Les Grosses Têtes: IMITATIONS - Marc-Antoine Le Bret face à Véronique Jannot

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THE STARS

I know you participated in Dance with the Stars.

It's a good memory.

A great memory. A great memory.

How much did you finish in Dance with the Stars?

There were a lot less couples.

It was the second edition, and there were a lot less couples.

I think there were seven couples at the time.

I went very well because I was in the middle of a rehearsal

and no one was perfect with Jean-Luc Reichman.

So I had to leave.

And I think I was in the quarter-finals or something like that.

That's right.

Jean-Marc Généreux was in the jury at that time.

Yes, yes, yes.

I'm excited to meet Véronique.

I'm so excited.

You subjugated me with the grace of Karibou in Dance with the Stars.

Believe me, I'm not easy to subjugate,

even when Max Boubile arrives to party.

If you want to continue the adventure, I can introduce you to The Voice.

I know the hairdresser who does the permanents on the Tours de Nicos.

You have to come, Véronique.

The audience loves when the candidates give the sound of singing in the jury.

And that, I buy.

And that, I buy.

Véronique Janot, I have your book in my hands,

but I know someone read it and it's a literary critic,

a famous reporter called Augustin Trappna.

Welcome to the big library.

The literary show that makes you want to take a book

and throw it into your TV to no longer look at it.

Today, I receive Véronique Janot for her book

The Present and My Refuge,

to not confuse me with the book of Bernard Minet,

The Present and My Vermifuge.

Véronique, I'm going to ask the question that everyone is asking themselves,

what is for you to write is a sensory sublimation,

parapsychological and frigid,

while putting forward a form of art that transcends,

which is Mono and which is Lorraine.

Or, you have not understood my question.

That's the end of the show.

Tomorrow, I will receive a Ukrainian author

who tells how he lost two arms and one leg during the war

in the book entitled,

Sorry if it's written as a foot.

What a joy!

Yes, what a joy!

Stéphane de Grotte is not yet played in the theatre with Stéphane de Grotte.

No, but I love it.

Maybe one day.

Well, we are here for the book of Véronique,

two who hold it, three who read it.

No, no, no.

By the way, between us, I prefer that we receive Véronique for a book

and say Véronique Janot Laicri,

because if he had come for a painting, it would have been embarrassing

to say Véronique Janot Lapin.

Whatever it is, Véronique, I'm under the charm,

but at the same time, it's normal,

because as the saying goes,

a woman who is gray,

half in a library, good evening.

A singer, because you also remember Véronique Janot,

you sang and made a few successes in the song.

You must not forget it.

And precisely, it's a singer who comes to join you now,

well, a singer and a sportsman at the same time.

Yannick Noa.

Yeah, Véros, it's a pleasure to see you again.

It's a pleasure to see you again.

No, but your book and a call to take advantage of the present moment,

well, it will say that in French to Roland Garros,

take advantage of the present moment.

Take advantage of the present moment.

Fabrice Bouet with us.

Yeah, hi everyone.

No, I just wanted to say,

before I confused Véronique Janot and Véronique Jeunesse.

Well, I mean, it sounds a bit the same,

but hey, I mean,

I found a nemo-technique moment to never be wrong.

Well, Véronique Janot, she built feathers in the Niger.

And Véronique Jeunesse,

she would like to know if she can put some Arabs in it.

Finally!

We sometimes confuse you with Véronique Jeunesse, Véronique Janot.

No, we don't feel like we don't want to get confused.

But the names look the same.

But the names look the same.

So here, sometimes, yes,

it's the name that comes out.

You say hi to Véronique Jeunesse.

Well, yes, of course.

And she, we have to say hi to her sometimes.

Hi Véronique.

Except that she takes it well.

Well, yes, because she's always good at Véronique Jeunesse.

And that's also your secret.

Oh, she made love with the mother.

Well, yes, it leaves traces.

You say, by the way, that singing is what makes it better.

Maybe better than playing the comedy,

playing for television,

you again in the series that goes from time to time.

You go from time to time in the series,

the series goes all the time.

The series goes all the time.

And you, you're from time to time.

Yes, yes.

But it's better than playing TV,

better than playing in the theater.

You say singing is even better than everything.

Singing is a form of great expression.

But it's true that I never did a scene.

And strangely, when I said that,

I was offered a crazy thing.

But I said yes to try the experience.

It's the 80s hit.

I'm going to sing the titles.

You're going to make the 80s film?

Not the 80s, the 80s hit.

The 80s hit.

Or the 80s hit.

Yes, maybe, maybe.

Maybe I'm going to make the 80s hit.

Véronique Janot, the present and my refuge,

it's his book at XO Edition.

You stay with us, Véronique, for the Valley Zertel.

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Machine-generated transcript that may contain inaccuracies.