that beats

and when we look at slums,

we have the heart that beats

but no longer for a long time.

Oh no.

Well,

whatever it is,

a sick heart.

And for me,

the definition of the poet himself,

I see it

between Verlaine

and Rimbaud.

Not in the bed, obviously.

It's the expression

of the modern poet himself.

Nagui and Michel Drucker,

on there too.

Yes, hello,

hello, hello, hello.

And welcome,

welcome,

so don't forget

the words of a sick big body.

I love the idea.

Michel is ready to play.

Well,

I already forgot what I ate this afternoon.

So.

It's okay Michel,

I'll put you back in the fridge

until Sunday.

And we're going to play without you.

I remind you of the rules of the game

because they are hard.

If simple,

I give you a song

of a sick big body

and you tell me

if you know it

or if you have

shitty musical tastes.

But in this case,

I can advise you

the last one to go

and

to go listen to it

in the scene with Simon

at the foot

or

Parpins

except

if you have the Joker

I love big body

but

where

is

so

Ornicar

Thank you Nagui,

it's enough.

Nicolas Sarkozy

you mean a few months

sick big body.

Hello sick big body.

Those little bodies

soon you health.

I love your voice.

You could maybe

make a duo

she also does slams.

Slams the helmets

when she sings.

You know, Mr.

sick,

I love music.

Sick.

Sick.

Sick.

His pronunciation

is not big body.

It allows me to get away

but what I prefer the most

is to make people sing.

Good day.

You could applaud

Marc-Antoine Lebray

obviously,

thanks to his fingers.

All his voices.

Politics, big body,

sick big body

you are requested a lot

because we know that sometimes

you react to the news

through some of your texts,

some of your songs

or sometimes you react

to the nonsense

that some say.

I think to another Fabien

Decidément,

it's a pronoun that can

we say that people who

even pronounce it

do not always look like.

I think to Fabien Lecovre

who was taken

physically to the singer

Ochi,

you had made this beautiful

text called

already beautiful.

There was also

not essential at the time

confinement.

It's true that you react

like that often

to the news,

to the events.

Is it worth it

to be requested a lot

by politicians?

A lot, maybe not.

But yes, it happens

especially in the moments

of presidential campaign.

Yes, you hear

there are some calls

to support them,

to have a meeting,

to make a song,

an opening.

People do not answer

that advice that I say.

That's good what I do.

I'm sorry.

No, it's very good.

I feel concerned

by everything that happens.

But I do not have the impression

that it is my place

to be on political podiums.

What matters is the album

that will be released in October,

retains the dreams.

It is the first song

that we have been able to

discover today on RTL.

But you stay with us

the time of the valley

RTL now.

Machine-generated transcript that may contain inaccuracies.