Les Grosses Têtes: INÉDIT - Côté coulisse : Grand Corps Malade se confie avant l'émission

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Dear viewers of The Grosse Tête,

Discovered in podcast,

An unprecedented interview of the guest of the day,

Laurent Ruquier.

He's arrived.

We're moving forward in the store,

and Julien Bono took the opportunity

to ask him a few questions.

Bonne écoute!

Hello, great-grandma Latte.

You're the guest of The Grosse Tête.

We're pleased to meet you.

You've already come to The Grosse Tête.

What memories do you have?

To see my personality

be drawn

to the people who are on the stage.

And then, yes,

it's a nice little promotion,

always relaxed, with a few small vans

on the right and on the left.

Do you have any favorite heads?

No, not especially.

I don't listen to the radio a lot,

so I'm not used to

going on stage more than listening to

to tell the truth.

What are the themes you're going to address

in the 20th of October?

There are plenty.

The goal when I release an album

is not to do 12 times the same theme

or the same mood.

There are personal themes.

There are more open themes in the world.

There are more serious themes.

There are much lighter themes,

even more funny.

The goal is to vary the themes.

Will there be collaborations, duos?

Not at all.

After all the MEDAM album

you are contemplative towards your children.

Do you have two sons?

I'm quite present,

even very present.

I try to organize my work,

my tours depending on them.

For example, I never go

for three weeks in a row.

At the most, I do three shows in a row

to spend the rest of the week at home.

I'm a dad who does the homework with them,

who takes them to the gym.

I want to be present.

You say in the song,

as long as you don't have a child,

what did you have to give up

by becoming a dad?

Not many things.

Dad is only happiness.

But after, you know that you don't live

for yourself anymore.

I gave up on improvisation.

Maybe it will come back.

But when children are baby or little,

everything has to be organized

depending on the horrors,

the things you have to go through,

you have to be there, you have to organize yourself.

It's 9 o'clock, I don't go,

I stay at the apéro, then at the meal

and then at the after.

It's been a few years and it's no longer possible.

Did your accident

make you a particularly anxious father

or a protector with your children?

No, I don't think I'm a protector.

I am.

As a father, there are times when I am.

But I don't fall into

an absolute psychosis

of what can happen to them.

So I try

to obviously teach them

to pay attention to a lot of things,

but I'm not too fond of it either.

Who was your musical inspiration

when you started your career?

There are many. I often say

that I listened to as much French rap

as Renaud or Brassens.

The common point of all this

was that there was a lot of text.

It was text in French.

Is there anyone you haven't collaborated with

and who you would like to do in the future?

When I tell you that, I think of big Anglo-Saxons

that are accessible.

A fit with Stevie Wonder,

with Alicia Keys.

That would be amazing.

But I don't have an objective.

I let myself be carried away

by the collaborations that are natural.

Thank you very much.

See you in the big heads in a moment.

Machine-generated transcript that may contain inaccuracies.