Les Grosses Têtes: INÉDIT - Côté coulisse : Coline Serreau se confie avant l'émission

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Fresh for everyone.

Hello Colline Cero, you're the guest of the day of the big heads.

We're happy to welcome you.

What does this show represent for you?

Do you know it a little?

Of course, but there's something to be happy about.

We all talk about it together.

Your work has always been very committed, but with humor.

Do you think humor is a good way to wake up your conscience?

Yes, I don't have a lesson to give to people.

It's rather them who teach me things.

But it's true that by humor, we can do a lot of things.

Since Monday, you've been alone on the stage of Michel's Tattoo in Paris in the beautiful story of Colline Cero.

In a few words, what do you propose to the audience on stage with this show?

Well, I propose an hour and a half, where we travel in memories, videos, funny anecdotes,

on the shooting, on the opera, on the hippo.

I show my trapeze number, because I was a trapezius, too.

And it ends with something quite hilarious,

which is a description of a very missed show in which I played.

And then, a thing called, when it doesn't want to, it doesn't want to,

where the three guys, du couffin, Roland, Giro, Michel Bouchnaet, André Dussonlier, get serious.

What a beautiful school, in the drama.

You were schooled when you were a child.

What was special about this school?

It was a school of freedom and contact with nature,

easy and free contact with nature.

It gave me a lot of training.

And you lived in the region?

But why did you enter this school?

Because I was a family member.

I was a mother.

We lived there.

It was just after the war.

Du couffin and Du couffin, you were questioned before everyone,

paternity, patriarchy in general.

What is your view today on the parents and the Mithu movement?

The parents have evolved a lot.

They are much less patriarchal or paternalist than paternal.

And that's beautiful, this evolution.

And are they Mithu?

Mithu, but Mithu, it barely started.

It had to be done a lot more.

It's a very important movement.

What are the strong women you admire?

I admire my mother a lot.

I think we have 100% to say that.

You were also a visionary in 1996 with the film La Belle Verte,

a critic of the Society of Consumption with an ecological awareness.

Is the current environmental awareness too late?

Do you think the solutions brought by politicians are relevant to your eyes?

Consciousness is not too late,

because I think it's a moment that people realize.

Politicians are still in the same system,

but they don't do anything.

They don't really care about things,

so we go to the next generation who don't sing so much.

But we will get rid of the youth, it's inventive.

I hope it will help this dust.

Do you have a vision of the future?

Yes, but I prefer not to share it too much.

She is pessimistic.

No, but I trust the youth.

I think the youth is cool,

she will wake up at one point or another.

Have you ever wanted to engage in politics?

No, never.

I am an artist.

Your commitment goes through art.

Through art, beauty, pleasure, love,

I create paradise for people.

I never say it's good or it's not good.

For me, humans are interested in me,

even if they are wrong.

It's people with their contradictions,

I don't have any judgment.

When you are in politics, you have to say

it's good, it's not good, I don't know how to do it.

Three men and a woman, the crisis,

Romeo and Juliet, the beautiful green,

which film are you most proud of?

It's like you ask me,

what are the children I prefer in my children?

None, they all like them, the same.

I've always wanted all my films to work in the shade.

Sometimes it's more or less, but it's okay,

it's my children.

And then I gave them to people.

It's more or less.

What did you do with your three treasures?

In all of them, I don't know what would have happened to them.

I may have understood them,

I don't know where they are,

but I was very happy to have them.

I'm not afraid of them.

Thank you very much Colline Serro,

we'll see you in a moment in the show.

Machine-generated transcript that may contain inaccuracies.