Les Grosses Têtes: INÉDIT - Côté coulisses : Tarek Boudali se confie avant l'émission

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Dear viewers of The Ralph's Show,

find out in the podcast an inedible interview of the guest of the day, Laurent Ruquier.

He's arrived.

We're moving forward in the stores,

and Julien Bono has taken the opportunity to ask him a few questions.

Enjoy!

Tarek Boudali, hello. You're the guest of The Ralph's Show.

We're happy to welcome you.

Is this show called The Ralph's Show something special for you?

Well, humorous.

I know that when we listen to The Ralph's Show, we're going to laugh.

Did you listen to the show or did you listen to it younger?

It happens to me from time to time when I'm in the car at that moment.

Do you have favorite big heads? Some of you have more fun than others.

I don't have a favorite. I like everyone.

I like everyone. From the moment I laugh, I like...

Would you like to try to be a big head in the show?

I don't think I would.

Really, because it's a very difficult exercise to do just with the voice.

It's very complicated.

So I don't think I know very well about this exercise.

Is there a domain in which you can say that you're a big head?

In the cascades.

In the cascades, yes.

In the cascades, yes. Because I do all my cascades myself.

So yes, I'm a big head.

And he has questions in three days, Max, so he goes out Wednesday.

It's you who made your own cascades?

Yes, at no point I was doubled.

And everything is done in real life. It's not in the green background.

And you've been a cascader for a long time?

I've been a cascader for a few films now.

But when I was little, I was looking for a job as a comedian.

I almost even entered a cascade school, but it was paying.

I didn't have any money.

Have you ever been injured on a film?

Yes.

So on the last one, I did both sides.

And I took off my left knee.

Can you tell us two words of three days, Max,

who goes out Wednesday to give advice to people to go?

Even if I think that...

I'm going to say three, like three days, Max.

So I'm going to say that it's funny, it's spectacular.

And I'm a cascader.

What were the most difficult scenes in this film?

Well, the cascades, essentially.

Because they're really...

We're not used to seeing them in France.

It's a bit...

I don't want to say worthy of an impossible mission,

but we're getting closer to proof.

Because I was doing a big cascade at Abu Dhabi

and people were filming me.

But they don't know who I am.

And the next day, we saw on their social networks

that they put the video of what they filmed

by putting it in the comments,

it's the shooting of the next impossible mission.

So somewhere, we get closer to the spectacular side of an impossible mission.

And I think there were insects too.

I think it was a bit difficult for you.

No, it was for Julien, that it was difficult.

Ah, it was for Julien, okay.

No, no, I wrote a scene where Julien

has to be confronted with insects.

And he's very happy.

And it was very funny to live from the outside,

but for him, it wasn't funny.

Fifi's band has become a legendary team.

Do you remember the day you met Philippe Lachaud?

Where was it? In what circumstances?

I first met Julien.

We met at the BTS.

And he said to me, you're crazy,

what do you want to do in a video?

I said, I want to become a comedian.

And he said to me, my best friend too,

he wants to become a comedian.

I have to introduce you to him.

It's going to be a big match between you.

He introduced us.

And it's true that it was a sort of

a kind of dramatic cut of the three.

What age were you at the time?

We were 20.

What do you hate the most about Philippe Lachaud?

He's sleeping way too early.

He likes to sleep around 21 hours.

That's not true.

Yeah, yeah, like a child.

And he wakes up very early?

He wakes up very early.

We can say normal.

But he loves to sleep a lot.

In the day, if he can make microsies, he'll wake up.

And what do you prefer at home?

What I prefer at home are his eyes.

No, I don't know.

I don't know.

He works a lot.

Which artists inspired you

when you started your career?

The troupe du Splendid.

Besides, we're lucky to shoot with a lot of them.

So we're very lucky.

There were the unknown.

Pierre Richard, in Francis Weber's films,

there were also the Frerelli brothers,

with the comedy of the type,

Foudirene, Maria Tupri,

Belmondo, who inspired me a lot.

That's why I'm wearing a helmet.

And there's a sequence,

in tribute to Jean-Paul Belmondo in the film.

So you also shot with some big-headed personalities.

We thought of Ariel Domba, La Gérard Junio,

even Chantal Latsou.

Do you have funny memories with them

on the cinema sets?

Well, Gérard, the first time we met him,

it was on Baby Sitting 1.

So we were completely like crazy people

when we saw him on the set,

because we thought,

well, Gérard Junio really agreed to make the film.

So we were like crazy people,

because we're ultra-fans.

And what's funny with Gérard,

is that he's super-simple,

super-kind,

and the Baby Sitting film had no money.

It was a small budget film,

so he really came to the heart

because it's not with that

that he won a lot of money.

And at some point,

between the two,

he wanted to sit down,

but he didn't even have a car wash for him.

So he tried,

well, on the floor,

he ran away.

That was very funny.

And that's where we said to each other,

that's cool,

this guy is a superstar,

and yet he is very, very simple.

Could you tell me,

who you haven't collaborated with yet,

but who would you like to do it with?

I really like Pyrninae.

Pyrninae, I find it really very strong.

He can do anything.

I think it's the best comedian they have right now.

In the United States,

I like Denzel Washington a lot,

but it's...

You have to dream big.

Yeah, you have to dream big.

Denzel is awesome.

Denzel, he is...

He is a masterclass every time I watch one of his films.

It's like I was taking a theater class.

Well, listen, thank you very much,

Eric, and we'll see you in the big heads in a moment.

Yeah, thank you.

Machine-generated transcript that may contain inaccuracies.