Les Grosses Têtes: INÉDIT - Côté Coulisse : Camélia Jordana se confie avant l'émission

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Dear subscribers of the podcast,

here is a bonus interview for you

of the guest of the day.

These relationships with big char,

these confidences,

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Hello, Camélia Giordana.

Hello.

You are the guest of the day of the big char.

We are very happy to welcome you.

Thank you.

You came for your irresistible series

that is out on Disney,

which is out on September 20.

We will talk about it first.

Have you ever been to the big char?

Yes, I've been to the big char, yes.

Does it represent something for you,

for your family?

Do you listen to the show a little bit?

I admit that I don't listen to the radio at all.

So I'm happy to meet Laurent.

It's a pleasure,

because we've known each other for many, many, many years,

about 15 years.

But no, I admit that I don't listen to the radio too much,

but I listen to either podcasts or music.

There are other big char

that you know of,

in the middle of Laurent, which is anime.

No, none.

I swear, I don't listen to the radio.

Yes, I know that with Christina Cordoula at the moment,

she's a woman that I really like.

We don't know each other personally,

but I love what she embodies.

I think it's great to see her in the French media landscape.

That's about it.

So you came for your irresistible series,

which is out on Disney Plus yesterday.

I'm just going to let you pitch it,

because it's about podcasts.

So irresistible is the story of Adèle Chapelle,

who falls in love with Arthur.

The problem is that she is completely traumatized

by her past love story,

which she thinks is a war.

And in fact, no, she doesn't realize it,

because Arthur's simple contact

for whom she had this huge crush,

she has difficulties.

So her body comes to express

the non-war of her past story with Trésor,

what exactly does she tell in her successful podcast,

my Trésor?

So it's great, it's just part of this podcast.

And I also read that you had a personal link with this role.

Adèle, she did anguished crises in the series.

You did it too.

It's a bit like that too,

who convinced you,

who made you say,

OK, that's for me.

So I did anguished crises in an era

that I haven't done for a long time.

I have this chance there,

because I just took care of myself.

What led me to the irresistible project

is especially, in fact,

as soon as the first episode,

I read that and the tone stopped much more.

The fact that Clémence Madeleine Pardria,

La Chaureuneuse,

appropriates all the codes of the romantic comedy

and reverses them.

That is, the comedy will go to a meeting

that may be able to take place in the end,

in a classic romantic comedy

where we actually start on the first episode

with a romantic encounter.

And the next one is,

how do we do it to be together,

to succeed together

with many other stories of love,

cross and periphery around this story.

And then I find the look also very modern,

that is to say that there is the question of,

well, here it is,

how the 30 years of our time

go with the codes of our time

to be loveable, loveable, it's new.

So the question is,

how do we do society together?

I love it and then to be honest,

especially, it's very funny.

Which is also important.

It's important to laugh at.

Adèle, in this series,

it's not about a podcast,

but this podcast will really exist after?

Exactly.

I had the chance to be able to work with

the producers of Louis-Médiat's podcast,

which is particularly produced

or maybe a night and other,

well, really a lot of important and very successful podcasts.

And I know that Clémence Madeline Pardria,

the actress that I mentioned earlier,

has worked a lot in Amon,

a little bit in little light,

like that, to observe

the producers of Louis-Médiat

working in the creation of a podcast.

And after she wrote these episodes,

she made Louis read, sorry,

to the women from Louis,

precisely,

to be able to have their opinion

on the coherence and the credibility

of what she invented.

And when she did read what she wrote,

she said to herself,

but wait, but in fact,

it's a real podcast concept.

So there is my treasure,

but behind it, there is the one

that will be created during the series.

I don't spoil it,

you have to think about it.

But suddenly,

here are the girls of Louis-Médiat

who say to me,

but it's a real series concept.

And as the meetings actually took place,

and there were real human crushes,

a little bit like in the series,

we said to ourselves,

but in fact, we want to continue

to work together,

we want to push the collaboration

further, so we made a bridge

between fiction and reality.

And the podcast took life.

It's called the disease of love.

And precisely, it's a podcast

in which you will hear real testimonies

of love stories

with people of all ages,

of all kinds who come to tell

their stories more singular,

one than the other,

and who are analyzed by specialists.

So it's going to be sociologists,

psychoanalysts,

in the past, I don't know,

finally, there are scientists,

there are really many,

many very different genres.

And it was very moving,

suddenly, to record that

and to be able to present

each of the episodes.

We already know how many episodes.

There is a dozen, yes.

There is a dozen,

how many times, 20, 30 minutes,

we already know.

Yes, I think it's about 30,

if I'm not telling you,

And then, last question,

we're talking about podcasts.

Yes.

You are also a fan of podcasts?

Yes.

I think so.

I am completely a fan of podcasts,

indeed.

The ones, for example,

of Victor Tuyaillon,

the ones on the table,

are...

Well, this one,

it's really the first one

that I've listened to a lot.

And then, behind the powder,

of Lorraine Bastide,

and finally,

and the least,

very, very, very important,

the podcast of Roccaia Diallo

and Grassley,

who is called Kif Taras,

which is a very, very important podcast.

So some of you

spend their time listening to music,

you spend your time listening to podcasts.

I try to vary,

but it's true that there are periods

where I stop listening to music

to be able to listen to podcasts,

which is a bit of a sense in my life.

And then, don't forget,

we meet in a week

on the Olympia stage.

Exactly, on the 27th of September,

by the way, I'm counting

after the big heads,

just to be able to

finish building this new show,

which is a show that keeps me

a huge rocker,

which is like a kind of end of the cycle

where we loop a loop

of 15 years of music and life,

to grow a bit like that,

under the eyes of the audience.

So it's going to be very, very

moving and great.

Well, that's great.

Good luck.

It's going to be a nice project.

And see you soon, Camila.

See you soon, thank you.

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Eric Dupont has been left for your recording.

Yes.

So you talked about 250,000 euros

of damage in the court.

At first, I was scared.

I said, shit, he was going to show it.

It's not true.

He sold everything.

He has nothing left.

This man has nothing left.

This man is in the woods.

Machine-generated transcript that may contain inaccuracies.